BREVIEW: Pixies @ O2 Academy (B’ham) 16.09.19

Words by Abi Whistance / Pics by Phil Drury (2324 Photography)

Pixies have made it pretty clear in recent years that, frankly, they’re getting a little too worn out for the yelps, shrieks and piercing guitars of their adolescence. Settling nicely into Frank Black’s country grooves the band have mellowed in their releases, Beneath the Eyrie being no exception.

It was difficult to know what to expect with a world tour of their latest album; the worry that I’d gotten my hopes up for a surprise appearance of ‘I’ve Been Tired’ or ‘Nimrod’s Son’ was almost debilitating. With such a cult-like fanbase it would have been impossible to fulfil the wishes of every unshakable Trompe Le Monde buff on site, with at least a handful of the crowd crying for a rendition of ‘that B-side they did once that only exists by word of mouth’ or a 1988 debuted cover of ‘a classic’.

Yet as time went by and their arrival onto the O2 Academy’s stage crept closer, I couldn’t help but feel that high hopes weren’t going to be unwarranted.

Erupting into ‘Gouge Away’, I knew then my gut had pointed me in the right direction. Pixies weren’t here to tiptoe; this was floorboard-rattling, neighbour-waking material that pleased all the right people and pissed all the wrong ones off. A set peppered with phenomenal renditions of fan favourites made it nearly impossible to go without for more than a few minutes, even the pickiest were brought to a grinding halt when the likes of ‘Here Comes Your Man’ and ‘Planet of Sound’ were plucked from the hat.

The new album provided a breather in the set; thrashing and flaying ensued during the haphazardly selected relics of Come on Pilgrim and Doolittle, the latest ‘Silver Bullet’ and ‘Ready for Love’ alternatively offering a brief moment of reflection. Not just because they lack excitement, which undeniably they do, but also because we’re yet to warm to them.

Still, there’s no better way to fall in love than face to face, and Pixies are aiming for nothing less than head over heels with Beneath the Eyrie on tour. Snatching hearts one by one, Francis is leaving no survivors this lap of the globe.

Pixies – with support from The Big Moon @ 02 Academy (B’ham) 16.09.19 / Phil Drury (2324 Photography)


 
For more on Pixies, visit www.pixiesmusic.com   
For more on The Big Moon, visit www.thebigmoon.co.uk

For more on the O2 Academy Birmingham, including venue details and online ticket sales, visit www.academymusicgroup.com/o2academybirmingham

________

NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

Gomez – Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18

Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury

 

 

 

Words by Sam Lambeth / Pics by Phil Drury

Cailin Russo is excited. “This is the best night of the tour,” she beams, her bleach blond locks flowing vivaciously in an imaginary Birmingham breeze. RUSSO and her band are an adorable bundle of energy, sweeping through the jet-fuelled punk of ‘House with A Pool’ and the ‘Something’-pilfering ballad ‘Lonely’. As opening acts go, RUSSO packs a sweet, but mighty, punch.

RUSSO – supporting Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury“You lot haven’t changed much,” grins Gomez’s premier blues howler Ben Ottewell to the Birmingham faithful. You can see from his smile that it’s meant in jest, and while the Southport experimentalists pretty much look the same – Ian Ball is still cherubic and childlike, Tom Gray is the mischievous mouthpiece, and Ottewell has the hirsute beard of a part-time wrestler – the audience has aged somewhat. But lest we forget it has been twenty years since their landmark debut record Bring It On surprised and stunned the British music landscape with its dusty Americana, hazy rockers and widescreen balladry.

Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury

When released, Bring It On beat a plethora of perfect albums to win the Mercury Music Prize. On reflection at the 02 Institute tonight, such an accolade proved entirely earned – opener ‘Get Miles’, where Ottewell is first able to unleash that mighty croak, is cloaked in atmospheric bleeps and surging riffs, while lead single ‘Whippin’ Piccadilly’ is a playful toe-tapper built around slide guitars and Gray’s box of keyboard tricks. The beauty of Bring It On is in its bold imagination and restless creativity – on a balmy Birmingham night, the five-piece take the crammed audience to the dim dive bars of Tennessee (a stunning, jaw-dropping ‘Tijuana Lady’), the open highways of California (the beefed-up, chiming colossus ‘Here Comes the Breeze’) and the bug-addled back porches of Texas (the country ballad ‘Free to Run’).

Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil DruryThe band are good hosts, Gray permanently geeing the crowd up during the skewed pop of ’78 Stone Wobble’ and the compact crunch of ‘Get Myself Arrested’. As they breezily trade instruments, share harmonies and extend songs into fluid jams, the sheer talent of the five-piece comes into play, as does the cruel reminder that it is perhaps this talent, this restless creativity and fearlessness, that meant commercial appeal never quite beckoned.Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury

Once Bring It On comes to a close, there is still time for some old school Gomez classics. The menacing, snarling ‘Shot Shot’ and the straight-ahead shuffle of ‘Silence’ show that even when Gomez began losing their experimental roots for something more conventional, they were still making music that was far from ordinary. The beautiful, tear-jerking ‘We Haven’t Turned Around’ brings the 02 Institute to a stunned silence and the closing ‘Revolutionary Kind’ hammers home that a world without Gomez is one that is far too bland.

Whether or not there will be new music remains to be seen, but Gomez’s long-awaited return to the stage is a bold reminder of their unbridled talents. A new album and renewed recognition? Bring it on.

 

 

 

RUSSO – supporting Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury

RUSSO – supporting Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil DruryRUSSO – supporting Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil DruryRUSSO – supporting Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil DruryRUSSO – supporting Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil DruryRUSSO – supporting Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil DruryRUSSO – supporting Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil DruryRUSSO – supporting Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil DruryRUSSO – supporting Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury

For more on Russo, visit www.russo.lnk.to/hwap

_____

Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury

Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury Gomez, Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18 / Phil Drury

For more on Gomez, visit www.gomeztheband.com

For more from SJM Concerts/Gigs & Tours, including further event listings and online ticket sales, visit www.gigsandtours.com

For more on the O2 Institute, including venue details and further event listings, visit www.academymusicgroup.com/o2institutebirmingham

________

NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

BPREVIEW: Gomez – Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18

BPREVIEW: Gomez – Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18

Words by Ed King

Gomez perform at the O2 Institute on Tuesday 28th August, coming to Birmingham as part of their Bring It On 20th Anniversary Tour with support from RUSSO as presented by SJM Concerts/Gigs & Tours.

Doors are open at the O2 Institute from 7pm with the minimum age of entry 14yrs, although under 16s will need adult accompaniment. Tickets are priced at £34.50 (including all fees) for both seating and standing – for direct event information, including venue details and links to online ticket sales, click here.

Gomez released their debut album, Bring It On, back in the tail end of a dance music Vs Britpop dominated 90’s – as Paul Oakenfold was battling Blur across the Matthew Bannister banished airwaves of Radio One, five lads in Leeds played their first gig together. And as the student throng staggered around Hyde Park, a well placed sign (and a catchy surname) gave the fledgling ensemble a name.

Pretty soon after that fateful night at the Hyde Park Social Club, Gomez had signed to Hut Records – a Virgin owned subsidiary that was set up to champion the burgeoning indie scene. And pretty soon after that Bring It On was out of the studio, on the shelves (oh yes, handheld purchases in them days), and burrowing its way into the shortlist for the Mercury Music Award. A self produced mix of growling vocals, stripped back indie swagger, words rhyming with Mexico, and short and curly grabbing melodies, Bring It On was a masterful debut – eventually beating some pretty tough competition for the aforementioned trophy.

And whilst Gomez’s sophomore album, Liquid Skin, was arguably as lauded – and the band’s following five albums showed confidence, exploration and range – it is perhaps this 12 track introduction that gets more hairs on certain necks still standing up on end. Mention to anyone over 30 you’ve “got some friends in my BMW…” and chances are they’ll know what to say.

It is also the reason Gomez are back on the road – playing nine dates across the UK and Republic of Ireland as part of their Bring It On 20th Anniversary Tour, which kicked off across North America in June.

