THE GALLERY: Rews @ Hare & Hounds 22.03.18

Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

 

 

 

Words by Ed King / Pics by Aatish Ramchurn & Eleanor Sutcliffe

“…can anyone take my ticket?”

A man stands in the doorway at the Hare & Hounds, gesticulating like a proud Neville Chamberlain. OK, bad example. But it’s 7:30pm, the venue has just opened, and there’s a queue forming behind him. As gigs on a school night go this is looking promising.

And so it should be, the once ‘rising balloon’ now ‘rock powerhouse’ of Rews have returned to the city – bolting a Birmingham gig onto the end of their UK spring tour, before finishing their run with dates in Ireland and Northern Ireland. Plus, they’ve sold out. On a Thursday. Something that’s a shiny badge of honour for bands that play in the second city, and one that is unassailable Rews deserve.

Since releasing their debut album, Pyro, back in November 2017, the Marshall signed two piece have been relentless in their performances and promotion – with their penultimate single, ‘Your Tears’, recently receiving a week of A-List airplay on Radio One. Rews are on the march, and it’s working. This is a band that you only have to see play once to become hooked. And from most of the DJs on Auntie’s No1 station to the room full of people coming tonight, there’s many who’d agree.

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor SutcliffeThe Hare 2 continues to fill up, with the venue’s narrow stairs looking like a bathroom queue at a house party. Roddy Woomble is playing in Hare 1, launching the promo campaign of this year’s Mosley Folk Festival, and it’s a busy night all round in Kings Heath. The buzz in the air is both cliché and palpable, with a healthy half room turnout by the time Rews’ first support band, P.E.T, swagger on stage – dripping head to toe in punk paraphernalia and attitude.

“Take your hands off me, I’M NOT YOUR P.E.T”, declares front woman, Abi Whistance, screaming into the mic and over the crowd – who have edged closer to the stage to find out where this ‘tiny but mighty’ noise is coming from.

P.E.T are relatively fresh faces on the Birmingham live circuit, having formed as the leaves fell in 2017. But already they’re already picking up a wealth of support and steam, with their unrelenting thrash punk and dead pan humour – stabbing the ribcages of the establishment with ‘Eton Mess’, to cutting off those wandering hands with their eponymous opening track. It’s raw, unashamed, and musically solid. This is a band who could get somewhere, or take us all down in the most colourful of ways whilst trying. But I’d watch out for P.E.T… tonight’s ‘rising balloon’ baton has been firmly handed over.

You Dirty Blue – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor SutcliffeThe rolling cymbal crashes and rough vocals of You Dirty Blue are on stage next, washing the room with waves of psychedelic and garage rock. I’m reticent to call it ‘blues rock’ again, as the man to my left is currently reading the BPREVIEW for tonight’s gig, smirking, shaking his head like a straight laced Will Self, and muttering “…this is not blues”. He might even be right, in his lexicon and record collection at least, but it seems no one really cares as the Tamworth two piece kick out tracks from their Tough Crowd EP and beyond.

Walls of sound are built and knocked to the ground, riffs get scatter gunned, as Leon James’ rough but endearing vocals lead us through a Velvet Underground tinged Purple Haze with some Seattle seeded two fingers up. You Dirty Blue’s final track, of both tonight’s set and their Tough Crowd EP – ‘Gallow Dancer’, punches a particular hole in the room, with a melodic hook and chorus I dedicate to the smart phone wielding ‘man to my left’. It’s like drowning in a lava lamp whilst John Peel and Bruce Pavitt play you ‘some really cool shit’. And if you have any room on the inside of your forearm left, carve You Dirty Blue as a musical reminder. Awesome stuff.

