INTERVIEW: The Mourning Suns – Rosie Wilkes

The Mourning SunsWords by Ed King

“It’s like an ideal place, that you feel anchored to – not necessarily a place, it can be a state of mind too.”

The Mourning Suns have been a prominent place mat at Birmingham’s musical platter for several years. Born from the creative partnership of Rosie Wilkes (vocals) and Anthony Williams (guitar), who began playing together at university in Falmouth, the ensemble grew into its current lineup after “we stole the rest from Birmingham Conservatoire.”

Well versed and rehearsed, The Mourning Suns have released two five track “demos” since 2012 – with countless gigs on the schedule in support. But Friday 14th August sees the release of their “first proper album,” as the slightly delayed Dreaming of an Island gets launched at The Sun at the Station in Kings Heath.Sun at the Station - trans

“We’ve played there a couple of Christmases ago, and all know Joe (French, The Sun at the Station promoter) from different versions of different bands,” explains Rosie Wilkes – lead vocalist and co-founder of The Mourning Suns. “They change the room around and have a group of visual artists that come in, which really shakes stage up.” If previous gigs at the venue are anything to go by, you can expect at least a rainbow of lights or backdrop of stars to play amongst. Perhaps a couple of 6ft mushrooms. “And the music we make has an almost cinematic feel to it; when we’re performing it I hope that is experienced, so it’s more than just another gig. I want the audience to be to feel the beauty of it, and then it becomes more of an emotional experience.”  

Dreaming of an Island is a six track ‘cinematic soundscape’, with the narrative threads of beauty and freedom, even escapism, tying it together. “I used to live in a really beautiful part of Cornwall,” explains Wilkes, “whilst I was studying, so I guess all of my writing is inspired, in part, by that place – where I used to be.” The teaser video for the title track also features film “from a train journey down to Devon,” alongside “a splice of lots of beautiful landscapes – parts are from Swiss and Italian mountains, from our European road trip.”

The Mourning Suns @ The Sun at the Station, 14th AugustBut some of the subject matter goes a little deeper, with Wilkes dealing with two close bereavements during the recording of her band’s debut album. “A couple of the tracks came from quite a dark place, for me – my Granddad died and my mum’s husband died in the same two to three months. So there’s an element of that in there.”

“‘Shy No More’, (the 3rd track on the album) I wrote it with Ant the day after my granddad died,” continues Wilkes, “and is about how you shouldn’t be tied down worrying about what people think, or to hold yourself back with reservations or anxiety – and that’s to do with him. Some of the last words he said to me are placed in the lyrics; it was quite emotional writing it, and sometime playing it. Not that it’s a sad song, not that I want it to be a sad song in any way; it’s more about release or liberation. Its about growth.”

Originally recorded by Gemma Livesey-Hubble and Alex Clarke in 2014, who worked on The Mourning Suns’ 2012 EP The Cloud, the extra hands on the Dreaming… deck came from James Brough – a ‘Birmingham based soundmaker’ who’s stage shows can included anything from loop pedals to hair dryers.

“He’s a good friend of ours,” tells Wilkes, “we were so happy with what he’s done. We also had ‘Like a Dog’ previously recorded by Ed Taylor, another stolen Conservatoire student, which he did a couple of years ago. But we wanted to wait until we had an album together before we used that.”

Sounds like a lot of support. But having already bypassed the original release date of November 2014, was the multi cook recording process worth the wait? “We recorded the rhythm and guitars in one go, to get more of an element of that live sound – something we feel is a real strength to us as a band. We did same with the vocals and viola, and then James produced them all to such a high standard.”

Dreaming of an Island album teaser – by The Mourning Suns

The Mourning Suns release their debut album, Dreaming of a Island, on Friday 14th August – playing a special launch gig at The Sun at the Station on Friday 14th August, with support Michael King and Andy Oliveri.

