BPREVIEW: The Bronx @ Mama Roux’s 17.01.18

The Bronx @ Mama Roux’s 17.01.18

Words by Aatish Ramchurn

On Wednesday 17th January 2018, Surprise Your Dead! Music present The Bronx at Mama Roux’s –  where the band will be playing their latest album, The Bronx V.

Doors open at 7pm, with tickets priced at £17 (+bf) – but be warned, at the time of writing this event has already sold out so for direct gig info, click here.

To celebrate the release of their latest album, The Bronx will be playing The Bronx V ‘in its entirety’ in venues across the UK. The Southern Californian punks will arrive at Mama Roux’s on Wednesday 17th January, with the gig selling out just days after the Birmingham based promoters, Surprise You’re Dead! Music, released tickets.

Founded in 2002 by frontman Matt Caughthran, guitarist Joby J.Ford, bassist James Tweedy, and drummer Jorma Vik, The Bronx quickly attracted attention from major label, Island Def Jam Music Group, after just 12 shows. However, the band decided to put out their first few releases by forming their own label, White Drugs.

Their first major release came with their 2nd eponymous album (a title trend the band would continue) in 2006, when Ken Horne joined the band as their second guitarist. Subsequent albums would eventually be put out on White Drugs, including their 5th and latest album, The Bronx V, which was released in September 2017.

The Bronx last visited Birmingham as part of the Slam Dunk Festival 2017 at The Genting Arena, where they were joined by new drummer, David Hidalgo Jr.

When they’re not playing as a punk rock members of The Bronx also play as a mariachi band, Mariachi El Bronx, having three albums released under this name. But there will be no sign of any mariachi music at Mama Roux’s on the 17th January, as it will be pure, unadulterated punk rock coming from The Bronx as they perform their fifth album in this special showcase event.

For more on The Bronx, visit www.thebronxxx.com

For more on Mama Roux’s, Birmingham, including full events listings, visit www.facebook.com/mamarouxs

For more on Surprise You’re Dead! Music, visit www.surpriseyouredeadmusic.co.uk

INTERVIEW: Catherine Farinha – The Chefs’ Forum

Catherine Farinha - The Chefs' Forum / Faydit PhotographyWords by Ed King / Profile pic by Faydit Photography

“People become chefs because there’s a passion; it’s a way of life, it’s not just a job.”

On Monday 15th January, The Chefs’ Forum hold their ‘Pay What You Can’ lunch – a four course meal from a handful of the city’s leading chefs, supported by students from University College Birmingham.

Aimed at “the glitterati of top chefs and food professionals”, The Chefs’ Forum – which launched its Birmingham & Midlands Chapter in February 2017 – organises industry showcase events, where young students and burgeoning chefs get the chance to deliver a menu under the direction of luminaries in their locale. Monday’s lunch will see “signature dishes” from Louisa Ellis (The Wilderness), Mark Walsh (OPUS), Luke Tipping and Leo Kattou (Simpsons) and Olivier Briault (The Edgbaston) – all prepared and presented by students from the ‘career-focused education and training’ provider.

“UCB is the Ferrari of catering colleges,” explains Catherine Farinha – founder of The Chefs’ Forum and a “specialist food marketing consultant” in her own right, whose Red Cherry marcomm agency has been representing food industry clients since 2011. “We work with 16 colleges nationally,” continues Farinha, “and it’s (UCB) up there with the best. It’s had a £25million refurbishment and there was no expense spared when it came to the kitchens; it has the best kit you could possibly have in any professional kitchen, let alone a college.”  

Ticking boxes from facilities to faculty, UCB also has a solid reputation for its business outreach agenda, as you would both hope and expect from such an institution. But was it such a clear choice of partner for The Chefs’ Forum when they opened in Birmingham? “The lecturers completely support the students and are grabbing each opportunity for them to make connections with the local business community,” explains Farinha, “and they’re supporting us 100% – they really do walk the talk. When it comes to best practice UCB is a shining example of how it should be; it’s a well oiled machine with good business links, all we have to do is galvanise that.”

But today’s educational landscape can be more tricky to traverse, with a myriad of shifts in both focus and funding creating a system that’s arguably more interested in retention than placement. Or it’s an apprenticeship scheme, which can all too often carry the echoes of the YTS debacle promulgated by Thatcher’s 80’s administration. Then there’s Gordon Ramsey (although he did give UCB the ‘Ferrari’ quote). But what are the biggest problems facing young chefs today?

