THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17

THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley - Birmingham Review

 

 

 

 

 

Words by Ed King / Pics by Rob Hadley

On Tuesday 7th March, Josefin Öhrn + The Liberation came to the Hare & Hounds (Kings Heath) – as presented by This Is Tmrw.

On the road med album nummer två, Josefin Öhrn + The Liberation were leaving phosphorescent trails though Birmingham as they finished a UK tour promoting their latest album, Mirage. Always good to catch the tail end of a rainbow.

And whilst our ‘man in Havana’ was struck down by a particularly virulent strain of man flu, Rob Hadley was there to capture the kaleidoscope show for THE GALLERY. But if a picture paints a thousand words… fate may have dodged an editorial bullet that night.

THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley - Birmingham ReviewFor as the self described ‘alchemical sky gazing’ ensemble proudly declare with their sophomore LP, Mirage ‘sees the band sculpting sprawling, hypnotic jams into elegant nocturnal serenades with such serendipity that their actual creation remains a little hazy even to themselves.’ Well that’s good to know. Where’s my thesaurus..?

Big thanks to This Is Tmrw for bringing more of the weirdly wonderful to Birmingham. Check out a cherry picked basket of Rob Hadley’s pics in THE GALLERY below, or click on the relevant links to see the Full Fickr of Pics.

Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley – Birmingham Review

THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley - Birmingham Review

THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley - Birmingham Review

THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley - Birmingham Review

THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley - Birmingham Review

THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley - Birmingham Review

THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley - Birmingham Review

THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley - Birmingham Review

THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley - Birmingham Review

THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley - Birmingham Review

THE GALLERY: Josefin Öhrn + The Liberation @ Hare & Hounds 07.03.17 / Rob Hadley - Birmingham Review

For more on Josefin Öhrn + The Liberation, visit www.josefinohrn.squarespace.com

For more from the Hare & Hounds (Kings Heath), including full event listing and online ticket sales, visit www.hareandhoundskingsheath.co.uk

For more from This Is Tmrw, visit www.thisistmrw.co.uk

 

BPREVIEW: Warpaint @ O2 Institute 22.03.17

 

 

Words by Ed King

On Wednesday 22nd March, Warpaint come to the O2 Institute – with support from a band on the punkier side of the UK Rough Trade roster, Shame.

Doors open at 7pm with tickets priced at £21 (+booking fee), as presented by Crosstown Concerts. Minimum age for entry is 14 with under 16s requiring adult accompaniment. For direct gig info, including full venue details and online ticket sales, click here.

Warpaint come to the O2 Institute in Birmingham for the first date in their six date UK & Ireland tour, including a set at the BBC 6 Music Festival in Glasgow. On the road promoting their third studio album, Heads Up, Warpaint land back on British shores after six dates across mainland Europe.

And Heads Up is what’s it’s all about right now for Warpaint, with only a handful of songs from their latest LP making it onto the previous tour’s set list. As Theresa Wayman told Clash Magazine in late 2016, “right now we only have five new songs in the set, which doesn’t feel like enough”.

But Heads Up is an arguable transition for Warpaint, with a new approach to writing and recording bringing a broader spectrum of styles and tempo; the opiate haze from much of Warpaint’s back catalogue now has the odd disco biscuit bounce and white line shuffle to keep it on its toes. There’s even a Soulwax remix.

The crowds seem to be toying with a chance of pace too, as Warpaint’s last gig in Manchester received a respectable mosh pit response. “We played ‘Love Is To Die’, ‘New Song’ and ‘Disco/Very’ all in a row” continues Wayman in her interview with Clash, “and people were moshing pretty hard. But we did the same set in Edinburgh the night before and it was completely the opposite, so I don’t know what the secret is really.”

But with Jake Bercovici back at the helm, who produced Warpaint’s debut Exquisite Corpse EP, it’s not a total clean slate. And lots of Heads Up harks back to the shoegaze dream rock of releases gone by. Not that any of this matters until you see it on stage, and with Birmingham getting the first UK look at an amended set list it would be rude not to form a new opinion.

In the meantime, check out a couple of strands from the new Warpaint spectrum with the following tracks featured back to back on their Heads Up LP.

 ‘New Song’ (YouTube video) – Warpaint

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‘The Stall’ (recorded by NPR Music at the 9:30 Club, Washington D.C.) – Warpaint

Warpaint perform at the O2 Institute on Wednesday 22nd March, with support from Shame – as presented Crosstown Concerts. For direct gig info and online tickets sales, click here.

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For more on Warpaint, visit www.warpaintwarpaint.com

For more on Shame, visit www.facebook.com/shamebanduk

For more from the O2 Institute, including full event listing and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham

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For more from Rough Trade, visit www.roughtrade.com

For more from Crosstown Concerts, visit www.crosstownconcerts.com

INTERVIEW: Rhys Lewis

INTERVIEW: Rhys Lewis

 

 

Words & interview by Ed King / Video by Trapeze Film

It’s easy to compare artists, to reference the more established when introducing the new blood. And you could be called a lot worse than some of the names in front of ‘Rhys Lewis’ on this press release.

