BREVIEW: Andy Zaltzman @ The Glee Club (B’ham) 19.01.17

Andy Zaltzman @ The Glee Club (B’ham) 19.01.17

Words by Helen Knott

Andy Zaltzman is perhaps best known for his political podcast The Bugle, which he originally presented with Brummie comedian John Oliver, before Oliver (as Zaltzman jokes, “the notorious Birmingham traitor”) moved to America to present the satirical talkshow Last Week Tonight on HBO.

Indeed tonight’s show, Satirist for Hire, has the air of an off-the-cuff, topical podcast. There’s no co-presenter, so instead Zaltzman bounces off the audience with the show based on our suggestions of topics that we would like to be satirised. It’s a clever way of creating a relaxed, friendly atmosphere, with the crowd in the packed and stuffy Glee Club studio space – comfortable enough to join Zaltzman in the spotlight, as they make suggestions and talk about their interests.

This does mean that Zaltzman isn’t always the one with the funniest lines, however. The biggest laugh of the night comes when Zaltzman, tongue in cheek of course, asks the audience if there is any way at all that America is better than Britain. Someone shouts out, “America has John Oliver”. Ouch. But Zaltzman is a humble and generous enough performer to not let this faze him – hecklers are gently chided, rather than brutally put down.

It’s also almost inevitable that, when the premise is that the jokes are based on issues suggested by the audience, the resulting show is going to be patchy and disjointed. No matter how good a comedian is, there are always going to be some subjects that they just don’t know enough about. Tonight is a real mixed bag, with suggestions including Donald Trump, Boris Johnson, “standards of driving in Birmingham”, The Ashes, “graduation and despair” (Zaltzman quips, “my favourite Mike Leigh film”) and “the oeuvre of 80s hair metal band Kiss”.

Some of these subjects work better than others. Zaltzman‘s section on Brexit, where he examines some of the reasons people voted the way that they did (“let’s not forget that there were fuckwits on both sides of this”) is really funny. Less successful are attempts to tell jokes about Kiss and Star Wars – two things Zaltzman admits to having little interest in. Jokes about sport, including cricket, football and even snooker, are strong, though sometimes a little niche. After a gag about French nuclear testing gets a lukewarm response, Zaltzman jokes, “this gig’s got everything”.

Zaltzman himself admits that the show is “a bit up and down, not sure I’ve been on the top of my game”. If a comedian is delivering basically the same scripted set for every show, having an off-night isn’t going to have such a big impact as it does in a freer format, like this one. Having said that, not even the pre-prepared sections of the evening completely hit home. Zaltzman ends the set with a twenty-minute section about Trump; the idea is that if he can turn Trump into a cricket fan he will naturally become a better person, as all cricket fans are good people. It’s certainly a novel way of addressing Trump comedically, but it’s much too long and the final punchline just isn’t funny enough.

In essence, this sketch sums up the whole gig. It’s a fun evening, but the show would have benefit from a tighter structure and some sharper gags. Zaltzman’s likeable comedy persona isn’t quite enough to hold things together, resulting in a gig that has its moments, but never reaches the heights of the very best satirical comedy.

Andy Zaltzman – Satirist for Hire

For more on Andy Zaltzman, visit www.andyzaltzman.co.uk

For more from The Glee Club venues, including full event listings and online ticket sales, visit www.glee.co.uk

BPREVIEW: Andy Zaltzman @ The Glee Club (B’ham) 19.01.17

Andy Zaltzman @ The Glee Club (B’ham) 19.01.17

Words by Helen Knott

Andy Zaltzman brings his 2018 tour of Satirist for Hire to The Glee Club (B’ham) on Friday 19th January. Tickets are £12 (adv) and doors open at 8pm, for a 8.30pm start. For direct gig info, including venue details and online ticket sales, click here.

Stand-up comedian, broadcaster, author and cricket fanatic, Andy Zaltzman has been lauded as ‘Probably one of the finest satirical comedians this country’s ever produced’ (Time Out).

Zaltzman is perhaps best known as the writer and presenter of satirical podcast The Bugle, one of the most popular comedy podcasts on iTunes, attracting over one million downloads a month. Zaltzman originally presented The Bugle with Brummie comedian John Oliver, who has since made quite a name for himself stateside, antagonising politicians and world leaders as host of HBO’s excellent Last Week Tonight.

Zaltzman and Oliver originally started The Bugle back in 2007, as an audio newspaper for The Times newspaper. When the phone-hacking scandal broke (incriminating staff at Rupert Murdoch’s other papers The Sun and News of the World) the duo were scathing on the subject, which led to them getting fired. Which goes to show nothing should get in the way of an important satirical joke – even if your job depends on it.

