Brain Food Archives -

March 13, 2020March 13, 2020

EP: Brain Food – Brain Food 13.03.20

Words by Ed King / Pics by Radek Kubiszyn (Psychedelic Eye)

‘According to the Stress Management Center and Phobia Institute in Asheville, North Carolina, an estimated 17 to 21 million people in the United States are affected by a fear of this day, making it the most feared day and date in history.’

I was Googling ‘Friday the 13^th’ to come up with some witty framing technique, as Birmingham’s psych rockers, Brain Food, have ear marked this notorious end of the week to release their self-titled sophomore EP. But in the wake of a bulbous buffoon with his finger on the button and the grip of fear the world’s most popular sneeze has on half the planet…

A five track kaleidoscope of echoing psychedelia, Brain Food EP by Brain Food is indeed a tasty cranium treat – opening with ‘Poseidon’ and a surprisingly dirty riff, which had me fish hooked from the off, Liam McKeown’s perfectly lost vocals soon slide across the track.

An almost perfect front man for a band covered in the glow of a hyperactive lava lamp, McKeown sets the tone perfectly on the EP’s opener – sitting somewhere between a rock star joie de vivre and an introspective blotter acid trip in the dark corners of a Velvet Underground after party. Works for me.

But this is prog-something-psych-something-rock-something else… so, a small noodling siren is sounded as ‘Canyon Crawler’ sends seven minutes of blissed out guitar waves over a slowly marching tempo. It drags a little, to me. Today. If I was a younger man with a bit more mind left I’d probably be finding ways to lose it in this, but after about five minutes I’ll admit I’m swimming to the shore.

Then, as if my silent selfish prayer was answered, ‘That Feeling’ draws a sweet line down the middle of this Brain Food EP – in a surprisingly short (under four minutes??) foray into a more melody led track. It might be a bit too accessible for the prog purists, and you could be forgiven for thinking if psych rock was ever going to be radio friendly this is probably the closest it is going to get, but it’s still a damn fine few minutes.

‘Cosmic Jones’ takes us down the other side of the hill – opening with a cheeky little wah wah and keeping us cheerily on our toes for just over five minutes of soft crescendos and pretty nifty fretwork. Before the swan song of ‘Forbidden Tongue’ closes the show, which you can check out below instead of reading me try to be funny.

Which reminds me, where was I with that framing technique…

I’m not sure how many registered voters this EP will keep safe on its auspicious release day, but the idea (and to quote another LSD soaked ensemble) of encouraging the hope barren masses to ‘feed your head’ instead of panic buying toilet paper couldn’t be better placed.

And Brain Food by Brain Food seems to sum it up quite nicely this Friday the 13^th… so, put that in your literary trope and smoke it.

‘Forbidden Tongue’ – by Brain Food

On Friday 13^th March 2020, Brain Food release their self-titled second EP, Brain Food. For more on Brain Food, both the band and the extended play, visit www.facebook.com/brainfoodofficial

Brain Food are also hosting an EP launch party at The Night Owl on Saturday 14^th March, with Cave Girl and Exhaler supporting. For more gig info and links to online ticket sales, click here to visit the Facebook event page.

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual aggression in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

December 7, 2018February 27, 2019

THE GALLERY: Bare Bones @ Café Artum 01.12.18

Words by Emily Doyle / Pics by Ed King

Café Artum, a vinyl-filled setting nestled at the far end of Corporation Street, is busier than usual on this Saturday afternoon.

“This one’s for my mum, over there. This is the first time she’s ever seen me play, today” says Liám Mckeown, taking his seat in front of the window. The room grows quiet. At the back of the cafe, one guy listens to a record on headphones, seemingly oblivious.

Mckeown builds up loops of rhythm guitar before layering effortless lead over the top. Best known for his role in local psych-rock outfit Brain Food, solo he conjures up a much more mellow sound. His singer-songwriter vibe verges on jazzy at points, but always has a psychedelic tinge.

