BREVIEW: Paloma Faith @ Genting Arena 21.03.18

Paloma Faith @ Genting Arena 21.03.18 / Eleanor Sutcliffe

Words & pics by Eleanor Sutcliffe

I never thought I’d witness a Genting Arena steward dance. Yet here I was, an hour into Paloma Faith’s show, watching a red-haired stewardess shimmy down the central aisle to the bemusement of the surrounding crowd.

Call it cliché, but it was unavoidable – the atmosphere of the evening was intoxicating, and it was all down to Paloma Faith’s incredible performance.

As the lights went down and the stage glowed an ominous red, Faith appeared and strode down the opposite staircase to where the four other photographers and I had been placed.Paloma Faith @ Genting Arena 21.03.18 / Eleanor Sutcliffe Cue an awkward minute or so of camera clutching as we waited for Faith to safely descend in a pair of mammoth white heels, microphone in hand, as she sang the title track from her latest album The Architect. The stage resembled something out of a post-apocalyptic Sci Fi film, with holographic geometric platforms housing her band whom she referred to as “the dream team”.

Paloma Faith @ Genting Arena 21.03.18 / Eleanor SutcliffeOne thing I was taken aback by was just how fond I grew of Paloma Faith as the performance went on. Between songs, she touched on numerous subjects such as childbirth, self-love, politics and war, with the charm and finesse only the Hackney-born singer could possess. Not pedantic or patronising (as some artists can be on these subjects) but delivered heartfelt and in all honesty, even hilarious at times.

Faith is not one to skirt around details either, as she recounted her hopes for a relaxed home birth before “it all went to shit, and I became a well of pus – Beyoncé didn’t have that, surely”.Paloma Faith @ Genting Arena 21.03.18 / Eleanor Sutcliffe These witty anecdotes grounded the evening’s performance, leaving the audience cheering for more.

And what a performance it was. Faith’s set list contained a whole host of tracks, both old and new. Songs such as ‘Crybaby’ and ‘My Body’ proved to be hits with the crowd, who were beginning to rise from their seats and dance along. Watching two women leap up and run down the main aisle whilst being chased by security, during ‘Warrior’, was a true highlight to the evening, especially when Faith actively encouraged their behaviour.

Paloma Faith @ Genting Arena 21.03.18 / Eleanor SutcliffeHer slower songs proved to hit a poignant note with the crowd too. Faith’s duet of ‘I’ll Be Gentle’ with her guitarist, BB Bones, left my jaw slack in awe, as did her rendition of ‘Picking up the Pieces’.

Although Faith is working hard to craft herself a new niche in today’s music scene, she hasn’t strayed too far from her former work – a refreshing change from the numerous artists that attempt to reinvent themselves every few years.

But that’s the beauty of a Paloma Faith show, the dynamic is simply ever changing – from clambering onto a grand piano to mournfully sing ‘Just Be’, to knee sliding along the stage during Sigala’s hit single ‘Changing’, you never quite know what you’re going to get. Apart from a bloody good show; that’s a given.

For more on Paloma Faith, visit www.palomafaith.com

For more from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

For more form the Genting Arena, including full event listings and online ticket sales, visit www.gentingarena.co.uk

BREVIEW: Evita @ Birmingham Hippodrome until 24.03.18

 Madalena Alberto as 'Evita' and Jeremy Secomb as 'Juan Perón' / Pamela Raith Photography

Words by Eleanor Sutcliffe / Production shots by Pamela Raith

I adore Birmingham Hippodrome. Granted, I’m not the most well-versed theatre critic, however there is something rather decadent about settling yourselves into the plush red seats ready to absorb an hour or three of theatrical roguery.

Hurling ourselves into the world of 1940s Argentinean politics, it is the opening night for Evita – the long running musical written by Tim Rice and Andrew Lloyd Webber, that focuses on the life and untimely death of Argentinean political and social icon Eva Perón.

Church pillars and weeping mourners set the scene as Eva Perón’s casket is brought onto the stage. It is during this opening sequence that we meet the three key performers for the evening. Che, played by Gian Marco Schiaretti, is our narrator; sporting a black flat cap, he ponders the true motives behind Evita’s charity and her rise from poverty to political aristocracy. Next is her husband, Juan Perón, who is brought to life with military precision by Jeremy Secomb.