For more gig info, visit https://www.facebook.com/thesunatthestation

For more on The Mourning Suns, including online purchase points for Dreaming of an Island, visit https://www.facebook.com/themourningsuns

For more from The Sun at the Station, visit http://www.thesunatthestation.co.uk/

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BPREVIEW: Project Soundlounge Festival 2015 @ various venues 07-9/08/15

Project Soundlounge Festival 2015Words by Ed King

Running from 7th to 9th August, Project Soundlounge comes back to Birmingham – presenting a ‘festival’ of music across various venues in the city.Birmingham Preview

Set times vary depending on the gig and/or venue, with all Project Soundlounge events free to enter – as presented by THSH (Town Hall / Symphony Hall). For more info, direct from THSH, click here

Established in 2012, as a ’youth led music festival’ for emerging and unsigned acts in Birmingham, Project Soundlounge has an uncanny knack of booking people you’d happily put your hands in your pocket for – then giving them to you for free. Lovely for us punters, although I doubt the artists get much more than the kudos.*

But free work is still work, kinda sorta, and the profile of the venues used by Project Soundlounge are nothing to be sniffed at – with the Town Hall as the usually unattainable centerpiece. Plus the whole event is programmed by 16-25 year olds, which may well be what keeps the line up so pertinent; if you’ve been to any Beatfreaks events you’ll know this isn’t as precarious as it sounds either.Digbeth Dining Club

Starting off on Friday 7th August (in oddly opposed pockets of Birmingham) Ruane Maurice bring their fresh brand of Electro-Hop (…©Birmingham Review) to Brindley Place; think Fischerspooner meets Tricky on a particularly band Monday morning. Also on the Brindley Place bill is the feminine fire of Sic’nis, bringing her silk, strength and social commentary to the Friday night lineup.

On the other, diametrically opposed, side of town Project Soundlounge presents the beautiful ballads and Soul of Lumi HD – alongside some good, ol’ fashioned, fingernails down the back ‘unprotected sax’ from Midnight Magpie. Both acts will be performing at the Digbeth Dining Club, as hosted by the Spot*light Bar on Heath Mill Lane/Lower Trinity Street.

PL-Town-HallSaturday sees the Town Hall host a respectable and local mélange of Reggae, roots and Jazz – with Friendly Fire Band, Lobster, Malarkey, Goodall & Namiwa Jazz all performing on the prestigious stage. Before Sunday closes this year’s Project Soundlounge weekend, again at the Town Hall, with the more Indie Folk inclined line up of Midnight Bonfires, Piston, He Is A Pegasus, Matt Tyrer & Dan Wilkins.

And did we mention this is all for free..? But you don’t need us to twist your arm, especially over such arbitrary issues such as money (since when did the artistic community need to eat/pay rent) here’s a couple of the people behind Project Soundlounge 2015 to tell you themselves.

Project Soundlounge 2015

https://www.youtube.com/watch?v=FhEfBthEzVI

Project Soundlounge Festival 2015 runs from 7th – 9th August, with acts performing in Brindley Place & Digbeth Dining Club (Friday 7th) and Birmingham Town Hall (Sat 8th, Sun 9th). All Project Soundlounge events are free to enter, but may carry age restrictions relative to the venue.

*Since publishing the above, Project Soundlounge have contacted Birmingham Review to clarify ‘Every single artist performing is getting paid a fee which they suggested for the allocated time slot.‘

For more on Project Soundlounge Festival 2015, visit http://www.thsh.co.uk/event/project-soundlounge-08-2015/

For more from THSH, including full event listings at all venues, visit http://www.thsh.co.uk/

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BPREVIEW: Goodnight Lenin @ Hare & Hounds 06/08/15

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Words by Ed King / Promo pic (above) from www.moseleyfolk.co.uk

On Thursday 6th August, Goodnight Lenin plays at the Hare & Hounds – with live support from Hoopla Blue, Chartreuse + DJs from Killer Wave.Main-with-web-colour-bcg---lr

Doors open at 7pm, with advance tickets priced at £10 + booking fee – as presented by This is Tmrw. For more gig info, direct from the venue, click here

GLenin---TiTmrw-posterEn route to a couple of festivals appointments, Fieldview (7th Aug) and Wilderness (9th Aug), and having just come back from Kendal Calling’s double figures birthday bash, Goodnight Lenin ‘return to their favourite venue’ for a sneaky Birmingham warm up show.

Supported by the headline worthy Hoopla Blue and Chartreuse, This Is Tmrw’s Thursday night outing is not bad ear fodder for only ten English pounds sterling. Plus I hear there’s also beer in the building, so…

Erring on the more mournful side of 1960-70’s West coast Americana, Goodnight Lenin’s debut album, In the Fullness of Time, was released on Static Caravan Records last November. An unabashed homage to hope and nostalgia, the South Birmingham band’s eleven track debut could have fallen straight out of a Neil Young notebook.

