THE GALLERY: Mallory Knox @ Mama Roux’s 24.04.18

Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

 

 

 

Words by Yasmine Summan / Pics by Eleanor Sutcliffe

Mallory Knox have returned from their brief hiatus to shed any doubt or dismay, as they charge through the UK on their self-titled tour of 2018 – joined by JUDAS and Dead! Playing a series of more ‘intimate’ shows, the now four piece band are back on the road for six dates throughout April, ready to rock out until they tear the whole room apart from Brighton to Glasgow.

Tonight is Mama Roux’s turn, as Birmingham hosts the penultimate gig before Mallory Knox close out their tour at the Bodega in Nottingham. JUDAS are first to kick in, and whilst I enjoy their typical indie rock style of stripped down, guitar riffs, and continuous drum set loops – that shifts attention onto the ‘tom toms’, bringing an elevated, pop element to their music – the harmonies are scathed by off-pitch, out of tune rhythms and a lackluster vocal range from lead singer, John Clancy.

JUDAS – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor SutcliffeThe man clearly appears to be trying his hardest, but rather than having his vocals crisply cut through thin air they crunch into the microphone and even become inaudible at times. Although JUDAS maintain a vivacious stage energy throughout their set and gain quite humbling crowd engagement, albeit with sadly off par vocal ranges that somewhat scorn their talents and on occasion left me to painfully cringe.

Bursting through the doors of the mainstream industry to alight the new age of rock and roll, Dead! dominate as the main support act – immediately blowing the roof clean off the Mama Roux’s. Bordering between alternative/punk rock, Dead! omit the typical nonchalant, wild and chaotic personality of 70’s rock in their performance. Whilst screeching guitar riffs burn through every strum of the finger, heavy kick drums create a low thumping rhythm to head bang to – alongside Alex Mountford’s enthralling vocals that cling to every corner of the room.

Dead! – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor SutcliffeDead! strategically play slower verses that intensely build into high energy, fast tempo choruses, with mosh pits opening up left, right and center. Pandering to the crowd with fan favorite songs (as Sam Matlock shreds his guitar solo to ‘Enough, Enough, Enough’ whilst balancing on Louis Matlock’s drum kit, in true rock and roll style) I feel that their set list underwhelms their talents. Their performance tonight is perhaps mellowed out for Mallory Knox’s crowd, but songs like ‘Off White Paint’ and ‘Enemy’ hold an evident absence during the show.

But now it’s time for the headline act, playing one of their first live shows since the departure of vocalist Mike Chapman in February this year. And there’s no messing about from tonight’s crowd, with fans practically diving onto the stage as Mallory Knox kick in with their new single, ‘Black Holes’. Bassist and now vocalist, Sam Douglas, captivates the room as he rushes onto the stage, blaring his gnawing bass riffs with every burning strum. Moving as one body, the room responds and elevates into chaos, as everyone jumps around and seemingly quite literally loses their minds.

Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

Bouncing around the room, Mallory Knox perpetuate boundless stage energy, with guitarist, Joe Savins, leaning into the crowd to sing along with fans. Radiating a humble nature, Douglas and the rest of the band thank everyone for coming out – with the now front man even delving into his personal life, to openly admit he is struggling but the fans are helping him through.

As off the wall moments of insanity among the audience sway through the show, including lots of crowd surfing and mosh pits, the momentum of the set moves like a rollercoaster. And whilst their track list tonight also features fan favorites, including some of their best hits such as ‘Beggars’ and ‘Better Off Without You’, upon reaching the forth song the show mellows out almost too drastically.

The pace set by their lively start takes a seriously low drop as Mallory Knox reach the middle of the set, picking up with a few newer tracks towards the end. But the ball begins to properly (rock and) roll again when they brake through with ‘Wake Up’, sending the Mama Roux’s back into uproar once more.Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe Since the departure of Chapman, Mallory Knox appear to be shedding their 2013 alternative rock cage – one that has arguably overshadowed their sound for years – and are advancing into heavier rock, incorporating lower riffs and fast tempo beats. It does feel that Mallory Knox’s newer singles, ‘Livewire’ and ‘Black Holes’, gain popularity from the audience as they drive the band’s creative direction into new horizons, possibly paving an exciting future for the band’s sound.

