Tag: Ryan Pinson

Posted on

BPREVIEW: The Taboo Club + Sofa King – free entry gig @ The Prince of Wales (Cambridge St) 30.11.19

Words by Ed King / Pics courtesy of The Taboo Club & The Prince of Wales

On Saturday 30th November, The Taboo Club headline a free gig at The Prince of Wales (Cambridge St) – with support from Sofa King.

Doors to the venue, situated at the back of the ICC/REP Theatre, will be open all day – with the free entry live gig taking place from 8pm. For more information, visit the Facebook event page by clicking here.

What’s better than a Black Friday weekend bargain…? Well, many things. In fact, most things. But something that appeals to the carnivorous consumer is FREE STUFF – so in the true spirit of Christmas, The Taboo Club are celebrating the start of Yuletide with a FREE ENTRY GIG at The Prince of Wales on Cambridge St (that’s the proper boozer with beautiful lights, nestled at the back of the ICC/REP Theatre – a stones throw from The Flapper).

Prepping for their debut album, The Taboo Club have been feverishly recording, mixing, mastering and sitting around nodding their heads in satisfied unison. The rumour mill has this magnum opus set for release in sprint 2020, but to keep us hooked on the morphine music that this eclectic ensemble has been hocking since they formed in 2018.

Plus, Saturday is not just about free music on stage, as The Taboo Club will be releasing their new single, ‘I Wish There Was A Way’, on the same day. Again, for free. Lord only knows how these gents find money for rent, or the suave ‘kings of cool’ dapper dress that they seem to wear so effortlessly.

But a true rough diamond in Birmingham’s music scene, The Taboo Club are doubtlessly set for bigger and brighter things when the album lands – so a free gig seems like a fair enough trade for impending stardom. The band’s previously released singles, ‘Bible John’ and ‘Strangers’, have been piquing the interest of the great and good form the music media fraternity – with tension/excitement growing to see what this polymath ensemble will do with a longer track listing to play with. Time will tell, but to hear The Taboo Club’s singles, new and old, visit the band’s Bandcamp page by clicking here.

Plus, The Prince of Wales is a venue steeped in Midlands musical history – with pictures of artists from Black Sabbath to Ruby Turner to The Special adorning the walls, and people sitting around them who have firsthand stories to tell. And in the darkness of winter, with a few reasonably priced ales and the occasional pie and chips to scoff, I can’t think of many better ways to say goodbye to your November.

Actually, I can. As the always awesome and worth a stop, look, listen Sofa King will be joining The Taboo Club – playing, again for gratis, at this full throttle winter warmer. Bit of a no brainer really.

On Saturday 30th November, The Taboo Club headline a free gig at The Prince of Wales (Cambridge St) – with support from Sofa King. For more information, visit the Facebook event page by clicking here.

For more on The Taboo Club, visit www.facebook.com/TheTabooClubUK/

For more on Sofa King, visit www.sofakingqueen.bandcamp.com/

For more on The Prince of Wales (Cambridge St), including full event listings and venue details, visit www.facebook.com/thepowcambridgestreet/

________

NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

Posted on

INTERVIEW: The Assist

Words by Ed King

“For me, this song was just about portraying a message that if you want to achieve something then it’s just a dream away.”

On Saturday 6th July, The Assist celebrated the launch of their new single, ‘It’s Just a Dream Away’, with a special headline show at The Sunflower Lounge in Birmingham – alongside George Pannell and Flake as support.

Launching their debut Lost EP back in August 2018, it’s been quite a year for Midlands indie pop rockers – with a steady flow of gigs across the UK underpinning an evolving sound and the singles to prove it.

There’s also been bit of a musical milestone abroad, as The Assist were invited on a six date tour across Russia with The Twang and Riscas – including a chance for the Walsall four piece to play a headline set at the Ural Night Music Festival in front of 12,000 strong audience.

Released on Friday 5th July, ‘It’s Just a Dream Away’ has already been picking up a fair amount of momentum and attention – to listen to ‘It’s Just a Dream Away’ click on the single artwork to your left, or the following highlighted links to stream it via Spotify or The Assist’s Soundcloud page.

