Wolverhampton Archives -

March 12, 2019March 12, 2019

THE GALLERY: Wood and Nails @ The Flapper 02.03.19

Words by Ed King / Pics by Aatish Ramchurn

On Saturday 2^nd March, Wood and Nails headlined at The Flapper – with support from Dearist, George Gadd, and Last Light.

Promoted by Surprise You’re Dead, the gig was a raucous celebration of Wood and Nails’ latest single ‘Searching for an Exit’ – which you can wrap your grubby little music-for-free ears around here. Or better still, click here to buy something from the band in question and keep them in diamond crusted plectrums. Or food. Or whatever it is that artistes need to survive these days.

But by all on and offline reports, recollections, fervent cries and night terrors of loss and longing, the evening was a rip-roaring success. So much so, in fact, that the Birmingham Review front line reporter has been missing in action ever since… if found, please return to BRHQ.

Luckily, we had more troops in the crowd – a man who shall now and forever be referred to as ‘photo ninja’, for his Matrixesque ability to weave through a mosh pit whilst messing about with that all important ISO.

And as for the rest of you, indulge yourselves in some glorious gig shots from Saturday 2^nd March at The Flapper in THE GALLERY – featuring headliners Wood and Nails, alongside support acts Last Light, George Gadd, and Dearist. There are a few picked cherries to begin with, then the larger mosaic gallery – so viddy below my droogs, such a gromky shoom horrorshow:

Woods and Nails @ The Flapper 02.03.19 / Aatish Ramchurn

For more on Wood and Nails, visit their Spotify artist profile by clicking here – or to visit the Wood and Nails Facebook page for more info and links, click here.

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Dearist – supporting Woods and Nails @ The Flapper 02.03.19 / Aatish Ramchurn

For more on Dearist, visit www.facebook.com/DearistUK

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George Gadd – supporting Woods and Nails @ The Flapper 02.03.19 / Aatish Ramchurn

For more on George Gadd, visit www.georgegadd.bandcamp.com

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Last Light – supporting Woods and Nails @ The Flapper 02.03.19 / Aatish Ramchurn

For more on Last Light, visit www.soundcloud.com/lastlightuk

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Gallery not found.

All photography by Aatish Ramchurn / Aatish Photography.

For more from Surprise You’re Dead, including further event listings and online ticket sales, visit www.surpriseyouredeadmusic.co.uk

For more on The Flapper, including venue details and further event listings, visit www.theflapper.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL – NOT OK campaign, click here. To sign up and join the NOT NORMAL – NOT OK campaign, click here.

If you have been affected by any of the issues raised in this feature – or if you want to report an act of sexual aggression, abuse, or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL – NOT OK website.

July 9, 2018

THE GALLERY: P.E.T @ The Sunflower Lounge 01.07.18

Words by Lydia Fizer / Pics by Paul Reynolds

Otherwise known as the Oven of Aural Delights, >1000°C. “Me eyebrows are comin’ off!” – Molly McDonald, P.E.T bassist extraordinaire.

P.E.T. Ah, what can I say about P.E.T? That I’m beyond excited to see them again. That they have the purest punk sound which will pierce you to the core. That they’ve chosen their favourite local bands for the lineup tonight. It’s gonna be a good one. I can feel it in my water.

This gig is special, and not just because the lineup promises greatness. Tonight is the first time that the NOT NORMAL – NOT OK campaign stickers are in action. These are part of a larger campaign working against the cases of sexual assault, violence, and misconduct which are making our local music scene unsafe. Right this moment, P.E.T vocalist Abi Whistance is scouring the venue, slapping a sticker on anyone she can reach.

If you see these stickers at a music event in the future, please wear one. Even better, order some and distribute them. We are all responsible for showing solidarity in the face of sexual aggression, and demonstrating to the perpetrators that their actions will not be tolerated. You can get the stickers and information here, and even more information about the NOT NORMAL – NOT OK campaign here. As Whistance would say, “Get your hands off me, I’m not your P.E.T!”

Onwards. The first band to the stage are Flares, a babyfaced bundle of punk realness. They’re only 14/15 years old, but they are not to be underestimated. Their music is more mature than some bands twice their age.

They open with ‘Anywhere, Anywhere’ and bring a sound that hits your chest like a hammer. Their instrumentals are at once grungy and sharp. They move to the music with confidence. Flares are strong enough that covers of iconic songs are vibrant from their mouths. They get the whole room dancing to Buzzcocks’ ‘Ever Fallen in Love’, and stamp their own sound into M.I.A.’s ‘Paper Planes’. The beat keeps rolling right to the end of their final track, ‘Pastime’. They don’t put a note wrong.

