BREVIEW: Maisie Adam – Living on the Edge @ The Glee Club 14.10.17

Maisie Adam - Living on the Edge @ The Glee Club 14.10.17

Words by Helen Knott

Maisie Adam has only been a stand-up comedian for a year, but she has made more progress in those twelve months than many comedians manage in a much longer career. Her stand-out achievement so far was winning the So You Think You’re Funny competition at this year’s Edinburgh Fringe; SYTYF is the UK’s most prestigious competition for new comedians, with past winners including David O’Doherty, Dylan Moran and Peter Kay.

Living on the Edge, then, is Adam’s first ever show. She explains that she only graduated from drama school last year and decided that she’s not ready to “adult” yet (I try to ignore my dislike of the modern use of the word ‘adult’ as a verb). The resulting show is a series of anecdotes from Adam’s fairly fledgling life experience so far – she’s only 23.

Some of these anecdotes are funnier than others. Her story about falling out of a second story window in an attempt to impress a one-night-stand is excellent, but her segment about the British abroad felt a little obvious and clichéd. Still, she keeps the energy up well, she’s likeable, and her patter with the audience is natural and funny.

And it was a tough crowd. Adam described it at the end as, “one of the weirdest gigs I’ve done”. It turns out that fifteen very sober people in The Glee Club at 5.30pm on a Saturday doesn’t make for the most energetic comedy audience. No doubt Adam will have much weirder gigs during her career, but tonight was quite a tricky situation. She largely managed it with confidence, though some punchlines felt a little thrown away in her speedy delivery.

Ultimately, the show would have benefited from a stronger overarching narrative and structure. Adam’s big theme was her claim to be dysfunctional, but that didn’t ring quite true. She just won one of the biggest comedy awards in the country and it seems like things are going pretty well to be honest. Plus most people are a bit awkward as children and have embarrassing romantic encounters; it’s normal stuff.

Living on the Edge is a solid first show, but to be in the same league as those past SYTYF winners Adam needs to work out her USP as a comedian. She can’t spend her whole career telling anecdotes about school teachers, her gap year, or the weird classes she took at drama school.

But Maisie Adam will continue to learn her trade, and her quick wit and charm will always make her great company – she could just do with some stronger material. Maybe some time “adulting” is in order after all.

For more on Maisie Adam, visit www.maisieadam.wixsite.com/comedy

For more from The Glee Club, including full event listings and online ticket sales, visit www.glee.co.uk

For more on the Birmingham Comedy Festival 2017, visit www.bhamcomfest.co.uk

BPREVIEW: Simon Amstell – What is This? @ Town Hall 15.10.17

Simon Amstell – What is This? @ Town Hall 14.10.17Words by Helen Knott

Simon Amstell performs his show What is This? at the Town Hall on Sunday 15 October, as part of the Birmingham Comedy Festival 2017. For direct info, including venue details and online ticket sales, click here.

Despite starting stand up aged thirteen, Simon Amstell is perhaps best known for his presenting roles – interviewing musicians and pop stars on Nickleoden, Popworld and Never Mind the Buzzcocks, where his challenging curiosity and acerbic wit would lead to both a growing fanbase and twitching in the control room.

Indeed, eight years after Amstell left his presenting role on Never Mind the Buzzcocks, his tenure on the BBC 2 quiz show still makes for solid You Tube fodder – from questioning why Jermaine Jackson “looks nothing like Michael” to exasperating Preston from the Ordinary Boys to such an extent that he walked off set and got replaced by a member of the audience.

Buzzcocks had been a natural next step for a presenter who first came to public consciousness on the Channel 4 show Popworld, a show Simon Amstell co-presented with Miquita Oliver. Likewise, watching Popworld clips on YouTube today you can’t believe the ridiculous things Amstell and the equally wonderful Oliver would ask bland pop stars to try and get them to say something entertaining. To Britney Spears, thrown in the middle of a fairly innocuous interview, Amstell asked “Whose chin would you like?” to which Spears replied, without hesitation, “Halle Berry’s. I think she’s beautiful.”

Simon Amstell doesn’t interview pop stars any more. In fact, the last time he was on our TV screens for any length of time was in his beguiling BBC sitcom Grandma’s House back in 2012, which he co-wrote with Dan Swimmer. Since then, Amstell has been concentrating on more personally focused projects – including a mockumentary about veganism called Carnage, and a ‘hilarious and heartbreaking’ book about Amstell’s ‘ongoing compulsion to reveal his entire self on stage’ titled Help.

Simon Amstell has also performed on stage repeatedly as a comedian, with What is This? being his fifth UK comedy tour. And whilst his output across art forms is dependably solid, stand-up arguably distills the Amstell experience into its purest form.

