Phil Drury Archives - Page 2 of 3 -

May 22, 2018May 25, 2018

ELEANOR’S PICK: Slam Dunk Festival 2018 (Midlands) @ NEC 28.05.18

Slam Dunk Festival 2018 (Midlands) comes to the NEC in Birmingham on 28^th May. For a direct event information, including venue details and online ticket sales, visit www.gentingarena.co.uk/whats-on/slam-dunk-festival

As one of the most anticipated dates in the UK pop punk calendar, it’s safe to say Slam Dunk Festival are taking no prisoners with this year’s line up. With a bevy of bands and artists descending upon the NEC in just under a week’s time, I took it upon myself to comb through the roster and select a number that I personally love.

Holding Absence / Rock Sound Breakout Stage

Birmingham favourites, Holding Absence, are set to make their Slam Dunk debut this year on the Rock Sound Breakout Stage. Having recently announced the departure of guitarist Feisal El-Khazragi, it will be one of their first performances without him in their line up. But with Holding Absence recently nominated for Best British Breakthrough Band at the 2018 Heavy Metal Awards, plus playing a string of dates supporting Being as an Ocean across Europe in June, they’re certainly not letting El-Khazragi’s departure slow them down.

Represented by Sharptone Records – who bought us the likes of Don Broco, Miss May I and We Came As Romans – the Cardiff based band also recently toured and released a co-EP with Loathe titled This Is As One, which earned them numerous positive reviews from critics for tracks such as ‘Saint Cecilia’.

Holding Absence perform at 3:30pm on the Rock Sound Breakout Stage. For more on Holding Absence, visit www.holdingabsence.com

‘Saint Cecilia’ – Holding Absence

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PVRIS / Jägermeister Main Stage

Having recently performed at Coachella, PVRIS will be returning to Birmingham hot off the heels of the American leg of their All We Know of Heaven, All We Need Of Hell tour – promoting their latest album of the same name.

Lynn Gunn’s dreamy vocals, combined with the band’s heavy rock influences, have earned them a dedicated fanbase and won them Rock Sound’s Artist of the Year Award back in 2017. Here’s hoping PVRIS also perform some tracks from their debut album, White Noise, with songs such as ‘St. Patrick’ and ‘My House’ being on my personal wish list.

PVRIS perform at 8:15 pm on the Jägermeister Main Stage. For more on PVRIS, visit www.pvris.com

‘Anyone Else’ – PVRIS

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Taking Back Sunday / Monster Energy Main Stage

Returning to Slam Dunk for the 3^rd time, Taking Back Sunday were in the first wave of bands to be confirmed to at perform this year’s festival.

Having released their 7^th album, Tidal Waves, in September 2016, and parting ways with their original guitarist Eddie Rayes last month, it will be interesting to see if we get to hear any new material from the group. Although I’m hoping to hear classic tracks such as ‘You’re So Last Summer’ and ‘MakeDamnSure’ as well as songs such as ‘You Can’t Look Back’ from their latest album live.

Taking Back Sunday perform at 8:05pm on the Monster Energy Main Stage. For more on Taking Back Sunday, visit www.takingbacksunday.com

‘You’re So Last Summer’ – Taking Back Sunday

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Astroid Boys / Impericon Stage

The Impericon stage will be hosting hardcore grime band Astroid Boys, who have always delivered impressive shows in Birmingham. Growing steadily since their formation back in 2012, they were bought to my attention after being featured in BBC Radio 4’s documentary Operation Grime, which tailed them on a tour across the UK.

Astroid Boys‘ music is not for the faint hearted – expect brutal lyrics addressing issues such as racism, mashed with hardcore and grime influences to create a sound you probably have never heard before… but will just as probably want to listen to again.

Astroid Boys perform at 2:20 pm on the Impericon Stage. For more on Astroid Boys, visit www.astroid-boys.com

‘Foreigners’ – Astroid Boys

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As It Is / Signature Brew Stage

Announcing the August release of their latest album, The Great Depression, only a few days ago, Brighton based As It Is will be headlining the Signature Brew stage this year.

A band who’ve amassed a dedicated fan base with tracks such as ‘Dial Tones’ and ‘Hey Rachel’, their material is catchy, easy to listen to and fun – however it’s unfair to assume they lack a more serious side. Their latest release, ‘The Wounded World’, delves into a much darker side of their ever-expanding noise, having been cited by the band as a ‘new era’ of their music which expands on ‘the societal romanticisation of depression’ and ‘the disrepair of present-day human connection’.

