OPINION: Ageism in music

By ViX (Victoria Perks)

We can all rationalise that after a certain age it may not be in anyone’s best interest to become a fireman, policeman, soldier etc; but can we justify a cut-off age for a musician in the mainstream music biz?

 True, many have a ‘best before’ or ‘use by’ date; but if the product is tried, tested and still in good working order, is there any legitimate reason why musicians should be labelled with a ‘sell-by’ date?

Anyway, how old is TOO old? And too old for whom?

Are we so offended by the odd wrinkle that we can overlook the creativity of the composition, or the professionalism of the performer?

Jazz and Blues allow a crease or two; Classical music you’d get away with it too, though unlikely on primetime TV. Is packaging really more important than the product itself?

 What is everybody so afraid of; a clued-up, skilled-up artist with direction and drive? Ooh, I’m shaking with fear… Run for cover media moguls.

Even in this day and age of ‘equality’ for all, the music business would rather use pliable, plastic puppets who sing the songs and wear the clothes they are given; who can be easily shoved in a box on the commercial conveyor belt and dumped when the BOGOF offer expires.

Unless the artists have already had substantial success and retained theirown fan base there seems to be no way through. The ‘powers that be’ at Radio1 for example, would refuse to play a ‘new’ artist overtwenty-something because they are ‘too old’. In any other industry, age discrimination would be against the law don’t you know.

If they can still belt like Bassey; croon like Christie; compose like Costello or they’ve got the moves like Jagger, like it or not, who are we to tell them to stop? Musicianship and musicality, like wine gets BETTER over time.

The naive consumer questions,“Why are they still doing it? I mean, it’s not like they need the money.” Pay attention: Being a musician isn’t something you DO, it’s something you ARE, fool. Geddit?!

I will conclude with a quote from George Bernard Shaw. “We don’t stop playing because we grow old; we grow old because we stop playing.”

Rock til you drop.

Ed’s… Highlights, June ‘12

Full of bright colours, loud laughter and sunsh… well colours and laughter, B’HAM PRIDE 2012 kicks of the month with a glorious musical kitsch fest.

Running over two days and various venues, all in and around Southside, most fun is to be had at The Nightingale – where a plastic fantastic Saturday 2nd line up proffers; The Saturdays, Kerry Katona, Scootch, Stooshe and Baby D. Sunday’s a touch more respectable, with disco & funky house heads; Lonnie Gordon, Sash, Angie Brown and Livin’ Joy, followed by some dubious girl power from The Cheeky Girls and Sonia. And one for the boys… Scott Mills. Hardly seems fair now does it?

Check out www.birminghampride.com for full details, including the full break down of DJs appearing in the Chic dance arena; although at the time of writing it was just Judge Jules on the listings.

Plus for the gay-straight-bi curious-smart-casual’s of House yesteryear, Tin Tins Club – Re Union is taking over The Rooftop with Chad Lewis, Mark Jarman, James Dean, DJ Gail, Pete Graham and more (Sun 3rd). Thank god it’s a Bank Holiday.

Elsewhere in t’city; Shabaka Hutchings and Sons of Kemet & David Grey’s Greyish Quartet (H&H, Weds 6th), Maximo Park (Glee Club, Weds 6th), The Musgraves (BBallroom, Fri 8th), Lucy Wainwright Roache (H&H, Weds 13th), Raghu Dixit (Town Hall, Weds 13th), Sam Sparro (O2 Academy, Thurs 14th), Elton John ( LG Arena, Fri 15th), Cara Luft (Kitchen Garden Café, Tues 19th), Omar (Jam House, Thurs 21st), Kate Nash (Glee Club, Sun 24th), Carly Connor (H&H, Tues 26th), Alanis Morrisette (O2 Academy, Tues 26th), Editors (HMV Institute, Tues 26th & Weds 27th), Nas (HMV Institute, Thurs 28th) and Marina & the Diamonds (HMV Institute, Fri 29th).

With a special, non-sardines-listing mention, to Below’s 7th Birthday (Rainbow Venues, Sun 3rd). Three quarters of a decade old, the boys who built the (post Med Bar) face of Digbeth are ‘avin it large – out on the street for 12 hours with; Bloody Mary, Jordan Peak, Alex Arnout, Jane Fitz, Adam Shelton and more.

And for anyone wanting an earlier night out this month, check out Boyce Avenue with support from Tyler Hilton (O2 Academy, Sat 16th); but leave before Boyce Avenue, who sound like the bastard child of Gary Barlow and Savage Garden. Otherwise it’s a rare chance to see a Hotel Cafe stalwart in Brum. More singing than dancing.

N.B. Ingrid Michaelson was also due to support Boyce Avenue, but has recently cancelled her UK gigs. For further info click on her name, or visit http://www.ingridmichaelson.com

You can follow Ed King at www.twitter.com/edking2210

Ed’s… Highlights, Apr ’12

In the most chocolaty of months, research has been made, the sweetest place to be is The Glee. Club. Honestly, save yourself some time. Just reserve a chair and stay put.

Kicking off are Minnesota ‘slowcore’ trio Low (2nd Apr), a term both hated and aptly descriptive, followed a week later by one of the Felice brothers, Simone, fronting his cunningly titled solo project – The Simone Felice Group (9th Apr).

Just enough time to shower, shit, shave, and it’s The Futureheads (10th Apr); in Brum on their A Cappella and Acoustic Tour. Another clue in the title.

Then the welcome return of Charlene Soraia (Apr 15th); one woman, one stage, one guitar, no talking, before local… erm… well known man, Simon Fowler (Apr 17th), comes back to Brum on his tod. Wonder what he’s up to these days? There’s a very misleading blog out there…

A week later and there’s Jazz all over The Glee Club, festive, in the shape of the Kyle Eastwood Band (24th Apr) – playing the first date of their European tour.