What is This? reportedly explores Amstell’s romantic stability, his new found contentment, his relationship with his father, and possibly ayahuasca – in a show that ‘promises to be a deeply personal, funny exploration of beauty, intimacy, freedom, sex and love.’

It’s comedy as therapy – confessional, neurotic, with no subject too personal to be off limits. And crucially, it’s all bitingly funny. Unless you’re Preston from the Ordinary Boys.

Simon Amstell performs What is This? at the Town Hall in Birmingham on Sunday 15th October. For direct info, including venue details and online ticket sales, visit www.thsh.co.uk/event/simon-amstell-what-is-this 

For more on Simon Amstell, visit www.simonamstell.com

For more form the Birmingham Comedy Festival 2017, including a full programme of events and online ticket sales, visit www.bhamcomfest.co.uk

For more from both the Town and Symphony Halls, including full event listings and online ticket sales, visit www.thsh.co.uk

BPREVIEW: Maisie Adam – Living on the Edge @ The Glee Club 14.10.17

Maisie Adam - Living on the Edge @ The Glee Club 14.10.17

Words by Helen Knott 

Comedian Maisie Adam performs her show Living on the Edge at The Glee Club on Saturday 14 October, as part of the Birmingham Comedy Festival. For direct info, including venue details and online ticket sales, click here.

Adam has been a stand-up comedian for less than a year, performing her first show in October 2016 shortly after graduating from university. While she may not have spent years plying her trade on the toilet circuit, she has very quickly started to create a stir in the comedy world. Sometimes, if you’re good, you’re good.

This all culminated with arguably the biggest night of Maisie Adam’s career to date. At the start of August, at the Edinburgh Fringe, she won So You Think You’re Funny,Maisie Adam - Living on the Edge @ The Glee Club 14.10.17 the UK’s most famous competition for young comedians. Past winners include David O’Doherty, Dylan Moran and Peter Kay, so SYTYF certainly isn’t a bad barometer of talent.

Adam has been described as a more eccentric version of Peter Kay and likened to Victoria Wood. Based on this, it’s fair to assume that her show will be observational, good-natured, and well, northern. Entitled Living on the Edge it’s a portrayal of life on the edge of adulthood, featuring stories about the politics of the playground and the British abroad.

With an award win, festival performances and comparisons to comedy greats under her belt, Maisie Adam has a lot to live up to. And whilst she may not be the finished article, yet, this could well be a first look at someone who will be popping up all over TV and radio in the years ahead.

So You Think You’re Funny? (2017 Grand Final) – Maisie Adam

For more on Maisie Adam, visit www.maisieadam.wixsite.com/comedy

For more from The Glee Club, including full event listings and online ticket sales, visit www.glee.co.uk

For more from the Birmingham Comedy Festival 2017, visit www.bhamcomfest.co.uk

BREVIEW: Absurdly Fabulous: The Improvised Episode @ mac 29.09.17

Absurdly Fabulous: The Improvised Episode @ mac 29.09.17

Words by Charlotte Heap

As an ardent Absolutely Fabulous fan I was apprehensive at how Foghorn Unscripted would reimagine the beloved sitcom in their feature length show, Absurdly Fabulous. Such familiar and favourite characters can be tricky to emulate whilst bringing new laughs, and shows using such well loved source material can depend as much on the audience’s appetite for absurdity as the actors’ talent.

Foghorn Unscripted, a company of local improv comedians and professional actors established in 2011, bases all of its performances on audience suggestion and their own imaginations. Having worked with University of Birmingham’s student improv groups in the past, I hoped that Foghorn Unscripted’s experience would bring a slickness to their show – especially as this particular production had been performed at least once before at mac.

Billed as the ‘episode that was never made’, five actors appeared on the Hexagon’s small stage to present Absurdly Fabulous; with so few female leading comedic roles, having the main characters played by men was an interesting choice. Eddie was excellent, as Foghorn’s Aaron Twitchen brought controlled chaos and quick comedy to the part. Less successful in drag was Patsy, with a focus on her gruff voice and lecherous ways but not enough effort given to the character’s familiar physicality and wit.

The show’s more minor roles were played with varying levels of success by the other troupe members. Saffy suffered somewhat, as Kit Murdoch (Foghorn Unscripted’s founder) played her slightly too saccharine for my taste, with not enough withering sarcasm. Murdoch’s energy was essential to keeping the show moving, but I felt her portrayal of Boris Johnson also missed the mark.