Some set changes ensue and fervent mummering begins, as Rews get ready for their headline set – the eager beaver Thursday night crowd pushing itself towards the front of the stage. Awesome to see such enthusiasm, but not easy when you’re juggling drum kits on a busy stage. Lights down, lights up, mummering stops, and like the opening scene in Back to the Future (minus the clock, coffee or dog food) we are poised – somewhere a plectrum glints…

Rews @ Hare & Hounds 22.03.18 / Eleanor SutcliffeImmediate and personable, Rews (aka Shauna Tohill and Collette Williams) beam their appreciation to the crowd and across the room – launching into the staple of tracks from their debut album. ‘Let it Roll’ bounces off stage declaring the rock intentions of tonight’s set, reeling in an already health and safety defying audience with invisible fish hooks. No one here gets out alive, or at least until the end of the set, as the great and good from Pyro and beyond (…album two?) get a rigorous shake. Or even ‘Shake Shake’, but not until a little later.

There’s a real joy in watching Rews perform, and not just because their already tight performance seems even more polished this time around. It’s the sheer energy and enjoyment you get sweeping off stage. Rews are in Birmingham at the end of a long and arduous tour (…think snow, lots of snow) but tonight could be the first time they’ve stepped on stage after a month in the sun and several nights of interrupted sleep. The banter is great as well, with the closeness between the two musicians making the whole room feel part of something special.

Then comes ‘the moment’. Rews had alluded to adding a “sort of an electro acoustic rendition of one of our older songs” into the set, after their gig in Leeds a few nights before. And as Williams leaves her stool to join Tohill at the front of the stage, this is what we’re about to getRews @ Hare & Hounds 22.03.18 / Aatish Ramchurn – soft steel strings and a tapped out percussion deliver a stripped back version of ‘Everything’, one of Rews’ older tracks that is getting a post Pyro make-over. It’s beautiful. My job is to find words but often I can’t, and this just works. Rews work. Add your own hyperbole.

Crammed into the edges of the merch stand, I let the rest of the set wash through me. I think I scribble the words ‘triumphant’ and ‘step up’ into my notebook, but any serious reportage is done for the day. Thankfully there’s a load of pics to help you piece this night together (see below) if you weren’t there to witness it first hand – with the full Flickr of pics from Aatish Ramchurn here, and from Eleanor Sutcliffe here.

And it you didn’t make it to the Hare and Hounds on 22nd March, or if you’ve not seen this continuously impressive rock duo before, I strongly suggest checking Rews out for yourself. If you haven’t got a copy of Pyro, start there. But if you ever see them on a bill poster, in whatever corner of the globe you call home, then put your hands in your pocket and buy a ticket. It’s hard to imagine you’ll feel short changed. And next time Rews come back to Birmingham, you might want to move a little quickly whilst you’re at it.

 

 

 

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn & Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

For more on Rews, visit www.rewsmusic.com

_________

You Dirty Blue – supporting Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn & Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

For more on You Dirty Blue, visit www.youdirtyblue.com

_________

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn & Eleanor Sutcliffe

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

For more on P.E.T, visit www.facebook.com/petbanduk

For more from Metropolis Music, visit www.metropolismusic.com

For more on the Hare & Hounds (Kings Heath), including venue details and further event listings, visit www.hareandhoundskingsheath.co.uk

INTERVIEW: Rews

Rews @ The Flapper 15.02.17 / Paul Reynolds

Words by Ed King / Pics by Paul Reynolds

“We were talking about this the other day… our second sold out show in the city. It’s absolutely fantastic. We’re so excited that there are people returning show after show to come and see us; it’s such an amazing atmosphere, we honestly can’t wait to come back.”

I’m catching up with Shauna Tohill and Collette Williams, aka Rews, as they travel from a debut gig in Leeds to another hot ticket show at the Sugarmill in Stoke. Birmingham is a few notches down on the tour post, with the rock powerhouse returning for their second consecutive sold out show in the city on 22nd March – this time playing at the well-loved and well-programmed Hare & Hounds, with local support from You Dirty Blue and P.E.T.

“It’s been really good,” explains Collette Williams – as I ask about the rest of Rews‘ tour, “and it’s nice to be able to get to some places that we haven’t yet been to before – we haven’t actually played in Leeds before, which is crazy. I used to go to Uni in Leeds and this is the first time I’ve been back in about eight years.”

“Yeah, it’s been really brilliant,” adds Shauna Tohill. “We were just a bit sad about having to reschedule some of the gigs to being with, we now have new dates for them, but it’s been amazing so far.”