It’s clearly been a tough time for Mallory Knox since the recent departure of their long-time vocalist, Mike Chapman. And whilst they power through their performance tonight, I’d argue that the band are still not fully rehearsed or together since this event. Moments of vulnerability, unknowingness, and confusion peak through their performance – as microphone stands fall over mid-song, off-time rhythms weave through their guitars, and Douglas’ voice strains itself to reach the capabilities that Chapman could.

Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor SutcliffeI respectably applaud Mallory Knox for continuing with this tour despite all odds, and there are clear moments were their talents shine through. But perhaps a more sensible response would have been to postpone the tour until the band were fully ready to perform without Chapman. In fact, their unsparing mistakes tonight only emphasise the absence of Chapman, leading some including myself to think ‘would this happen if Mikey were here?’

Reflecting on tonight’s show, Mallory Knox are clearly trying as best as they can to make ends meet; plunging into a year-long hiatus would realistically have only tarnished their popularity and most likely upset fans, so the band have pushed through despite their recent loss – one that has clearly impacted their live performances.

And whilst they may still be finding their footing as a four piece, shreds of their former glory did flutter through their set, especially with Douglas’ heightened confidence when performing new tracks. I feel that with time this band will be back on their feet again.

 

 

 

Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

For more on Mallory Knox, visit www.malloryknox.com

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Dead! – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

Dead! – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe Dead! – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe Dead! – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

For more Dead!, visit www.theinternetisdead.co.uk

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JUDAS – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

JUDAS – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe JUDAS – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe JUDAS – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

For more on JUDAS, visit www.wearejudas.com

For more from Kilimanjaro Live, including further event listings and online ticket sales, visit www.kilimanjarolive.co.uk

For more on Mama Roux’s, including venue details and further event listings, visit www.facebook.com/mamarouxs

BPREVIEW: Mallory Knox @ Mama Roux’s 24.04.18

BPREVIEW: Mallory Knox @ Mama Roux’s 24.04.18

Words by Eleanor Sutcliffe

Mallory Knox will be performing an intimate show in Mama Roux’s on Tuesday 24th April as part of their spring UK tour, with support from Dead! and JUDAS.

Doors open at Mama Roux’s from 7:30pm, with tickets priced from £20 (plus booking fee) – as presented by Kilimanjaro Live. For online ticket sales click here. To visit the gig’s Facebook Event page, click here.

Following main stage performances at the Reading and Leeds Festivals, and the independent release of their latest track ‘Black Holes’, Mallory Knox are proving themselves a force to be reckoned with.

BPREVIEW: Mallory Knox @ Mama Roux’s 24.04.18Building up their fan base since the release of their debut UK album, Signals, back in 2013, the band have slowly but surely climbed their way to the top of the UK alternative rock scene. Just under a year later and the release of their sophomore album, Asymmetry, landed them at No16 in the UK Album Charts and secured them a host of performances with bands such as Pierce the Veil and Sleeping with Sirens – as well as an independent UK tour that saw them sell out London’s Electric Ballroom two nights in a row.

This continued to peak when Mallory Knox were announced for both the Slam Dunk Festival and the iconic Vans Warped Tour –with the band’s last studio album, Wired, released in March 2017 and reaching both No1 on the UK Rock & Metal Album Charts and No18 on the UK Album Charts.

Committed to carving out their own niche in the UK music scene, Mallory Knox have spent years developing their sound – just listen to the differences between tracks such as ‘Oceans’ and ‘Sugar’ if you don’t believe me. And boy, has it paid off. Their commitment to experimentation without straying too far from the path has resulted in the band becoming a favourite with rock and metal fans across the UK.

Although this time, it could be slightly different. The seemingly sudden departure of Mikey Chapman has lost Mallory Knox their unique vocals. Although from what we’ve heard of ‘Black Holes’, Mallory Knox’s co-vocalist and bass player Sam Douglas seems more than ready to take the reins.

Playing it safe with a string of intimate shows across the UK this spring, coming to Mama Roux’s in Birmingham on Tuesday 24th April, it’s just exciting to see what Mallory Knox have in store for us next.

‘Black Holes’ – Mallory Knox 

On Tuesday 24th April, Mallory Knox play at Mama Roux’s with support from Dead! and JUDAS – as presented by Kilimanjaro Live. For online ticket sales click here. To visit the gig’s Facebook Event page, click here.

