** This gig has been moved from Mama Roux’s to The Sunflower Lounge, and will now be an ages 18+ event. Original tickets remain valid. Alternatively, refunds are available from point of purchase**
On a self-proclaimed mission to make listeners smile and think of summer, Riscas’ blend of lilting tropical melodies and urgent post-punk hooks should help bring some warmth in this bitterly cold January.
Riscas have recently released ‘Talk Your Mind’, doubling down on their breakthrough three-minute hit, ‘Panic Like Tom’, which enjoyed support from BBC Introducing and made the Spotify Viral Tracks playlist. The young four-piece are looking ahead to a bright 2018, as regulars on the local music circuit it is recommended you catch them in Birmingham before bigger venues beckon. And The Sunflower Lounge, Birmingham’s subterranean incubator for the-soon to-be-huge, would not be a bad place to tick off the ‘I saw them when’ bucket list.
Joining Riscas are a roster of fresh talent from across the West Midlands. This includes Spilt Milk Society, just as sprightly in sound with a truly diverse set of influences ranging from blues, electronica and hard rock. The band have been known to be against ‘sloppy indie’, so expect tight rhythmic work and sharp arpeggio melodies for a crisp sound that doesn’t linger or stop for breath. On the back of their debut EP released last year, Spilt Milk Society are currently dealing with changes as big as their ambitions, with founding bassist Adam Handford and drummer Chan Kathuria departing after this gig. From house parties to hallowed local stages in less than two years, expect to hear more from Spilt Milk Society this year, albeit not with their current line up.
Coventry’s Candid will also bring their sound to the stage for the evening. Currently promoting brand new track ‘Breathless’, Candid wear their inspirations on their sleeve. Clearly aspiring to reach the heights of bands such as Catfish and The Bottlemen and Blossoms, Candid have mastered the sound of straight-up indie rock direct from the garage. If their songs have anything to go by, they know exactly when to polish and when to leave it in its rawest form.
The line-up is rounded off by The Real Cool, a band in name as they are in nature. They err on slightly different influences to their three stage fellows, combining the new wave sounds of the Eighties with thoroughly modern production and sarcastic lines targeting their generation. And while they are as dedicated to sharp, minimal aesthetics and view style as equal to substance, their Wayback! EP shows they have carved their own niche within this genre.
Doors open at 7pm, with tickets priced at £17 (+bf) – but be warned, at the time of writing this event has already sold out so for direct gig info, click here.
To celebrate the release of their latest album, The Bronx will be playing The Bronx V ‘in its entirety’ in venues across the UK. The Southern Californian punks will arrive at Mama Roux’s on Wednesday 17th January, with the gig selling out just days after the Birmingham based promoters, Surprise You’re Dead! Music, released tickets.
Founded in 2002 by frontman Matt Caughthran, guitarist Joby J.Ford, bassist James Tweedy, and drummer Jorma Vik, The Bronx quickly attracted attention from major label, Island Def Jam Music Group, after just 12 shows. However, the band decided to put out their first few releases by forming their own label, White Drugs.
Their first major release came with their 2nd eponymous album (a title trend the band would continue) in 2006, when Ken Horne joined the band as their second guitarist. Subsequent albums would eventually be put out on White Drugs, including their 5th and latest album, The Bronx V, which was released in September 2017.
The Bronx last visited Birmingham as part of the Slam Dunk Festival 2017 at The Genting Arena, where they were joined by new drummer, David Hidalgo Jr.
When they’re not playing as a punk rock members of The Bronx also play as a mariachi band, Mariachi El Bronx, having three albums released under this name. But there will be no sign of any mariachi music at Mama Roux’s on the 17th January, as it will be pure, unadulterated punk rock coming from The Bronx as they perform their fifth album in this special showcase event.
January 1st… no finer day to cross off the calendar. But as the world crawls out of bed with hangovers and resolutions, Birmingham’s events diary looks forward to a pretty vibrant January. It seems the ‘quiet month’ is not so dormant this year. Which is a good thing, right? I mean, who needs to stay in and save money? Food and heating are for quitters.