Rews keep a pretty rigorous live and tour schedule, with a focused work ethic both on and off the road. But beginning their UK tour as the tabloid titled ‘beast from the east’ closed off half the country proved to be somewhat of a challenge.Rews @ Hare & Hounds 22.03.17 “The two dates we had to postpone were because people just physically get to the venues,” continues Tohill, “the roads were all closed. That’s was Newcastle and Glasgow… we’d never been to Glasgow before either.”

Back touring the UK and Ireland, still on the crest of “this Pyro wave”, Rews have had a significant year – not only with the release of their stellar debut album, but also racking up some serious time on the national airwaves. And not just the rock stations either, for a while it seemed Rews had polished off their shotguns and taken over Broadcasting House.

“It’s been incredible, but so strange,” tells Williams. “We keep getting messages from friends and family saying, ‘I’m in my car, driving back from work, and you’re on the radio at five o’clock’. The DJs were really supportive too and took the time to find out about us. Apart from Scott Mills, who didn’t, then went on to tell everyone I was an alcoholic and flower arranger – he was like, ‘let’s just coin her with something’ which was quite hilarious.” But however they got through the BBC’s front door, or whatever floral self-destruction may or may not have happened in the green room, Rews’ time on the air has certainly bolstered their growing army of fans. Then again, a week of having your single (‘Your Tears’) pushed across the biggest broadcaster in the county should pay some dividends.

But time and tide wait for no radio playlist, and ‘Shake Shake’ is the latest Rews single – released in February and already building momentum. “A lot of people have been making comments about it,” explains Tohill, “and some have been comparing it to the older version that we had.” ‘Shake Shake’ was one of Rews’ original four singles, with the track first recorded and released in 2016. “but our ‘likes’ have gone up and you can see that reflected in people watching and interacting with it online. You can see that it’s been received well by people.”

“I guess we’ve got two different camps,” continues Williams, “we’ve got new fans who didn’t know the old version of it, but who love the energy of the new version. Then we’ve got the people who have been there from the start who can recognise it’s a different recording and a different sound. But when we play it live everyone loves it – it’s really energetic and they all get dancing to it, which is cool.”

Live gigs are where Rews undeniably make their mark, with such high octane and engaging shows you sometimes have to check there really are only two of them on stage. In your face Polyphonic Spree… But Pyro, Rews’ debut album that came out in November 2017 (read our Birmingham Review of Pyro here), is a ferocious first foot forward – an addictive ten track ‘avalanche’ of an album, with all the hallmarks of a rock classic in the making. Seriously, in about five years just wait for the listicles.

But Pyro also cemented their signing to Marshall Records, as Rews were one of the first UK bands to appear on the iconic rock brand’s recently formed label.  “It’s been good,” explains Williams, “they’re quite hands off in their approach, which allows us some creative breathing space. But we’ve been with them a year and we’ve grown together, so I think they’ll be trying to kick it up a notch now –  more international stuff, us getting out and playing more places we haven’t been to. There’s some exciting stuff on the horizon.”

“We do have some news…” adds Tohill, “but nothing we can tell you about now.” I’m guessing, and hoping, it has something to do with America. Rews would kill it in America.

But world domination aside, there are other good fights to fight – with Rews recently being pretty proactive on International Women’s Day, appearing in various panel discussions and interviews, as well an all-female gig in Brighton (if you get a chance, read the Women Who Rock feature on Mels Jukebox).

Rews @ The Flapper 15.02.17 / Paul Reynolds“There’s a whole combination of things, it can be quite complicated,” explains Tohill, as I ask the uncomfortably obvious question about ‘issues facing women in the music industry today’. “But I think a lot of it is just getting the right kind of support and respect really. Collette and I both find we’re well supported and respected, but there’s just, you know… sometimes, things like when you get groped whilst your having your photos taken. It’s not really on. It’s fine to give someone a hug, and some caring touch, but not anything more than that.”

