The Sunflower Lounge Archives

June 12, 2019

BPREVIEW: Hannah Brown @ The Sunflower Lounge 12.06.19

Words by Ed King

On Wednesday 12^th June, Hannah Brown performs at The Sunflower Lounge – with support from Bryony Williams and Watermark.

Doors open at 7:30pm, with tickets priced at £6 (plus booking fee) – as presented by Indie Midlands. For more direct gig info, including venue details and links to online ticket sales, click here.

Hannah Brown is somewhat of a stalwart on the Midlands music scene, having cemented her place on the cultural landscape with her debut six track acoustic EP, The Highbury Sessions – recorded at the Kings Heath studios and released in 2015.

Brown’s 2016 follow up EP, Better for This, followed in the footsteps of her first – delivering another six track analysis into the fragility of the human endevouor, with all the raw strength and determination that you need to survive it. Stretching from strings to keys and back again, Better for This is an inspiring record – covering the visceral themes of youth and identity, with well-rounded production from Rob Derbyshire and Ben Stancombe.

Supported by BBC Introducing and a variety of music focused media, Brown started to develop the ‘full band sound’ that came through on Better than This – progressing as a songwriter and performing artist, with singles such as ‘So Should You’ and ‘My Home’ released across 2018.

Then in early 2019, Brown released ‘Further Away’ – a track of faster paced melodic rock, telling the troubles of disaffection with a confident vocal lead and lyrics such as “I’ll work ‘till I am eighty, or die when I’m not ready… I just wanna stay in.” Super stuff, Brown’s latest single is an exciting stamp of authority from an artist that has embraced their own development and shows more promise than most egos can healthily handle.

There is an album floating around too, the composite The World Still Spins – made up of cherry picked tracks from Brown’s back catalogue, alongside previously unreleased recordings of some of her more tried and tested tracks. But the music wolf still bays for blood, and you can’t release something as solid as ‘Further Away’ and not expect the howls of “ALBUM…????” to be too far behind. Have a stop, look, listen below and you’ll see (hear) where we’re coming from.

‘Further Away’ – Hannah Brown

Hannah Brown plays at The Sunflower Lounge on Wednesday 12^th June, with support Bryony Williams and Watermark – as presented by Indie Midlands. For direct gig info and links to online ticket sales, visit www.thesunflowerlounge.com/event/hannah-brown-bryony-watermark

For more on Hannah Brown, visit www.hannah-brown.co.uk
For more on Bryony Williams, visit www.soundcloud.com/bryony-williams
For more on Watermark, visit www.facebook.com/WatermarkUK

For more from Indie Midlands, including further event listings and stories from the region’s indie and alternative music scene, visit www.indiemidlands.com

For more on The Sunflower Lounge, including venue details and further event listings, visit www.thesunflowerlounge.com

________

NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

May 5, 2019May 5, 2019

BPREVIEW: The Performers: Part 2 – EKKAH, Hunger Moon, Kim’s Cold Food Company, Hayley Frances (poetry) @ The Sunflower Lounge 05.05.19

Words by Ed King

On Sunday 5^th May, Bad Girls are back at The Sunflower Lounge with The Performers: Part 2 – a showcase of music, modern beat poetry and art, with a positive message of gender equality (and basic respect…) at the heart of it all.

Doors open at 8pm, with tickets priced at £7+booking fee – as presented by Bad Girls. For more event info, and links to online ticket sales, click here to visit the Facebook event page.

Following on from The Performers: Part 1, again at The Sunflower Lounge back in 2017, this sophomore event will see acts and art once again across the whole venue – taking over both floors, the Bank Holiday closer will showcase a local musical line up featuring EKKAH, Hunger Moon, and Kim’s Cold Food Company. Hayley Frances will also be performing some ‘modern beat poetry’, alongside ‘an array of Birmingham’s best artists showcasing their female inspired art’. All for well under tenner, simples.

The event will also be raising money and awareness to support Safe Gigs for Women, a nationwide organisation that works with gig goers and venues to promote safe event spaces for women and to encourage the entertainment industry to speak out and challenge sexual assault. For more information on Safe Gigs for Women, visit their website by clicking here.