January also sees a strong line up of comedy in the city, kicking off with Tina T’urner Tea Lady Steamy Bingo at The Old Joint Stock on 5th Jan. Tracey Collins will be bringing her ‘camp alter ego’ back to The Old Joint Stock in March, so if you miss your numbers this time around you can always try again in spring.
For more film, mac hosts Playback from 7th to 24th Jan – a touring and ‘interactive exhibition’ of over 200 short films from ‘krumping and parkour dance shorts, to an animated tale of teenage love that unearths our desire to be as cool as the zines we read’. Held in the arts centre’s First Floor Gallery, with free admission, Playback carries a Tubbs and Edward local angle too, as ‘some of the films were originally made in and around Birmingham, where young people based in the Midlands were given the support and funding to create a short film.’
Then rounding off Birmingham’s cultural cache for the New Year, The Chefs’ Forum present their ‘Pay What You Can’ lunch at University College Birmingham on 15th Jan – a networking, trade and showcase event with four courses from some of the city’s top restaurants. Having launched its Midlands’ agenda at UCB back in February this… sorry, last year, The Chefs’ Forum is hosting their Jan ‘18 lunch to raise funds and awareness for its Educational Foundation which supports young chefs across the UK.
And with Louisa Ellis (The Wilderness), Mark Walsh (Opus Restaurant), Luke Tipping and Leo Kattou (Simpsons) and Olivier Briault (The Edgbaston Boutique Hotel) all chipping in a course, it should do just that. Although, the non-fixed donation approach is gratefully received in mid January.
Now if I can just find an energy provider with the same approach…
In memoriam of her paternal auntie and namesake, Lady Gaga’s latest song, album and tour appear as personal an affair as you can offer when delivering it to millions of strangers. A curious dichotomy, but one Birmingham will get to see on stage first as the Live Nation machine sets down in our city before anywhere else in the UK. Kudos.
And with tickets being transferred from the previous dates in October 2017, it’s fair to say there may be a bit of a bun fight to get in to these gigs. No doubt it’ll be worth a few scuffed elbows though, but even if ‘I’m never going to know you now, I’m gonna love you any how’. OX Joanne.
Tickets for the originally scheduled Lada Gaga shows at the Genting Arena (12th Oct ’17) at Arena Birmingham (15th Oct ’17) can be transferred to the new dates. According to the venues’ websites, ‘if you cannot make the new date, refunds can be obtained at your point of purchase for a limited period’.**
Playback @ mac 7th to 24th Jan
For more on any of the events listed here, click on the highlighted hyperlink.
Ed King is Editor-in-Chief of Review Publishing, which issues both the Birmingham Review and Birmingham Preview titles.
There’s something of a relaxed atmosphere on this mild, winter solstice night in Birmingham, which sets the tone for my final visit of 2017 to Mama Roux’s.
In the past year I have become well acquainted with this homely, decorated venue, and experienced a variety of gigs here. Some were sold out and I could barely move; with others I had more freedom to roam around.
Tonight’s gig is the latter. So much so, I believe it is quietest I have ever seen Mama Roux’s. You’d have thought that a headline gig from Shrewsbury’s The Sunset Beach Hut with some local luminaries in support – as presented by Sonic Gun Concerts – would be a little more full of festive cheer. But I guess you can’t expect too much of a crowd for a line up of emerging bands, especially with Christmas Day just around the corner. It seems each act tonight has rely on the support of their friends and family.
Kicking off proceedings are Miss World, an acoustic duo that make some of us feel a little nostalgic with their stripped-down covers of 90s pop and RnB songs, along with a couple of Christmas songs because, why not? It’s Christmas after all. They’re an extremely talented duo and could well be one to watch out for – especially if they start producing more of their own material, something I’m sure Miss World are more than capable of.