For more on Mallory Knox, visit www.malloryknox.com

For more Dead!, visit www.theinternetisdead.co.uk

For more on JUDAS, visit www.wearejudas.com

For more from Kilimanjaro Live, including further event listings and online ticket sales, visit www.kilimanjarolive.co.uk

For more on Mama Roux’s, including venue details and further event listings, visit www.facebook.com/mamarouxs

BREVIEW: Paloma Faith @ Genting Arena 21.03.18

Paloma Faith @ Genting Arena 21.03.18 / Eleanor Sutcliffe

Words & pics by Eleanor Sutcliffe

I never thought I’d witness a Genting Arena steward dance. Yet here I was, an hour into Paloma Faith’s show, watching a red-haired stewardess shimmy down the central aisle to the bemusement of the surrounding crowd.

Call it cliché, but it was unavoidable – the atmosphere of the evening was intoxicating, and it was all down to Paloma Faith’s incredible performance.

As the lights went down and the stage glowed an ominous red, Faith appeared and strode down the opposite staircase to where the four other photographers and I had been placed.Paloma Faith @ Genting Arena 21.03.18 / Eleanor Sutcliffe Cue an awkward minute or so of camera clutching as we waited for Faith to safely descend in a pair of mammoth white heels, microphone in hand, as she sang the title track from her latest album The Architect. The stage resembled something out of a post-apocalyptic Sci Fi film, with holographic geometric platforms housing her band whom she referred to as “the dream team”.

Paloma Faith @ Genting Arena 21.03.18 / Eleanor SutcliffeOne thing I was taken aback by was just how fond I grew of Paloma Faith as the performance went on. Between songs, she touched on numerous subjects such as childbirth, self-love, politics and war, with the charm and finesse only the Hackney-born singer could possess. Not pedantic or patronising (as some artists can be on these subjects) but delivered heartfelt and in all honesty, even hilarious at times.

Faith is not one to skirt around details either, as she recounted her hopes for a relaxed home birth before “it all went to shit, and I became a well of pus – Beyoncé didn’t have that, surely”.Paloma Faith @ Genting Arena 21.03.18 / Eleanor Sutcliffe These witty anecdotes grounded the evening’s performance, leaving the audience cheering for more.

And what a performance it was. Faith’s set list contained a whole host of tracks, both old and new. Songs such as ‘Crybaby’ and ‘My Body’ proved to be hits with the crowd, who were beginning to rise from their seats and dance along. Watching two women leap up and run down the main aisle whilst being chased by security, during ‘Warrior’, was a true highlight to the evening, especially when Faith actively encouraged their behaviour.

Paloma Faith @ Genting Arena 21.03.18 / Eleanor SutcliffeHer slower songs proved to hit a poignant note with the crowd too. Faith’s duet of ‘I’ll Be Gentle’ with her guitarist, BB Bones, left my jaw slack in awe, as did her rendition of ‘Picking up the Pieces’.

Although Faith is working hard to craft herself a new niche in today’s music scene, she hasn’t strayed too far from her former work – a refreshing change from the numerous artists that attempt to reinvent themselves every few years.

But that’s the beauty of a Paloma Faith show, the dynamic is simply ever changing – from clambering onto a grand piano to mournfully sing ‘Just Be’, to knee sliding along the stage during Sigala’s hit single ‘Changing’, you never quite know what you’re going to get. Apart from a bloody good show; that’s a given.

For more on Paloma Faith, visit www.palomafaith.com

For more from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

For more form the Genting Arena, including full event listings and online ticket sales, visit www.gentingarena.co.uk

BPREVIEW: Paloma Faith @ Genting Arena 21.03.18

Paloma Faith @ Genting Arena 21.03.18

Words by Ed King

On Wednesday 21st March, Paloma Faith performs at the Genting Arena – with support from the Liverpool based jazz and soul artist, XamVolo.

Doors open at the Genting Arena from 5pm (Forum) and 6pm (Arena), with XamVolo performing at 7:30pm followed by Paloma Faith’s headline set at 8:30pm. Tickets are priced at £40.45 / £51.75 depending on your position within the arena, as presented by SJM Concerts/Gigs and Tours.

For direct show information, including full venue details and online ticket sales, click here.

Paloma Faith is out on tour with her fourth studio album, The Architect – coming to the Genting Arena to play one of her final England based shows, before heading out for two dates in Ireland and two dates in Australia. Paloma Faith has further UK dates planned for June, July and August, including the inevitable appearances across the festival season. For direct information on all the Paloma Faith shows announced for 2018, click here. 