The Performers: Part 2 is also championing the message ‘MY CLOTHES ARE NOT MY CONSENT’ – appearing in bold type on their promotional posters and publicity material. Sadly, there are still people who hide behind the idea that the way someone dresses makes it OK or acceptable for them to grab, grope, or to give it its legal term SEXUALLY ASSAULT someone based on what they are wearing.

The event’s response and message is simple, ‘you can wear what you want, when you want, to where you want it and no outfit or item of clothing gives anyone the right to believe that means that you want to be touched, harassed, or “asking for it”.’ A message I hope most humans don’t need reminding of – but one that also (due to a sad splattering of sh*theads) can’t hurt to reiterate once in a while.

The NOT NORMAL NOT OK campaign team will also be at The Performers: Part 2 event, handing out stickers and helping to spread the message of respect and inclusivity across the music scene – ‘from dancefloor to dressing room’. If you see the NOT NORMAL NOT OK campaign at The Sunflower Lounge, stick a sticker on your sweater and post a pic of yourself to the NOT NORMAL NOT OK Instagram page, Twitter feed, or Facebook account. For more on the NOT NORMAL NOT OK campaign, click here.

But with music also at the heart of this event, it’s a pretty strong line up to round off your Bank Holiday Sunday. Headliners EKKAH are a seriously fun modern day Chic, with a glorious fusion of electro, pop, disco, funk and this-is-my-serious-face’ dance routines. Birmingham Review last saw EKKAH again at The Sunflower Lounge a few years ago, whilst they were riding the wave of their Last Chance to Dance EP, and the words ‘gold’ and ‘dust’ sprang to mind. Should be a few new tracks getting kicked off stage on Sunday ‘an all.

Hunger Moon have been making some well deserved waves since their debut single, ‘Oh Friend’, came out in March 2018. Nominated for the ‘Rising Star’ category in this year’s Birmingham Music Awards, Hunger Moon are a somewhat delectable dish of haunting vocals and brooding melodies. Getting a healthy portfolio of performances under their belt, with their third single ‘Feel It Sometimes’ also released in March 2019, Hunger Moon are a muso-duo well worth some attention.

And despite having the best band/artist name that we can think off in recent times, Kim’s Cold Food Company is also the new manifestation of Diane Burdon – keeping herself busy whilst Sofa King jump on the ‘short break’ train along with so many others of late. We don’t know much about the music, or if indeed there will be any sandwiches or ice cream available, but it can’t hurt to have a stop, look, listen.

Hayley Frances rounds off the bill, performing some ‘modern beat poetry’ – so expect wit, humour, and some intelligence yet acerbic observations. Having worked with organisations including the Rosie Kay Dance Company, IKON, Writing West Midlands and the Birmingham REP, Frances is a well rounded and confident poet. With the backbone of this event being safe spaces, respect and inclusivity, it will be especially interesting to hear what she has to say.

The Performers: Part 2 comes to The Sunflower Lounge on Sunday 5^th May – with performances from Ekkah, Hunger Moon, Kim’s Cold Food Company, Hayley Frances. Doors open at 8pm, with tickets priced at £7+booking fee – as presented by Bad Girls. For more event info, and links to online ticket sales, click here.

For more on EKKAH, visit www.facebook.com/WEAREEKKAH

For more on Hunger Moon, visit www.soundcloud.com/hunger-moon

For more on Kim’s Cold Food Company, visit www.soundcloud.com/kimscoldfoodco

For more on Hayley Frances, visit www.hayleyfrances.com

For more on Safe Gigs for Women, visit www.sgfw.org.uk

For more on NOT NORMAL NOT OK, visit www.notnormalnotok.com

For more from Bad Girls, including further event listings and online ticket sales, visit www.facebook.com/BADGIRLSpresents

For more on The Sunflower Lounge, including venue details and further event listings, visit www.thesunflowerlounge.com

________

NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL – NOT OK campaign, click here. To sign up and join the NOT NORMAL – NOT OK campaign, click here.

If you have been affected by any of the issues raised in this feature – or if you want to report an act of sexual aggression, abuse, or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL – NOT OK website.