Next up are The Butters Aliens. They have electric vocals from Ed Draper and an irresistible sound. The room is a mass of flailing limbs within the first minute of their set.

They smash a cover of FIDLAR’s ‘Stoked and Broke’, and I can’t help thinking that they play with unbelievable accuracy if they’re as baked as they claim. It’s so catchy. So memorable. It’s shoe-throwingly good (no, really. Shoes and hats are cast asunder. You don’t need them in hell). Later they cover FIDLAR’s ‘No Waves’. The old YouTube videos don’t do these covers justice at all; this show is leaving me blissfully broken – as Draper sings in ‘No Waves’, “I need a new body and I need a new soul”.

They set light to another firecracker, ‘Powerslide’. It makes me smile to see drummer Matt Homback briefly swap places with vocalist/guitarist Draper. Bring your drummers to the front and let them feel the love. They follow this with ‘No Name’. I’m left feeling like I need their CD for when I want to bounce around like a monkey on crack (admit it, you know how I feel).

There’s a whole load of gorgeous camaraderie between the bands tonight. They start mosh pits in one another’s honour, they write each other’s initials across their chests. Vocalist/guitarist of Miilkk, Jack Dixon, is called onto stage with The Butters Aliens to lend his exuberance. The Aliens end on an unearthly headbanging beat. Miilkk take to the stage. Drummer Fin Elwell-Jones’ facial glitter twinkles with promise.

I love it. The crowd loves it. I couldn’t have predicted this – Miilkk have a few bits and pieces on YouTube, but not enough to convey their real character. I left their YouTube account thinking The Moldy Peaches. I see them live and they turn the room into a metal party. Dixon has a classic, almost scratchy voice which takes me back to the first time I heard Kurt Cobain sing (‘Lithium’, in case you were wondering. I forget the year).

Miilkk whip out a fantastic cover of FIDLAR’s ‘Cheap Beer’, supercharging the crowd with an incredible hook. This was a cover worth screaming over (and won’t be the last FIDLAR cover of the night. Why so many songs by FIDLAR? I’m beginning to think this is a conspiracy. Maybe all the bands are actually FIDLAR in disguise. We may never know for sure).

There’s a brief moment where I think I hear bassist Harry Snell sneak a beautiful punk falsetto scream. It was so quick I might have imagined it. Snell, is it real or am I dreaming? If it is real, do it again. Bigger.

Elwell-Jones has lost his shirt by this point. He has ‘THICC DADDY’ scrawled across his chest in red. I notice it through a haze of happiness – I’m riding on bass vibrations running from my fingers to my skull. Miilkk are my favourite band so far. I’m not sure what kind of milk these guys are selling, but I bet it’s of the Clockwork Orange variety because I am tripping.

They do a cover of Dead Kennedys’ ‘California Über Alles’, causing one of the most hyperactive mosh pits of all time. The crowd gets down to the floor, thrumming like motors during the buildup. The room leaps – Dixon steps into the crowd with his guitar – they finish with a marching beat and a wail.

Miilkk launch into a string of cracking originals, including ‘Miss Tequila’ and ‘Pilly Willy’ (which is fast and furious – unlike the willy in question, presumably). They end with their newest song ‘Chinese Wine’; the chorus is the stuff that metal dreams are made of. Dixon screams with soul – I feel it in my bones.

Finally, it’s time for P.E.T. I’ve seen them before. I fell in love with them very quickly, and I’m thrilled to see them again as a headline act. Each band member is a powerhouse of sass. They’re fronted by Abi Whistance, the Ultimate Punk Dream Girl. She’s all fishnets and fiery eyes.

They hurl into the first number, ‘Internalised’, with all the force I’d ever hoped for. They have so much confidence, channeling their power and energy in every way possible. I can’t express how happy this makes me. A few months ago, a little confidence was all they needed to become practically perfect. I reckon they’ve now arrived in their most fabulous form, like a fully evolved Pokémon ready to win every battle.

They play ‘Bunnyboiler’, and bassist Rosie Jones grooves like the goddess that she is. Their cover of The Ting Tings’ ‘Shut Up and Let Me Go’ is honestly better than the original. You’d agree if you heard it. It’s hard not to be lured in by Whistance; she has the piercing voice of a punk-rock siren. A mass of crowd members clamber onto stage and stamp out the beat. They move on to ‘TV’, then finally to my favourite song of theirs, ‘P.E.T’. I really want them to record it so that I can listen to it every second of the day forever.

