Sam Lambeth Archives - Page 2 of 2 -

August 24, 2018August 23, 2018

BPREVIEW: Gomez – Bring It On 20th Anniversary Tour @ O2 Institute 28.08.18

Words by Ed King

Gomez perform at the O2 Institute on Tuesday 28^th August, coming to Birmingham as part of their Bring It On 20^th Anniversary Tour with support from RUSSO – as presented by SJM Concerts/Gigs & Tours.

Doors are open at the O2 Institute from 7pm with the minimum age of entry 14yrs, although under 16s will need adult accompaniment. Tickets are priced at £34.50 (including all fees) for both seating and standing – for direct event information, including venue details and links to online ticket sales, click here.

Gomez released their debut album, Bring It On, back in the tail end of a dance music Vs Britpop dominated 90’s – as Paul Oakenfold was battling Blur across the Matthew Bannister banished airwaves of Radio One, five lads in Leeds played their first gig together. And as the student throng staggered around Hyde Park, a well placed sign (and a catchy surname) gave the fledgling ensemble a name.

Pretty soon after that fateful night at the Hyde Park Social Club, Gomez had signed to Hut Records – a Virgin owned subsidiary that was set up to champion the burgeoning indie scene. And pretty soon after that Bring It On was out of the studio, on the shelves (oh yes, handheld purchases in them days), and burrowing its way into the shortlist for the Mercury Music Award. A self produced mix of growling vocals, stripped back indie swagger, words rhyming with Mexico, and short and curly grabbing melodies, Bring It On was a masterful debut – eventually beating some pretty tough competition for the aforementioned trophy.

And whilst Gomez’s sophomore album, Liquid Skin, was arguably as lauded – and the band’s following five albums showed confidence, exploration and range – it is perhaps this 12 track introduction that gets more hairs on certain necks still standing up on end. Mention to anyone over 30 you’ve “got some friends in my BMW…” and chances are they’ll know what to say.

It is also the reason Gomez are back on the road – playing nine dates across the UK and Republic of Ireland as part of their Bring It On 20^th Anniversary Tour, which kicked off across North America in June.

And for those (lucky-life-still-ahead-of-them-bast*rds) who are too young to remember flicking through HMV racks on a Saturday afternoon…

’Get Myself Arrested’ – Gomez

Gomez come to the O2 Institute with their Bring It On 20^th Anniversary Tour on Tuesday 28^th August, with support from RUSSO – as presented by SJM Concerts/Gigs & Tours. For direct event information and links to online ticket sales, click here.

For more on Gomez, visit www.gomeztheband.com

For more on RUSSO, visit www.russo.lnk.to/hwap

For more from SJM Concerts/Gigs & Tours, including further event listings and online ticket sales, visit www.gigsandtours.com

For more on the O2 Institute, including venue details and further event listings, visit www.academymusicgroup.com/o2institutebirmingham

________

NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

June 1, 2018May 31, 2018

SINGLE: ‘All the Best’ – Quinn 01.06.18

Words by Ed King / Pics by Bryony Williams

On Friday 1^st June, Quinn release their latest single – ‘All the Best’. Phew, where to begin…

Firstly, ALL HAIL SAM LAMBETH. This is unashamedly sycophantic, and mainlines into the comfortable narcissism that turned that fresh faced indie kid from the ‘Near to You’ video into the canine caning rockstar you can see to your left.

But sod it. Some people are born performers and Mr Lambeth’s ‘brainchild’ is a joy to behold if for no other reason than he’s at the front of it.

Secondly, I’m going to try far too hard in this review. Might as well admit it. Centre stage stadium pretensions aside, Sam Lambeth is a better music writer than I am and it pisses me off no end. Actually, to clarify, the fact he doesn’t write for Birmingham Review is what really flicks the nads, but it’s all pretty much the same to my ego.

So, with that in mind, let’s copy/paste something from the ‘All the Best’ press release:

‘All the Best’ represents the best of Quinn’s past and the exciting future they are set to embark upon – Lambeth’s knack for driving melodies are wrapped around soaring synths, pounding Balearic beats and subtle sampling. “We took a conventional rock song and messed about with it, but on some different coloured wrapping paper and tried to give Quinn a new identity,” Lambeth said. “I’ve always loved pop in its purest sense, and hearing Beck’s record Colors made me realise you can have it both ways.”

