Mama Roux’s Archives - Page 2 of 3 -

April 1, 2018April 3, 2018

ED’S PICK: April ‘18

Words by Ed King

Easter Sunday, 1^st April… There’s probably a joke in there somewhere. But with a basket of listings and entertainment based excel spreadsheets to plough through who has the time to be witty? Or hunt for Easter eggs, for that matter. Being an adult sucks.

However (…are you ready for this segue) it does allow me to enjoy all the delights of the Flatpack Film Festival without worrying about ID – actually, I’m not sure there’s too much on the programme with an age restriction but Dots & Loops are part of the festival and they brought us Lesley the Pony Has and A+ Day!, so…

Back for festival number 12, those glorious creatives at Flatpack have put on a nine day smorgasbord of celluloid, digital, and other audio/visual treats – running from 13^th to 22^nd April, in a variety of venue across the city. Too much to cram into this round up; look out for our more in-depth cherry pick in the days to come, or click here for more direct information on the full programme.

Elsewhere in the non-greenfield, Ebola flirting, footwear wrecking land of multi-stage events, we have the Birmingham Literature Festival – hop scotching from various corners of the REP to the Birmingham and Midland Institute from 27^th to 29^th April. Now old enough to drink beer in America, this year’s Birmingham Literature Festival has a focus on women in literature and publishing, alongside a weekend long programme of ‘inspiring conversations, writing and debate’. Again too much to adequately surmise, but click here for more direct info.

Following on with a female focus, Birmingham Jazz launches its Legends Festival on 27^th April – running as a series of satellite events across the city until 20^th May. This year’s linchpin is ‘Celebrating Women in Jazz’, with local artists such as Trish Clowes joining a myriad of talent from across the globe. Too much to fit into… you know the drill, click here.

Theatre comes in all shapes and sizes this month, including a couple of choice cuts on Hurst Street – with Wicked beginning its Birmingham run at the Hippodrome (4^th-29^th Apr) and The Twisted Tale of Hansel and Gretel at the Patrick Centre (4^th– 8^th Apr).

Across the duel carriageways and road works we have Graham Greene’s Brighton Rock coming to the Birmingham REP (10^th – 14^th) followed by the political see-saw of 1970’s Britain in This House (17^th – 21^st) – reminding us fear mongering comes from both sides of the aisle and a dash of vitriol isn’t a particular new idea. How times have changed… or not.

Music takes its usual fat belly slice of our monthly listings, with a few ‘big gigs’ of notE coming to the NEC portfolio – as the Genting Arena sees both Arcade Fire (15^th Apr) and Dua Lipa (17^th Apr), whilst Arena Birmingham welcomes the Manic Street Preachers (27^th Apr) back to the city.

Playing across the non-arena rooms of our musical city, the Hare & Hounds has another eclectic mix – with Kushikatsu Records presenting Shonen Knife (15^th Apr) followed Snowpoet (19^th Apr) courtesy of Jazzlines. Whilst The Glee Club sees the very welcome return of Nerina Pallot (9^th Apr) stopping off in Birmingham on the second date if her UK tour. Fingers crossed there’s a piano on stage.

The Sunflower Lounge sees Killer Wave and Outlander host their ‘Help the Homeless’ pay-as-you-feel charity fundraiser (8^th Apr) – with all money raised going to Shelter and Tabor House. Then we have Lucy May Walker playing her first headline show in Birmingham (18^th Apr) – both events well worth a stop, look and listen. And £5 of your hard earned cash, of course.

Our mobile branded venues see a bevy of acts this month too, with the O2 Academy presenting George Ezra (4^th Apr), The Vaccines (7^th Apr), Trivium (17^th Apr), The Streets (19^th Apr), Coasts (21^st Apr) and Akala (24^th Apr). Whilst the O2 Institute leads out with Walk the Moon (7^th Apr), Little Comets (14^th Apr), Aquilo (16^th Apr), Of Mice and Men (25^th Apr) and Sharon Needles: Battle Axe Tour (26^th Apr).

A special mention also has to go to the Hummingbird-Menagerie-Indie-salad days-nostalgia trip coming to the O2 Academy with Love From Stourbridge – featuring The Wonder Stuff and Ned’s Atomic Dustbin (14^th Apr). Someone pass me my German army shirt, skateboard and a can of Red Stripe, we’re going early 90’s feral…

And if you’re committed to your anti-corporate support of live music, never fear as mac welcomes Juice Aleem & Surge Orchestra (21^st Apr) whilst Mama Roux’s serves two sides of the musical rainbow with The Herbaliser (19^th Apr) and Mallory Knox (24^th Apr)… probably not a good idea to get those dates mixed up in your diary.