P.E.T are so entertaining on stage. They’re engaging. They’re cool, witty, personable… I can’t praise them enough. They prepare to cover Pixies’ ‘Tame’. Here unfolds my favourite moment so far. McDonald announces, “I went to Poundland and got some prizes. It’s a bit sh*t […] but whoever moshes the best gets a personal prize from me.” We take this challenge very seriously. The three winners each earn a medal and a lifelong invisible badge of honour. Also, glowsticks for everyone.

The whole crowd screams along to ‘Tommy’ – it’s P.E.T’s first recorded track, which you can listen to for free. It was actually written about the antics of The Butters Aliens, which gives the gig an interesting dynamic; I almost feel like I’m at an alt-family reunion/roasting. McDonald is suddenly wearing Draper’s hat, and more shoes are thrown into the air. How does this keep happening? I’m surrounded by hobbits.

They prepare to play their best known cover. McDonald cries, “Does anyone know all the words to ‘Wannabe’? Anybody can get up if they want.” A mass of crowd members get onto the stage. Together, the crowd and P.E.T give a performance The Spice Girls would die for.

For the final song of the night, we are treated to something spectacular. A song they’ve never played before. A song they’ve only rehearsed once. If I thought the energy was high before, this is a whole new level. Introducing: ‘Rich People’.

There are a series of famous names. Whistance growls, fangs bared, “Weinstein […] Morgan Freeman […]”. She comes to the edge of the stage, trembling like a bomb. “Rich people don’t dance in movies. Rich people don’t dance in films”.

I can’t convey the intensity of the performance in words. I’m afraid you’ll just have to go and see P.E.T yourself.

P.E.T @ The Sunflower Lounge 01.07.18 / Paul Reynolds

For more on P.E.T, visit www.facebook.com/petbanduk

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Miilkk – supporting P.E.T @ The Sunflower Lounge 01.07.18 / Paul Reynolds

For more on Miilkk, visit www.facebook.com/MIILKKBand

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The Butters Aliens – supporting P.E.T @ The Sunflower Lounge 01.07.18 / Paul Reynolds

For more on The Butters Alien, visit www.soundcloud.com/buttersaliens

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Flares – supporting P.E.T @ The Sunflower Lounge 01.07.18 / Paul Reynolds

For more on Flares, visit www.facebook.com/Flares

For more on Psych Productions, visit www.psychproductions.co.uk

For more from The Sunflower Lounge, including venue details and full event listings, visit www.thesunflowerlounge.com

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

June 28, 2018

BPREVIEW: P.E.T @ The Sunflower Lounge 01.07.18

Words by Ed King / Pics by Eleanor Sutcliffe

On Sunday 1^st July, P.E.T headline at The Sunflower Lounge, with support from Miilkk, The Butter Aliens + Flares – as presented by Psych Productions.

Tickets are priced at £6 and available on the door or in advance through the bands performing, so click on any of the highlighted names in this BPREVIEW for the relevant links. Likewise, to visit the Facebook Event Page click here.

P.E.T have somewhat stormed onto the Birmingham music scene, only forming back in October last year yet already carving a place for themselves at the forefront of Birmingham’s punk rock fraternity. Full of raw energy and musical smarts, this Abi Whistance fronted four piece have supported acts from Rews to The Cosmics – delivering a powerful punk rock punch wherever they appear on the bill, driven by the ferocious energy of their ‘tiny but mighty’ lead singer. Not one of our descriptions, but one we love all the same.

But it’s the unity from this band in their entity that makes them so special; both on stage and off, P.E.T are a “real fucking rock band” – to steal a summation that was once yelled out by the Alabama 3 frontman to The Hungry Ghosts. Yep, we’re putting P.E.T in that camp – namely the one where all the bands who kick ass with integrity live. Plus, guitarist Molly McDonald’s dry humour – with some awesome to/fro with bassist Rosie Jones – is freakin’ hilarious. (P.E.T‘s drummer, Kris Szulecki, is also a bit of a legend, but too covered in cymbals to get much of a vocal input whilst performing. Catch him at the bar though…)

But it’s no secret at Birmingham Review we think P.E.T are all alterations of awesomeness, and if you want a bit more background for your bounce rate then check out our 2cents on P.E.T’s debut single, ‘Tommy’, which came out on Friday 4^th May. And if you haven’t seen P.E.T live yet, you can expect a high octane set with some delicious band banter; on stage is absolutely where they shine this band shines the brightest. In all seriousness, P.E.T are a bit of a ‘golden marker’ as my friend used to call it, and as ‘of the moment’ / ‘one to watch’ as you can respectably get on Birmingham’s gig circuit right now. If you have half a live music heart you should pay this band some well deserved attention.

