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March 13, 2020March 13, 2020

EP: Brain Food – Brain Food 13.03.20

Words by Ed King / Pics by Radek Kubiszyn (Psychedelic Eye)

‘According to the Stress Management Center and Phobia Institute in Asheville, North Carolina, an estimated 17 to 21 million people in the United States are affected by a fear of this day, making it the most feared day and date in history.’

I was Googling ‘Friday the 13^th’ to come up with some witty framing technique, as Birmingham’s psych rockers, Brain Food, have ear marked this notorious end of the week to release their self-titled sophomore EP. But in the wake of a bulbous buffoon with his finger on the button and the grip of fear the world’s most popular sneeze has on half the planet…

A five track kaleidoscope of echoing psychedelia, Brain Food EP by Brain Food is indeed a tasty cranium treat – opening with ‘Poseidon’ and a surprisingly dirty riff, which had me fish hooked from the off, Liam McKeown’s perfectly lost vocals soon slide across the track.

An almost perfect front man for a band covered in the glow of a hyperactive lava lamp, McKeown sets the tone perfectly on the EP’s opener – sitting somewhere between a rock star joie de vivre and an introspective blotter acid trip in the dark corners of a Velvet Underground after party. Works for me.

But this is prog-something-psych-something-rock-something else… so, a small noodling siren is sounded as ‘Canyon Crawler’ sends seven minutes of blissed out guitar waves over a slowly marching tempo. It drags a little, to me. Today. If I was a younger man with a bit more mind left I’d probably be finding ways to lose it in this, but after about five minutes I’ll admit I’m swimming to the shore.

Then, as if my silent selfish prayer was answered, ‘That Feeling’ draws a sweet line down the middle of this Brain Food EP – in a surprisingly short (under four minutes??) foray into a more melody led track. It might be a bit too accessible for the prog purists, and you could be forgiven for thinking if psych rock was ever going to be radio friendly this is probably the closest it is going to get, but it’s still a damn fine few minutes.

‘Cosmic Jones’ takes us down the other side of the hill – opening with a cheeky little wah wah and keeping us cheerily on our toes for just over five minutes of soft crescendos and pretty nifty fretwork. Before the swan song of ‘Forbidden Tongue’ closes the show, which you can check out below instead of reading me try to be funny.

Which reminds me, where was I with that framing technique…

I’m not sure how many registered voters this EP will keep safe on its auspicious release day, but the idea (and to quote another LSD soaked ensemble) of encouraging the hope barren masses to ‘feed your head’ instead of panic buying toilet paper couldn’t be better placed.

And Brain Food by Brain Food seems to sum it up quite nicely this Friday the 13^th… so, put that in your literary trope and smoke it.

‘Forbidden Tongue’ – by Brain Food

On Friday 13^th March 2020, Brain Food release their self-titled second EP, Brain Food. For more on Brain Food, both the band and the extended play, visit www.facebook.com/brainfoodofficial

Brain Food are also hosting an EP launch party at The Night Owl on Saturday 14^th March, with Cave Girl and Exhaler supporting. For more gig info and links to online ticket sales, click here to visit the Facebook event page.

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual aggression in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

July 19, 2019July 19, 2019

INTERVIEW: The Assist

Words by Ed King

“For me, this song was just about portraying a message that if you want to achieve something then it’s just a dream away.”

On Saturday 6^th July, The Assist celebrated the launch of their new single, ‘It’s Just a Dream Away’, with a special headline show at The Sunflower Lounge in Birmingham – alongside George Pannell and Flake as support.

Launching their debut Lost EP back in August 2018, it’s been quite a year for Midlands indie pop rockers – with a steady flow of gigs across the UK underpinning an evolving sound and the singles to prove it.

There’s also been bit of a musical milestone abroad, as The Assist were invited on a six date tour across Russia with The Twang and Riscas – including a chance for the Walsall four piece to play a headline set at the Ural Night Music Festival in front of 12,000 strong audience.

Released on Friday 5^th July, ‘It’s Just a Dream Away’ has already been picking up a fair amount of momentum and attention – to listen to ‘It’s Just a Dream Away’ click on the single artwork to your left, or the following highlighted links to stream it via Spotify or The Assist’s Soundcloud page.