Gian Marco Schiaretti as 'Che', Madalena Alberto as 'Evita', Jeremy Secomb as 'Juan Perón' / Pamela Raith PhotographyAnd finally, silhouetted against a portrait donning the church walls, is Evita herself. Madalena Alberto has had plenty of practice in this role since her critically acclaimed performance in the West End revival of Evita back in 2014, and it hasn’t gone unnoticed. As the lead role, Alberto is simply captivating throughout the entire production – from the sprightly 15 year old who runs away with tango singer Agustín Magaldi to Buenos Aires, to the blonde, sophisticated flame of Juan Perón, her impeccable acting skills pay tribute to the late First Lady with class and demeanour I could only wish to have.

The first half shows Evita’s lust for power, as she slowly makes her way to the top of the social ladder in Buenos Aires. At a time where sexual promiscuity was considered sinful and wretched, watching Evita manipulate various lovers to obtain social power was truly entertaining, especially when coupled with the song ‘Goodnight and Thank You’.

Chorus and Gian Marco Schiaretti as 'Che' / Pamela Raith PhotographyThis rise to stardom results in her colliding with Juan Perón at a charity concert, and after seducing him with the promise of becoming an asset to his career they soon become an item. The stage glides to and fro as balconies are pushed forwards and backwards for different scenes, from the staging of a military coup using musical chairs during ‘The Art of the Possible’ to the energetic choreography of ‘Eva, Beware of the City’, the cast make use of every inch of the Hippodrome stage with minimal props.

Following an interval (and a glass or two of wine) we returned to the reveal of Juan Perón’s successful election as Prime Minister, with Evita delivering a powerful speech as the First Lady bedecked in a glittering white ball gown. The second half passes in the blink of an eye, as we witness Evita embark on her renowned ‘Rainbow Tour’ of Europe without her husband, and her resulting ill health. Despite this, she seemingly perseveres with her saintly actions, setting up a charity and literally showering her supporters with money.

This is where Che truly comes into form – stripping back the glamour that Evita covers herself with, he reveals a woman spurned by political aristocracy who has carefully moulded the Argentinean people into supporters for her husband. Sombre and lonely, he narrates Evita’s life as she tirelessly works to prove herself as a saint not only to Juan Perón and her critics, but to the people of the world. The scenes surrounding her demise and following death are truly heart wrenching – the performances given by both Secomb and Alberto are harrowingly beautiful as Evita laments for the life she could have lived, had she not pursued fame and glory.

True, the production is somewhat lacking in what my mother would describe as ‘fancy stuff’. But that is the beauty of a theatrical piece such as Evita – it simply is not needed. Props and lights could never replace what this cast deliver, which is a highly emotionally performance guaranteed to resonate, to some extent at least, with anyone who is lucky enough to see it.

Evita runs at the Birmingham Hippodrome until Saturday 24th March. For direct show information, including a full breakdown of dates, times and online ticket purchasing, visit www.birminghamhippodrome.com/calendar/evita

For more on the Birmingham Hippodrome, including venue details and further event listings, visit www.birminghamhippodrome.com

BPREVIEW: Evita @ Birmingham Hippodrome 20-24.03.18

Evita @ Birmingham Hippodrome 20-24.03.18

Words by Ed King / Production shots by Pamela Raith

Evita runs at the Hippodrome from Tuesday 20th to Saturday 24th March – as produced by Bill Kenwright, with special arrangement from The Really Useful Group.

Tim Rice and Andrew Lloyd Webber’s long established musical comes to Birmingham following ‘smash hit runs’ in London and beyond. Evening performances will be held at 7:30pm every night from Tues 20th to Sat 24th. Matinee performances will be held at 2pm on Weds 21st and Thurs 22nd, with a further matinee scheduled at 2:30pm on Sat 24th.

Reflecting the Hippodrome’s wider programme, provisions have been made of those who are hearing or sight impaired at the following Evita performances: Weds 21st at 7:30pm (captioned), Thurs 22nd at 7:30pm (BSL interpreted), Sat 24th at 2:30pm (audio described).

Tickets are priced at £15-49, depending o the date/time of performance and positioning within the theatre. For direct show information, including a full breakdown of dates, times and online ticket purchasing, click here.

Gian Marco Schiaretti as 'Che' / Pamela Raith PhotographyOne of the century’s most recognised female public and political figures, Eva María Duarte de Perón climbed her way from a socially and fiscally forgotten childhood to become the First Lady of Argentina.

On the way up the ladder, she was also a revered actress, model and radio star – eventually becoming co-owner Argentina’s most prominent broadcaster, Radio El Mundo. And if cancer hadn’t taken Eva Perón at the young age of 33, she may well have become Vice President of Argentina – sitting in office alongside her husband and el predidente, Juan Perón.