Claire Corfield played Bubbles brilliantly but was underused, whilst Ciaron Allanson-Campbell, noticeably lacking in confidence, was much better cast as the robotic Marshall than as Mother. I was hoping Absurdly Fabulous would elevate the satirical sitcom’s most famous characters, but instead the production delivered caricatures. And whilst Absolutely Fabulous’ trademark catchphrases featured heavily, Foghorn Unscripted were unable to recreate the razor sharp wit of Jennifer Saunders’ writing.

I felt the audience participation element was also more minimal than the Absurdly Fabulous promo material had promised. Scribbled suggestions from some attendees were placed in jars on the stage and incorporated into the show’s framework in a slightly clunky fashion, whilst pictures of audience members were brought into the show after the interval, with a gentle ‘roast’ going down a storm with certain members of the audience. However if you weren’t part of this, and didn’t know what people had been asked to suggest, the participation element was a little confusing and excluding.

The more scripted elements of Absurdly Fabulous landed, again, with varying levels of success. An ‘Alexa’ joke (using pre-recorded responses) was initially inventive and funny, but then felt prolonged and, at points, badly timed. In fact, timing, sound and blocking were all constant issues; the raucous nature of the source material demands a certain level of chaos, but the troupe struggled with minimal props (wig swapping led to awkward delays) and an overdressed set. 

A clothes rail collapsed as too many characters made an overzealous entrance, and whilst Eddie made a joke from this mishap, the moment encapsulated the production’s failure to make good use of mac‘s Hexagon Theatre – an intimate space which can be wonderfully manipulated, but one that leaves little room for error. Costume changes in full view of the audience, and occasional difficulties in hearing what was being said, simply added to the unexpected amateurishness. However, the friendly local audience laughed loudly and a lot. But on a Friday evening, with an £8 ticket price, this Ab Fab purist was left a little disappointed. I laughed a little but I cringed more.

Perhaps my fondness for Absolutely Fabulous (alongside my familiarity with improv in my own professional context) led to especially high expectations, but Foghorn Unscripted promised ‘debauchery, fashion and celebrity’ with Absurdly Fabulous and this wasn’t quite delivered. Billed as the ‘episode that was never made’, I felt the improv troupe found the easy laughs but failed to fully explore the humour and potential inherent in such rich source material.

For more on Foghorn Unscripted, visit www.foghornunscripted.com

For more from mac, including full event listings and online ticket sales, visit www.macbirmingham.co.uk

BPREVIEW: Absurdly Fabulous: The Improvised Episode @ mac 29.09.17

Absurdly Fabulous: The Improvised Episode @ mac 29.09.17

Words by Charlotte Heap

Foghorn Unscripted, Birmingham’s own improvised comedy group, present another feature length show – Absurdly Fabulous: The Improvised Episode, performed for one night only at mac’s Hexagon Theatre on Friday 29th September.

Doors open at 7.30pm, with tickets priced at £8 (£6 concessions). For direct event info, including venue details and online ticket sales, click here.

Billed as ‘the episode they never made’, the mac audience can expect a re-imagining of beloved 90s satirical sitcom Absolutely Fabulous (Ab Fab to its friends). Foghorn Unscripted, a group of local ‘improv’ comedians and professional actors established in 2011, bases all of its performances on audience suggestion and their own imaginations. Given the raucous nature of the source material, fans should no doubt prepare themselves for some silliness (and presumably, more audience participation than usual).

Absolutely Fabulous - main cast (lr) Bubble (Jane Horrocks), Saffron Monsoon (Julia Sawalha), Edina Monsoon (Jennifer Saunders), Patsy Stone (Joanna Lumley), Mother (June Whitfield)It’s difficult, however, to imagine where Foghorn Unscripted may take the already established personas like Eddie and Patsy. Such familiar and favourite characters can be tricky to emulate, especially while bringing new laughs, and theatre productions such as this can depend as much on the audience’s appetite for absurdity as the actors’ talent.

Having run for more than 20 years, first aired in 1992 (as well as a recent feature-length film released in 2016) Absolutely Fabulous’s catchphrases and jokes will need a fresh approach from Foghorn Unscripted.

Like the TV programme, Absurdly Fabulous: The Improvised Episode promises to bring ‘debauchery, fashion and celebrity’. With a running time of 105 minutes, there’ll need to be some clever and surprising comedy to keep the audience on side. And for this lifelong Ab Fab fan, it’s fingers crossed that Foghorn Unscripted’s homage to Jennifer Saunders’ writing will be fittingly funny.

Forghorn Unscripted present Absurdly Fabulous: The Improvised Episode – performed in mac’s Hexagon Theatre on Friday 29th September. For direct event info, including venue details and online ticket sales, click here.

For more on Foghorn Unscripted, visit www.foghornunscripted.com

For more from mac, including full event listings and online ticket sales, visit www.macbirmingham.co.uk