And supposedly having taken ‘the summer off to work on our second record’, the five piece seem to have slipped out of the studio once or twice to shamelessly have fun in a field somewhere – so muddy fingers crossed for a follow up this side of Christmas.This Is Tmrw

But there say a picture paints a thousand words, so a Youtube video must be like War & Peace and the Bible having a baby. For a more empirical introduction to Goodnight Lenin, have a stop/look/listen to ‘Old Cold Hands’ – one of the band’s ‘favourite tracks’ from In the Fullness of Time. 

And if you like it as much as they do, you can even have for keeps – via a free download from Goodnight Lenin’s Soundcloud page. Stick that in your blueprint for state capitalism and smoke it.

‘Old Cold Hands’ – Goodnight Lenin

On Thursday 6th August, Goodnight Lenin plays at the Hare & Hounds – with live support from Hoopla Blue, Chartreuse + DJs from Killer Wave.

For more gig info, visit http://hareandhoundskingsheath.skiddletickets.com/event.php?id=12473595

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For more on Goodnight Lenin, visit http://www.goodnightlenin.com/

For more on Hoopla Blue, visit https://soundcloud.com/hoopla-blue

For more on Chartreuse, visit https://soundcloud.com/chartreuse-uk

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For further listings from the Hare & Hounds, visit http://hareandhoundskingsheath.co.uk/

For more from This Is Tmrw, visit http://thisistmrw.co.uk/

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THE GALLERY: One Beat Festival @ mac 25/07/15

God Damn @ One Beat Festival, mac 25.07.15 / By Rob Hadley

Words by Ed King / Pics by Rob Hadley

On Saturday 25th July, One Beat Festival returned to the outdoor Arena at mac – promoting a mixed bag of local acts & beyond.www.onebeatrecords.co.uk

Formed in 2010 by Ian Light and Jon Brookes, One Beat Records has played a huge part in championing acts from the West Midlands – with their annual showcase & eponymous festival being a badge of honour for those on local music scene.

Birmingham Review’s stalwart photographer, Rob Hadley / Indie Images, was there to capture the day for THE GALLERY – with a quick cherry picked editorial introducing some of the acts below.

For the full Flickr of pics, click here

God Damn @ One Beat Festival, mac 25.07.15 / By Rob HadleyHeadlining One Beat Festival 2015 were God Damn, the Wolverhampton spawned two piece that have been steadily climbing the Rock rudders over the past year. Having recently released and toured their debut album, Vultures (One Little Indian), across the UK (including a packed out Sunflower Lounge) the time is nigh for God Damn. Eighteen months can be a crucial curve for a band on the rise and BR is keeping it’s fingers crossed for this healthy thrash of fresh air.

For more about God Damn, including online purchase points for Vultures, visit http://goddamntheband.com/

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Ocean Cold Lies @ One Beat Festival, mac 25.07.15 / By Rob HadleyOcean Cold Lies were a little further down on the One Beat ’15 bill but high on the BR radar – with ‘The Game’ and ‘Fade’ a couple of tempting precursors to their impending debut album. The four piece Indie Rockers from Lichfield are still relatively early doors, having formed in 2013, but have already churned out some serious 4AD homage – enough to grab us by the short and curlies anyway.

Remember, remember the 13th of November; for more on Ocean Cold Lies, visit https://www.facebook.com/ColdOceanLies

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Jagaara @ One Beat Festival, mac 25.07.15 / By Rob HadleyRepresenting London Town, the Finchley three piece have been enjoying a pretty hectic festival season so far – stopping off at One Beat ’15 between bookings at Secret Garden, Tramlines and Y Not. Self releasing their debut single/EP, ‘Faultlines’, in 2014, Jagaara gained some deserved adulation and attention – with their latest release, ‘In the Dark’, being an even more serious contender. Melodic, strong and refreshingly fresh, Jagaara are a genuinely exciting addition to their genre; if they nail down an album before Christmas, expect big(ger) things from this band in 2016. 

For more on Jagaara, visit http://jagaara.com/

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Elsewhere on the bill were The Magic Gang, Youth Man, Kioko, Faux Palms, Field Harmonics, Kagoule – with the appropriate links to each act available by clicking on their name.