Mckeown covers Neil Young’s 1972 release ‘The Needle and the Damage Done’ – it’s ambitious but heartfelt; the audience listens in stillness as the X51 bus rolls past the window behind him. The set also features stripped back versions of Brain Food songs, including ‘Lemon & Lime’ from the band’s debut EP Get One On. These feel more vocal-led than the rest of Mckeown’s performance and round off the set nicely.

The first full band of the bill, Handwaxx, have made only minor concessions to Bare Bones’ advertised ‘raw, stripped back’ ethos. New member Will Sutton, having been recruited to the group just a month ago, has traded out his Vox Phantom for an acoustic guitar, but otherwise the only thing especially stripped back about the outfit’s sound is the lack of a proper PA.

Handwaxx describe themselves as ‘psychedelic indie pop’, which seems like a fair label. Their sound blends a brit-poppish sensibility with a sprinkling of dreamy shoegaze, backed up by impressive lead guitar work from Ryan Baynham. Their set reaches a high point with the last two songs, which move in a more Morricone-esque direction. Handwaxx’s reverb drenched surfy sound is perfect for brightening up a gloomy Saturday afternoon.

The promo material for Bare Bones argued that The Mighty Young ‘could probably still melt your face off with an acoustic set’, but it’s clear we won’t find out about that today, as the only acoustic instrument on stage is the drum kit. This is loud, raucous garage rock ‘n’ roll from one of Birmingham’s trusty trios, and there’s not a Cajon in sight.

The Mighty Young have always embraced a stripped back, DIY ethos with their sound, though. Reminiscent of The White Stripes, their straight-to-the-point performance and songwriting are a joy, unphased by some minor technical hitches.

A jubilant sing-a-long cover of Lou Reed’s ‘Walk on the Wild Side’ provides the soundtrack as one of the bar staff weaves through the dense crowd, putting tealights out on the tables – it’s grown dark out. A passerby outside stops by the window to listen, intrigued. A few younger audience members, who’ve got another ten years to wait before they can get in to any other Mighty Young shows, are growing a little restless, but the rest of the crowd are fully engaged.

As six o’ clock approaches and the trio draw things to a close with a slow, bluesy ballad; it’s clear that this inaugural Bare Bones session was a success. And although perhaps not as ‘stripped back’ as originally intended, neither the performers nor the audience seemed to mind. Watching the punters filter back out into the cold and on to the next stop on their Saturday nights, there’s a sense that things are only just beginning.

THE GALLERY: Bare Bones – with The Mighty Young, Handwaxx, Liám Mckeown @ Café Artum 01.12.18 / Ed King

Gallery not found.

For more on Liám Mckeown/Brain Food, visit www.facebook.com/brainfoodofficial

For more on Handwaxx, visit www.soundcloud.com/handwaxx

For more on The Mighty Young, visit www.facebook.com/ruttingdevil

For more on further events from Bare Bones, visit www.facebook.com/whiskpresents

For more on Café Artum, including venue details and further event listings, visit www.cafeartum.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL – NOT OK campaign, click here. To sign up and join the NOT NORMAL – NOT OK campaign, click here.

If you have been affected by any of the issues raised in this feature – or if you want to report an act of sexual aggression, abuse, or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL – NOT OK website.

November 28, 2018

BPREVIEW: Bare Bones – with The Mighty Young, Handwaxx, Liám Mckeown @ Café Artum 01.12.18

Words by Ed King / Artwork by Rocío Álvarez Osuna

On Saturday 1^st December, the inaugural Bare Bones comes to Café Artum – with acoustic sets from The Mighty Young, Handwaxx, and Liám Mckeown.

The event runs from 3pm until 6pm, with three live sets alongside music from Carlton Wainwright on the wheels of steel. Or, you know, the CDs of chaos. Mix tapes of mayhem. The idiosyncrasies of an iPod shuffle…? Whatever the kids are spinning these days.

What we can be sure of is Bare Bones will cost you all of £3 sterling to enter – as presented by The Whisk. Spaces will be limited at Café Artum, with advance tickets available online via Skiddle, click here. Or for more direct event information visit the Bare Bones Facebook event page, click here.

Now this is a good idea… As the Bare Bones promo rhetoric states, ‘expect to see your favourite local artists perform raw, stripped back, great music with no frills’ performing in ‘a bare minimum set up and a super intimate venue’.