November 30, 2018June 24, 2019

SINGLE: ‘Trust is Blind’ – The Cosmics

Words by Ed King / Pics by Psychedelic Eye – courtesy of The Cosmics

On Friday 30^th November, The Cosmics release ‘Trust is Blind’ – the lead single from their forthcoming debut EP.

Now anything coming from The Cosmics is a reason to sit up and pay attention, with the Birmingham based three piece being easily, confidently, absolutely one of the best live acts to come from The Midlands right now. And I’m a professional cynic.

But the feisty garage rock that The Cosmics have been boot kicking off stage and across t’interweb, since the gloriously sharp and short ‘Johnny’ in 2016, has taken a back seat here – giving way to what the press release calls ‘a delicate, heartfelt break up ballad developing into feisty ‘fuck you’ noise rock with honest lyrics’. And you know what… it’s dayum good.

Honestly, when first I sat down to review ‘Trust is Blind’ I had to check I wasn’t listing to Mazzy Star. Which is often a strong possibility at my desk. And a strong plus. But the opening soft riff, giving way to Erin Grace sounding as Hope Sandoval as you’re going to get (without actually being Hope Sandoval) is a page straight from the guitar led low-fi bible.

But then, just over a minute and a half into this nearly four minute single, all hell breaks loose. To use another very commendable comparison – ‘Starla’ by Smashing Pumpkins. And that is again A O fucking K with me (they swore first). The tempered and teased out beginning, which is delivered with aplomb (not everyone in the genre can – yes, I’m talking to you Low) bends over and gets royally shafted by a visceral account of love, trust, betrayal and how “you really messed up my mind, truth is blunt, trust is blind”. At least I thinks that’s what Grace is singing, but the ferocious cacophony is an unassailable sonic stamp on just how shitty/shifting/capicious love can be.

(N.B. HEALTH WARNING / Gig going public and venue owners beware, when this glorious monster gets played live you may witness the first recorded flight from a Marshall amp – possibly followed by a few bodies and bar stalls for good measure.)

But if you click on the single cover artwork you can have a listen to ‘Trust is Blind’, in all its spellbinding softness and rock and roll glory, and can make up your own minds. This is either going to work for you or it’s not. Although you may be in the wrong room if you start turning your proboscis towards the sky.

All I can do is sign off with my own two cents, ‘Trust is Blind’ is an absurdly exciting move from a band who already have that live music mojo pulsing though their veins – paving the way for an EP I will be shoving aside the elderly to get my hands on first. In short, me like. More please. Lots, lots more.

The Cosmics release their latest single, ‘Trust is Blind’, on Friday 30^th November. For more on The Cosmics, visit www.facebook.com/thecosmicsband / To listen to ‘Trust is Blind’ via Spotify, click here

The Cosmics also headline a single launch gig at The Sunflower Lounge on the same night, with Thee MVPS, Paper Buoys, and Mutes also on the bill. For direct gig information, including venue details and links to online ticket sales, visit the Facebook event page – click here.

For more on The Sunflower Lounge, including venue details and further event listings, visit www.thesunflowerlounge.com

________

NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL – NOT OK campaign, click here. To sign up and join the NOT NORMAL – NOT OK campaign, click here.

July 9, 2018

THE GALLERY: P.E.T @ The Sunflower Lounge 01.07.18

Words by Lydia Fizer / Pics by Paul Reynolds

Otherwise known as the Oven of Aural Delights, >1000°C. “Me eyebrows are comin’ off!” – Molly McDonald, P.E.T bassist extraordinaire.

P.E.T. Ah, what can I say about P.E.T? That I’m beyond excited to see them again. That they have the purest punk sound which will pierce you to the core. That they’ve chosen their favourite local bands for the lineup tonight. It’s gonna be a good one. I can feel it in my water.

This gig is special, and not just because the lineup promises greatness. Tonight is the first time that the NOT NORMAL – NOT OK campaign stickers are in action. These are part of a larger campaign working against the cases of sexual assault, violence, and misconduct which are making our local music scene unsafe. Right this moment, P.E.T vocalist Abi Whistance is scouring the venue, slapping a sticker on anyone she can reach.