And with The Assist‘s Lost EP finding a respectable place in both Spotify’s United Kingdom Top 50 and iTunes’ Top 10 Indie charts, alongside another track from their back catalogue lined up for the Made in Chelsea soundtrack, it’s not bad going for a band that once off the cuff described themselves as ‘council pop-rap-rock’.

There are plans already underway to release second EP, with another festival also in the offing – this time a little closer to home, when The Assist will stand at the top of the Smirnoff Presents Saturday night bill at Sheffield’s three day Tramlines music event on 20^th July.

So, it looks set to be another busy 12months for The Assist – but don’t just take out word for it…

Ed King caught up with The Assist lead singer, Mikey Stanton, a few hours before their single launch party at The Sunflower Lounge on Saturday 6^th July – click on the video link below to see the full interview with Birmingham Review.

Interview with Mikey Stanton from The Assist @ The Sunflower Lounge 06.07.19

The Assist released their latest single, ‘It’s Just a Dream Away’, on Friday 5^th July – available to stream through Spotify, the band’s social media and Soundcloud page. For more on The Assist, visit www.facebook.com/TheAssistBand

The Assist headline the Smirnoff Presents Saturday stage Club Totem on 20^th July, as part of this year’s Tramlines festival in Sheffield. For direct gig info, click here to visit the Facebook event page.

For more from Hey Honey, visit www.hey-honey.co.uk
For more on The Sunflower Lounge, including venue details and further event listings, visit www.thesunflowerlounge.com

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

July 12, 2019

SINGLE: In My Element – The Clause 12.07.19

Words by Lydia Fitzer / Pics courtesy of The Clause

The Clause came to my attention in May of 2018, as the first of five bands performing in one gig. You’d think I’d have been more excited for the later acts, right? I mean, The Clause were the support of the support of the support of the support. You’d be wrong; so wrong, in fact, that I went on to dub them the biggest highlight of the evening. I positively raved about them. They gave by far the most original and enjoyable set of the night.

The thing you need to understand about The Clause is that they are too cool. They are sickeningly cool. I think they were born cool. When I saw them in 2018 they were in their late teens and already cooler than I have been in my whole life, but now they’ve ascended to a new level of coolness. (I can’t help but feel that it’s a little unfair – young people shouldn’t be allowed to be that badass. After all, the rest of us spent our teen years flailing under ten layers of dream matte mousse and social awkwardness. However, I digress.)

The Clause’s latest single, ‘In My Element’, is truly characteristic of their style. It’s masterfully put together; the deep, thrumming guitar riff is a proper earworm on its own and had me grooving within the first few seconds. The Clause showcased ‘In My Element’ at the aforementioned gig back in 2018, and I stand by what I said in my review: it’s enough to ‘make any rinky-dink panther dance’.

That analogy makes more sense knowing that the band used to incorporate the Pink Panther theme into the beginning of ‘In My Element’ – an effective quirk for a live show, making the crowd giggle with novelty. With that said, I understand why they didn’t keep it as part of the recorded single, probably coming across as a touch gimmicky. The Clause certainly have a sense of humour but make no mistake – they are here to be taken seriously.

They may be young, but they channel old-school in every note. Listening to ‘In My Element’ I could almost be at a record store playing a cassette, the sound is just so slick. It makes me want to oil my hair and stride down the street in a leather jacket and shades. Frontman Peirce McMenamin (vocals and guitar) is an absolute dream for this style. He has a nonchalant tenor vocal which is somehow both mellow in tone and edgy in delivery, keeping his voice regional and unstudied so it doesn’t feel forced.

‘In My Element’ ends a on playful chant – the musical equivalent of a wink and a cheeky grin. The Clause are getting sleeker and more refined with every new record, but I’m glad to see that they’re holding on to the imaginative flair that makes them truly special.

‘In My Element’ (official teaser) – The Clause

On Friday 12^th July, The Clause release their latest single ‘In My Element’ – available to buy online via iTunes and The Clause’s own website shop. For more on The Clause, visit www.theclause.co.uk

Coinciding with the release of ‘In My Element’, The Clause will be playing at Nambucca in London on 13^th July, as promoted by This Feeling – click here for event details and ticket sales.