As ever with this band, though, As It Is approach their subject with the respect and sensitivity it warrants – referencing their new material as a means for them to work to create a positive change for mental health.

As It Is perform at 8:30pm on the Signature Brew Stage. For more from As It Is, visit www.asitisofficial.bandcamp.com

‘The Wounded World’ – As It Is

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Luke Rainsford / The Key Club Acoustic Stage

The Key Club Acoustic Stage is hosting a stellar line up of bands and artists, including Birmingham’s Luke Rainsford – combining upbeat guitar with gut wrenching vocals, making music that is hard hitting but a real treat to listen to.

Having toured the UK extensively since the release of I Feel At Home With You in February 2017, and having recently released his latest EP, I Just Don’t Deserve To Be Loved, in April 2018, Rainsford’s music deals with difficult issues such as loss, bereavement, low self esteem and mental health. Good, honest stuff.

Luke Rainsford performs at 4:15 pm on The Key Club Acoustic Stage. For more on Luke Rainsford, visit www.lukerainsford.bandcamp.com

‘Home Safe’ – Luke Rainsford

https://www.youtube.com/watch?v=ltnvyxgWovs

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Stand Atlantic / Rock Sound Breakout Stage

Australian trio, Stand Atlantic, will also be making their Slam Dunk debut this year, having recently toured with other performers such as ROAM and Knuckle Puck. With their latest EP, Sidewinder, reaching an impressive #10 on Rock Sound’s Top 50 Albums of 2017, and having been cited by Kerrang! as one of the hottest bands of 2018, Stand Atlantic are proving they’re a force to be reckoned with.

Claiming influences from Blink-182 to The 1975, they’re certainly considered a mixed bag musically too – but in the best possible way. Trust me. Go and listen to ‘Coffee at Midnight’. You can thank me later.

Stand Atlantic perform at 6:00 pm on the Rock Sound Breakout Stage. For more on Stand Atlantic, visit www.facebook.com/StandAtlantic

‘Coffee at Midnight’ – Stand Atlantic

Slam Dunk Festival 2018 (Midlands) comes to the NEC in Birmingham on 28^th May. For direct information on Slam Dunk Festival 2018, including details on all the events happening across the UK, visit www.slamdunkmusic.com

For a direct info and online ticket sales for Slam Dunk Festival 2018 (Midlands), visit www.gentingarena.co.uk/whats-on/slam-dunk-festival

For more from the Genting Arena, including full events listing and venue details, visit www.gentingarena.co.uk

May 9, 2018May 9, 2018

BPREVIEW: Riscas @ The Castle & Falcon 12.05.18

Words by Ed King

On Saturday 12^th May, Riscas headline at The Castle & Falcon – with support from Paris Youth Foundation, Candid and The Clause.

Doors open for The Castle & Falcon’s music venue from 7pm (the front bar is open for normal trading hours) with tickets priced at £7 (adv) plus booking fee – as presented by Hey Honey and Sonic Gun. Minimum age of entry is 14 years old, with all under 16s needing adult accompaniment. For direct gig information, including venue details and links to online ticket sales, click here.

**At the time of writing, there were only a few tickets remaining for Riscas at The Castle & Falcon on Saturday 12^th May. We predict a sell out, if indeed it hasn’t by the time we press ‘PUBLISH’. So you should get your ticket wriggle on if you want a place in this room**

Billed as their ‘biggest hometown show to date’, Riscas are back in Brum for another sell out gig after packing out venues across the UK. And why not? The endlessly bouncy punk-pop-indie-rock from this Birmingham four piece has been steadily grabbing the ears and attentions of audiences throughout the country, and dare say beyond.

A firm fixture on most crystal ball listicles, and being rubber stamped by BBC Introducing just over a year ago, Riscas have been surfing across the ‘ones to watch’ waters of the UK’s new music scene and working the live circuit like a Bob Dylan backing band. Seems to be paying off for them too.

Riscas’ debut single, ‘Panic Like Tom’, got ranked at No4 on the Spotify UK Viral Charts in March 2017, amassing a more than healthy 7 figure stream count in the year of its release. The band went on to be picked up by BBC Introducing and Radio 1 – being selected as the latter’s Intro Artist of the Week in March 2017 – before heading across the UK for sell out shows in Manchester, Birmingham and London.

Throw in a few festival slots, including Wytchwood and Live at Leeds, and that’s the story of how four spritely lads from The Midlands picked up some instruments and set out for stardom… another chapter before lights out? Rest your eyes then, on Saturday night I’ll tell you what happens when Riscas find themselves at The Castle & Falcon.