It actually says all that the other way around, but the idea of getting some good ol’ garage rock, indie, and six stringed psychedelia played ‘stripped back’ and ‘raw’ absolutely works for – us regardless of what order the words are in. Plus it’s cheap as chips. In fact, it’s cheaper than chips – it’s cheap as a bag of potatoes and a saucepan of cooking oil that will one day become chips. And we like that too.

The Mighty Young are a familiar favourite on the local live circuit, with their barrage of blues and garage rock making a lot of lovely noise in venues across the city for a few years now. ‘Aint alliteration ace… But always a good night out (or in, if you’re throwing a wildly adventurous house party) it will be a rare delight to watch what unfurls when The Mighty Young have to perform sitting down sans distortion pedal. Our money is on ‘quietly kicking ass’. For more on The Mighty Young, visit www.facebook.com/ruttingdevil

Handwaxx are at the somewhat more swirly colours end of the rock rainbow, with a wah wah here and a… you get the idea. But the Birmingham three piece have been making some pretty noticeable sonic waves recently, and as the Bare Bones Facebook event page says ‘don’t miss your chance check them out in a completely different perspective’ – pun intended, we very much hope. For more on Hardwaxx, visit www.soundcloud.com/handwaxx

And last but by no means least is Liám Mckeown, better known (perhaps, who knows what he does in his spare time) as the centre piece of Brain Food – Birmingham’s delectable ‘swirling psych-soaked four piece’. We like Brain Food a lot, on stage and off, and their commitment to the local music scene is a heart warming addition to the city’s cultural cache.

No idea what Mr Mckeown will be doing flying solo, but we want to find out and suggest you should too. And in the absence of a Liam Mckeown specific URL, for more on Brain Food visit www.facebook.com/brainfoodofficial

Bare Bones presents its first afternoon of ‘stripped back’ acoustic sets at Café Artum on Saturday 1^st December, running from 3pm top 6pm. For more information and links to online ticket sales, visit the Bare Bones Facebook event page – click here.

For more on Café Artum, including venue details and further event listings, visit www.cafeartum.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL – NOT OK campaign, click here. To sign up and join the NOT NORMAL – NOT OK campaign, click here.

June 2, 2018

THE GALLERY: Captain Süün @ The Sunflower Lounge 24.05.18

Words by Ashleigh Goodwin / Pics by Phil Drury

It’s Thursday night and our three day summer is still going strong. Approaching The Sunflower Lounge, you can see it has already built up a sizeable crowd that spills onto the streets outside, all of whom are enjoying drinks and cigarettes before the show begins downstairs.The crowd is awash with Dr Martens, plaid shirts and corduroy, singing along to various snippets of whatever is playing inside – speakers blaring into the road, through windows open to accommodate the hot weather.

The basement, however, is quiet upon entry. But as Birmingham based ‘psych-soaked four-piece’ Brain Food take to the stage people begin to file through the doors, dutifully taking their spot in front of the stage. The room becomes busy, with it getting so packed near the back that at one point I look like the final member of the most mismatched family trio; my bag and shoulders squashed together between an older man and a younger girl. People greet each other between songs, half jumping on their friends in hugs and adoringly ruffling their hair with one hand whilst sipping their beer in the other. One audience member reenacts the most vicious ‘Charlie Brown’ dance move I’ve ever seen repeatedly throughout the set, whilst bobbing his head to the thick bass lines as they go.

A smooth “howdy” from lead singer Liam Mckeown reverberates through the room and does nothing to calm the raucous crowd. Their setlist – which includes ‘Mindwinder’, a new single yet to be released from their forthcoming EP ‘Get One On’ – is a pleasant haze of swirling chord combinations and fuzzy riffs from rhythm guitarist Jakob Cusp and bassist Wills Carrot, against the smooth swagger of Liam’s vocals and Connor Doyle’s percussion. Brain Food provided the perfect opener for the evening by kicking it off with enthusiasm and getting the crowd going in such a short space of time.