And with The Assist‘s Lost EP finding a respectable place in both Spotify’s United Kingdom Top 50 and iTunes’ Top 10 Indie charts, alongside another track from their back catalogue lined up for the Made in Chelsea soundtrack, it’s not bad going for a band that once off the cuff described themselves as ‘council pop-rap-rock’.

There are plans already underway to release second EP, with another festival also in the offing – this time a little closer to home, when The Assist will stand at the top of the Smirnoff Presents Saturday night bill at Sheffield’s three day Tramlines music event on 20th July.

So, it looks set to be another busy 12months for The Assist – but don’t just take out word for it…

Ed King caught up with The Assist lead singer, Mikey Stanton, a few hours before their single launch party at The Sunflower Lounge on Saturday 6th July – click on the video link below to see the full interview with Birmingham Review.

Interview with Mikey Stanton from The Assist @ The Sunflower Lounge 06.07.19

The Assist released their latest single, ‘It’s Just a Dream Away’, on Friday 5th July – available to stream through Spotify, the band’s social media and Soundcloud page. For more on The Assist, visit www.facebook.com/TheAssistBand

The Assist headline the Smirnoff Presents Saturday stage Club Totem on 20th July, as part of this year’s Tramlines festival in Sheffield. For direct gig info, click here to visit the Facebook event page.

For more from Hey Honey, visit www.hey-honey.co.uk
For more on The Sunflower Lounge, including venue details and further event listings, visit www.thesunflowerlounge.com

________

NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

Posted on

BPREVIEW: The Assist – single launch party @ The Sunflower Lounge 06.07.19

Words by Ed King / Pics courtesy of Hey Honey

On Saturday 6th July, The Assist celebrate the launch of their new single, ‘It’s Just a Dream Away’, with a special headline show at The Sunflower Lounge in Birmingham – support comes from George Pannell and Flake.

Doors open 7:30pm, with tickets are priced at £7 (+bf) – as presented by Hey Honey. For direct gig info and links to online ticket sales, visit the Facebook event page by clicking here.

It’s been a busy 12months for The Assist. Since launching their debut Lost EP back in August 2018, the self-described ‘council pop-rap-rock’ four piece have been popping up all over the world – from the Made in Chelsea soundtrack to a it six date tour across Russia, it seems everybody wants a piece. Not bad for four lads from Walsall, who once told Clash Magazine they formed because they ‘felt we could do something better than the bands all the girls at school were talking about.’ And so, they did.

But alongside The Assist’s seemingly Faustian pack with the Devil of pop-rock melodies, beginning with the seductively bouncy croon of ‘Tell Her How You Feel’ back in 2016 and cemented with follow up singles ‘Wonderful’ and ‘Give it to Me’, their growing success comes down to graft. I guess being cherry picked by This Feeling to be the king-making promoter’s Band of the Month back in Feb 2017 would have helped add some national attention to the mix, but that kind of industry recognition doesn’t come without some serious groundwork.

Since forming in 2014, The Assist have thrown themselves into a touring schedule that would make many lesser rock-Gods-in-waiting curl up into the foetal position in the middle of the M1 – but one that has seen them appear alongside a staggering line up of luminaries, including the Happy Mondays, Blossoms, Black Honey, Ratboy and The Twang. And whilst most musical bucket lists would be pretty ticked off with those stage sharing credentials, The Assist’s list of accolades are only just beginning.

More on that later, as Birmingham Review will be catching up with The Assist to get all this from the horse’s mouth. Watch this space. But right now, there’s a more pressing matter than a litany of pats on the back and biography soundbites. On Friday 5th July, The Assist release their latest single – a 3min summer anthem that has FESTIVAL FEVER written all over it, ‘It’s Just a Dream Away’.

Vocalist, Mike Stanton, is arguably on his finest form yet – belting out the titular aspiration with a glorious Midlands twang. But with a tinge of Madchester also lurking in the background, this tempered pop rock power punch could be the ‘breakthrough single’ that every band considers selling a soul for. And with both the great and good of Radio 6 and a growing global fanbase behind them, the world is quite literally becoming more and more their playground.

But there’s still time to catch them without having to spend a month’s rent with Aeroflot (we told you they just toured Russia, right…?) as The Assist will be basking in some closer to home glory with a special launch party gig at The Sunflower Lounge on Saturday 6th July. Tickets may have sold out, we’re not 100% sure, but they probably will if they haven’t already. We’re suggesting investing in an advance ticket or two, click here for more details.