Couldn’t have put it better myself. Hush ego, hush. But Quinn’s latest single is catchy as hell. Like some metaphor involving an airborne virus and a big thumbed sports star, the boy writes a mean pop hook and no mistake. And whilst I wouldn’t use White Isle rhetoric to describe it, ‘All the Best’ is a clear windows down summer winner. Cars, floppy hair, mirror lens sunglasses etc, etc…

No pretensions, ‘All the Best’ won’t win an Ivor Novello, but it sends an army of smiling earworms marching down your lug holes from the first happy clappy riff until the somewhat unfortunate fade out. Lambeth’s vocals have seldom sounded stronger too. But with ball-out-of-the-park-regular Ryan Pinson in production it’s an unsurprisingly well polished chill pill. Apart from the fade out. I don’t like fade outs. But that’s me.

Lyrically, ‘All the Best’ – as the Bible of sugar coated indie decrees – is about unrequited love with a gracious smile and confident nod to the unknown. The irony is that behind this creative love in was a somewhat public clusterfuck of a fond farewell, one we won’t dwell on but is a) worth mentioning considering the song’s premise, and b) another feather in the cap of a man who seems to be endlessly chasing somebody’s summer. Refer to paragraph one.

OK, time for a counterpoint. There’s always a counterpoint. Hang on. Need to get my right click on the go again here…

When it came to the next project, Lambeth had one rule – don’t repeat yourself. “Our last EP, Crush, was a homage to the hazy melodies and fizzy fretwork of the ‘90s, and thus was very guitar driven,” he said. “For where I was headed next, I knew it had to be completely different. It was time to experiment.”

Different, sure, but completely..? And if you’re old enough, ‘Words that Say’ by Mega City Four. But this is what Sam Lambeth does with Quinn to such Technicolor effect, and there’ll be plenty of time for that dub step opera with the Ukulele Orchestra of Great Britain. Fuck it, it’s summer. We’ve got convertible cars to drive down the M4.

And to surmise with more open ended plagiarism, if it ‘aint broke…

‘All the Best’ – Quinn

Quinn release their latest single, ‘All the Best’, on Friday 1^st June. For more on Quinn, visit www.facebook.com/quinnrocks

December 31, 2017December 30, 2017

THE GALLERY: The Sunset Beach Hut @ Mama Roux’s 21.12.17

Words & pics by Aatish Ramchurn

There’s something of a relaxed atmosphere on this mild, winter solstice night in Birmingham, which sets the tone for my final visit of 2017 to Mama Roux’s.

In the past year I have become well acquainted with this homely, decorated venue, and experienced a variety of gigs here. Some were sold out and I could barely move; with others I had more freedom to roam around.

Tonight’s gig is the latter. So much so, I believe it is quietest I have ever seen Mama Roux’s. You’d have thought that a headline gig from Shrewsbury’s The Sunset Beach Hut with some local luminaries in support – as presented by Sonic Gun Concerts – would be a little more full of festive cheer. But I guess you can’t expect too much of a crowd for a line up of emerging bands, especially with Christmas Day just around the corner. It seems each act tonight has rely on the support of their friends and family.

Kicking off proceedings are Miss World, an acoustic duo that make some of us feel a little nostalgic with their stripped-down covers of 90s pop and RnB songs, along with a couple of Christmas songs because, why not? It’s Christmas after all. They’re an extremely talented duo and could well be one to watch out for – especially if they start producing more of their own material, something I’m sure Miss World are more than capable of.

With just a small amount of people watching Miss World, I have a virtually empty floor to roam around and take photos on, that is until Junior Weeb appear on stage. A recorded audio track of ‘Tony the Tiger’ introduces the band with many of their fans and friends now filling up the floor. This leaves me doing my usual crouching at the front, but the floor isn’t so busy that I have worry about me being in anybody’s way, and neither is anyone really in mine. I think crouching at the front of stage is something I’m so accustomed to it’s become of a photographic habit.

I remember seeing Junior Weeb over a year ago at The Rainbow, supporting Muncie Girls. Back then their style was a little more shoegaze, but they are a different band tonight. Much more of their set is filled with funky numbers and groovy baselines, so it is virtually impossible not to dance.

But as Junior Weeb leave the stage, so does their audience. The venue is now virtually empty again and I’m wondering what’s left for Quinn when they show up next. Turns out, they have their very own audience too. I’m not even sure where some of these people were before; I’ve been here almost two hours, and throughout that time I’ve not seen any of these faces. Maybe Quinn’s frontman, Sam Lambeth, made them magically appear somehow.

Quinn’s sound is very reminiscent of early 90s indie, with Lambeth vibrant on stage. After performing tracks from their debut EP, Seems Fine, Quinn end their set keeping to Christmas tradition with a cover of ‘Do They Know It’s Christmas Time’.

As with Junior Weeb earlier, Quinn’s audience exit the room as the band do – leaving a barely there audience for The Sunset Beach Hut to perform in front of. I admire the headliner’s spirit to still play with passion, despite the lack of people, especially after having to travel from Shrewsbury.