The second band of the night are The Hungry Ghosts, and people begin to swarm in throughout the first song after their toilet, drink and cigarette breaks. Having only seen ‘The Ghosts’ once before from the back of a busy crowd, only now was I able to appreciate the enticing appeal of the five-piece. Their sound is hard to pin-down, and as they play favourites such as the effortlessly cool ‘Amerika’, ‘Lazaro’ and ‘Hummingbird’, I realised the full rock and roll sounding guitars mixed with the distinctive vocals and controlled screams of frontman Joe Joseph can only really be summerised by their self-description of ‘slaughterhouse blues and trash country’.

I try many variations to describe this in my notes, crossing out each one in frustration as this description is the only one that seems apt for their unique sound, which manages to incorporate elements of rock, punk, blues and psychedelia into one performance. The Hungry Ghosts give an unpredictable yet tight set, presumably due to their confidence and familiarity with the stage; each member puts on a solid performance, showing what a well oiled machine The Hungry Ghosts are without ever coming off as too polished, flat or boring.

Additionally, frontman Joe Joseph seems to possess a magnetism only present in a very small percentage of performers; he knows exactly what he is doing as he commands the small stage of The Sunflower Lounge. From his precise movements and calculated mannerisms, to his addressing of the audience as “brothers and sisters”, Joseph draws you into the performance and really helps solidify the bands overall image and presentation.

The Hungry Ghosts exhibit a theatrical and artistic nature that encompasses everything they do; from their stylised ‘Amerika’ video, to their carefully designed merch of stickers, t-shirts and badges which are set up in a battered suitcase to the left of the stage. This naturally extends to their performance and does make them mesmerising to watch, it makes you want to take note of what is being performed and it boats an indescribable allure. These factors, combined with the fact I had to cut out many notes to make this a somewhat readable size, are what made The Hungry Ghosts, for me, the highlight of the evening.

After The Hungry Ghosts, people stream in and out of the basement and rotate between the bar, smoking area and toilets upstairs, meaning the crowd has dwindled in numbers slightly. But when Black Sabbath’s ‘Iron Man’ fills the room, the remaining audience members eagerly chorus the opening guitar whilst throwing their heads forward to the rhythm. The track is cut short for Captain Süün’s arrival to the stage, as they introduce themselves with a chaotic medley guitars and feedback before diving straight into their set.

Two songs in and lead vocalist Dan Brown asks into the crowd if they can borrow one of The Hungry Ghost’s guitars as there is a problem with Harri Newman’s, the band’s lead guitarist. A couple of minutes later and Billy OIllis swerves through the crowd and props his guitar on the speaker. A tense couple of seconds follow as Newman fiddles with the straps and dials on the body; you can tell there is an impending verse he needs to complete, and with what seems like barely a second to spare he nails it by launching into the riff with a satisfying vengeance.

Small but dedicated pits form from the second song onwards, growing when the four-piece play their EP’s title track ‘Beach Burrito’. Captain Süün sound completely on form, with their live performance lifting the sound of the more subdued, relaxed recording on the EP. The energy displayed by the four-piece and voraciousness of the guitars gives a wild and unexpected layer to their entire set, which the crowd pick up on as pits continue throughout the show.

This culminates in the last song, with the front section of the room throwing themselves into one another as red lights and mind-bending guitars fill the venue – a crowd member goes flying across the floor and people scramble to help them up instantaneously before carrying on in earnest. Not a soul is deterred from giving it their all as people fly into the speakers lining the front of the stage, and frontman Dan Brown has to prop his foot on one to ensure it doesn’t continue its journey across the floor.

Even from my position on the stairs the joy is infectious, and I can hear the shouts of enthusiasm and laughter from the crowd below. The previous two bands look on from the crowd, moving along with the beat whilst some are even part of the pit, whilst Brain Food’s lead singer, Liam Mckeown, unabashedly dances on the stairs.

The crowd are a real highlight of the Captain Süün gig tonight, with the headline set definitely the most interactive and responsive they’ve been all evening. And when time is finally called on the evening, people snake out with sweat soaked faces and huge grins and make their way to the bar upstairs – riding the high of Captain Süün for at least a little while longer.

Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

For more on Captain Süün, visit www.facebook.com/captainsuun

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The Hungry Ghosts – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

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Brain Food – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

For more on Brain Food, visit www.facebook.com/brainfoodofficial

For more from The Sunflower Lounge, including full event listings and venue details, visit www.thesunflowerlounge.com

May 23, 2018May 23, 2018

BPREVIEW: Captain Süün + The Hungry Ghosts, Brain Food @ The Sunflower Lounge 24.05.18

Words by Ashleigh Goodwin

On Thursday 24th May, The Sunflower Lounge welcomes psychedelic quartet Captain Süün – with support from Birmingham’s ‘trash country’ The Hungry Ghosts, and ‘swirling psych-soaked four-piece’ Brain Food.

The Sunflower Lounge opens its doors at 7.30pm, with the event having an age restriction of 18+ as presented by Red Dawn Events. At the time of writing all limited/discount advance tickets have sold out, but you can still buy a special offer pair of tickets for £9 or general admission singles for £6 – both including booking fee. For direct gig information, including venue details and links to all online ticket sales, click here.

Bristolian garage psych band, Captain Süün, have worked tirelessly since their formation in 2016 – playing numerous shows over the past couple of years, alongside truly creative artists from across the UK such as The Wytches, Cegvera and Yo No Se.

Having signed to Stolen Body Records after ‘a raucous set at Bristol Psych Fest’s’ in 2017 the band are now releasing their Beach Burrito EP, with The Sunflower Lounge gig the first of three dates to support the launch. Captain Süün’s official release show for their Beach Burrito EP is being held on Friday 25^th May at The Trap in their hometown, where The Hungry Ghosts will once again be joining them on stage.

But no strangers to the second city, their refined and crafted sound has already made ‘a mark upon the Birmingham music scene with many local acts pledging their love for Captain Süün’ – boasting an infectious formula of skillful songwriting, warm fuzz, and a mixture of droning, brooding riffs and surf guitars.

And the future is seemingly bright for the four-piece beyond the UK too, as Captain Süün embark on a European tour next month to promote their Beach Burrito EP – before returning to their hometown in July to once again play at Bristol’s Psych Fest, alongside Night Beats and the French trio Dusty Mush.

Second on the bill are self-professed ‘slaughterhouse blues’ five-piece, The Hungry Ghosts, bringing the main support of the night. The last time The Hungry Ghosts joined Captain Süün in Birmingham was when the two bands completed the line up for Table Scraps’ Autonomy album release party at the Hare & Hounds back in March, as presented by This Is Tmrw.

The Hungry Ghosts’ completely identifiable sound combines contemporary rock and blues, against an alternative country and western background – no small feat, but one done to captivating effect. Drawing from an array of genres and inspirations The Hungry Ghosts deliver a truly distinctive body of work, which makes for not only a dynamic live performance but a hypnotic one too. But after the release of their double A-side, ‘Lazaro/Amerkia’, back in July 2017 – through Brum based record label Setting Son Records – the band have been busy playing shows across the UK, and of course in Birmingham.

Brain Food we’re a little less clued up on, but have been instructed on good authority that the ‘progressive psychedelia’ Birmingham based four piece ‘should be taken as part of a balanced diet, and is made using one part Liam Mckeown (Vox, Lead Guitar), one part Jakob Cusp (Rhythm Guitar), one part Wills Carrot (Bass), and one part Connor Doyle (Drums).’ Sounds promising, and possibly good for your digestion, but one we’ll have to get back to you about after having seen them on stage.

Meanwhile, back in the West Country…

‘Beach Burritio’ – Captain Süün

https://www.youtube.com/watch?v=-ut0vvLc-uE

Captain Süün perform at The Sunflower Lounge on Thursday 24^th May, with support from The Hungry Ghosts and Brain Food – as presented by Red Dawn Events. For direct gig information, including venue details and online ticket sales, visit www.thesunflowerlounge.com/event/captain-suun-the-hungry-ghosts

For more on Captain Süün, visit www.facebook.com/captainsuun

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

For more on Brain Food, visit www.facebook.com/brainfoodofficial

For more from The Sunflower Lounge, including full event listings and venue details, visit www.thesunflowerlounge.com