Sliding into the first base of main support are Miilkk, the self professed ‘messy psych, punk, grunge band from Birmingham’ who have a less than discerning taste in cider. We’re not overly familiar with this local three piece at BRHQ, but Miilkk have come recommended to us by P.E.T and that’s usually a good enough witness statement for us. Although if you need a more autonomous introduction, I would like to present to the court Exhibit A and Exhibit B.

Next on the bill are The Butters Aliens, again with the whole hearted support from the night’s headline act. Spangly, jangly, bouncy, garage rock, The Butters Aliens have been on the Birmingham Review Hit List for a while now, and seeing as the current default setting is ‘HEATWAVE’ we thought it would be about the right time to check them out. In a tiny, packed out, sweat filled subterranean mosh pit. In for a penny…

Then there’s Flares, bringing some more indie rock flavour to the evening’s proceedings. Again, we’re not overly familiar with Flares but they did bash out a pretty impressive support set at the Rose Dive gig back in May. Plus, there are a couple of recordings from their recent session at Rain Studios that are certainly worth checking out. But, again (again) if it’s got the P.E.T seal of approval then we’re prepared to sacrifice a pint and a half of cider on the door charge to find out.

So there you have it, not a bad way to see out your weekend. And as mentioned before, tickets can be bought on the door or in advance from the bands themselves – so click on the highlighted links in this BPREVIEW or click here for the Facebook Event Page.

On Sunday 1^st July, P.E.T headline at The Sunflower Lounge with support from Miilkk, The Butters Aliens + Flares – as presented by Psych Productions. For direct event information, visit www.facebook.com/events/1068346046636931

For more on P.E.T, visit www.facebook.com/petbanduk

For more on Miilkk, visit www.facebook.com/MIILKKBand

For more on The Butters Alien, visit www.soundcloud.com/buttersaliens

For more on Flares, visit www.facebook.com/Flares

For more on Psych Productions, visit www.psychproductions.co.uk

For more from The Sunflower Lounge, including venue details and full event listings, visit www.thesunflowerlounge.com

May 4, 2018May 5, 2018

SINGLE: ‘Tommy’ – P.E.T 04.05.18

Words by Ed King

On Friday 4^th May, P.E.T unleash their debut single ‘Tommy’ – available for free, gratis, nada, NOTHING, through iTunes, Spotify and other online streaming platforms. Bless their altruistic socks… it’s like Christmas without the snow. So, like Christmas.

‘Tommy’ is the first release from P.E.T since they formed back in October 2017. It’s somewhat of a rubber stamp of authority too, from a band who quite simply mean business.

Described as ‘Birmingham’s rising punk balloon’, P.E.T are now firmly at the forefront of Birmingham’s live music scene – with an endearing on and off stage persona, as well as some ball kickingly good live shows in their shadow. Intelligent, ferocious, absurdly funny, with a set list that pulls people into the stage like Pinhead hurling around a bunch of fish hooks on Hensley chains, P.E.T have spent the past 6 months or so kicking audiences into touch across the city.

Birmingham Review was lucky to snag P.E.T to support Rews at the Hare & Hounds on 22^nd March, a mere week after they tore The Sunflower Lounge a new orifice whilst opening for The Cosmics. Throwing speaker stacks of energy at you no matter where or with whom they seem to play, P.E.T are a band who work hard, deliver on stage, and are experiencing a frighteningly promising (yet well deserved) nascent in the local music secen. And they’re just, frickin’, awesome to watch live.

But now they’re recording/releasing as well, striking two off the holy trinity of ‘ones to watch’. A strong festival season or a high-profile support tour, before you ask. So, what’s this ‘ere ‘Tommy’ ruckus all about then..?

As you’d expect, the track wastes little time declaring itself – opening with a brutally strong guitar riff and bassline, from Molly MacDonald and Rosie Jones respectively, that reminds me of bands from before these punk proteges were even conceived. Literally.