With just a small amount of people watching Miss World, I have a virtually empty floor to roam around and take photos on, that is until Junior Weeb appear on stage. A recorded audio track of ‘Tony the Tiger’ introduces the band with many of their fans and friends now filling up the floor. This leaves me doing my usual crouching at the front, but the floor isn’t so busy that I have worry about me being in anybody’s way, and neither is anyone really in mine. I think crouching at the front of stage is something I’m so accustomed to it’s become of a photographic habit.
I remember seeing Junior Weeb over a year ago at The Rainbow, supporting Muncie Girls. Back then their style was a little more shoegaze, but they are a different band tonight. Much more of their set is filled with funky numbers and groovy baselines, so it is virtually impossible not to dance.
But as Junior Weeb leave the stage, so does their audience. The venue is now virtually empty again and I’m wondering what’s left for Quinn when they show up next. Turns out, they have their very own audience too. I’m not even sure where some of these people were before; I’ve been here almost two hours, and throughout that time I’ve not seen any of these faces. Maybe Quinn’s frontman, Sam Lambeth, made them magically appear somehow.
Quinn’s sound is very reminiscent of early 90s indie, with Lambeth vibrant on stage. After performing tracks from their debut EP, Seems Fine, Quinn end their set keeping to Christmas tradition with a cover of ‘Do They Know It’s Christmas Time’.
As with Junior Weeb earlier, Quinn’s audience exit the room as the band do – leaving a barely there audience for The Sunset Beach Hut to perform in front of. I admire the headliner’s spirit to still play with passion, despite the lack of people, especially after having to travel from Shrewsbury.
It’s a shame that people don’t stick around to check out other bands who aren’t their friends, but such is the way, I guess. Although, an emptier floor does mean easier pictures for me to take.
Overall, it was great to see The Sunset Beach Hut tonight – performing alongside other young, talented acts emerging from the West Midlands. I hope they all gain more support as they and grow in 2018.
The Sunset Beach Hut @ Mama Roux’s 21.12.17 / Aatish Ramchurn – Birmingham Review
Sonic Gun Concerts showcase their penultimate gig of 2017 with The Sunset Beach Hut headlining an evening of emerging talent within the West Midlands indie/alternative scene.
Starting the evening will be acoustic duo, Miss World. Having made their online debut in September this year Miss World are the night’s new kids on the block, albeit one who have already had a headline performance at the O2 Institute in October. With the promise of a mix of their own material and “classic bangers”, it will be interesting to see what has so quickly captured the interest of local promoters.
Next up are Junior Weeb, an indie/alternative quartet from Droitwich who have previously shared stages with Muncie Girls and The Americas, as well as being part of the line up at this year’s Worcester Music Festival. Junior Weeb were also in Baddies Boogie Top 20 Tracks of 2016, playing as the headlining act for the local indie promoter’s 2nd Magic Garden Records Night at the O2 Institute 3. So, a busy 18 months then. And with the promise of new material being recorded, Junior Weeb are likely to have a few fresh songs to add into their now seasoned set and should be an exciting addition to the lineup.
Having spent 2017 billed in The Catapult Club lineups, and supporting La Dharma at The Flapper in August, Benjamin Thomas, Aphra Smith and Matty George – otherwise known as The Sunset Beach Hut – are our headliners, with their unique blend of lo-fi, indie/pop.
It’s been a steady year for the Shrewsbury based trio, focusing on new material and recording with a few performances keeping their live set polished – a move that seems to be paying off as the band move from support to headliner, as well as recently having BBC Introducing airplay.
The Sunset Beach Hut come across as a band that are dedicated but cautious and it will be interesting to see how much they ‘let go’ in a live setting. Although, personally, I’m also hoping to establish if their name is a reference to the surreal 90’s US soap opera. Guess we’ll find out at Mama Roux’s.
On Thursday 21st December, Sonic Gun Concerts present The Sunset Beach Hut at Mama Roux – with support from Miss World, Junior Weeb, Quinn. For direct event info and links to online ticket sales, click here.