But ‘Rhys Lewis‘ is Rhys Lewis, and whilst his blend of soul/pop has found a respectable fixture in recent commercial charts (think the capital of Hungary) it’s now arguably his time to shine through.

Signing to Decca Records, the guardians of a pretty fundamental portfolio (from The Rolling Stones and Billie Holiday to Imelda May and The Lumineers), Rhys Lewis’s debut single smashed the No#1 spot on the Spotify Viral Charts at the end of 2016. His latest single, ‘Living in the City’, has racked up a six figure stream since its release in January this year.

Decca are pushing him too – with press tours, showcase gigs and the hard graft schedule that an emerging artist needs to work through. The adjectives on his press release are pretty impressive, as well as the proper nouns.

INTERVIEW: Rhys LewisRhys Lewis seems to be taking it in his stride though, with a startlingly mature approach from a younger artist, “it’s amazing to have Decca on board to help get the music out there, but you have to be working just as hard before you get signed as well as when you are signed. You don’t end up going to loads of celebrity parties… you’ve still got to work hard.”

So no Little Mix covered in blue M&Ms, but over a million views from two singles… if you’d have given me this kind of attention in my early twenties I might have been less than professional about it.

But it’s a relatively clear equation: talent + healthy precocity + single² x album (÷ festival season) = a chance at getting somewhere in this maelstrom of a music industry. And with enough tracks ‘done and dusted’ to balance this sum, I guess all that’s needed now are some greenfield stages and warm cider.

On his criss-cross journey across the UK Rhys Lewis came to see us at Birmingham Review for a cup of cranberry tea and a natter. He also played an acoustic rendition of ‘Living in the City’, which was impressively nailed considering the early morning chill and general man flu in the room.

A special thanks to the CBSO Centre for giving us a place to play, chat and drink warm liquids. To see what else is happening at the CBSO Centre, including full venue details and events programme, click here.

Check out the interview & live performance of ‘Living in the city’ from Rhys Lewis, for Birmingham Review – alongside the single’s official video. Links below:

Rhys Lewis – interview & live performance, for Birmingham Review 

‘Living in the City’ (official video) – Rhys Lewis

For more on Rhys Lewis, visit www.rhyslewisofficial.com

For more from Decca Records, visit www.decca.com

For more from Trapeze Films, visit www.trapezefilm.com

BREVIEW: Peaness @ The Sunflower Lounge 13.03.17

BREVIEW: Peaness @ The Sunflower Lounge 13.03.17 / Courtney Blount - Birmingham Review

 

 

 

Words by Khryssy Blount / Pics by Courtney Blount 

Normally I say, “On a warm spring evening, I am going to review…” However I believe this will work much better: I am going to review a band named Peaness. Yes, you are reading that correctly.

I choose to sit on the sidelines, rather stickily on the stairs, peeking through the stair rails. The crowd assembles as the first band, Maybe Don’t, steps onto the stage; the audience falls silent. We are all suddenly blasted with a heady mix of loud, slightly out of tune, singing and melodic guitar playing. The band (after this rather loud introduction) present themselves, “Hi, we’re Maybe Don’t and we have politics…”

BREVIEW: Peaness @ The Sunflower Lounge 13.03.17 / Courtney Blount - Birmingham ReviewHowever no political statements were to be seen, apart from the lead singer/guitarist having to tune his guitar before playing another song and trying to say “Peaness”. The crowd is a mixed bag of folks, some moving along to the music eagerly and others looking bemused.

I am feeling like a wild caged animal at this point, grabbing onto the bars of the stairs, and I find myself subconsciously nodding my head along to the loud riffs as Maybe Don’t finish up their set. A small interval happens, taking a small proportion of the crowd back upstairs, before Mondo Royale take to the stage as six piece group.

Unfortunately I don’t catch the names of the band members apart from a keyboard player called ‘Ben’, but Mondo Royale launch into a soulful and jazzy tune, guiding the crowd to clap along with them to the beat, and the audience oblige. It is almost as if they own the stage and their song ‘Sonic Boom’ certainly gets things going.

BREVIEW: Peaness @ The Sunflower Lounge 13.03.17 / Courtney Blount - Birmingham ReviewBoth singers jive and dance along whilst harmonising with the funky soulful jazz infused beats. ‘Day and Night’ turns up the levels and the room comes alive (at one point it’s pointed out that it is getting just warm enough for one of the lead singers) but the song that really sets everything on fire though is ‘Run, Run, Run’. A brilliant set; Mondo Royale are hard to put into a box, with styles ranging from Abba to Depeche Mode.

Time for tonight’s the headline as act Peaness start setting up; the stage and the audience are, by now, all nicely warmed up. Without introduction they begin playing and launch into a series of Pea-pop chord progressions and toe tappingly good harmonies.