If you see these stickers at a music event in the future, please wear one. Even better, order some and distribute them. We are all responsible for showing solidarity in the face of sexual aggression, and demonstrating to the perpetrators that their actions will not be tolerated. You can get the stickers and information here, and even more information about the NOT NORMAL – NOT OK campaign here. As Whistance would say, “Get your hands off me, I’m not your P.E.T!”

Onwards. The first band to the stage are Flares, a babyfaced bundle of punk realness. They’re only 14/15 years old, but they are not to be underestimated. Their music is more mature than some bands twice their age.

They open with ‘Anywhere, Anywhere’ and bring a sound that hits your chest like a hammer. Their instrumentals are at once grungy and sharp. They move to the music with confidence. Flares are strong enough that covers of iconic songs are vibrant from their mouths. They get the whole room dancing to Buzzcocks’ ‘Ever Fallen in Love’, and stamp their own sound into M.I.A.’s ‘Paper Planes’. The beat keeps rolling right to the end of their final track, ‘Pastime’. They don’t put a note wrong.

Next up are The Butters Aliens. They have electric vocals from Ed Draper and an irresistible sound. The room is a mass of flailing limbs within the first minute of their set.

They smash a cover of FIDLAR’s ‘Stoked and Broke’, and I can’t help thinking that they play with unbelievable accuracy if they’re as baked as they claim. It’s so catchy. So memorable. It’s shoe-throwingly good (no, really. Shoes and hats are cast asunder. You don’t need them in hell). Later they cover FIDLAR’s ‘No Waves’. The old YouTube videos don’t do these covers justice at all; this show is leaving me blissfully broken – as Draper sings in ‘No Waves’, “I need a new body and I need a new soul”.

They set light to another firecracker, ‘Powerslide’. It makes me smile to see drummer Matt Homback briefly swap places with vocalist/guitarist Draper. Bring your drummers to the front and let them feel the love. They follow this with ‘No Name’. I’m left feeling like I need their CD for when I want to bounce around like a monkey on crack (admit it, you know how I feel).

There’s a whole load of gorgeous camaraderie between the bands tonight. They start mosh pits in one another’s honour, they write each other’s initials across their chests. Vocalist/guitarist of Miilkk, Jack Dixon, is called onto stage with The Butters Aliens to lend his exuberance. The Aliens end on an unearthly headbanging beat. Miilkk take to the stage. Drummer Fin Elwell-Jones’ facial glitter twinkles with promise.

I love it. The crowd loves it. I couldn’t have predicted this – Miilkk have a few bits and pieces on YouTube, but not enough to convey their real character. I left their YouTube account thinking The Moldy Peaches. I see them live and they turn the room into a metal party. Dixon has a classic, almost scratchy voice which takes me back to the first time I heard Kurt Cobain sing (‘Lithium’, in case you were wondering. I forget the year).

Miilkk whip out a fantastic cover of FIDLAR’s ‘Cheap Beer’, supercharging the crowd with an incredible hook. This was a cover worth screaming over (and won’t be the last FIDLAR cover of the night. Why so many songs by FIDLAR? I’m beginning to think this is a conspiracy. Maybe all the bands are actually FIDLAR in disguise. We may never know for sure).

There’s a brief moment where I think I hear bassist Harry Snell sneak a beautiful punk falsetto scream. It was so quick I might have imagined it. Snell, is it real or am I dreaming? If it is real, do it again. Bigger.

Elwell-Jones has lost his shirt by this point. He has ‘THICC DADDY’ scrawled across his chest in red. I notice it through a haze of happiness – I’m riding on bass vibrations running from my fingers to my skull. Miilkk are my favourite band so far. I’m not sure what kind of milk these guys are selling, but I bet it’s of the Clockwork Orange variety because I am tripping.

They do a cover of Dead Kennedys’ ‘California Über Alles’, causing one of the most hyperactive mosh pits of all time. The crowd gets down to the floor, thrumming like motors during the buildup. The room leaps – Dixon steps into the crowd with his guitar – they finish with a marching beat and a wail.