“The main purpose of The Chefs’ Forum is to connect the colleges with the restaurants,” explains Catherine Farinha, setting out a stall that stretches from classroom to kitchen, “so that young people can feel more confident in applying for jobs. There’s a huge chef shortage, an international chef shortage not just a national one, and we can’t get enough young people into the kitchen. They don’t always know how to approach a chef to ask if they can have a trail shift or to pass on their CV; they can lack the confidence at the age they are (16-18) so we make it easier. When we hold events we place people in the kitchen with established chefs, we bring the chefs into their colleges to teach them, and then we host four events a year across nine areas – so we’ve got a nice easy conversation going on between both sides. And whilst we’ve got them all in one place we bring the brands in; without the brands we couldn’t stage the events, with them supplying ingredients and equipment.”

And how about those classrooms, outside of your work with UCB how do you find tapping into Levels 1 to 3 – the educational age and stage to begin inspiring young chefs?  “A lot of the schools are hanging on to their students to make them stay on to do A-Levels, as opposed to going to a college for a vocational qualification,” tells Farinha. “Purely down to funding, they want to keep hold of their young people so they don’t showcase other careers. There’s a lot of incentive for schools to hang on to their students and not send them to college – but we need the schools to help us and give those young people a fair range of careers to choose from.”

Sounds frustrating, but anyone who works in secondary education will tell you how difficult it can be to both fund and facilitate extra-curricular activities. Perhaps it’s more about logistics? “We run these taster days for 14-16 year olds and the schools can be an absolute nightmare to deal with, even when we offer to pay for a coach to bring the students into the event and see these great chefs presenting demonstrations. Some welcome it with open arms, but the majority are resistant to allow their students to experience it first hand, and therein lies the problem.”

Meanwhile, back on Summer Row… The chance to work alongside such established chefs is a valuable learning curve for any young kitchen focused creative, but what exactly will the UCB students be doing at The Chefs’ Forum lunch?

“Each chef has a different course,” explains Catherine Farinha, “there’s a starter, a fish course, a meat course and a dessert, and they will get a team of students cooking with them and being directed by them. The students will produce the food with the chefs as mentors, which will be a signature dish from the individual chef’s menu.” And this is supported by the industry suppliers that will be showcasing – both ingredients and equipment – as part of the event? “Absolutely, and we don’t charge the colleges to work with us. We charge the suppliers and there are about 20 to 30 at each event, so it’s like a mini trade show.”

I’ve already got my sights on Alicia’s – the Midlands based ‘handmade ice cream and sorbet’ outfit who I’m hoping will be make an appearance in Oliver Briault’s dessert course. But how does The Chefs’ Forum selected its suppliers? “The pre-requisite is that they are already supplying chefs in Birmingham, you can’t buy your way into The Chefs’ Forum. All those brands have been recommended by the chefs; without one of our committee members having road tested a brand we won’t let them come in. The quality control comes from the chefs.”

And Birmingham loves a committee. Who is ‘on the board’ for The Chefs’ Forum’s second city events? “Mark Walsh (Opus), Nathan Eades – who’s just moved over to The Wild Rabbit in the Cotswolds. Neil Rippington at UCB is also very much in the driving seat; whilst we don’t have a contract with them (UCB) he’s our committee member for the educational side. Then we’ve got Adrian Enescu and Bev Brown from Rofuto. We’re not from Birmingham but we made sure we’ve got a few local people who know it like the back of their hand.”

And the pay-as-you-feel approach? Not that I’m complaining, but the lunch menu presents four courses from some of the best chefs in the city – not exactly an M&S sandwich on a bench by the Town Hall. “It makes it accessible,” explains Farinha, “chefs aren’t always the best paid, so to ask them on their day off to pay a load of money for a lunch cooked by top chefs with a ticket price of £95 would be unrealistic. But I don’t care if they give me £10 or £50, because they appreciate what we’re doing and they know all the money is going to The Chefs’ Forum Educational Foundation. But people can pay what they feel; I wouldn’t ever turn anyone away.”

The Chefs’ Forum carries an agenda that is arguably well placed in today’s catering education and industry, namely one that helps clear a path between the two. And Birmingham has blossomed with gastronomy over recent years, from the five Michelin stars that now decorate the city’s listings to the profoundly successful Digbeth Dining Club. There is, too, an army or eager young chefs in this city that would benefit from any support of substance. But the proof is in the pudding, if you’ll forgive the outrageously obvious pun, and whilst The Chefs’ Forum may have a pretty successful six years under their belt only one has been spent in Birmingham. So, it’s both exciting and early days.

But for now I’m content to enjoy some fine dining in January, not what I thought my New Year budget would allow. And with The Chefs’ Forum committed to four events in the Midlands each year, reaching out to “new openings” and supporting “the new generation of chefs” across Birmingham and beyond, who knows what the spring and summer menus will present. I wonder what season is the best for a good burger..?