And for those (lucky-life-still-ahead-of-them-bast*rds) who are too young to remember flicking through HMV racks on a Saturday afternoon…

’Get Myself Arrested’ – Gomez

Gomez come to the O2 Institute with their Bring It On 20th Anniversary Tour on Tuesday 28th August, with support from RUSSO – as presented by SJM Concerts/Gigs & Tours. For direct event information and links to online ticket sales, click here.

For more on Gomez, visit www.gomeztheband.com

For more on RUSSO, visit www.russo.lnk.to/hwap 

For more from SJM Concerts/Gigs & Tours, including further event listings and online ticket sales, visit www.gigsandtours.com

For more on the O2 Institute, including venue details and further event listings, visit www.academymusicgroup.com/o2institutebirmingham

________

NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

THE GALLERY: Captain Süün @ The Sunflower Lounge 24.05.18

Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

 

 

 

Words by Ashleigh Goodwin / Pics by Phil Drury

It’s Thursday night and our three day summer is still going strong. Approaching The Sunflower Lounge, you can see it has already built up a sizeable crowd that spills onto the streets outside, all of whom are enjoying drinks and cigarettes before the show begins downstairs.The crowd is awash with Dr Martens, plaid shirts and corduroy, singing along to various snippets of whatever is playing inside – speakers blaring into the road, through windows open to accommodate the hot weather.

The basement, however, is quiet upon entry. But as Birmingham based ‘psych-soaked four-piece’ Brain Food take to the stage people begin to file through the doors, dutifully taking their spot in front of the stage. The room becomes busy, with it getting so packed near the back that at one point I look like the final member of the most mismatched family trio; my bag and shoulders squashed together between an older man and a younger girl. People greet each other between songs, half jumping on their friends in hugs and adoringly ruffling their hair with one hand whilst sipping their beer in the other. One audience member reenacts the most vicious ‘Charlie Brown’ dance move I’ve ever seen repeatedly throughout the set, whilst bobbing his head to the thick bass lines as they go.

Brain Food – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil DruryA smooth “howdy” from lead singer Liam Mckeown reverberates through the room and does nothing to calm the raucous crowd. Their setlist – which includes ‘Mindwinder’, a new single yet to be released from their forthcoming EP ‘Get One On’ – is a pleasant haze of swirling chord combinations and fuzzy riffs from rhythm guitarist Jakob Cusp and bassist Wills Carrot, against the smooth swagger of Liam’s vocals and Connor Doyle’s percussion. Brain Food provided the perfect opener for the evening by kicking it off with enthusiasm and getting the crowd going in such a short space of time.

Brain Food – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil DruryThe second band of the night are The Hungry Ghosts, and people begin to swarm in throughout the first song after their toilet, drink and cigarette breaks. Having only seen ‘The Ghosts’ once before from the back of a busy crowd, only now was I able to appreciate the enticing appeal of the five-piece. Their sound is hard to pin-down, and as they play favourites such as the effortlessly cool ‘Amerika’, ‘Lazaro’ and ‘Hummingbird’, I realised the full rock and roll sounding guitars mixed with the distinctive vocals and controlled screams of frontman Joe Joseph can only really be summerised by their self-description of ‘slaughterhouse blues and trash country’.

The Hungry Ghosts – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil DruryI try many variations to describe this in my notes, crossing out each one in frustration as this description is the only one that seems apt for their unique sound, which manages to incorporate elements of rock, punk, blues and psychedelia into one performance. The Hungry Ghosts give an unpredictable yet tight set, presumably due to their confidence and familiarity with the stage; each member puts on a solid performance, showing what a well oiled machine The Hungry Ghosts are without ever coming off as too polished, flat or boring.

The Hungry Ghosts – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil DruryAdditionally, frontman Joe Joseph seems to possess a magnetism only present in a very small percentage of performers; he knows exactly what he is doing as he commands the small stage of The Sunflower Lounge. From his precise movements and calculated mannerisms, to his addressing of the audience as “brothers and sisters”, Joseph draws you into the performance and really helps solidify the bands overall image and presentation.