As well as regular appearances on the now independently run Bugle, Zaltzman pops up on panel shows on TV and radio and is particularly known for his love of sport. He has previously hosted an Ashes show for BBC 5Live called Yes! It’s the Ashes! and over the past few months has presented an Ashes podcast with Felicity Ward for the Australian Broadcasting Corporation. If you’re a cricket fan I very much recommend following him on Twitter.

Satirist for Hire debuted at the Edinburgh Fringe Festival back in 2013, but don’t let that fool you into thinking that it will be a stale repetition of an almost five-year-old set. Zaltzman has asked the audience to email in topics that we would like to be satirised beforehand (you can do so right now, on his website). Topics can be any issue/person/concept or thing that you would like Zaltzman to discuss – ‘All issues considered (within reason)’.

This format is a clever way of keeping a topical show fresh and relevant, which is difficult if you’re touring the same material for 18 months, especially considering the speed at which the news moves. It should make things fun and current, with Zaltzman utlising his unparalleled verbal dexterity to explore the news of the day.

Let’s just hope that he puts in a better performance than England’s cricketers managed Down Under.

Andy Zaltzman – Satirist for Hire

Andy Zaltzman brings his Satrist for Hire tour to The Glee Club (B’ham) on Friday 19th January. For direct gig info, including venue details and online ticket sales, visit www.glee.co.uk/performer/andy-zaltzman

For more on Andy Zaltzman, visit www.andyzaltzman.co.uk

For more from The Glee Club venues, including full event listings and online ticket sales, visit www.glee.co.uk

BREVIEW: Simon Amstell – What Is This? @ Town Hall 15.10.17

Simon Amstell - What Is This? @ Town Hall 15.10.17Words by Helen Knott 

Simon Amstell is in a good place, “I’ve been in a relationship now for six years”.

It’s almost a confession, coming from the king of angst-ridden, comedy-as-therapy; anyone who has seen his stand-up before will know depression and loneliness have been a major theme over the years. What happens now he’s happy?

In What Is This? Amstell maps his path to contentment. It’s a touching and funny journey, and coming to terms with being gay is a major factor.

From losing his virginity on a naïve trip to Paris, to the family crisis when he gets a boyfriend, before finally finding some kind of acceptance through attending a recent family Bat Mitzvah with his boyfriend. As he summarises: “It took me a long time to become comfortable with the idea of being loved.”

This isn’t the Simon Amstell who used to strike fear into the hearts of Never Mind the Buzzcocks guests. Even his errant father, so often the target of his anger, is forgiven – his misdemeanors dismissed as the consequences of emotional incompetence rather than malice. In fact, it’s often Amstell himself who is set up as the object of ridicule. Offering pseudo-therapy to help friends, attempting a single-handed and ill-advised feminist intervention at a Native American retreat in Norfolk; he is full of “wise” words, all learnt from his therapist.

This self-awareness of his capacity for self-aggrandising behavior stops a show that occasionally verges on being preachy, from turning into a full-blown lecture. Amstell explains that his new book, Help, features a transcript of the show (“I don’t even know who for. People who don’t like hearing stand-up out loud..?”) and at times tonight Amstell’s stand up routine feel like he’s reciting passages from a book, especially with his low-key style of delivery. But it makes for a tight, carefully scripted performance. Every word is precise. Crucially, it’s consistently very funny.

The final third of the show explores some of the challenges of being in a long-term relationship, raising questions around fidelity and morality. Stories of drug use and orgies could seem off-puttingly hedonistic, but, when told with Amstell’s ever-present, wide-eyed innocence, are actually rather charming. Like much of the audience, I’ve grown up with Simon Amstell and I’m rooting for him. And as he says to preemptively defend himself: “Where else will you hear something like that?”

What Is This? is a mature, confident show, with Simon Amstell seemingly more comfortable in his own skin than ever before. It’s still recognisably Amstell, just more mellow and more compassionate. Happiness suits him. 

For more on Simon Amstell, visit www.simonamstell.com 

For more form the Birmingham Comedy Festival 2017, including a full programme of events and online ticket sales, visit www.bhamcomfest.co.uk

For more from both the Town and Symphony Halls, including full event listings and online ticket sales, visit www.thsh.co.uk

BREVIEW: Maisie Adam – Living on the Edge @ The Glee Club 14.10.17

Maisie Adam - Living on the Edge @ The Glee Club 14.10.17

Words by Helen Knott

Maisie Adam has only been a stand-up comedian for a year, but she has made more progress in those twelve months than many comedians manage in a much longer career. Her stand-out achievement so far was winning the So You Think You’re Funny competition at this year’s Edinburgh Fringe; SYTYF is the UK’s most prestigious competition for new comedians, with past winners including David O’Doherty, Dylan Moran and Peter Kay.

Living on the Edge, then, is Adam’s first ever show. She explains that she only graduated from drama school last year and decided that she’s not ready to “adult” yet (I try to ignore my dislike of the modern use of the word ‘adult’ as a verb). The resulting show is a series of anecdotes from Adam’s fairly fledgling life experience so far – she’s only 23.