For more about The Chefs’ Forum, including news from chapters across the UK and details on upcoming events, visit www.thechefsforum.co.uk

If you would like to know more about The Chefs’ Forum Educational Foundation, visit www.thechefsforum.co.uk/foundation

If you are a chef, supplier, educator, or work within the food industry and would like to know more about opportunities through The Chefs’ Forum, please email Catherine Farinha at catherine@redcherry.uk.com

To know more about University College Birmingham, visit www.ucb.ac.uk

BPREVIEW: Lady Gaga @ Arena Birmingham 31.01.18 / Genting Arena 01.02.18

Lady Gaga @ Arena Birmingham 31.01.18 / Genting Arena 01.02.18

Words by Eleanor Sutcliffe

After being forced to postpone the European leg of her tour due to a battle with fibromyalgia, Lady Gaga will be performing at Arena Birmingham on the 31st of January and again at the Genting Arena on the 1st February.

Tickets to both arena shows are priced at £48.50 (+ fees), as presented by Live Nation UK. For direct gig info, including venue details and online ticket sales, for Lady Gaga at Arena Birmingham on 31st January, click here. For Lady Gaga at the Genting Arena on 1st February, click here.

**Tickets for the originally scheduled Lada Gaga shows at the Genting Arena (12th Oct ’17) at Arena Birmingham (15th Oct ’17) can be transferred to the new dates. According to the venues’ websites, ‘if you cannot make the new date, refunds can be obtained at your point of purchase for a limited period’.**

Touring the UK following the release of her fifth studio album, Joanne, Lady Gaga is hitting the ground running in 2018. And why wouldn’t she? As one of the best-selling music artists of all time, Lady Gaga is set to make even more waves this year having signed a residency to perform at the MGM Park Theater in Las Vegas, as well as staring as the female lead in Bradley Cooper’s remake of A Star Is Born.

A pop icon whose dramatic flair and provocative, outspoken performances have made her one of the most influential stars on the planet at the moment, Lady Gaga‘s numerous accolades include three Brit awards, six Grammy awards and more Guinness World Records than you could shake a stick at.

Unlike many current mainstream artists, Lady Gaga’s performances are about more than just music. Her penchant for unconventional shows that defy social norms have made her one of the most respected female pop stars on the circuit. Lady Gaga has not only managed to elevate music performance to a new level – but she has merged it with fine art to create not just a show but a spectacle.

Even off stage, she has no boundaries; from her meat dress which dominated headlines in 2010, right through to her David Bowie inspired ensemble donned for the 2016 Grammy Awards, Lady Gaga is consistently reinventing herself and her music.

Lady Gaga has come a long way from the electropop tracks she released on her debut album, The Fame. Although tracks such as ‘Bad Romance’ and ‘Just Dance’ will always be seen as cult classics, the singer and songwriter has flirted with numerous genres over the years, including jazz, country and pop. And yet she still manages to incorporate her signature style into each track, distilling it down to a sound that is unmistakably Lady Gaga.

With her latest album receiving critical acclaim across the board, I can’t wait to see what Lady Gaga will bring to the stage as she kicks off the UK leg of her Joanne World Tour in Birmingham at the end of this month.

‘Joanne’ – Lady Gaga

Lady Gaga performs at Arena Birmingham on the 31st of January and at the Genting Arena on the 1st February. For direct gig info on the Arena Birmingham show click here – for direct info on the Genting Arena gig, click here.

For more on Lady Gaga, visit www.ladygaga.com

For more from Arena Birmingham including full event listings and online ticket sales, visit www.arenabham.co.uk

For more from the Genting Arena, including full event listings on online ticket sales, visit www.gentingarena.co.uk

For more from Live Nation UK, including all national tours, events and online ticket sales, visit www.livenation.co.uk

BPREVIEW: The Hunna @ O2 Academy 11.01.18

Words by Molly Forsyth

The Hunna will be stopping in Birmingham as part of their second major UK tour on Thursday 11th January, performing at the O2 Academy. Support comes from Coasts and Night Riots.

Doors open at 7pm and the tickets are priced at £24.15 excluding booking fees – as presented by High Tide Recordings and Academy Music Group. For direct gig info, including venue details and online ticket sales, click here.

**There are limited tickets remaining for The Hunna’s O2 Academy Birmingham show at time of writing, so fans should act quickly to enjoy the band before bigger venues beckon.**

The Hertfordshire four-piece will be gracing the O2 Academy stage in support of their upcoming sophomore album, Dare, set for release in May 2018. Boasting a potent blend of Instagram-friendly swagger, hometown pride, and riffs with the lick and spit of ‘noughties’ indie spirit that many considered long gone, The Hunna look set to take 2018 by storm and build on their current success.

The Hunna @ O2 Academy 11.01.18Upon the release of their debut single, ‘Bonfire’, in 2015, the band have enjoyed a rapid rise to popularity within the UK indie scene, charting in the UK Top 20 with their 2016 debut album, 100. They have become firm festival favourites along their journey – opened shirts, scuffed Dr Martens and bed-headed charm standing out against the preened, Athleisure look of their contemporary male acts. With their live show integral to their growth thus far, The Hunna could be further set to trouble international waters with their second release.