The Hungry Ghosts – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil DruryThe Hungry Ghosts exhibit a theatrical and artistic nature that encompasses everything they do; from their stylised ‘Amerika’ video, to their carefully designed merch of stickers, t-shirts and badges which are set up in a battered suitcase to the left of the stage. This naturally extends to their performance and does make them mesmerising to watch, it makes you want to take note of what is being performed and it boats an indescribable allure. These factors, combined with the fact I had to cut out many notes to make this a somewhat readable size, are what made The Hungry Ghosts, for me, the highlight of the evening.

Captain Süün @ The Sunflower Lounge 24.05.18 / Phil DruryAfter The Hungry Ghosts, people stream in and out of the basement and rotate between the bar, smoking area and toilets upstairs, meaning the crowd has dwindled in numbers slightly. But when Black Sabbath’s ‘Iron Man’ fills the room, the remaining audience members eagerly chorus the opening guitar whilst throwing their heads forward to the rhythm. The track is cut short for Captain Süün’s arrival to the stage, as they introduce themselves with a chaotic medley guitars and feedback before diving straight into their set.

Two songs in and lead vocalist Dan Brown asks into the crowd if they can borrow one of The Hungry Ghost’s guitars as there is a problem with Harri Newman’s, the band’s lead guitarist. A couple of minutes later and Billy OIllis swerves through the crowd and props his guitar on the speaker. A tense couple of seconds follow as Newman fiddles with the straps and dials on the body; you can tell there is an impending verse he needs to complete, and with what seems like barely a second to spare he nails it by launching into the riff with a satisfying vengeance.

Captain Süün @ The Sunflower Lounge 24.05.18 / Phil DrurySmall but dedicated pits form from the second song onwards, growing when the four-piece play their EP’s title track ‘Beach Burrito’. Captain Süün sound completely on form, with their live performance lifting the sound of the more subdued, relaxed recording on the EP. The energy displayed by the four-piece and voraciousness of the guitars gives a wild and unexpected layer to their entire set, which the crowd pick up on as pits continue throughout the show.

Captain Süün @ The Sunflower Lounge 24.05.18 / Phil DruryThis culminates in the last song, with the front section of the room throwing themselves into one another as red lights and mind-bending guitars fill the venue – a crowd member goes flying across the floor and people scramble to help them up instantaneously before carrying on in earnest. Not a soul is deterred from giving it their all as people fly into the speakers lining the front of the stage, and frontman Dan Brown has to prop his foot on one to ensure it doesn’t continue its journey across the floor.Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

Even from my position on the stairs the joy is infectious, and I can hear the shouts of enthusiasm and laughter from the crowd below. The previous two bands look on from the crowd, moving along with the beat whilst some are even part of the pit, whilst Brain Food’s lead singer, Liam Mckeown, unabashedly dances on the stairs.

The crowd are a real highlight of the Captain Süün gig tonight, with the headline set  definitely the most interactive and responsive they’ve been all evening. And when time is finally called on the evening, people snake out with sweat soaked faces and huge grins and make their way to the bar upstairs – riding the high of Captain Süün for at least a little while longer.

 

 

 

Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury Captain Süün @ The Sunflower Lounge 24.05.18 / Phil DruryCaptain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury Captain Süün @ The Sunflower Lounge 24.05.18 / Phil DruryCaptain Süün @ The Sunflower Lounge 24.05.18 / Phil DruryCaptain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

For more on Captain Süün, visit www.facebook.com/captainsuun

____________

The Hungry Ghosts – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

The Hungry Ghosts – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury The Hungry Ghosts – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury The Hungry Ghosts – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury The Hungry Ghosts – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury The Hungry Ghosts – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury The Hungry Ghosts – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

____________

Brain Food – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

Brain Food – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury Brain Food – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury Brain Food – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

For more on Brain Food, visit www.facebook.com/brainfoodofficial

For more from The Sunflower Lounge, including full event listings and venue details, visit www.thesunflowerlounge.com

BPREVIEW: Captain Süün + The Hungry Ghosts, Brain Food @ The Sunflower Lounge 24.05.18

BPREVIEW: Captain Süün + The Hungry Ghosts, Brain Food @ The Sunflower Lounge 24.05.18

Words by Ashleigh Goodwin

On Thursday 24th May, The Sunflower Lounge welcomes psychedelic quartet Captain Süün – with support from Birmingham’s ‘trash country’ The Hungry Ghosts, and ‘swirling psych-soaked four-piece’ Brain Food.