Kris Szulecki’s rolling punch drums then build up to an immediate crescendo and introduce a slight key change; ‘Tommy’ hooks you from the off, then nipple twists a small surprise to keep you interested. You get the feeling very quickly this is a winner.

Absurdly together, the production values shine immediately – laying a confident base to the ferocity of Abi Whistance’s piercing vocals. Then this is where another ‘golden marker’ (as my friend used to call them) appears. P.E.T aren’t just making noise, even if it’s well structured and delivered noise, they have something to say. And whilst ‘Tommy’ isn’t a dissertation of the nuances of shifting global trade and foreign policy, it is a sly attack. Inspired by the on-stage antics of another local punk band, who may or may not have more than cider in their system, ‘Tommy’ is a loving dig at the drug addled culture and purported bravado of exuberance.

Whistance is in your face, with the intelligence to get that close and away with it, preaching her lyrics on a background of tight musicianship. Being all church choir and tofu growing up I wouldn’t know precisely what they’re talking about, but the sense of urgency and intent on ‘Tommy’ is unassailable. I’d even be a little bit proud if it was focused at me.

The downside, for there is always a downside, is this recording is arguably too polished. There’s a slight but exciting lull, if that’s even the right word, at around the 1:45min mark where I began looking for TV sets to jettison and windows high enough to do the job properly. On stage you could imagine this actually happening, or a least a chair or two finding it’s wings. But on the recording you are left to smash screens in your mind. Which feels, for this band, like a bit of a loss of the overall P.E.T experience.

There is a solution though, in fact there are two coming up – P.E.T are playing at The Sunflower Lounge on Friday 4^th May, supporting Bad Girlfriend, and then headlining their own free party at Get the Fear on Saturday 12^th May. And if this is in anyway your cup of snakebite, I strongly suggest you go and check them out live.

But if you can’t, then ‘Tommy’ is not a bad place to start – a punk decadent calling card from a band caught in the rising light of a seriously bright horizon. Awesome stuff. Now where’s my packet of silver Rizlas and wrap of toffee apple gone…

On Friday 4^th May, P.E.T release their debut single ‘Tommy’ – available through iTunes, Spotify and other online streaming platforms. For more on P.E.T, including streaming links and gig listings, visit www.facebook.com/petbanduk

P.E.T are supporting Bad Girlfriend at The Sunflower Lounge on Friday 4^thMay. For direct event information, including venue details and online ticket sales, visit https://bit.ly/2IaWHnP

P.E.T will also be headlining a gig at Get the Fear in Digbeth on 12^th May – with support from Dead Summers, Solsara + DJ Jacky P. For direct event information, including venue details and online ticket sales, visit https://bit.ly/2JS3FeB

March 30, 2018March 30, 2018

THE GALLERY: Rews @ Hare & Hounds 22.03.18

Words by Ed King / Pics by Aatish Ramchurn & Eleanor Sutcliffe

“…can anyone take my ticket?”

A man stands in the doorway at the Hare & Hounds, gesticulating like a proud Neville Chamberlain. OK, bad example. But it’s 7:30pm, the venue has just opened, and there’s a queue forming behind him. As gigs on a school night go this is looking promising.

And so it should be, the once ‘rising balloon’ now ‘rock powerhouse’ of Rews have returned to the city – bolting a Birmingham gig onto the end of their UK spring tour, before finishing their run with dates in Ireland and Northern Ireland. Plus, they’ve sold out. On a Thursday. Something that’s a shiny badge of honour for bands that play in the second city, and one that is unassailable Rews deserve.

Since releasing their debut album, Pyro, back in November 2017, the Marshall signed two piece have been relentless in their performances and promotion – with their penultimate single, ‘Your Tears’, recently receiving a week of A-List airplay on Radio One. Rews are on the march, and it’s working. This is a band that you only have to see play once to become hooked. And from most of the DJs on Auntie’s No1 station to the room full of people coming tonight, there’s many who’d agree.

The Hare 2 continues to fill up, with the venue’s narrow stairs looking like a bathroom queue at a house party. Roddy Woomble is playing in Hare 1, launching the promo campaign of this year’s Mosley Folk Festival, and it’s a busy night all round in Kings Heath. The buzz in the air is both cliché and palpable, with a healthy half room turnout by the time Rews’ first support band, P.E.T, swagger on stage – dripping head to toe in punk paraphernalia and attitude.

“Take your hands off me, I’M NOT YOUR P.E.T”, declares front woman, Abi Whistance, screaming into the mic and over the crowd – who have edged closer to the stage to find out where this ‘tiny but mighty’ noise is coming from.