“I think it’s about opportunities as well,” continues Williams. “There’s been a lot that’s come out about the lack of female musicians appearing on festival line ups, and I think it’s about turning some of the attention onto opportunities and filtering that in from the ground level up. It’s about inspiring young women to get into music, to take up an instrument, because it’s important to get the balance right. Whilst there might not be enough females (in areas of the music industry) you don’t want to go too heavily to the other side and have this sense of entitlement – that you’ve been put on the bill just because someone’s trying to fill some kind of gender gap.”

“It feels like it might take a few years yet,” adds Tohill “but the more awareness we have and the more women that get involved in the music industry, the more you won’t even need gender as a factor and we won’t see that divide anymore.”

How do you feel when gender is used to describe Rews? Being called ‘the female Royal Blood’ isn’t a bad thing, but it’s still steeped in sexuality.

Rews @ The Flapper 15.02.17 / Paul Reynolds“We’ve talked about this a few times,” continues Tohill. “We don’t really mind, too much, but it depends in what way it’s being used. Again, it is going to take a few years, generations possibly, to take away the kind of ‘unique thing’ about being a female band. But we are a female band, so we don’t mind people referencing that if they’re not doing it in a derogatory way.”

“It works both ways too,” adds Williams, “we can use it in our favour – some people are still intrigued by it, in a positive sense. But it shouldn’t be used just for the sake of it because it’s not a describing factor about our music. Ultimately it would be great to drop the gender and for it not to be a factor at all.”

The first time I met Rews we spent, or rather I spent, perhaps too long fixating on a word in their press release. But I’m also aware that during this conversation I have, repeatedly, referred to these two women as ‘you guys’. So, we all have out part to play. But as far as journalism goes there are many words to describe Rews that have nothing to do with their gender and everything to do with their music. Feel free to fish out some superlatives from this feature, or Google ‘awesome’ and take your pick from the world wide web of synonyms.

But for now, I’ll settle for the following: ‘Rews’, ‘Hare and Hounds’, ‘Thursday 22nd March’, ‘sold out’. And if there’s any word count left, ‘excited’ and ‘respect to Birmingham’s live music scene’.

‘Shake Shake’ – Rews

Rews perform at the Hare & Hounds (Kings Heath) on Thursday 22nd March, with support from You Dirty Blue and P.E.T – as presented by Metropolis Music and Birmingham Review. For direct event information, including venue details and online ticket sales, visit http://bit.ly/2IFpUon 

For more on Rews, visit www.rewsmusic.com

For more on You Dirty Blue, visit www.youdirtyblue.com

For more on P.E.T, visit www.facebook.com/petbanduk

For more from Metropolis Music, visit www.metropolismusic.com

For more on the Hare & Hounds (Kings Heath), including venue details and further event listings, visit www.hareandhoundskingsheath.co.uk

BPREVIEW: Rews @ Hare & Hounds 22.03.18

Rews @ Hare & Hounds 22.03.18

Words by Ed King

On Thursday 22nd March, the rock powerhouse of Rews returns to Birmingham – closing off their England tour dates with a special headline gig at the Hare & Hounds (Kings Heath).

Support on the night comes from Tamworth’s garage rock two piece, You Dirty Blue, and Birmingham’s rising punk balloon, P.E.T

Doors open at 7:30pm, with tickets priced at £8 (plus booking fees) – as presented by Metropolis Music and Birmingham Review. For direct gig info, including venue details and online ticket sales, click here.

Rews @ Hare & Hounds 22.03.18At the time of writing this gig has all but sold out, with literally only a handful of tickets left on sale. There are also waiting lists available, for returns and cancellations, through the registered ticket agents – but it’s changing by the hour, so click on the following links for TicketmasterSkiddle or See Tickets to get updates and info. And hopefully tickets.

You can also check in with one of the support bands, You Dirty Blue or PE.T, as well as us at Birmingham Review HQ who will be mopping up any local returns. We suggest you do it quickly though and with a few fingers crossed – swing over to the Birmingham Review Facebook event page for this gig, or email info@birminghamreview.net and we’ll can check down the backs of a few cyber sofas for you.