The Sunflower Lounge opens its doors at 7.30pm, with the event having an age restriction of 18+ as presented by Red Dawn Events. At the time of writing all limited/discount advance tickets have sold out, but you can still buy a special offer pair of tickets for £9 or general admission singles for £6 – both including booking fee. For direct gig information, including venue details and links to all online ticket sales, click here.

Bristolian garage psych band, Captain Süün, have worked tirelessly since their formation in 2016 – playing numerous shows over the past couple of years, alongside truly creative artists from across the UK such as The Wytches, Cegvera and Yo No Se.

Having signed to Stolen Body Records after ‘a raucous set at Bristol Psych Fest’s’ in 2017 the band are now releasing their Beach Burrito EP, with The Sunflower Lounge gig the first of three dates to support the launch. Captain Süün’s official release show for their Beach Burrito EP is being held on Friday 25th May at The Trap in their hometown, where The Hungry Ghosts will once again be joining them on stage.

But no strangers to the second city, their refined and crafted sound has already made ‘a mark upon the Birmingham music scene with many local acts pledging their love for Captain Süün’ – boasting an infectious formula of skillful songwriting, warm fuzz, and a mixture of droning, brooding riffs and surf guitars.

And the future is seemingly bright for the four-piece beyond the UK too, as Captain Süün embark on a European tour next month to promote their Beach Burrito EP – before returning to their hometown in July to once again play at Bristol’s Psych Fest, alongside Night Beats and the French trio Dusty Mush.

Second on the bill are self-professed ‘slaughterhouse blues’ five-piece, The Hungry Ghosts, bringing the main support of the night. The last time The Hungry Ghosts joined Captain Süün in Birmingham was when the two bands completed the line up for Table Scraps’ Autonomy album release party at the Hare & Hounds back in March, as presented by This Is Tmrw.

The Hungry Ghosts’ completely identifiable sound combines contemporary rock and blues, against an alternative country and western background – no small feat, but one done to captivating effect. Drawing from an array of genres and inspirations The Hungry Ghosts deliver a truly distinctive body of work, which makes for not only a dynamic live performance but a hypnotic one too. But after the release of their double A-side, ‘Lazaro/Amerkia’, back in July 2017 – through Brum based record label Setting Son Records – the band have been busy playing shows across the UK, and of course in Birmingham.

Brain Food we’re a little less clued up on, but have been instructed on good authority that the ‘progressive psychedelia’ Birmingham based four piece ‘should be taken as part of a balanced diet, and is made using one part Liam Mckeown (Vox, Lead Guitar), one part Jakob Cusp (Rhythm Guitar), one part Wills Carrot (Bass), and one part Connor Doyle (Drums).’ Sounds promising, and possibly good for your digestion, but one we’ll have to get back to you about after having seen them on stage.

Meanwhile, back in the West Country…

‘Beach Burritio’ – Captain Süün

https://www.youtube.com/watch?v=-ut0vvLc-uE

Captain Süün perform at The Sunflower Lounge on Thursday 24th May, with support from The Hungry Ghosts and Brain Food – as presented by Red Dawn Events. For direct gig information, including venue details and online ticket sales, visit www.thesunflowerlounge.com/event/captain-suun-the-hungry-ghosts

For more on Captain Süün, visit www.facebook.com/captainsuun 

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

For more on Brain Food, visit www.facebook.com/brainfoodofficial

For more from The Sunflower Lounge, including full event listings and venue details, visit www.thesunflowerlounge.com