Elsewhere in the city, comedy offers a relatively strong respite from those kids and their music – with The Glee Club presenting Tony Law (13^th Apr), Alun Cochrane (15^th Apr) and Craig Campbell (22^nd Apr).

Or if you just want to stand and stare, you could waste a happy hour or two at Lewes Herriot: The Glass Arcana exhibition at Artefact in Stirchley (13^th – 14^th Apr). Or watching the flyers unfold with an exhibition from the seminal 90’s ambient electro club Oscillate, at Centrala (16^th – 28^th Apr) – bearing in mind there is an end of exhibition party with HIA and POLE (28^th Apr) so you might want to do more than actually just stand and stare. Or not. Depends how you dance to Sun Electric, I suppose. Necking enough amphetamines to kill a small horse always worked for me, but vegetarian options are available.

But to end on the most glamorous of high notes (pun absolutely intended) Paul Alexsandr and Dragpunk present Candyland at The Nightingale (6^th Apr) – a choc full celebration of ‘local and national UK drag of all genders, sexualities and abilities that you’ll adore.’ Then at the other end of the April rainbow, Opulence are launching Mother’s Meeting at Bar Jester (28^th Apr) – a band spanking new ‘performance night dedicated to showing off a variety of drag and queer talent across Birmingham and the U.K.’, with special guest Charity Kase joined by a pageant of the Opulence crew on stage and Elliot Barnicle on the decks.

Birmingham can be proud for many reasons, but the cross over embrace of its drag community is one to really get those flags waving. We love covering it, and it seems the punters of Birmingham love supporting it. So, Vive la/le drag community of our fair/fairer city, alongside all who sail on these most wonderful of waters. Save some energy though, Birmingham Pride is a mere calendar page turn away.

And wait, I’ve just thought of one. A Jewish carpenter and a 6ft rabbit walk into Cadbury World…

For more on any of the events listed here, click on the highlighted hyperlinks. Ed King is Editor-in-Chief of Review Publishing, which issues both the Birmingham Review and Birmingham Preview. To follow Ed King on Twitter, click here.

January 31, 2018January 31, 2018

THE GALLERY: Miss May I @ Mama Roux’s 24.01.18

Words & pics by Aatish Ramchurn

As I drive onto Lower Trinity Street to park my car I see a red, double-decker tour bus with a trailer right outside Mama Roux’s. At first I thought a band due to play in the main room of the O2 Institute had parked outside the wrong venue; it’s normally vans and cars I see parked on this street, not tour buses fit for major rock stars.

But of course, it makes sense. Tonight’s headline act, Miss May I, are traveling across the UK and Europe on their We Are Stronger Than Before tour with American bands, Fit For A King and Currents, along with Void of Vision from Australia. It’s only right such a metalcore smorgasbord should be in a big, comfortable tour bus together.

I arrive just in time to see Currents, who hail from Connecticut, open the night. This is their first international tour, which also means their first time in Birmingham. Usually, not many people arrive at a gig early enough to watch the opening acts but Currents really give it their all on the stage in front of the first few that watch them. First impressions count after all.

I shoot the first three songs of Currents’ set, then take advantage of a rare opportunity to sit in a booth upstairs at Mama Roux’s, reviewing the images I’ve taken.

As the next band set up the stage, I scan the room from the balcony, looking for interesting perspectives to shoot from. The room isn’t filling up with too many more people, so it appears this night won’t be the busiest – great for me making my way to and from the front of the stage, perhaps not so great for those on it.

I head to the floor to shoot Void of Vision, another band performing for the first time in Birmingham, although going by their solid set and engagement with the crowd you wouldn’t believe that. Donning a baseball cap and oversized t-shirt, frontman Jack Bergin paces the stage, encouraging the audience to start circle pits and wave their arms in the air.

From seeing a few people wearing their t-shirts, and a few comments I overhear, I sense that the main support act, Fit for a King, are the band a lot of people are really looking forward to. Their presence on stage has more people heading towards the front, giving me relatively little space to shoot from, but keeping us all in a nice and understanding crowd.