Miilkk launch into a string of cracking originals, including ‘Miss Tequila’ and ‘Pilly Willy’ (which is fast and furious – unlike the willy in question, presumably). They end with their newest song ‘Chinese Wine’; the chorus is the stuff that metal dreams are made of. Dixon screams with soul – I feel it in my bones.

Finally, it’s time for P.E.T. I’ve seen them before. I fell in love with them very quickly, and I’m thrilled to see them again as a headline act. Each band member is a powerhouse of sass. They’re fronted by Abi Whistance, the Ultimate Punk Dream Girl. She’s all fishnets and fiery eyes.

They hurl into the first number, ‘Internalised’, with all the force I’d ever hoped for. They have so much confidence, channeling their power and energy in every way possible. I can’t express how happy this makes me. A few months ago, a little confidence was all they needed to become practically perfect. I reckon they’ve now arrived in their most fabulous form, like a fully evolved Pokémon ready to win every battle.

They play ‘Bunnyboiler’, and bassist Rosie Jones grooves like the goddess that she is. Their cover of The Ting Tings’ ‘Shut Up and Let Me Go’ is honestly better than the original. You’d agree if you heard it. It’s hard not to be lured in by Whistance; she has the piercing voice of a punk-rock siren. A mass of crowd members clamber onto stage and stamp out the beat. They move on to ‘TV’, then finally to my favourite song of theirs, ‘P.E.T’. I really want them to record it so that I can listen to it every second of the day forever.

P.E.T are so entertaining on stage. They’re engaging. They’re cool, witty, personable… I can’t praise them enough. They prepare to cover Pixies’ ‘Tame’. Here unfolds my favourite moment so far. McDonald announces, “I went to Poundland and got some prizes. It’s a bit sh*t […] but whoever moshes the best gets a personal prize from me.” We take this challenge very seriously. The three winners each earn a medal and a lifelong invisible badge of honour. Also, glowsticks for everyone.

The whole crowd screams along to ‘Tommy’ – it’s P.E.T’s first recorded track, which you can listen to for free. It was actually written about the antics of The Butters Aliens, which gives the gig an interesting dynamic; I almost feel like I’m at an alt-family reunion/roasting. McDonald is suddenly wearing Draper’s hat, and more shoes are thrown into the air. How does this keep happening? I’m surrounded by hobbits.

They prepare to play their best known cover. McDonald cries, “Does anyone know all the words to ‘Wannabe’? Anybody can get up if they want.” A mass of crowd members get onto the stage. Together, the crowd and P.E.T give a performance The Spice Girls would die for.

For the final song of the night, we are treated to something spectacular. A song they’ve never played before. A song they’ve only rehearsed once. If I thought the energy was high before, this is a whole new level. Introducing: ‘Rich People’.

There are a series of famous names. Whistance growls, fangs bared, “Weinstein […] Morgan Freeman […]”. She comes to the edge of the stage, trembling like a bomb. “Rich people don’t dance in movies. Rich people don’t dance in films”.

I can’t convey the intensity of the performance in words. I’m afraid you’ll just have to go and see P.E.T yourself.

P.E.T @ The Sunflower Lounge 01.07.18 / Paul Reynolds

For more on P.E.T, visit www.facebook.com/petbanduk

__________

Miilkk – supporting P.E.T @ The Sunflower Lounge 01.07.18 / Paul Reynolds

For more on Miilkk, visit www.facebook.com/MIILKKBand

__________

The Butters Aliens – supporting P.E.T @ The Sunflower Lounge 01.07.18 / Paul Reynolds

For more on The Butters Alien, visit www.soundcloud.com/buttersaliens

__________

Flares – supporting P.E.T @ The Sunflower Lounge 01.07.18 / Paul Reynolds

For more on Flares, visit www.facebook.com/Flares

For more on Psych Productions, visit www.psychproductions.co.uk

For more from The Sunflower Lounge, including venue details and full event listings, visit www.thesunflowerlounge.com

________

NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

June 28, 2018

BPREVIEW: P.E.T @ The Sunflower Lounge 01.07.18

Words by Ed King / Pics by Eleanor Sutcliffe

On Sunday 1^st July, P.E.T headline at The Sunflower Lounge, with support from Miilkk, The Butter Aliens + Flares – as presented by Psych Productions.