For further tour and live gig dates from The Clause, visit www.theclause.co.uk/live

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

July 5, 2019July 5, 2019

BPREVIEW: The Assist – single launch party @ The Sunflower Lounge 06.07.19

Words by Ed King / Pics courtesy of Hey Honey

On Saturday 6^th July, The Assist celebrate the launch of their new single, ‘It’s Just a Dream Away’, with a special headline show at The Sunflower Lounge in Birmingham – support comes from George Pannell and Flake.

Doors open 7:30pm, with tickets are priced at £7 (+bf) – as presented by Hey Honey. For direct gig info and links to online ticket sales, visit the Facebook event page by clicking here.

It’s been a busy 12months for The Assist. Since launching their debut Lost EP back in August 2018, the self-described ‘council pop-rap-rock’ four piece have been popping up all over the world – from the Made in Chelsea soundtrack to a it six date tour across Russia, it seems everybody wants a piece. Not bad for four lads from Walsall, who once told Clash Magazine they formed because they ‘felt we could do something better than the bands all the girls at school were talking about.’ And so, they did.

But alongside The Assist’s seemingly Faustian pack with the Devil of pop-rock melodies, beginning with the seductively bouncy croon of ‘Tell Her How You Feel’ back in 2016 and cemented with follow up singles ‘Wonderful’ and ‘Give it to Me’, their growing success comes down to graft. I guess being cherry picked by This Feeling to be the king-making promoter’s Band of the Month back in Feb 2017 would have helped add some national attention to the mix, but that kind of industry recognition doesn’t come without some serious groundwork.

Since forming in 2014, The Assist have thrown themselves into a touring schedule that would make many lesser rock-Gods-in-waiting curl up into the foetal position in the middle of the M1 – but one that has seen them appear alongside a staggering line up of luminaries, including the Happy Mondays, Blossoms, Black Honey, Ratboy and The Twang. And whilst most musical bucket lists would be pretty ticked off with those stage sharing credentials, The Assist’s list of accolades are only just beginning.

More on that later, as Birmingham Review will be catching up with The Assist to get all this from the horse’s mouth. Watch this space. But right now, there’s a more pressing matter than a litany of pats on the back and biography soundbites. On Friday 5^th July, The Assist release their latest single – a 3min summer anthem that has FESTIVAL FEVER written all over it, ‘It’s Just a Dream Away’.

Vocalist, Mike Stanton, is arguably on his finest form yet – belting out the titular aspiration with a glorious Midlands twang. But with a tinge of Madchester also lurking in the background, this tempered pop rock power punch could be the ‘breakthrough single’ that every band considers selling a soul for. And with both the great and good of Radio 6 and a growing global fanbase behind them, the world is quite literally becoming more and more their playground.

But there’s still time to catch them without having to spend a month’s rent with Aeroflot (we told you they just toured Russia, right…?) as The Assist will be basking in some closer to home glory with a special launch party gig at The Sunflower Lounge on Saturday 6^th July. Tickets may have sold out, we’re not 100% sure, but they probably will if they haven’t already. We’re suggesting investing in an advance ticket or two, click here for more details.

And if they have gone, gone, gone… then in the words of the late great Mr Bullseye himself, let’s have a look at what you would’ve won.

‘Just a Dream Away’ – The Assist

The Assist comes to The Sunflower Lounge on Saturday 6^th July, celebrating the launch of their new single, ‘It’s Just a Dream Away’, with support from George Pannell and Flake – as presented by Hey Honey. For direct gig info and links to online ticket sales, visit the Facebook event page by clicking here.

For more on The Assist, visit www.facebook.com/TheAssistBand

For more on George Pannell, visit www.facebook.com/georgepann74
For more on Flake, visit www.facebook.com/flakebrum

For more from Hey Honey, visit www.hey-honey.co.uk

For more on The Sunflower Lounge, including venue details and further event listings, visit www.thesunflowerlounge.com

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

December 3, 2017December 3, 2017

THE GALLERY: Rews + The Hungry Ghosts + Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17

Words by Ed King / Pics by Rob Hadley

On Saturday 25th November, Birmingham Review presented its Winter Showcase at the Actress & Bishop – a sold out live gig with Rews, The Hungry Ghosts and Ed Geater. It’s taken me more than a week to recover.