P.E.T are relatively fresh faces on the Birmingham live circuit, having formed as the leaves fell in 2017. But already they’re already picking up a wealth of support and steam, with their unrelenting thrash punk and dead pan humour – stabbing the ribcages of the establishment with ‘Eton Mess’, to cutting off those wandering hands with their eponymous opening track. It’s raw, unashamed, and musically solid. This is a band who could get somewhere, or take us all down in the most colourful of ways whilst trying. But I’d watch out for P.E.T… tonight’s ‘rising balloon’ baton has been firmly handed over.

The rolling cymbal crashes and rough vocals of You Dirty Blue are on stage next, washing the room with waves of psychedelic and garage rock. I’m reticent to call it ‘blues rock’ again, as the man to my left is currently reading the BPREVIEW for tonight’s gig, smirking, shaking his head like a straight laced Will Self, and muttering “…this is not blues”. He might even be right, in his lexicon and record collection at least, but it seems no one really cares as the Tamworth two piece kick out tracks from their Tough Crowd EP and beyond.

Walls of sound are built and knocked to the ground, riffs get scatter gunned, as Leon James’ rough but endearing vocals lead us through a Velvet Underground tinged Purple Haze with some Seattle seeded two fingers up. You Dirty Blue’s final track, of both tonight’s set and their Tough Crowd EP – ‘Gallow Dancer’, punches a particular hole in the room, with a melodic hook and chorus I dedicate to the smart phone wielding ‘man to my left’. It’s like drowning in a lava lamp whilst John Peel and Bruce Pavitt play you ‘some really cool shit’. And if you have any room on the inside of your forearm left, carve You Dirty Blue as a musical reminder. Awesome stuff.

Some set changes ensue and fervent mummering begins, as Rews get ready for their headline set – the eager beaver Thursday night crowd pushing itself towards the front of the stage. Awesome to see such enthusiasm, but not easy when you’re juggling drum kits on a busy stage. Lights down, lights up, mummering stops, and like the opening scene in Back to the Future (minus the clock, coffee or dog food) we are poised – somewhere a plectrum glints…

Immediate and personable, Rews (aka Shauna Tohill and Collette Williams) beam their appreciation to the crowd and across the room – launching into the staple of tracks from their debut album. ‘Let it Roll’ bounces off stage declaring the rock intentions of tonight’s set, reeling in an already health and safety defying audience with invisible fish hooks. No one here gets out alive, or at least until the end of the set, as the great and good from Pyro and beyond (…album two?) get a rigorous shake. Or even ‘Shake Shake’, but not until a little later.

There’s a real joy in watching Rews perform, and not just because their already tight performance seems even more polished this time around. It’s the sheer energy and enjoyment you get sweeping off stage. Rews are in Birmingham at the end of a long and arduous tour (…think snow, lots of snow) but tonight could be the first time they’ve stepped on stage after a month in the sun and several nights of interrupted sleep. The banter is great as well, with the closeness between the two musicians making the whole room feel part of something special.

Then comes ‘the moment’. Rews had alluded to adding a “sort of an electro acoustic rendition of one of our older songs” into the set, after their gig in Leeds a few nights before. And as Williams leaves her stool to join Tohill at the front of the stage, this is what we’re about to get – soft steel strings and a tapped out percussion deliver a stripped back version of ‘Everything’, one of Rews’ older tracks that is getting a post Pyro make-over. It’s beautiful. My job is to find words but often I can’t, and this just works. Rews work. Add your own hyperbole.

Crammed into the edges of the merch stand, I let the rest of the set wash through me. I think I scribble the words ‘triumphant’ and ‘step up’ into my notebook, but any serious reportage is done for the day. Thankfully there’s a load of pics to help you piece this night together (see below) if you weren’t there to witness it first hand – with the full Flickr of pics from Aatish Ramchurn here, and from Eleanor Sutcliffe here.

And it you didn’t make it to the Hare and Hounds on 22^nd March, or if you’ve not seen this continuously impressive rock duo before, I strongly suggest checking Rews out for yourself. If you haven’t got a copy of Pyro, start there. But if you ever see them on a bill poster, in whatever corner of the globe you call home, then put your hands in your pocket and buy a ticket. It’s hard to imagine you’ll feel short changed. And next time Rews come back to Birmingham, you might want to move a little quickly whilst you’re at it.

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn & Eleanor Sutcliffe