BREVIEW: Peaness @ The Sunflower Lounge 13.03.17 / Courtney Blount - Birmingham ReviewNow they introduce themselves, “Hi, we’re Peaness and we’re from Chester”, and get stuck into another one of their songs off their No Fun E.P. Unlike the other two bands tonight, Peaness seem to have some microphone issues. The audience seems to have calmed down too, until Peaness go into a new track called ‘Ugly Veg’ off their upcoming debut album, set for release later this year. A few people attempt to jump up and down to the track with limited success.

Peaness also have their guitars slightly louder than the vocals, so you can’t really hear the words – which is a shame as the trio appear to be a tight knit gang.

The rest of the gig goes by in what seems a flash, including moments of laughter at the drummer having a “spa day” in Birmingham while the singer and other guitarist had to slog in from Chester, “These guys had to come all the way from Chester while I was getting a back rub”. Peaness are young, genuine and in parts comical, and not just due to their name.BREVIEW: Peaness @ The Sunflower Lounge 13.03.17 / Courtney Blount - Birmingham Review

The gig winds down, and without a set list the audience have nothing to squabble over. Except perhaps the merch store which has cute and cuddly stuffed toy peas with googley eyes. But it’s the music I came for tonight and if I get the chance I’ll be back to see Peaness again.

For more on Peaness, visit www.peanessband.tumblr.com

For more from The Sunflower Lounge, including full event listings and online ticket sales, visit www.thesunflowerlounge.com

For more from Counteract, visit www.counteract.co

 

THE GALLERY: The Pigeon Detectives @ O2 Institute 08.03.17

 

 

 

 

 

Words & pics by Michelle Martin

It’s cold. It must be dropping near to 6 degrees and there’s a group sitting outside the O2 Institute at 5.30pm, wearing The Pigeon Detectives t-shirts and playing The Name Game on their mobiles. Too cold for my liking, I dive into The Kerryman next door and stumble upon more Pigeon fans with the same idea as myself.

Making it back to the O2 Institute for the first support band, Autopilot, the room slowly fills almost to capacity. Initial screams die down after a few minutes of clumsy shuffling about on stage trying to fix the sound; one man impatiently shouts from the back after an awkward start to the evening.

Once Autopilot start playing, the first half of their short set is forgettable and lacklustre but picks up with more lively music for the final two songs. Lead singer, Jack Schofield, keeps the enthusiasm alive though with his energetic stage presence, bouncing around without a care in the world.

To my right, The Pigeon Detective’s Matt Bowman is watching Autopilot alongside members of Franklin – tonight’s second support act. To my left, fans are busy seeking his attention, whilst other members of The Pigeon Detectives are dotted around the sound desk sipping on beers.

Franklin come onstage with a straight in your face attitude, lighting up the room with a colourful and passionate thirty minute set (my first dance of the evening commences three tracks in). Alex Frankl and Barney Trent absolutely go for it, bringing the sets slow departure with ‘Care for You’.

When The Pigeon Detectives land on stage, they open with ‘Enemy Lines’ from their latest album Broken Glances. They follow this up with the popular ‘Emergency’, and so begins an onslaught of bottles, cups and alcohol flying six feet in the air. Up next is ‘What Can I Say’ but thankfully there’s a photo pit I can dive into and out of the way. Up goes another bottle, and another (I think Matt Bowman has an entire case hiding behind Jimmi Naylor’s drum kit).

The Pigeon Detectives continue with a slew of hits from Broken Glances, alongside selected tracks from their earlier records. Notable standouts from the show are ‘Lose Control’, ‘I Don’t Mind’ and ‘Better Not Look My Way’. I admit, in my previous review of Broken Glances I didn’t enjoy ‘Lose Control’, however in a live setting it complements the other tracks nicely.

Although some songs still feel out of place in tonight’s set, especially ‘Wolves’ – which is a mature new sound, however clearly stands out. But that doesn’t appear to deter the audience from enjoying themselves, giving them time to recover from their opening 20 minutes of madness before Franklin got on stage.

I seek shelter to the stage of the side, away from the rainfall of water and alcohol; both my camera and I are soaked with a new fragrance combination of cider and lager.

I soon retreat to the balcony of the now sweat filled room, as those bottles are still flying all over the place. As The Pigeon Detectives finish off their evening with ‘I’m Not Sorry’, all that’s left is to buy a few drinks and join in with the chaos on the main floor.

The Pigeon Detectives @ O2 Institute 08.03.17 / Michelle Martin – Birmingham Review

For more on The Pigeon Detectives, visit www.thepigeondetectives.com

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Franklin – supporting The Pigeon Detectives @ O2 Institute 08.03.17 / Michelle Martin – Birmingham Review

For more on Franklin, visit www.franklinofficial.com

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Autopilot – supporting The Pigeon Detectives @ O2 Institute 08.03.17 / Michelle Martin – Birmingham Review

For more on Autopilot, visit www.facebook.com/autopilotmusicuk

For more from the O2 Institute, including a full event programme and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham 

For more from Birmingham Promoters, visit www.birminghampromoters.com