Joining The Hunna will be their High Tide label-mates Coasts. The Bristol based alternative outfit err on the cooler, minimalist side of indie rock, with comparisons to established acts such as Foals and Two Door Cinema Club. Earning major exposure thanks to BBC Radio 1 and E4’s Made In Chelsea putting 2014 single ‘Oceans’ on rotation, Coasts are playing in support of their second release, This Life Vol. 1. The band have already embarked on their own solo tour and are another name to look out for in the coming years.

Alongside Coasts, The Hunna will also be joined by US rockers Night Riots. Bringing the post-punk sound up to date for this generation, the Californian five-piece are more likely to show you the West Coast dusk rather than its famed sunshine. Still basking in the glow of reviews for second album, Love Gloom, in 2016, the band have steadily developed their reputation for a rapturous live show, notable for their emotive hooks and hypnotic basslines. Not to leave out, of course, their hints of modern power-pop vigour at the core of songs such as ‘Contagious’ and ‘Fangs’.

With a trio of acts that are each building a strong reputation for good live shows and memorable performances, the 11th January at the O2 Academy in Birmingham looks set to be all killer, no filler.

‘Dare’ – The Hunna

https://www.youtube.com/watch?v=4NiUO4BaweQ

For more on The Hunna visit www.thehunna.com 

For more on Coasts, visit www.coastscoastscoasts.tumblr.com

For more on Night Riots, visit www.nightriots.com

For more from High Tide Recordings, visit www.hightiderecordings.com

For more from O2 Academy, including full event listings and online ticket sales, visit www.academymusicgroup.com/o2academybirmingham

BPREVIEW: Playback @ mac 07-24.01.18

Playback @ mac 07-24.01.18

Words by Ashleigh Goodwin

It often feels like there is a momentary hush over the city as we pick ourselves up off 2017’s floor and stumble into 2018. We could spend this transitional time recovering from the short-lived break, however mac is offering an alternative – welcoming in the New Year with Playback, ‘an interactive exhibition showcasing over 200 short films made by young artist filmmakers from across the country’.

Playback runs in mac’s First Floor Gallery from 7th to 24th January, open 11am-5pm from Tuesdays to Sundays. Admission to Playback is free. For direct  info, including venue details and the wider facilities available at mac, click here.

Playback is a joint initiative funded by Arts Council England and the exhibition’s creator, Random Acts – a Channel 4 spawned endevour which launched in March 2017 at the Institute of Contemporary Arts in London. Playback aims to shine a spotlight on new work by providing support, funding and exhibition opportunities to ‘young artist filmmakers from across the country’. With some of these ‘remarkable and award-winning shorts’ being made within ‘in and around Birmingham’, Playback promises visitors ‘the chance to see the people, places and creativity of your city onscreen.’

The exhibition allows you to explore the bodies of work at your own pace, using interactive touch screens, and features genres including spoken word, comedy and drama. As mac’s website states, the films being exhibited at Playback ‘span a range of art forms and topics – from krumping and parkour dance shorts, to an animated tale of teenage love that unearths our desire to be as cool as the zines we read.’

Birmingham’s prominence continues to grow around the many aspects of film, with the city seeing an influx of location shooting on its streets as well as increasing ties to organisations such as the British Film Institute and Marv Films. Added to this, the number of ways to access film in Birmingham has grown significantly within the past few years, with cinemas such as The Electric, The Mockingbird and Everyman supporting independent, current and cult productions through their programmes. Events such as the Flatpack Film Festival and the Birmingham Film Festival have become annual platforms for filmmakers, often bolstered by a rolling calendar of events to celebrate and support initiative new works, such as those programmed by Flatpack: Assemble.

Playback has the potential to fit nicely between these established city operators, by providing support to independent artists with the ‘festival feel’ offered by the variety and quantity of pieces exhibited. It could be that Playback’s ‘USP’ is that it allows a more open and customer driven experience as you are free to examine whatever you choose, whenever you choose.

As well as its exhibition at mac’s First Floor Gallery this January, Playback is being toured throughout England in ‘major galleries, libraries and multi-arts venues’ – culminating with the Playback Festival 2018, to be held at the Institute of Contemporary Arts from 21st to 25th March ‘18.

Additionally, there are multiple Playback events to be held at mac Birmingham throughout January – including animation, film making workshops, and a live spoken word event.

Playback – coming to mac’s First Floor Gallery 04-24.01.18

For more on Playback at mac, visit www.macbirmingham.co.uk/exhibition/playback

To view a list of all the Playback dates across the UK, visit www.ica.art/ica-off-site/touring-exhibitions/playback/about-playback-touring-exhibition-association-random-acts

For more from mac, including full event listings and online ticket sales, visit www.macbirmingham.co.uk