Tickets are priced at £6 and available on the door or in advance through the bands performing, so click on any of the highlighted names in this BPREVIEW for the relevant links. Likewise, to visit the Facebook Event Page click here.

P.E.T have somewhat stormed onto the Birmingham music scene, only forming back in October last year yet already carving a place for themselves at the forefront of Birmingham’s punk rock fraternity. Full of raw energy and musical smarts, this Abi Whistance fronted four piece have supported acts from Rews to The Cosmics – delivering a powerful punk rock punch wherever they appear on the bill, driven by the ferocious energy of their ‘tiny but mighty’ lead singer. Not one of our descriptions, but one we love all the same.

But it’s the unity from this band in their entity that makes them so special; both on stage and off, P.E.T are a “real fucking rock band” – to steal a summation that was once yelled out by the Alabama 3 frontman to The Hungry Ghosts. Yep, we’re putting P.E.T in that camp – namely the one where all the bands who kick ass with integrity live. Plus, guitarist Molly McDonald’s dry humour – with some awesome to/fro with bassist Rosie Jones – is freakin’ hilarious. (P.E.T‘s drummer, Kris Szulecki, is also a bit of a legend, but too covered in cymbals to get much of a vocal input whilst performing. Catch him at the bar though…)

But it’s no secret at Birmingham Review we think P.E.T are all alterations of awesomeness, and if you want a bit more background for your bounce rate then check out our 2cents on P.E.T’s debut single, ‘Tommy’, which came out on Friday 4^th May. And if you haven’t seen P.E.T live yet, you can expect a high octane set with some delicious band banter; on stage is absolutely where they shine this band shines the brightest. In all seriousness, P.E.T are a bit of a ‘golden marker’ as my friend used to call it, and as ‘of the moment’ / ‘one to watch’ as you can respectably get on Birmingham’s gig circuit right now. If you have half a live music heart you should pay this band some well deserved attention.

Sliding into the first base of main support are Miilkk, the self professed ‘messy psych, punk, grunge band from Birmingham’ who have a less than discerning taste in cider. We’re not overly familiar with this local three piece at BRHQ, but Miilkk have come recommended to us by P.E.T and that’s usually a good enough witness statement for us. Although if you need a more autonomous introduction, I would like to present to the court Exhibit A and Exhibit B.

Next on the bill are The Butters Aliens, again with the whole hearted support from the night’s headline act. Spangly, jangly, bouncy, garage rock, The Butters Aliens have been on the Birmingham Review Hit List for a while now, and seeing as the current default setting is ‘HEATWAVE’ we thought it would be about the right time to check them out. In a tiny, packed out, sweat filled subterranean mosh pit. In for a penny…

Then there’s Flares, bringing some more indie rock flavour to the evening’s proceedings. Again, we’re not overly familiar with Flares but they did bash out a pretty impressive support set at the Rose Dive gig back in May. Plus, there are a couple of recordings from their recent session at Rain Studios that are certainly worth checking out. But, again (again) if it’s got the P.E.T seal of approval then we’re prepared to sacrifice a pint and a half of cider on the door charge to find out.

So there you have it, not a bad way to see out your weekend. And as mentioned before, tickets can be bought on the door or in advance from the bands themselves – so click on the highlighted links in this BPREVIEW or click here for the Facebook Event Page.

On Sunday 1^st July, P.E.T headline at The Sunflower Lounge with support from Miilkk, The Butters Aliens + Flares – as presented by Psych Productions. For direct event information, visit www.facebook.com/events/1068346046636931

For more on P.E.T, visit www.facebook.com/petbanduk

For more on Miilkk, visit www.facebook.com/MIILKKBand

For more on The Butters Alien, visit www.soundcloud.com/buttersaliens

For more on Flares, visit www.facebook.com/Flares

For more on Psych Productions, visit www.psychproductions.co.uk

For more from The Sunflower Lounge, including venue details and full event listings, visit www.thesunflowerlounge.com