Birmingham Review would further like to express thanks to Dan Whitehouse (words not music) at mac for aiding & abetting.

For more about One Beat Festival, visit http://www.onebeatfestival.co.uk/

For more about One Beat Records, visit http://www.onebeatrecords.co.uk/

For more from mac, including a full programme of events and workshops, visit http://macbirmingham.co.uk/

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BREVIEW: The Sonics @ Institute 28/07/15

The Sonics @ Institute 28.07.15 / By Ella Carman

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Words by Ed King / Pics by Ella Carman

There are certain moments, seminal plot points in time, which we miss; important and red letter dates that slip down the rabbit hole. Then there are moments that happen without us, but which decorate our lives and rhetoric for decades to come.The Sonics @ Institute 28.07.15 / By Ella Carman

I grew up on Nirvana and Soundgarden, but I never lived in the state of Washington or the city of Seattle; tonight I’m watching the Sonics perform their first new (or at least, recorded/released) material in 49 years, on stage at the Institute in Birmingham. Someday, somebody in this room will be saying something to some relative about this.

Already playing as I walk into the back of the crowded Library, sliding through a healthy Tuesday night crowd for the forefather’s of Garage Rock (and arguably elements of Punk), the Sonics are record tight from the off – bashing out their 2-3minute cheeky rampages as if we were all thirty years younger. Rob Lind introduces the band, the songs, their new album and “Vince, who is at the back somewhere selling stuff,” whilst the rest of the vocals are shared between Freddie Dennis (as in ‘& the Screamers’) and Gerry Roslie.

The Sonics @ Institute 28.07.15 / By Ella Carman‘Shot Down’ comes rolling effortlessly off stage, before ‘Sugaree’ – a track from the Sonics’ recently self released new LP – This is the Sonics, makes you question which decade we’re still living in. The Sonics, it seems, are still very much the Sonics.

The set jumps from old to new, with the Sonics’ familiar mélange of original tracks and back handed compliments – Ray Davies being the latest to get happy slapped with a cover of ‘The Hard Way’, as featured on the Sonics’ new album.

‘Have Love Will Travel’ propels the initially reticent crowd, a sadly Birmingham hallmark, into a more appropriate audience for Garage Rock. And by the time ‘Boss Hoss’ strikes up a fervent chord or two, super fan No1 (gawd bless you sir) is happily punching fists into the air just behind the front row.

‘Keep A Knockin’ take us back to the start whilst more new tracks, such as ‘I Got Your Number’, continue to rubber stamp the Sonics’ pace that has always defined them. It’s quite eerie how this group of stalwart rockers can still hit as hard as they did nearly half a century ago; I suspect there may be a fading picture of them, on stage at The Spanish Castle, hidden somewhere on the Sonics‘ tour bus.The Sonics @ Institute 28.07.15 / By Ella Carman

The set is fast, fun and absurdly tight; there are no cracks in this wall as we casually smash our way through it. Excellent stuff. My only gripe would be the percussion, with Dusty Watson a couple steps behind the boisterous thunderclap that is Bob Bennett – but being human has its limitations and I was looking for a counterpoint.

Closing out the main set with ‘Psycho’, there’s really only one track left to play, and after a tantalisingly long encore demand the Sonics slide casually back on stage. I’m making vocal bets on what the encore will hold, but first up its another cover and the opening track from their new album – Ray Charles’  ‘I Don’t Need No Doctor’.

Then it comes, my selfish request and rabbit’s foot moment of the night, as Gerry Roslie steps his fingers slowly along the keys…

The Sonics @ Institute 28.07.15 / By Ella CarmanI leave the Institute listening to The Hungry Ghosts on my iPod. I am contemporary again; I am replete. I may never have seen Tacoma in the late 1960’s, or travelled the Northwest drinking whiskey and scaring radio stations, but tonight is a genuine and inspiring addition to my hall of personal memories.

How definitive the Sonics’ were is a story in itself, and how fearsome they still are is a testament to something (possibly exercise and meditation, possibly a Faustian pact) but as I swagger home I don’t really care. I still have time to be on the edge somewhere.

And now, at the very least, I can shuffle off that bit more rounded and happier – having witnessed first hand how “some folks like water, some folks like wine…”

For more on the Sonics, visit http://thesonicsboom.com/

For further listing from the Institute, visit http://theinstitutebirmingham.com/listings/

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