Rews @ The Flapper 15.02.17 / Paul Reynolds - Birmingham ReviewThe term ‘rising balloon’ gets bandied about these days, and quite often by me. It’s exciting to see an artist in nascent and the tried/tested metaphor is often an appropriate badge of both recognition and applause. But I can’t use this term for Rews anymore, as their rising balloon got caught on the tail end of a NASA space shuttle and is now in confident orbit around the planet. Quite simply, and without allegory or hyperbole, Rews are set for huge things. HUGE. SO NOW I’M USING CAPITALS INSTEAD.

And every inch of it is deserved. Not only have Rews mastered the addictive rock formula on record but they are phenomenal live. PHENOMENAL. So phenomenal, in fact, that after seeing Rews at The Flapper in February 2017 we booked them to headline the Birmingham Review Winter Showcase at the Actress & Bishop the following November – a venue now probably fundraising for a new roof, after Rews tore the old one clean off and scattered it across the city. We’re biased, but it was a stonker of a gigRews @ The Flapper 15.02.17 / Paul Reynolds - Birmingham Review. Which seems to be de rigueur for Rews as their relentless touring and festival sets have won them a huge fanbase in a relatively short space of time. And again, every inch of it is deserved.

Rews’ debut album, Pyro, is a stellar debut too – being one of the first artists signed to Marshall Records and doing the iconic rock brand nothing but proud. And if you haven’t already got yourself a copy of then 1) shame on you, 2) shame on you again, 3) get thee to an online retailer before we fetch the wooden spoon and naughty step. You can read our Birmingham Review of Pyro here.

The reciprocal feather in the cap of this gig is that Rews added Birmingham onto their spring tour dates because of the all-round awesomeness of their last gig in the city. So, this is down to you.You Dirty Blue @ Centrala 22.07.17 / Rob Hadley - Birmingham Review Yes, you. The live music endorsing public and punters of Birmingham, you did this. It’s not too often that Birmingham sits as one of the cherries on a national tour circuit, but for Rews we are. Or were. And shall be again. So, with a single (tough and manly) tear in one eye and civic pride in my belly, I salute you all. VIVE LE BIRMINGHAM LIVE MUSIC SCENE.

But it’s not all Rews, Rews, Rews… as much as that would suffice, you’re getting two more bands for your musical buck on 22nd March. Lucky sods, the lot of you.

First up is the Tamworth based garage rock two piece, You Dirty Blue. Well established on the local live circuit, Birmingham Review happened across You Dirty Blue at Centrala back in July 2017 – as they joined a pretty stellar line up at The Hungry Ghost’s ‘Amerika/Lazaro’ single launch.P.E.T / Eleanor Sutcliffe - Birmingham Review

Although sandwiched by the great and good, You Dirty Blue were one of the stand out acts from the evening – with the gloriously raw yet proficient edges that any true DIY artist needs to make their mark. We became hooked. And a few months later we got to sink our teeth in a little deeper, as You Dirty Blue released their ‘monstrous debut’ EP, Tough Crowd, just before Christmas. In short, we gave it a resounding thumbs up… with a cheeky middle finger thrown in for good measure. But again you can always read our Birmingham Review of Tough Crowd for yourself, just click here. Pah… independent thought is for suckers.

Second support for the night comes from P.E.T – ‘Birmingham’s rising punk balloon’… for want of a better expression.P.E.T / Eleanor Sutcliffe - Birmingham Review But that they are; P.E.T are the new kids on the Brummie block and have already racked up a few decent support gigs and industry endorsements since forming in late 2017.

In your face, feisty, not shy of screaming into the microphone, P.E.T are the essence of post-punk punk. But they’ve got the smarts to go with it – citing an impressive list of influences that many older (self-declared) aficionados wouldn’t have in their cultural cache. Go ahead, test it, ask P.E.T “…do you know a band called The Slits?” and see what happens.

Plus, they’ve got all the raw bolshiness that you can get from a band who just love playing and performing – you ‘aint going to see P.E.T on a stage and forget about them in a hurry, especially if your standing at the front. But we think they’re mostly harmless. At least, no one’s been injured yet. Not visibly. Keep an eye out for P.E.T though, we sense curious times ahead.