It’s only fair that I extend that courtesy too, by keeping my stance as low as possible, and by keeping my time at the front of the stage short so the ticket paying public can make use of the space. After all, fans have shelled out over £12 a ticket to experience a great night of metalcore, not the back of a photographer’s head. I spend the rest of Fit for a King’s set on the fringes of the room, enjoying watching the majority of people sing along to their songs word for word. I just know that Fit for a King are a band that really means something to these fans.

The atmosphere starts to feel a bit deflated by the time Ohio’s Miss May I grace the stage. It could be that people are slightly drained from the excitement of Fit for a King, but Miss May I don’t quite get the reception that I would have expected for a headline act.

They open their set with a few singles from their latest album, Shadows Inside, but it isn’t until they play more familiar numbers like ‘Hey Mister’ that the crowd really starts to give the band their full energy. Perhaps four full hours of metalcore can get a little too much in the end, but overall I’m sure it was an enjoyable night for the fans.

Miss May I @ Mama Roux’s 24.01.18 / Aatish Ramchurn – Birmingham Review

For more on Miss May I, visit www.missmayimusic.com

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Fit for a King – supporting Miss May I @ Mama Roux’s 24.01.18 / Aatish Ramchurn – Birmingham Review

For more on Fit for a King, visit www.fitforakingband.com

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Void of Vision – supporting Miss May I @ Mama Roux’s 24.01.18 / Aatish Ramchurn – Birmingham Review

For more on Void of Vision, visit www.voidofvision.com

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Currents – supporting Miss May I @ Mama Roux’s 24.01.18 / Aatish Ramchurn – Birmingham Review

For more on Currents, visit www.currentsofficial.com

For more on Mama Roux’s, including full event listings and online ticket sales, visit www.facebook.com/mamarouxs

For more on Surprise You’re Dead! Music, visit www.surpriseyouredeadmusic.co.uk

January 29, 2018January 29, 2018

THE GALLERY: Riscas @ The Sunflower Lounge 19.01.18

Words by Molly Forsyth / Pics by Paul Reynolds

There is a particular charm to walking down the beaten stairs of a tucked away bar, having a cross marked on your wrist as you squeeze yourself and your Red Stripe can in amongst the crowd to see who are the bands that are getting people talking.

Tonight, Riscas and some excellently chosen guests are not only getting people talking, but screaming, bouncing from body-to-body like a game of pinball, and generally causing beautiful chaos with their rabble-rousing indie tunes in The Sunflower Lounge.

First up for the baying crowd is The Real Cool, receiving what I perceive to be the coolest reception of the evening (pun unintended); I will put that down to being first on stage. What follows is a set of well-crafted synth pop, complete with lilting melodies over percussion inspired by the tropicana trends of the early eighties.

A lot of modern bands prefer to emulate the minimal, colder sounds of electronica, but while The Real Cool definitely match that aesthetic, their music betrays them, instead embracing joy, fun and a dash of flamboyance, reminiscent of La Roux and Muna. My favourite song of the entire evening happens to be the band’s latest single, ‘Always Her’, a delicate, summer-friendly melody overlaid on crisp, punchy snares and hi-hats. I look forward to seeing more of this trio in the Birmingham scene.

Next up for the now warmed-up crowd are Candid. Hailing from Coventry, Candid carry the confidence of a band who know how to bring thier music to the stage. Ripping through riffs with increasing ferocity, they endeavour to meet the hunger of the crowd, as it becomes rowdier and rowdier. It takes a lot of resistance to not be taken in by their energy.

I only wish that some of the songs didn’t bleed so easily into others. There were times where I wasn’t sure where one song started and another began. Some of the more distinct rhythms get drowned in the guitars, and bringing in a better balance between their instruments (while keeping the same fervour in their performance) would help Candid greatly. ‘Lay Me Down’ is the band’s strongest offering of the night, while new song, the anthemic ‘Breathless’, should see them gain ground with new fans this year.

Before the headliners grace the stage, Spilt Milk Society offer what I believe to be the most attention-grabbing set of the evening. If you listen to Spilt Milk Society’s music regularly and have followed its progression, which has coincided with the development of a strong internet fanbase, you will take joy in hearing how the songwriting has improved. While it is a bittersweet set to witness – with both drummer and bassist departing after tonight’s gig – this is a band on the cusp of achieving sonic greatness.