‘Talk Your Mind’ – Riscas

Riscas headline at The Castle & Falcon on Saturday 12^th May, with support from Paris Youth Foundation, Candid and The Clause – as presented by Hey Honey and Sonic Gun. For direct gig information, including venue details and links to online ticket sales, visit www.castleandfalcon.com/event/riscas-paris-youth-foundation-candid-clause

For more on Riscas, visit www.riscasofficial.com

For more on Paris Youth Foundation, visit www.parisyouthfoundation.com

For more on Candid, visit www.facebook.com/candidcoventry

For more on The Clause, visit www.soundcloud.com/theclause

For more from Hey Honey, visit www.facebook.com/HeyHoneyUK

For more from Sonic Gun, including further event listings, visit www.facebook.com/sonicgunconcerts

For more on The Castle & Falcon, including venue details and further event listings, visit www.castleandfalcon.com

April 20, 2018

THE GALLERY: Trivium @ O2 Academy 17.04.18

Words by Yasmine Summan / Pic by Phil Drury

Florida’s heavy metal band, Trivium, set Birmingham a blaze this week as they storm through the UK on their The Sin and The Sentence World Tour 2018 – bringing city fans extreme head banging, searing guitar riffs, intense breakdowns, and a varied set list of their best hits since they first formed in 1999.

Fans flocked to the O2 Academy Birmingham in the thousands, hounding the merch tables and practically clinging onto the barrier with faces from all generations wavering through the crowd. I could feel the waves of nostalgia and excitement flooding through the room as fans joyfully ran in, decked out in ancient Trivium memorabilia unseen for years.

Opening the night, UK death metal band, Venom Prison, stormed onto the stage with a high energy performance and excessive head banging from vocalist, Larissa Stupar – who’s impressive screams filled the room and left everyone stunned.

Power Trip followed with their unique sound that revives the best elements of 80’s thrash metal, but takes aspects of modern metal to create a unique flare to their music. Their intensely high tempo, fast paced rhythm and scorching guitar solos had energy buzzing through the air; the whole band emanated great stage presence, with guitarist, Blake Ibanez, leaning into the crowd to sing along with the fans.

Code Orange stood out for their insane, off the wall performance that sky rocketed the energy levels in the room. Before their set had even begun the band’s guitarist, Dominic Landolina, ran off the stage and jumped into the crowd, gathering excitement amongst fans.

Whilst I enjoyed the diverse range of support acts, the drastically varying subgenres didn’t fairly compliment their collective talents. Hardcore is often more aggressive whilst metal is more melodic, which garner completely different audiences. Whilst the majority of the crowd was lively, this did result in some disinterested faces across the room and I think better consideration could have been put into the arrangement of the line-up.

As the lights dimmed and fans eagerly waited, I was unsure of what would entail for the atmosphere in the O2 Academy after the mixed reactions for the previous acts. However, I can assure you that as Trivium’s lead vocalist, Matt Heafy, swarmed onto the stage and the thudding of Alex Bent’s drums began to charge through the room, all hell truly did break loose. Trivium kicked in with their latest track, ‘The Sin and The Sentence’, causing crowd surfers to flood through the barriers, with mosh pits circulating around the room as an intoxicating rush of adrenaline dazed the crowd.

Their performance was practically unscathed, it felt so well-rehearsed and strategically thought out. From the layout of the stage that matched their latest album cover, to the lights syncing to the beat of the drums and every single riff tearing its way through the room without a single distorted note in sight, I was beyond overwhelmed with the outstanding performance – especially at Heafy’s guitar riffs that were so crisp they could cut through thin air.

Trivium play on the traditional styles of heavy metal music, which was translated great through their older hits like ‘Throes of Perdition’ and ‘Becoming the Dragon’ with highly amplified extended guitar solos and emphatic drum beats, similar to heavy metal bands like Iron Maiden and Pantera. Although arguably, I do think the lack of their works from popular albums such as Shogun and The Crusade was underwhelming, seeing as these tried and tested tracks translate well with the fans when performed live.

The band moved as one body and fed from each other’s energy. It was clear to see the devoted passion for their work thriving through each member; at times you could even see bassist, Paolo Gregoletto, rapidly strumming with sweat soaking his face, as if he was pouring his soul into every strum. Even between songs the band’s genuine nature transpired, as they constantly thanked the crowd and shared moments of their last time in the UK with Heafy saying he feels that “the UK basically adopted us” because of how frequently they visit.