And as a picture paints a thousand words, and there’s nearly that above us already, we though we’d end with a few moving image reminders of Rews. Too tough to pick one song, so we’ve gone for two – one recorded, one live. Viddy below my droogs and we’ll see you at the Hare & Hounds on 22nd March:

‘Your Tears’ – Rews

‘Can You Feel It?’ – Rews (live at Hawley Arms for Camden Rocks)

Rews perform at the Hare & Hounds (Kings Heath) on Thursday 22nd March, with support from You Dirty Blue and P.E.T – as presented by Metropolis Music and Birmingham Review. For direct event information and online ticket sales, visit http://bit.ly/2FL53hm

For more on Rews, visit www.rewsmusic.com

For more on You Dirty Blue, visit www.youdirtyblue.com

For more on P.E.T, visit www.facebook.com/petbanduk

For more from Metropolis Music, visit www.metropolismusic.com

For more on the Hare & Hounds (Kings Heath), including venue details and further event listings, visit www.hareandhoundskingsheath.co.uk

BPREVIEW: All Time Low @ Genting Arena 15.03.18

All Time Low @ Genting Arena 15.03.18

Words by Eleanor Sutcliffe

All Time Low will be performing at the Genting Arena on the 15th March – opening the show by performing their sophomore album, So Wrong, It’s Right, in full. Support will be coming from Southampton based Creeper.

Doors open at the Genting Arena from 5pm (Forum Live) and 6pm (Arena Bowl), with All Time Low scheduled to perform from 8pm onwards. Tickets are currently on sale from £37.63 plus booking fees – as presented by SJM Concerts/Gigs and Tours. For direct gig information, including full showtimes, venue details, and online ticket sales, click here.

This will be the first UK tour for the Baltimore band since they released their latest album, Last Young Renegade, which scooped the Rock Sound Award for Album of the Year in 2017. A far cry from the more summer-y beats of So Wrong, It’s Right – their most recent LP explores a darker side to All Time Low’s style, winning over their fans with tracks such as ‘Dirty Laundry’.

It’s clear All Time Low have come a long way since releasing their debut studio album, The Party Scene, back in 2005. Their steady climb to pop-punk stardom has included performances at festivals such as Warped Tour, Reading and Leeds, plus more albums than you can shake a muddy greenfield stick at.

But the band’s last album did mark a significant shift as All Time Low left their long time label, Hopeless Records, to release Last Young Renegade through the Atlantic subsidiary, Fueled by Ramen. Their latest tour announcement hasn’t been without its obstacles either – with the withdrawal of Pierce The Veil as a co-headliner following allegations of sexual misconduct against the band’s drummer, Mike Fuentes, the status of the UK leg seemed in doubt.

But All Time Low soon rectified the situation by announcing that, as opposed to bringing in another headliner at such short notice, they would instead fill the time by performing their 2007 album So Wrong, It’s Right in full – alongside recruiting the support of ‘horror punk’ four piece, Creeper, on their UK dates.

And with popular tracks such as ‘Dear Maria, Count Me In’ and ‘Remembering Sunday’ hailing from the album in question, fans are in for a nostalgic treat at the Genting Arena and across the UK.

‘Dirty Laundry’ – All Time Low

For more on All Time Low, visit www.alltimelow.com

For more on Creeper, visit www.creepercult.com

For more from SJM Concerts/Gig and Tours, including further event listings and online ticket sales, visit www.gigsandtours.com

For more from the Genting Arena, including venue details and further event listings, visit www.gentingarena.co.uk

THE GALLERY: Rews + The Hungry Ghosts + Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17

Rews + The Hungry Ghosts + Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley - Birmingham Review

 

 

 

Words by Ed King / Pics by Rob Hadley

On Saturday 25th November, Birmingham Review presented its Winter Showcase at the Actress & Bishop – a sold out live gig with Rews, The Hungry Ghosts and Ed Geater. It’s taken me more than a week to recover.

I’ve sat down to write a review of the night several times too, but how do you write a report about your own gig..? You can’t, well I can’t. But luckily our friends at Counteract can, so for Charlotte Niblett’s two cents on the Birmingham Review Winter Showcase click here – with some cracking pics from Paul Reynolds thrown in for good measure. And I have been kicking myself that in all the copy I’ve written about Ed Geater I never came up with ‘triple threat’… good work Charlotte, love that one.