And if they have gone, gone, gone… then in the words of the late great Mr Bullseye himself, let’s have a look at what you would’ve won.

‘Just a Dream Away’ – The Assist

The Assist comes to The Sunflower Lounge on Saturday 6th July, celebrating the launch of their new single, ‘It’s Just a Dream Away’, with support from George Pannell and Flake – as presented by Hey Honey. For direct gig info and links to online ticket sales, visit the Facebook event page by clicking here.

For more on The Assist, visit www.facebook.com/TheAssistBand

For more on George Pannell, visit www.facebook.com/georgepann74
For more on Flake, visit www.facebook.com/flakebrum

For more from Hey Honey, visit www.hey-honey.co.uk

For more on The Sunflower Lounge, including venue details and further event listings, visit www.thesunflowerlounge.com

________

NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

Posted on

SINGLE: ‘All the Best’ – Quinn 01.06.18

SINGLE: ‘All the Best’ – Quinn 01.06.18Words by Ed King / Pics by Bryony Williams

On Friday 1st June, Quinn release their latest single – ‘All the Best’. Phew, where to begin…

Firstly, ALL HAIL SAM LAMBETH. This is unashamedly sycophantic, and mainlines into the comfortable narcissism that turned that fresh faced indie kid from the ‘Near to You’ video into the canine caning rockstar you can see to your left.

But sod it. Some people are born performers and Mr Lambeth’s ‘brainchild’ is a joy to behold if for no other reason than he’s at the front of it.

Secondly, I’m going to try far too hard in this review. Might as well admit it. Centre stage stadium pretensions aside, Sam Lambeth is a better music writer than I am and it pisses me off no end. Actually, to clarify, the fact he doesn’t write for Birmingham Review is what really flicks the nads, but it’s all pretty much the same to my ego.

So, with that in mind, let’s copy/paste something from the ‘All the Best’ press release:

‘All the Best’ represents the best of Quinn’s past and the exciting future they are set to embark upon – Lambeth’s knack for driving melodies are wrapped around soaring synths, pounding Balearic beats and subtle sampling. “We took a conventional rock song and messed about with it, but on some different coloured wrapping paper and tried to give Quinn a new identity,” Lambeth said. “I’ve always loved pop in its purest sense, and hearing Beck’s record Colors made me realise you can have it both ways.”

Couldn’t have put it better myself. Hush ego, hush. But Quinn’s latest single is catchy as hell. Like some metaphor involving an airborne virus and a big thumbed sports star, the boy writes a mean pop hook and no mistake. And whilst I wouldn’t use White Isle rhetoric to describe it, ‘All the Best’ is a clear windows down summer winner. Cars, floppy hair, mirror lens sunglasses etc, etc…

SINGLE: ‘All the Best’ – Quinn 01.06.18No pretensions, ‘All the Best’ won’t win an Ivor Novello, but it sends an army of smiling earworms marching down your lug holes from the first happy clappy riff until the somewhat unfortunate fade out. Lambeth’s vocals have seldom sounded stronger too. But with ball-out-of-the-park-regular Ryan Pinson in production it’s an unsurprisingly well polished chill pill. Apart from the fade out. I don’t like fade outs. But that’s me.

Lyrically, ‘All the Best’ – as the Bible of sugar coated indie decrees – is about unrequited love with a gracious smile and confident nod to the unknown. The irony is that behind this creative love in was a somewhat public clusterfuck of a fond farewell, one we won’t dwell on but is a) worth mentioning considering the song’s premise, and b) another feather in the cap of a man who seems to be endlessly chasing somebody’s summer. Refer to paragraph one.

OK, time for a counterpoint. There’s always a counterpoint. Hang on. Need to get my right click on the go again here…

When it came to the next project, Lambeth had one rule – don’t repeat yourself. “Our last EP, Crush, was a homage to the hazy melodies and fizzy fretwork of the ‘90s, and thus was very guitar driven,” he said. “For where I was headed next, I knew it had to be completely different. It was time to experiment.”