Comparing earlier successes such as ‘She Tastes Like Summer’ through to most recent track ‘Amsterdam’, you can trace a band that has grown more and more experimental and aware of how to add nuance and intricacies to infectious melodies. Spilt Milk Society have said that there is plenty of “bangers and mash” to come. After tonight, I believe them wholeheartedly.

Finally, we are treated to a barnstorming headline set from Riscas – Kez Handley’s Hey Honey Management has created a monster, if tonight is anything to go by. Riscas deliver a truly frenetic set from start to finish, filling the relatively small quarters of The Sunflower Lounge with electricity – including a brilliant moment where the band’s frontman, George Maycock, escapes into the crowd to whip us further into hysteria.

Riscas have mastered the art of what I refer to as the ‘indie jangle’; the distinct ringing of a fastly-strummed guitar that makes you feel like you in the middle of August, dancing around with a flower crown perched on your head and overpriced Tuborg in hand.

New song ‘Right Kinda Day’ hits a sweet spot of gentle, twee charm with enough power to soar once the chorus hits, while the band’s biggest hit to date, ‘Panic Like Tom’, gets the crowd jumping. If Riscas don’t find themselves on a FIFA or Made In Chelsea soundtrack soon, I will be stunned.

Riscas @ The Sunflower Lounge 19.01.18 / Paul Reynolds – Birmingham Review

For more on Riscas, visit www.soundcloud.com/riscasuk

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Spilt Milk Society – supporting Riscas @ The Sunflower Lounge 19.01.18 / Paul Reynolds – Birmingham Review

For more on Spilt Milk Society, visit www.spiltmilksociety.co.uk

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Candid – supporting Riscas @ The Sunflower Lounge 19.01.18 / Paul Reynolds – Birmingham Review

For more on Candid, visit www.facebook.com/candidcoventry

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The Real Cool – supporting Riscas @ The Sunflower Lounge 19.01.18 / Paul Reynolds – Birmingham Review

For more on The Real Cool, visit www.therealcool.wixsite.com/therealcool

For more from The Sunflower Lounge, including full event listings and online ticket sales, visit www.thesunflowerlounge.com

For more from Hey Honey Management, visit www.facebook.com/HeyHoneyUK

For more from Birmingham Promoters, including further event listings and online ticket sales, visit www.birminghampromoters.com

January 23, 2018

BPREVIEW: Miss May I @ Mama Roux’s 24.01.18

Words by Aatish Ramchurn

On Wednesday 24th January, Miss May I arrive at Mama Roux’s in Birmingham as part of their We Are Stronger Than Before UK tour.

The concert is presented by Surprise You’re Dead! Music with tickets priced at £12 (adv) plus booking fee. Doors open at Mama Roux’s from 7pm. For direct gig info, including venue details and online ticket sales, click here.

Support acts for Miss May I in Birmingham, and the rest of the UK tour, include Texan metalcore band Fit for a King, Void of Vision from Australia, and Currents from Connecticut, USA.

Having previously supported Bullet for My Valentine and Killswitch Engage in 2013 and 2014, respectively, at the O2 Academy in Birmingham, Miss May I embark on their first headline tour of the UK in six years.

Miss May I originally formed in 2007 in Troy, Ohio. Almost a year after their formation, they signed to punk and metal label, Rise Records, and released their debut album Apologies for the Weak. The band would go on to release four more albums under Rise Records until they released their sixth and latest album, Shadows Inside, through SharpTone Records in 2017.

Throughout their 10 year career, Miss May I have managed to retain their original line up of Levi Benton on vocals, BJ Stead on lead guitarist, rhythm guitarist Justin Aufdemkampe, drummer Jerod Boyd, and Ryan Neff on bass. Although Neff briefly left Miss May I between 2007 – 2009, when he joined Cincinnati rockers Rose Funeral, and was replaced by Josh Gillespie during his absence.

As their upcoming UK tour is titled from the opening lyrics of Miss May I’s single ‘Lost In The Grey’, from their latest Shadows Inside album, it would be safe to assume that their setlist will heavily feature a lot of new tracks, as well as a few favourites from previous albums.

But whatever the main setlist, with a packed support lineup consisting of Fit for a King, Void of Vision, and Currents, metalcore fans of Birmingham should have enough to keep them occupied when Miss May I headline at Mama Roux’s on Wednesday 24th January.

