Category: BR Content

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INTERVIEW: Feeder

Words by Abi Whistance

‘Tunes that connect with people have always been the main focus.’ – Grant Nicholas, Feeder

It’s been a pretty wild ride.

With over two decades in the making, Feeder have lived a life long enough to suffer turbulence like you wouldn’t believe; their career tackling the highs and the lows, the riches and the rags. It’s safe to say the Welsh rock stars have been through the wringer, earning them a lifelong place in our hall of fame, even if not in the actual one (yet).

Ups and downs aside, the run-up to the release of their latest album Tallulah has begun, and here at Birmingham Review we wasted no time in pulling frontman Grant Nicholas for a chat.

BR: You have your new record Tallulah coming out on 9th August – what can we expect from the album?

GN: I feel that Tallulah has a bit of a road trip feeling about it in some ways.  Positive, nostalgic and generally pretty uplifting, so hopefully it’ll take the listener on an interesting journey.  It was a really enjoyable album to make and I’ve had time to live with it over the past few months. It feels fresh but still classic Feeder.

BR: So, you’re dubbing Tallulah as a ‘classic Feeder’ record – what about it makes you feel that way?

GN: Feeder has always been about melodies, dynamics and lyrics that tell a story or moment. I think Tallulah has a lot of those key elements and will tick a few boxes for our diehard fans, as well as the new generation of young fans coming to our shows.

BR: It feels like you’ve heavily focused on creating a narrative with this album, and Feeder are known for their storytelling – is this something you’re conscious of when writing?

GN: I generally write with a very visual image and narrative in my head. This is a massive part of the process and as you get older you experience more about life and it fuels a lot of creative ideas. I guess it gives a bigger musical canvas to work with and touches on new subjects and emotions.

BR: With 25 years in the bag, do you think you’ve matured as a band musically? Has your music become a lot more reflective of your own experiences?

GN: I think we know our strengths and at the end of the day it’s always been about the songs. Tunes that connect with people have always been the main focus. That and the dynamic and honesty of the band live and on record is what makes it Feeder.

BR: You’ve got a handful of festivals lined up for the rest of this year, do you see them as an opportunity to get your music out there to a wider audience, especially with the new record on the way?

GN: Doing festivals is always a great way of gaining new fans for any bands or artists. We’re doing less festivals this year as we have the Tallulah album tour coming up in November. Festivals can be so unpredictable at times as you never really know how it’s going to go until you step out onto stage, but when you have a good one the buzz after is something I never grow tired of experiencing. It’s what keeps being in a live band so exciting.

‘Dirty Habit’ – Feeder

Feeder release their tenth studio album, Tallulah, on Friday 9th August – out via BELIEVE, available through all online and traditional music outlets.

Feeder will be playing at the O2 Institute (Birmingham) on Monday 11th November. For direct gig information, including venue details and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham/feeder-tickets 

For more on Feeder, visit www.feederweb.com

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

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SINGLE: Miranda – Sam Hollis

Words by Charlie Culverhouse

Sam Hollis released his debut album, If Ever, Could You Imagine?, earlier this year and isn’t wasting anytime releasing even more music. His new single, ‘Miranda’ – featuring Harry Price, Lewis Pick and Nep, produced by Hollis and Ego Boy – doesn’t disappoint.

‘Miranda’ follows the same new wave/low-fi jazz genre that Hollis so effortlessly pulls off, the chorus effect that dominates the guitar works perfectly to create this atmospheric indie sound. The vocals are so incredibly smooth and soft; Nep and Hollis’ voices work beautifully against one another – a great collaborative sound that fits this song perfectly.

The drum pattern defines the change between verse and chorus, starting with minimalistic electronic percussion then transitioning into a more jazz inspired acoustic beat that complements the style of the guitar.

On his debut album, Hollis bought together people from across the globe to collaborate and create music – Nep featured on the track ‘All That I Want’. It’s good to see that Hollis clearly has a passion for involvement in music; Nep is a young American girl who has only released one original song as of yet, but has featured on three other albums and singles as well as ‘Miranda’. Hollis using his platform to share this girl’s voice represents one of music’s most important achievements – inclusion.

‘Miranda’ is incredibly relaxing whilst also being an interesting listen, something I think is relatively hard to achieve. The lyrics sang in this soft outspoken manner read very intelligently, the song writing telling a story that makes you think and feel – but not too much.

It’s easy to see and hear that Sam Hollis has a crazy amount of passion for music, which he backs up with great talent both in writing and performing.