Some of these anecdotes are funnier than others. Her story about falling out of a second story window in an attempt to impress a one-night-stand is excellent, but her segment about the British abroad felt a little obvious and clichéd. Still, she keeps the energy up well, she’s likeable, and her patter with the audience is natural and funny.

And it was a tough crowd. Adam described it at the end as, “one of the weirdest gigs I’ve done”. It turns out that fifteen very sober people in The Glee Club at 5.30pm on a Saturday doesn’t make for the most energetic comedy audience. No doubt Adam will have much weirder gigs during her career, but tonight was quite a tricky situation. She largely managed it with confidence, though some punchlines felt a little thrown away in her speedy delivery.

Ultimately, the show would have benefited from a stronger overarching narrative and structure. Adam’s big theme was her claim to be dysfunctional, but that didn’t ring quite true. She just won one of the biggest comedy awards in the country and it seems like things are going pretty well to be honest. Plus most people are a bit awkward as children and have embarrassing romantic encounters; it’s normal stuff.

Living on the Edge is a solid first show, but to be in the same league as those past SYTYF winners Adam needs to work out her USP as a comedian. She can’t spend her whole career telling anecdotes about school teachers, her gap year, or the weird classes she took at drama school.

But Maisie Adam will continue to learn her trade, and her quick wit and charm will always make her great company – she could just do with some stronger material. Maybe some time “adulting” is in order after all.

For more on Maisie Adam, visit www.maisieadam.wixsite.com/comedy

For more from The Glee Club, including full event listings and online ticket sales, visit www.glee.co.uk

For more on the Birmingham Comedy Festival 2017, visit www.bhamcomfest.co.uk

BPREVIEW: Simon Amstell – What is This? @ Town Hall 15.10.17

Simon Amstell – What is This? @ Town Hall 14.10.17Words by Helen Knott

Simon Amstell performs his show What is This? at the Town Hall on Sunday 15 October, as part of the Birmingham Comedy Festival 2017. For direct info, including venue details and online ticket sales, click here.

Despite starting stand up aged thirteen, Simon Amstell is perhaps best known for his presenting roles – interviewing musicians and pop stars on Nickleoden, Popworld and Never Mind the Buzzcocks, where his challenging curiosity and acerbic wit would lead to both a growing fanbase and twitching in the control room.

Indeed, eight years after Amstell left his presenting role on Never Mind the Buzzcocks, his tenure on the BBC 2 quiz show still makes for solid You Tube fodder – from questioning why Jermaine Jackson “looks nothing like Michael” to exasperating Preston from the Ordinary Boys to such an extent that he walked off set and got replaced by a member of the audience.

Buzzcocks had been a natural next step for a presenter who first came to public consciousness on the Channel 4 show Popworld, a show Simon Amstell co-presented with Miquita Oliver. Likewise, watching Popworld clips on YouTube today you can’t believe the ridiculous things Amstell and the equally wonderful Oliver would ask bland pop stars to try and get them to say something entertaining. To Britney Spears, thrown in the middle of a fairly innocuous interview, Amstell asked “Whose chin would you like?” to which Spears replied, without hesitation, “Halle Berry’s. I think she’s beautiful.”

Simon Amstell doesn’t interview pop stars any more. In fact, the last time he was on our TV screens for any length of time was in his beguiling BBC sitcom Grandma’s House back in 2012, which he co-wrote with Dan Swimmer. Since then, Amstell has been concentrating on more personally focused projects – including a mockumentary about veganism called Carnage, and a ‘hilarious and heartbreaking’ book about Amstell’s ‘ongoing compulsion to reveal his entire self on stage’ titled Help.

Simon Amstell has also performed on stage repeatedly as a comedian, with What is This? being his fifth UK comedy tour. And whilst his output across art forms is dependably solid, stand-up arguably distills the Amstell experience into its purest form.

What is This? reportedly explores Amstell’s romantic stability, his new found contentment, his relationship with his father, and possibly ayahuasca – in a show that ‘promises to be a deeply personal, funny exploration of beauty, intimacy, freedom, sex and love.’

It’s comedy as therapy – confessional, neurotic, with no subject too personal to be off limits. And crucially, it’s all bitingly funny. Unless you’re Preston from the Ordinary Boys.

Simon Amstell performs What is This? at the Town Hall in Birmingham on Sunday 15th October. For direct info, including venue details and online ticket sales, visit www.thsh.co.uk/event/simon-amstell-what-is-this 

For more on Simon Amstell, visit www.simonamstell.com

For more form the Birmingham Comedy Festival 2017, including a full programme of events and online ticket sales, visit www.bhamcomfest.co.uk

For more from both the Town and Symphony Halls, including full event listings and online ticket sales, visit www.thsh.co.uk