Short bursts of surreal moments are what truly captivated the O2 Academy Birmingham crowd and brought the room together. It was humbling to see fans completely in awe with their eyes glued to the stage, or even to see someone coming out of a mosh pit completely covered in blood but with a huge grin plastered across their face as they sang along to every word.

Trivium are stretching their adventures across the UK and will be visiting Manchester and London before finalising their The Sin and The Sentence Tour for 2018. But as for their stop at the O2 Academy Birmingham, it brought a nostalgic pang of happiness to see fans, families and friends all enjoying themselves.

Trivium @ O2 Academy 17.04.18 / Phil Drury

For more on Trivium, visit www.trivium.org

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Power Trip – supporting Trivium @ 02 Academy 17.04.18 / Phil Drury

For more on Power Trip, visit www.powertripsl.bandcamp.com

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Code Orange – supporting Trivium @ 02 Academy 17.04.18 / Phil Drury

For more on Code Orange, visit www.codeorangetoth.com

For more on Venom Prison, visit www.venomprison.com

For more from Live Nation UK, including further event listings and online ticket sales, visit www.livenation.co.uk

For more on O2 Academy Birmingham, including venue details and further event listings, visit www.academymusicgroup.com/o2academybirmingham

March 19, 2018March 18, 2018

THE GALLERY: Feeder @ O2 Academy 14.03.18

Words by Eleanor Sutcliffe / Pics by Phil Drury

“Satisfying but damaging in the long run.”

This is how, on the walk to the O2 Academy, my friend described my life decisions. Worryingly, it applies to most aspects of myself – my career, university, my student diet (sorry mum). It also applies to my music taste. Once I discover a band I love I can very easily run their music into the ground by playing them on repeat, which is exactly what I did with Feeder’s Echo Park album after my dad played it to me when I was younger.

Since then, I’ve viewed the band rather like how you’d see your distant relatives – comforting and nostalgic to begin with, but monotonous when listened to for hours on end. However, when Feeder announced a Best Of tour it only seemed fair to drop in and see if, after all these years, they still knew how to fire up a crowd.

Walking up to O2 Academy, I was stunned to see there was no queue. Had we come on the wrong day? Was security being surprisingly efficient on this particular Wednesday evening? Peeking our heads through the doors, we were greeted with a sight that would make even the most seasoned performer feel queasy – a half empty main room. Undeterred, we grabbed a drink from the bar and wandered through the sparse crowd to catch the support act.

First on were Sweet Little Machine, who won their support slot through a competition with Kerrang! Unsurprising really, as they reminded me of a reincarnation of Green Day just with better hair. Their singer coaxed the room into multiple singalongs – hardly a laborious task, considering most of the songs sounded the same. And yet, their charming demeanour swayed both me and the crowd, with song titles such as ‘Dickwad Prickface’ resulting in inexplicable laughter.

It’s clear to see that Feeder’s fanbase have not gone AWOL as we had predicted. On the contrary, as soon as Feeder took to the stage, the room suddenly swarmed with fans singing and dancing. Maybe booking 02 Academy’s main room wasn’t such a bad idea after all.

When Feeder announce a best of show, make yourselves comfortable – because you’re not leaving for a while. With a mammoth 24 song set you’re pretty much guaranteed to hear a song you know, even if you’re as forgetful and unobservant as I am. Of course, signature songs such as ‘Buck Rogers’ and ‘Just the Way I’m Feeling’ went down a treat, but so did Feeder’s new material such as ‘Figure You Out’ which made it midway into the main set.

Visually the show was incredible too, with three large screens displaying various video clips that reminded me, nostalgically, of the kaleidoscope style clips I used to watch on Windows media player when I growing up. For a main room show, it was surprisingly personal too. Feeder‘s frontman and singer, Grant Nicholas, let the crowd choose between ‘Crash’ and ‘Cement’, candidly explaining the stories behind some of the bands most famous songs, from the writing to memorable performances.

Finishing their encore with their now iconic track ‘Just A Day’, it was clear to see why Feeder are still as popular as they were back in the 90’s. With a room teeming with fans both young and old, their music is as addictive now as it ever was. Which means I’m back to playing Echo Park on repeat for the next six weeks. Again.

Feeder @ O2 Academy 14.03.18 / Phil Drury – Birmingham Review

For more on Feeder, visit www.feederweb.com

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Sweet Little Machine – supporting Feeder @ O2 Academy 14.03.18 / Phil Drury – Birmingham Review

For more on Sweet Little Machine, visit www.soundcloud.com/sweetlittlemachine

For more from Kilimanjaro Live, including further event listings and online ticket sales, visit www.kilimanjarolive.co.uk

For more on the O2 Academy Birmingham, including venue details and further event listings, visit www.academymusicgroup.com/o2academybirmingham

January 17, 2018January 17, 2018

BREVIEW: The Hunna @ O2 Academy 11.01.18

Words by Molly Forsyth / Pics by Phil Drury

I step into the O2 Academy in Birmingham, a venue that has been a staple in my perusal of live music for over a decade, and feel apprehension for the first time.