It’s a shame that people don’t stick around to check out other bands who aren’t their friends, but such is the way, I guess. Although, an emptier floor does mean easier pictures for me to take.

Overall, it was great to see The Sunset Beach Hut tonight – performing alongside other young, talented acts emerging from the West Midlands. I hope they all gain more support as they and grow in 2018.

The Sunset Beach Hut @ Mama Roux’s 21.12.17 / Aatish Ramchurn – Birmingham Review

For more on The Sunset Beach Hut, visit www.thesunsetbeachhut.wixsite.com/sunsetbeachhut

________

Quinn – supporting The Sunset Beach Hut @ Mama Roux’s 21.12.17 / Aatish Ramchurn – Birmingham Review

For more on Quinn, visit www.soundcloud.com/quinn

________

Junior Weeb – supporting The Sunset Beach Hut @ Mama Roux’s 21.12.17 / Aatish Ramchurn – Birmingham Review

For more on Junior Weeb, visit www.soundcloud.com/juniorweeb

________

Miss World – supporting The Sunset Beach Hut @ Mama Roux’s 21.12.17 / Aatish Ramchurn – Birmingham Review

For more on Miss World, visit www.facebook.com/misswworldband

For more from Sonic Gun Concerts, visit www.facebook.com/sonicgunconcerts

For more from Mama Roux’s, including full event listings and online ticket sales, visit www.facebook.com/mamarouxs

December 20, 2017

BPREVIEW: The Sunset Beach Hut @ Mama Roux’s 21.12.17

Words by Aatish Ramchurn

On Thursday 21st December, Sonic Gun Concerts present indie/pop act The Sunset Beach Hut at Mama Roux’s in Digbeth, with support from Quinn, Junior Weeb and Miss World. Doors open from 7pm, with tickets priced at £6.60 (inc bf) – for direct gig info and links to online ticket sales, click here.

Sonic Gun Concerts showcase their penultimate gig of 2017 with The Sunset Beach Hut headlining an evening of emerging talent within the West Midlands indie/alternative scene.

Starting the evening will be acoustic duo, Miss World. Having made their online debut in September this year Miss World are the night’s new kids on the block, albeit one who have already had a headline performance at the O2 Institute in October. With the promise of a mix of their own material and “classic bangers”, it will be interesting to see what has so quickly captured the interest of local promoters.

Next up are Junior Weeb, an indie/alternative quartet from Droitwich who have previously shared stages with Muncie Girls and The Americas, as well as being part of the line up at this year’s Worcester Music Festival. Junior Weeb were also in Baddies Boogie Top 20 Tracks of 2016, playing as the headlining act for the local indie promoter’s 2nd Magic Garden Records Night at the O2 Institute 3. So, a busy 18 months then. And with the promise of new material being recorded, Junior Weeb are likely to have a few fresh songs to add into their now seasoned set and should be an exciting addition to the lineup.

Described in our Birmingham Review of their September gig with Semantics as looking ‘like a fresher’s party at five in the morning’ but ‘with languid melodies disguised by fast paced distortion and an unashamed rock outlook on life’, the main support comes from Quinn – who will performing tracks from their debut EP, Seems Fine. Gaining acclaim with their ‘superstar in the making’ frontman Sam Lambeth, Quinn are band that offer a show that ‘sparkles from head to toe’ so let’s see how they shine on 21^st December.

Having spent 2017 billed in The Catapult Club lineups, and supporting La Dharma at The Flapper in August, Benjamin Thomas, Aphra Smith and Matty George – otherwise known as The Sunset Beach Hut – are our headliners, with their unique blend of lo-fi, indie/pop.

It’s been a steady year for the Shrewsbury based trio, focusing on new material and recording with a few performances keeping their live set polished – a move that seems to be paying off as the band move from support to headliner, as well as recently having BBC Introducing airplay.

The Sunset Beach Hut come across as a band that are dedicated but cautious and it will be interesting to see how much they ‘let go’ in a live setting. Although, personally, I’m also hoping to establish if their name is a reference to the surreal 90’s US soap opera. Guess we’ll find out at Mama Roux’s.

On Thursday 21st December, Sonic Gun Concerts present The Sunset Beach Hut at Mama Roux – with support from Miss World, Junior Weeb, Quinn. For direct event info and links to online ticket sales, click here.

For more from The Sunset Beach Hut, visit www.thesunsetbeachhut.wixsite.com/sunsetbeachhut

For more from Quinn, visit www.facebook.com/quinnrocks

For more from Junior Weeb, visit www.soundcloud.com/juniorweeb

For more from Miss World, visit www.facebook.com/misswworldband

For more on Mama Roux’s, venue details and further event listings, visit www.facebook.com/mamarouxs

For more from Sonic Gun Concerts, visit www.facebook.com/sonicgunconcerts