I’ve sat down to write a review of the night several times too, but how do you write a report about your own gig..? You can’t, well I can’t. But luckily our friends at Counteract can, so for Charlotte Niblett’s two cents on the Birmingham Review Winter Showcase click here – with some cracking pics from Paul Reynolds thrown in for good measure. And I have been kicking myself that in all the copy I’ve written about Ed Geater I never came up with ‘triple threat’… good work Charlotte, love that one.

Also, I kinda/sorta don’t have to write anything as the solider of Birmingham Review (or Rob Hadley as he is know in the wider world) was front row and centre for the entire evening with a camera in his hands. And if a picture paints a thousand words then there’s around 84k without you fluttering an eyelash or me hitting a key. Any more would just be rude.

There are some cherry picked pics below, but I would CAPITAL LETTER SUGGEST you check out the full Flickr of Rob’s pics by clicking on this hyperlink or the suitably subtle prompts littering this report.

But now you’ve got me typing away… the Birmingham Review Winter Showcase wasn’t only a chance to book three acts that are all amongst the most exciting on the national gig circuit today, it was an opportunity to put our money where our mouth is. Birmingham Review covers many corners of the city’s cultural landscape, but music is where we began and will always be an intrinsic part of our content.

Rews, The Hungry Ghosts and Ed Geater all have a real “chance at whatever metaphor you use for success”, and we’ve said so with words and pics several times before. But on Saturday 25^th November Birmingham Review got to be part of that progression, even if only for one night. But what an incredible night it was.

Ed Geater opened up to an already busy room, playing the tried and tested from his portfolio such a ‘Symmetry’ and ‘Don’t Think’ alongside a quick toe dip into some newer waters. Layering beat boxing over acoustic six string melodies, with the occasional breakbeat to keep you quite literally on toes, Geater kicked off the Winter Showcase with poise and aplomb. The Hungry Ghosts swaggered on stage for the second set, oozing with gin and mischief, and served up a fine platter of slaughterhouse blues with ‘Amerika’, ‘Lazaro’ and a slightly tweaked ‘Super King King’. Raw, raucous, and now with a cemented new line up, there is just so much to love about this band.

Then it was Rews… half way through their UK tour to promote Pyro, the duo’s corker of a debut album, and straight into a gut punching rock explosion with ‘Let It Roll’. On fire throughout the entire set, featuring album tracks including ‘Your Tears’, ‘Miss You in the Dark’ and ‘Death Yawn’ alongside the ferocious ‘Can You Feel It?’ (one of my personal favourites live), Rews quite simply nailed it – Shauna Tohill’s fearless front stage lead as Colette Williams powers through with vocals and percussion, it’s awesome stuff. Birmingham will never be quite the same again.

The other significant win at the Birmingham Review Winter Showcase was the crowd. There’s a lot of talk about ‘supporting the local music scene’ but unless you drag yourself out of the house, stick a smile on your chops, and get involved when musicians and singers are bearing their souls on stage… then talk is all that it will ever be. At the Birmingham Review Winter Showcase 175 people did all of the things I’ve just listed. And it felt phenomenal. To everyone who was upstairs at the Actress & Bishop on Saturday 25^th November, I both salute and thank you.

The Birmingham Review Winter Showcase was also my swansong, as I now hand the reigns over to Helen Knott – who is taking over as Birmingham Review editor, and Damien Russell – who is coming in as Birmingham Preview editor.

I will be moving over to editor-in-chief (sounds more glamorous than it is) and focusing on the books and periodicals set for release under Review Publishing. Look out for our first titles which will be on shelf by the end of 2017: Snapshots of Mumbai – a coffee table book about the Indian megacity, and the Birmingham Music Review 2017 anthology.

We’re recruiting too, so if you know your way around a QWERTY keyboard or a DSLR please email charlotte@birminghamreview.net

Meanwhile, back at the Actress & Bishop…

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

For more on Rews, visit www.rewsmusic.com

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The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

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Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

For more on Ed Geater, visit www.edgeater.co.uk

For more from the Actress & Bishop, including venue details and links to event, visit www.theactressandbishop.co.uk

WRITERS/PHOTOGRAPHERS WANTED – Birmingham Review is looking for new contributors. Anyone wanting to get involved, please email a short introduction to charlotte@birminghamreview.net