‘Shadows Inside’ – Miss May I

For more on Miss May I, visit www.missmayimusic.com

For more on Fit for a King, visit www.fitforakingband.com

For more on Void of Vision, visit www.voidofvision.com

For more on Currents, visit www.currentsofficial.com

For more on Mama Roux’s, including full event listings and online ticket sales, visit www.facebook.com/mamarouxs

For more on Surprise You’re Dead! Music, visit www.surpriseyouredeadmusic.co.uk

January 21, 2018

THE GALLERY: The Bronx @ Mama Roux’s 17.01.18

Words & pics by Aatish Ramchurn

Tuesday evening. My car headlights stop working on my drive home, and the surprise flakes falling late at night are sticking to the ground. I’m hoping that on Wednesday I don’t wake up to eight inches of snow, and I can find a garage to fit me in to fix my headlights. Thankfully, both of my wishes are granted, and I have no problem making my way to see The Bronx live in Birmingham.

Knowing that the night has sold out, I arrive early to Digbeth’s most quaintly-decorated venue, Mama Roux’s. Standing by the stage in a virtually empty room, I watch it gradually fill up, with those arriving the earliest heading straight upstairs to the balcony to get the best view.

Until this point, I was unaware of who the support act was going to be, or if there even was a support act. I’d only seen this gig promoted by Surprise You’re Dead! Music, as The Bronx playing their latest album, The Bronx V, ‘in its entirety’. I found it a little hard to believe that The Bronx would be playing two and a half hour sets up and down the country.

Not that I doubt that they could. They’ve been touring as both The Bronx and Mariachi El Bronx for 15 years, even playing as both bands on the same night. It was just a gut feeling that there had to be someone supporting them throughout this club venue tour.

As it turns out, Ming City Rockers, from Immingham, are supporting The Bronx on their UK album showcase gigs. The East Lincolnshire rockers capture the attention of the audience with their fast-paced, punk rock and roll sound, reminiscent of The Buzzcocks and MC5.

Although there’s no restriction on the amount of photos I can take of bands at Mama Roux’s, I decide to impose the three song rule on myself, just so I can enjoy the rest of Ming City Rocker’s short, but powerful set, along with the rest of the audience. If you like your bands fast, loud, and slightly obnoxious (I mean that in a good way), their album, Lemon, would be worth checking out.

As Ming City Rockers leave the stage, I feel naturally drawn into the dispersion of the room, until this thought suddenly dawned on me: ‘This floor will be packed with people nearer the time The Bronx are on, do I really want to move away from the stage?’

I position myself to the left, until I’m wedged between stage speakers and the rest of the front row. I’m aware I’m not going to be in this position for too long but I have a decent place to start shooting from before things get less than ideal.

With the instruments set up, and beers settled by each amplifier, The Bronx are warmly welcomed by the Birmingham crowd. Frontman, Matt Caughthran, edges closer to the audience, greeting them as if meeting an old friend, before the band explodes into The Bronx V from start to finish. With where I’m positioned, I take advantage of getting shots in the limited time Matt Caughthran spends on stage – he seems more comfortable out in the middle of the crowd.

I’d gone into this gig presuming that my biggest challenge would be trying to get focused pictures in the middle of a frantic mosh pit, with an onslaught of stage divers and a poorly-lit environment.

However, it was something else entirely. Whenever Matt Caughthran was down in the room, from where I was perched on the slightly poked out corner of a speaker to give me a higher vantage point, I found myself in a Where’s Wally? situation, as I was having trouble differentiating which out of the many bald, tattooed men present was The Bronx’s frontman. Following the trail of the microphone cable into the crowd didn’t help me find him either, as he’s quite short. There were times I’m sure I was focusing on the wrong person.

After playing their fifth, eponymous release from their record label, White Drugs, The Bronx ventured into more familiar territory, with fan favourites such as ‘White Guilt’, ‘Knifeman’, and set closer ‘History’s Stranglers’.

I know us concert photographers tend to prefer to shoot in the comfort of photo pits, away from people knocking our elbows in minimal space. But I have to admit, shooting a vibrant punk show in a packed out, intimate venue with poor lighting, not only provides a fun, yet frustrating challenge. It also gives you images that document the soul of punk rock in Birmingham.

The Bronx @ Mama Roux’s 17.01.18 / Aatish Ramchurn – Birmingham Review