Then the truly excellent Karima Francis (26th Apr) comes to town, showing us what happens if you clone Joan Armatrading, Toni Braxton and the Cat from Red Dwarf. If you do nothing else this month, Google her name. Also worth a look are The Staves (Apr 29th), an acoustic vocal harmony trio from Watford **WARNING – May contain Folk**.

Elsewhere, the HMV Institute has Emeli Sande (14th Apr), and one of my most pleasant surprises, Delilah (18th Apr). Two excellently produced artists but let’s see how they translate on stage.

And if you’re not too tired after Googling Karima Francis, job one for the month, visit http://www.delilahofficial.co.uk I’ll make it worth your while (and by ‘I’, I mean ‘they’. Free downloads).

Others to look out for; Lotte Mullen – supporting Ben Montague (O2 Academy / 10th Apr), Sham 69 (BBallroom / 14th Apr), Ellen & The Escapades (Hare & Hounds / 19th Apr), Tony Christie (Town Hall / 23rd Apr) and New Order (BBallroom / 29th Apr).

And seeing as this month hosts both April Fool’s Day and Friday the 13th, the LG Arena present NKOTBSB (27th Apr) – the bastard hybrid of New Kids On The Block and The Backseat Boys. Now all we need is a cross, a cave and a really big boulder.

You can follow Ed King at www.twitter.com/edking2210

Ed’s… HIGHLIGHTS: Jan ‘12

So, Christmas is over. The crackers are cracked. The fine wine is nothing more than a stain, whilst memories of New Years Eve linger; onerous and unclaimed.

Ah the yuletide crash, you can hear it now. The soft chatter as a city scrapes the bowels of its sofa, desperate for spare change and serotonin. But never fear, dear hearts, only twelve more months to go…

And with that joyous introduction to the year, and its following sarcasm, I give you music for free.  Birmingham Jazz to the rescue, as their Rush Hour Blues promotion lines up weekly treats for gratis in the Symphony Hall Bar;  Steve Ajao Blues Band (Jan 6th), Mitch Perrins Quartet (Jan 13th), Chris Bowden Quartet (Jan 20th) and Nick Jurd Quartet (Jan 27th). If you see either Tony or Mary, give them a hug.

Also being kind to your pockets is the Town Hall itself, putting on Llama (Jan 19th) as part of their Folk For Free events (hugs at your own discretion).

But for those of you who’ve managed to scrooge a few sheckles (slight cross cultural reference), the Hare & Hounds have Kissmet (Jan 13th), Casio Kids (Jan 19th) and The Magic Tombolinos (Jan 25th). A pretty decent January line up and all for under a tenner. Each. They’re not Santa.

But the stonking start to the year comes three weeks in at the HMV Institute; Ben Ottewell aka that geezer from Gomez (Jan 20th), Jesus ‘Christ, really???’ Jones (Jan 27th @ The Temple), Wiley (Jan 27th @ The Library), The Maccabees (Jan 27th), Roots Manuva (Jan 30th) and Boyz II Men (Jan 31st).

Elsewhere it’s pretty hum drum doom or gloom. Although the O2 Academy has Novana – The UK’s ONLY Nirvana tribute band (Jan 21st), and the Solihull Arts Complex is promoting ‘The World’s Greatest Michael Jackson Tribute’ (Jan 27th).

Tough to think of more inappropriate acts to emulate really, shotguns and pedophilic court cases. Just image the encores. Happy New Year.

Follow Ed King at www.twitter.com/edking2210

Ed’s… Highlights – Oct ’11

The most important month of the year is upon us. The end of British Summertime, a day of atonement in the temple, global harvests prepare the world for winter and my birthday (in order of importance – ascending). And whilst Dionysus and Demeter argue at Threshers, Birmingham gorges from a trough of autumnal musical goodness.

With a phenomenal schedule this month the O2 Academy kicks of with Nerina Pallot (Oct 5th). If you see smoke above Bristol St that’s just me combusting with lust. Pallot’s major label releases were somewhat over produced, but when it’s simply her and a piano I become borderline obsessive (Google her Abbey Road sessions. Do it. Do it NOW).

Across town the HMV Institute spits in our face with The Feeling (Oct 7th, although with a well placed gas leak it could be Christmas come early) but wipes it clean with Ed Sheeran (Oct 11th). Possibly the most interesting UK artist of recent years, Sheeran has evolved what’s seen as acoustically possible. Rewriting old doctrines, challenging collaborations and beguiling word play, he’s like Mandelson with a guitar. And a soul. Sorry Ed that’s a horrific analogy. Go see this gig and apologise for me.

In Birmingham’s diamonds and pearls auditoriums Crosby & Nash play the Symphony Hall (Oct 20th) with Bill Wyman’s Rhythm Kings at the Town Hall (Oct 26th). It’s not Young or with swagger, but expect some misbehaving on the ring-and-ride into town.

Also worth noting are Emmy The Great (Glee – Oct 4th), Chris Ty Band (Yardbird – Oct 5th), Bombay Bicycle Club (O2 – Oct 13th), Pop Will Eat Itself (O2 – Oct 28th), Stiff Little Fingers (HMV- Oct 20th) and the Ukulele Orchestra of Great Brittan (Symphony Hall – Oct 26th). And whilst October’s cup runneth over I excitedly scan the listings for something to do on my actual birthday, disappointedly realising there’s only Cliff Richard (LG Arena – Oct 22nd). So pub it is then, first round on Live Nation. Literally the least they can do.

Follow Ed King at www.twitter.com/edking2210