I am still accustomed to being below the average age of attendees at gigs. Tonight, it is clear I am not. The hum of teenage excitement is all too familiar to me, except this time I am not part of it. College kids glug double pints of Somersby’s. Hives of young girls are buzzing around the venue, a swarm of double dyed-denim, glitter eyes, high-waisted jeans, vintage windbreakers and bleached buzzcuts. They look fantastic, and I have no doubt they are about to have the time of their lives tonight watching one of the fastest rising bands in the UK, The Hunna.

Opening this evening are Night Riots, who feed off the energy radiating around the hall to put in a blistering performance, complete with a mini LED display at the start of the set.

They are so good it is hard to believe they are supporting a gig of this size rather than filling the venue themselves. Night Riots effectively combine chugging riffs reminiscent of early emo bands such as Jimmy Eat World with the flamboyant sensibilities of new wave, and it’s a concoction fit for tonight’s crowd.

Frontman, Travis Hawley, strolls whimsically across the speakers throughout, shirt buttoned down past Simon Cowell-level, but not quite Morrissey-level.

Their standout track is ‘Spiders’ – one of the strongest songs I hear all evening – which serves to show the band’s identity beyond their influences. The lo-fi drums, building anthemic verses and a smooth slide into delicate synth work, demonstrate the finesse that Night Riots possess. They return to UK shores from their native California in just a few short months and I will certainly be in attendance.

Next are Coasts, providing a tighter, crisper sound than their fellow support act, if perhaps lacking in originality. Compared to the more grandiose Night Riots, Coasts feel minimal in the space they occupy, their strength lying in the clarity of their layered tracks. At no point in their set does any instrument bleed into the other. The slightest pluck of the guitar can be heard against the gentlest beat, which is testament to their skill as musicians.

After ploughing through a set consisting of pleasant, albeit forgettable dream pop, they end with ‘Oceans’ to a big cheer. Undeniably their most immediate and memorable moment of the night, it feels unfortunate that diversity is lacking in the rest of their catalogue. If they are capable of writing songs as impactful as ‘Oceans’ however, I remain hopeful that Coasts can expand on their sound with new and more unique ideas in the future.

In contrast, it seems that The Hunna have made a breakthrough in establishing their identity. Shrouded by dim strobes of magenta and indigo, they turn up with every intention of causing a frenzy. What follows is a 45 minute onslaught of menacing indie rock aimed squarely at your adrenaline reserves, complete with choruses containing clear ambition for chart success.

Highlights include early favourite ‘She’s Casual’, sung mainly by the crowd, current Radio 1 favourite ‘Flickin’ Your Hair’, and new song ‘Dare’, which perfectly demonstrates the band’s development in their songwriting. While the songs from their debut album, 100, are solid stabs at straight-up garage rock made popular in the Noughties, ‘Dare’ indicates that The Hunna are ready for bigger things.

Making their way back on the stage in coordinated jackets to spell out the song title, The Hunna launch into a dirty, distorted riff. The direct lyrics assert their authority to a lover, rather than wondering out loud if she cares about their existence (see ‘Still Got Blood’, ‘You Don’t Want It With Me’) and are imbued with a certain confidence that matches the growth the band have experienced in just two years. As they play the last notes of fan favourite ‘Bonfire’ the last remnants of cerise confetti float over a crowd still hungry for more, and I make my exit with every faith that 2018 belongs to The Hunna.

As impressed as I am with the three bands, the hero of the night is the crowd. I love young crowds, not for their ‘energy’ (being 24, I can’t claim I’m exactly tired yet) but for their commitment to having a good time. They aren’t jaded or overly educated in what makes good music to stop them from enjoying themselves to the fullest. They are a generation raised on a diet of too-cool-for-school trap beats and icy pop – Drake, Post Malone and Taylor Swift are played during intervals – but their appetite for indie coexists.

While applause and tacit appreciation is something I come to expect from crowds these days, tonight is all about festival-level screaming, stomping until your Vans are worn down from the sole, and climbing atop the shoulders of the first strapping young man you can find. And I can’t ask for anything better.

The Hunna @ O2 Academy 11.01.18 / Phil Drury – Birmingham Review