Wildly popular with the working classes of Argentina, Eva Perón became to stand as a beacon of hope for the proletariat – having risen up the ranks herself, yet still mistrusted by the country’s political elite and social bourgeoisie. Many argue that it was Eva Perón, standing beside her husband at many a rally and public appearance, that cemented the political progress of Juan Perón from Minister to President. Madalena Alberto as 'Evita' and Jeremy Secomb as 'Juan Perón' / Pamela Raith Photography

But many also argue to the contrary, claiming the often contradictory administration – that would spawn the continuously contradictory political movement known as Perónism – was a merely a disguised dictatorship that only played ‘the people card’ for political gain and even personal glory. It is this dichotomy that Rice and Webber brought to the stage with their musical Evita, when they turned their rock opera album into a West End production in 1978. Forty years later and Evita is still touring the world, with its name sake still considered a ‘Spiritual Leader of the Nation’ after being officially awarded the title in 1952.

This current production of Evita sees Madalena Alberto return to the title role, after playing Eva Perón in the 2004 West End revival. The role of Che, who acts as the story’s narrator and filters into many supporting and ancillary roles, will be played by Gian Marco Schiaretti.

Evita @ Birmingham Hippodrome 20-24.03.18 (featured cast members may vary)

Evita runs at the Birmingham Hippodrome from Tuesday 20th to Saturday 24th March. For direct show information, including a full breakdown of dates, times and online ticket purchasing, visit www.birminghamhippodrome.com/calendar/evita

For more on the Birmingham Hippodrome, including venue details and further event listings, visit www.birminghamhippodrome.com

BPREVIEW: Paloma Faith @ Genting Arena 21.03.18

Paloma Faith @ Genting Arena 21.03.18

Words by Ed King

On Wednesday 21st March, Paloma Faith performs at the Genting Arena – with support from the Liverpool based jazz and soul artist, XamVolo.

Doors open at the Genting Arena from 5pm (Forum) and 6pm (Arena), with XamVolo performing at 7:30pm followed by Paloma Faith’s headline set at 8:30pm. Tickets are priced at £40.45 / £51.75 depending on your position within the arena, as presented by SJM Concerts/Gigs and Tours.

For direct show information, including full venue details and online ticket sales, click here.

Paloma Faith is out on tour with her fourth studio album, The Architect – coming to the Genting Arena to play one of her final England based shows, before heading out for two dates in Ireland and two dates in Australia. Paloma Faith has further UK dates planned for June, July and August, including the inevitable appearances across the festival season. For direct information on all the Paloma Faith shows announced for 2018, click here. 

The Architect was released in November 2017, entering the UK charts at No1. No small achievement. Mind you, Paloma Faith’s previous three albums all hit the double platinum markers in the UK albums charts. So no small achievement times three, times 600k, and counting. And to think Epic Records wanted to wait a while…

Championed by Radio 2, Paloma Faith was invited to headline one of a series of special concerts from the broadcaster as part of The Architect’s introduction in last year. And despite a somewhat overzealous smoke machine, the show introduced a breadth of new content to Faith’s already fervent fanbase.

Inspired by the call to arms of common concerns and compassion that Marvin Gaye presented with What’s Going On, Paloma Faith’s fourth album moved away from the tropes of relationships, heartbreak, love and loss – exploring a more socio-political landscape and the issues we all face within it.

The album’s opening track, ‘Evolution’, features a soliloquy from Samuel L Jackson about the dichotomy of masculinity, with writer and political/social activist Owen Jones offering a reminder of the basic human rights much of society had to fight for (and our responsibilities to honour those who fought for them) in ‘Politics of Hope’.

But love is always at the heart, and even if it embraces socio-political thoughts, ambitions and endeavour, The Architect is not an outright political record. It’s a human record.

Plus, a Paloma Faith show is just that, a show. And the arena tour that’s supporting her latest LP is set to be packed with all the soul and spectacle the world has come to expect from this unique artist and performer. 

‘Til I’m Done’ Paloma Faith (live session) 

Paloma Faith performs at the Genting Arena on Wednesday 21st March, with support from XamVolo – as presented by SJM Concerts/Gigs and Tours. For direct gig information, including venue details and online ticket sales, visit www.gentingarena.co.uk/whats-on/paloma-faith 

For more on Paloma Faith, visit www.palomafaith.com

For more on XamVolo, visit www.xamvolo.com 

For more from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

For more from the Genting Arena, including full event listings and online ticket sales, visit www.gentingarena.co.uk