Sam Hollis releases his latest single, ‘Miranda’, on Friday 2nd August – available through the usual online platforms. For more on Sam Hollis, visit www.soundcloud.com/samhollis-2

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

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INTERVIEW: The Cosmics

Interview by Abi Whistance/To the Local – Pic by Jessica H Ingram Photography

In June 2019, The Cosmics released their self-titled debut EP – a six track eponymous monster of noise rock, twisted indie, a splodge of Mazzy Star and some of the fastest guitar feet in the Midlands. We salute you and your ten toes Mr Boyle (the one standing up).

Celebrating with an out of town gig at Hackney’s The Old Blue Last on the BIG DAY itself, The Cosmics had previously introduced their new material with a launch party for the EP’s lead single, ‘Trust is Blind’, at The Sunflower Lounge back in November 2018.

A step away from the DIY garage rock that they started with, through singles such as their 2016 debut ‘Johnny’, the gig was a chance for their home town crowd to get a live look at The Cosmics’ new material – to read Ed King’s Birmingham Review of ‘Trust is Blind’, click here.

But never ones to rest of their laurels for too long, The Cosmics laid out a diary chock full of dates across the UK and Europe to promote their EP – bouncing around from Birmingham, Manchester, Brighton, London, Belgium and Paris until July this year.

And as their latest single, ‘Eyes’, grabs the attention of Radio 1, The Cosmics are coming back to Blighty to support Table Scraps at the Hare & Hounds on Friday, 26 July – with local prog/psych rockers, Nosuch, also performing.

Abi Whistance and To the Local (with Birmingham Review holding the camera case) caught up with The Cosmics the last time they were at the Hare & Hounds, supporting Feels, in June – grabbing a few words with the Birmingham three piece before the headed out on stage. Watch the full interview below.

Interview with The Cosmics @ Hare & Hounds 30.06.19 

https://www.youtube.com/watch?v=DRYdhr2KRzo

The Cosmics’ debut, self-titled EP is out now – available to stream through Spotify, with limited edition vinyl available through The Cosmics’ social media. For more on The Cosmics, visit www.facebook.com/thecosmicsband

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INTERVIEW: MeMe Detroit

Words & interview by Ed King / Live pic by Callum Lees

“I called it an EP of uplift angst – it’s in your face, but it’s got a nice positive message underneath it as well… fuck the negative, put a positive spin on it and write about the good stuff. The happy stuff, the stuff that makes you feel good.”

Described as ‘Silently observational’, ‘fearlessly immersed’, the ‘Queen of grunge’ and our personal favourite, ‘effortlessly cool’, MeMe Detroit crosses the boundaries from blues to indie rock.

Storming onto the Birmingham music scene with her debut album, Live to Love You’ll Love to Live, in 2016, MeMe Detroit has been a regular fixture on listings in the Midlands and beyond ever since. ‘Hard working’ could certainly be added to the list.

Her latest EP, Life in the Now, was released in November 2018 – following a sell out gig with REWS and Thousand Thoughts at The Flapper in Birmingham and a successful promotional tour across the wider UK.

MeMe Detroit’s latest single, ‘Will You Be My Lie?’, was released in May 2019 – exploring the complications and computations when a wondering eye turns into a divisive secret. Hence the title. But narrative is strong across all MeMe Detroit’s portfolio, with tracks from her latest EP exploring themes of social restraint (and a healthy push the other way), identity, love, betrayal, and our obsession with social media. There’s even a happy homage to one of Birmingham’s prominent live music venues, but you’ll have to listen to Life in the Now and work that out for yourself.

Birmingham Review last saw MeMe Detroit at the NOT NORMAL NOT OK live gig fundraiser at the Hare & Hounds on Friday 7th June – after she was put forward as the headline act by BBC Introducing, who were supporting the gig and ongoing campaign to challenge sexual assault in the music scene. Since then there have been highs, lows, line up and costume changes…

Ed King caught up with MeMe Detroit for a chat and special acoustic performance of ‘Will You Be My Lie?’ at Cherry Reds on John Bright Street in Birmingham – ahead of her full band set at the Hare & Hounds on Thursday 25th July, and a further acoustic set as part of the Female Voices Night at Tower of Song on Sunday 28th July.

Watch the full interview below, or click here to jump straight to the song.

Interview with MeMe Detroit – includes acoustic performance of ‘Will You Be My Lie?’ @ Cherry Reds 19.07.19

MeMe Detroit will be playing a full band set at the Hare & Hounds on Thursday 25th July, alongside Hollows and Namsakē. For direct event details and online tickets, visit www.bit.ly/2y9gpd6

MeMe Detroit will be playing an acoustic set as part of the Female Voices Night at Tower of Song on Sunday 28th July – with Ellie Gowers & Chloe Mogg. For direct event details and online ticket sales, visit www.facebook.com/events/711942659235581

For more on MeMe Detroit, visit www.memedetroit.com

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.