Different, sure, but completely..? And if you’re old enough, ‘Words that Say’ by Mega City Four. But this is what Sam Lambeth does with Quinn to such Technicolor effect, and there’ll be plenty of time for that dub step opera with the Ukulele Orchestra of Great Britain. Fuck it, it’s summer. We’ve got convertible cars to drive down the M4.

And to surmise with more open ended plagiarism, if it ‘aint broke…

‘All the Best’ – Quinn

Quinn release their latest single, ‘All the Best’, on Friday 1st June. For more on Quinn, visit www.facebook.com/quinnrocks

Posted on

SINGLE: ‘Oh Friend’ – Hunger Moon

SINGLE: ‘Oh Friend’ – Hunter Moon / Out from 12.03.18

Words by Ed King / Pics courtesy of Hunger Moon

On Monday 12th March, Hunger Moon release their debut single ‘Oh Friend’ – wasting precious little time for a band that only formed at the tail end of last year, ‘deep in the heart of Birmingham’s warehouse and creative quarter’.

Out now and ‘available to stream on all major music platforms’, you can always make your own minds up with a quick visit to Soundcloud, Spotify or iTunes. Hunger Moon will also be supporting Joseph J. Jones at The Sunflower Lounge on Tuesday 13th March, if you wanted to check this out live and firsthand – for direct gig info, click here.

But who need independent thought or travel? Sit back, make yourself a cup of tea, look wistfully at rain, and let Birmingham Review do all the cognitive reasoning. Ssshhhh, there there… We’ll tell you.

But first a bit of background… Hunger Moon are the newly formed two piece from vocalist Natalie Jenkins and multi instrumentalist James Atwood, with a sound that draws immediate comparisons to London Grammar and Daughter. Their debut single, ‘Oh Friend’, had Ryan Pinson working behind the glass – with the skeleton written and rehearsed in Digbeth, and the skin produced at RML Studios in Wolverhampton. So, there’s a pretty solid start.

In the words of Hunger Moon, ‘Oh Friend is an ode to companionship, which has been the single constant within the lives of the duo over the past year throughout changes, some for better and others for worse’ and you get an immediate sense of longing, loss, or both.

Mournful yet comforting, ‘Oh Friend’ opens with an echoed guitar riff that is the linchpin to the Daughter comparison. Then after about 15 seconds, Jenkins’ vocals power though with the titular lyrics and ushering in the London Grammar comparison. This low cloud rolls across the horizon, with some ‘soft piano nuances and subtle electronics’ nudging their way in towards the end of Minute #1, before the instrumentation steps back leaving Jenkins’ vocals to introduce the first crescendo towards the end of Minute #2. A silent thunderclap… and downpour, with the emotional ebb and flow continuing in layers until the end of this nearly 5min single.

There is a beautiful proficiency to ‘Oh Friend’, with a confident subtly propelling an addictive melody. It’s not an easy sound to deliver well, and Hunger Moon have taken some bold steps down a road that is full of homage and potholes. But superbly handled by Ryan Pinson, the delicate strength that this genre requires is given its appropriate balance here. Plus, it could have been easily clipped to make it more radio (length) friendly but in fact saves the best minute for last.

As debuts go, ‘Oh Friend’ is solid introduction, managing to find a new corner of the electro/pop shadows to lurk in. The melody is rife too, which bodes well for an album of material to wrap around it – an LP we sincerely hope is on its way. But if we were to find one piece of constructive criticism, as is our job, it would be that the strength of Jenkins’ vocals can sometimes be a little, a small touch on the desk perhaps, too much in the lead. And to jump back to the two previous comparisons, one of these bands falls into this trap too, whist the other nails it perfectly on its perfect nail shaped head.

So, this is a little par for the course for the genre, kinda sorta. And having a strong asset in your box of musical tricks is one of those better problems to have. But for the first foray for Hunger Moon, ‘Oh Friend’ is cracking introduction from a band we have a sneaking suspicion have a lot more to offer over the next twelve months.

‘Oh Friend’ – Hunger Moon

 

Hunger Moon release their debut single, ‘Oh Friend’, on Monday 12th March – available through all major music platforms.

Hunger Moon will also be performing at The Sunflower Lounge on Tuesday 13th March, supporting Joseph J. Jones – for direct gig information, click here. 

For more on Hunger Moon, including links to stream ‘Oh Friend’, visit www.facebook.com/hungermoonmusic