Also, I kinda/sorta don’t have to write anything as the solider of Birmingham Review (or Rob Hadley as he is know in the wider world) was front row and centre for the entire evening with a camera in his hands. And if a picture paints a thousand words then there’s around 84k without you fluttering an eyelash or me hitting a key. Any more would just be rude.

There are some cherry picked pics below, but I would CAPITAL LETTER SUGGEST you check out the full Flickr of Rob’s pics by clicking on this hyperlink or the suitably subtle prompts littering this report.

Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17But now you’ve got me typing away… the Birmingham Review Winter Showcase wasn’t only a chance to book three acts that are all amongst the most exciting on the national gig circuit today, it was an opportunity to put our money where our mouth is. Birmingham Review covers many corners of the city’s cultural landscape, but music is where we began and will always be an intrinsic part of our content.

Rews, The Hungry Ghosts and Ed Geater all have a real “chance at whatever metaphor you use for success”, and we’ve said so with words and pics several times before. But on Saturday 25th November Birmingham Review got to be part of that progression, even if only for one night. But what an incredible night it was.

Ed Geater opened up to an already busy room, playing the tried and tested from his portfolio such a  ‘Symmetry’ and ‘Don’t Think’ alongside a quick toe dip into some newer waters. Layering beat boxing over acoustic six string melodies, with the occasional breakbeat to keep you quite literally on toes, Geater kicked off the Winter Showcase with poise and aplomb. The Hungry Ghosts swaggered on stage for the second set, oozing with gin and mischief, and served up a fine platter of slaughterhouse blues with ‘Amerika’, ‘Lazaro’ and a slightly tweaked ‘Super King King’. Raw, raucous, and now with a cemented new line up, there is just so much to love about this band.

Then it was Rews… half way through their UK tour to promote Pyro, the duo’s corker of a debut album, and straight into a gut punching rock explosion with ‘Let It Roll’. On fire throughout the entire set, featuring album tracks including ‘Your Tears’, ‘Miss You in the Dark’ and ‘Death Yawn’ alongside the ferocious ‘Can You Feel It?’ (one of my personal favourites live), Rews quite simply nailed it – Shauna Tohill’s fearless front stage lead as Colette Williams powers through with vocals and percussion, it’s awesome stuff. Birmingham will never be quite the same again.

The other significant win at the Birmingham Review Winter Showcase was the crowd. There’s a lot of talk about ‘supporting the local music scene’ but unless you drag yourself out of the house, stick a smile on your chops, and get involved when musicians and singers are bearing their souls on stage… then talk is all that it will ever be. At the Birmingham Review Winter Showcase 175 people did all of the things I’ve just listed. And it felt phenomenal. To everyone who was upstairs at the Actress & Bishop on Saturday 25th November, I both salute and thank you.

The Birmingham Review Winter Showcase was also my swansong, as I now hand the reigns over to Helen Knott – who is taking over as Birmingham Review editor, and Damien Russell – who is coming in as Birmingham Preview editor.

I will be moving over to editor-in-chief (sounds more glamorous than it is) and focusing on the books and periodicals set for release under Review Publishing. Look out for our first titles which will be on shelf by the end of 2017: Snapshots of Mumbai – a coffee table book about the Indian megacity, and the Birmingham Music Review 2017 anthology.

We’re recruiting too, so if you know your way around a QWERTY keyboard or a DSLR please email charlotte@birminghamreview.net

Meanwhile, back at the Actress & Bishop

 

 

 

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

For more on Rews, visit www.rewsmusic.com

_______________

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

_______________

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

For more on Ed Geater, visit www.edgeater.co.uk

For more from the Actress & Bishop, including venue details and links to event, visit www.theactressandbishop.co.uk

WRITERS/PHOTOGRAPHERS WANTED – Birmingham Review is looking for new contributors. Anyone wanting to get involved, please email a short introduction to charlotte@birminghamreview.net