The Architect was released in November 2017, entering the UK charts at No1. No small achievement. Mind you, Paloma Faith’s previous three albums all hit the double platinum markers in the UK albums charts. So no small achievement times three, times 600k, and counting. And to think Epic Records wanted to wait a while…

Championed by Radio 2, Paloma Faith was invited to headline one of a series of special concerts from the broadcaster as part of The Architect’s introduction in last year. And despite a somewhat overzealous smoke machine, the show introduced a breadth of new content to Faith’s already fervent fanbase.

Inspired by the call to arms of common concerns and compassion that Marvin Gaye presented with What’s Going On, Paloma Faith’s fourth album moved away from the tropes of relationships, heartbreak, love and loss – exploring a more socio-political landscape and the issues we all face within it.

The album’s opening track, ‘Evolution’, features a soliloquy from Samuel L Jackson about the dichotomy of masculinity, with writer and political/social activist Owen Jones offering a reminder of the basic human rights much of society had to fight for (and our responsibilities to honour those who fought for them) in ‘Politics of Hope’.

But love is always at the heart, and even if it embraces socio-political thoughts, ambitions and endeavour, The Architect is not an outright political record. It’s a human record.

Plus, a Paloma Faith show is just that, a show. And the arena tour that’s supporting her latest LP is set to be packed with all the soul and spectacle the world has come to expect from this unique artist and performer. 

‘Til I’m Done’ Paloma Faith (live session) 

Paloma Faith performs at the Genting Arena on Wednesday 21st March, with support from XamVolo – as presented by SJM Concerts/Gigs and Tours. For direct gig information, including venue details and online ticket sales, visit www.gentingarena.co.uk/whats-on/paloma-faith 

For more on Paloma Faith, visit www.palomafaith.com

For more on XamVolo, visit www.xamvolo.com 

For more from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

For more from the Genting Arena, including full event listings and online ticket sales, visit www.gentingarena.co.uk

THE GALLERY: Morrissey @ Genting Arena 27.02.18

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

 

 

 

Words & pics by Eleanor Sutcliffe

I never truly clicked with Morrissey’s music, I’ll admit – as a youngster, my dad was much fonder of playing me bands such as The Clash and The Jam as opposed to the man in question.

However, I can remember my best friend in sixth form playing me a handful of tracks from Viva Hate and they’ve been imprinted in the far corners of my brain ever since. So, when the opportunity arose to catch Morrissey at the Genting Arena, performing tracks from his latest album Low in High School, I knew I had go. Back to school it was. Plus, it’s not often you get to see musicians of this standing so up close.

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham ReviewAnd up close it was. Making my way through the sea of blue jeans and quiffed hair, I picked up my pass and waited to be escorted through to the photo pit. Swarms of fans, who all somehow looked identical, were buzzing into the arena. But not to catch a support act; a video was being played on stage showing highlights from Morrissey’s career.

I’ve taken lots of photos of artists over the years – from shows in tiny rundown venues, to sold out arena concerts with thousands of people. But standing at the front of Morrisey’s near Genting Arena crowd, I don’t think I’ve ever shot a show where an audience has been this absorbed and entranced by a performer.

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham ReviewSo, as the curtain drops and Morrissey glides on stage, I am expecting his near 15,000 strong fans to go hysterical. But instead, it’s a subdued sense of wonder that encompasses the room for the following hour or so. Yes, some scream and shout as he wanders over to them, clutching their hands while singing Elvis Presley’s ‘You’ll Be Gone’ – but the majority stand still and stare in blatant wonder. As someone who is used to crowd surfers and mosh pits, it’s a bit bloody odd. But it’s odd in the best way. Tonight is true appreciation.

Morrissey’s setlist reflects the man himself too – uncompromising; a complete mixed bag of covers, newer releases, and some of his earliest work. The show itself is as blatantly political, with a video screen at the back showing brutal animal cruelty during ‘The Bullfighter Dies’ which causes even the hardest of men in the room to wince.Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

A tribute to the likes of Geoff Bent, Roger Byrne and David Pegg is played during ‘Munich Air Disaster 1958’, while clips of police brutality are aired for ‘Who Will Protect Us from The Police?’ Each track is interspersed with a picture of Morrissey deep in thought, a cigarette poised between his fingers.

Yes, for me some parts of the evening drag slightly. Morrissey’s newest work doesn’t send the room into stupor quite like ‘I Started Something I Can’t Finish’, and there’s something slightly nauseating watching him sing ‘When You Open Your Legs’.

However, tonight’s show at the Genting Arena is, overall, a success. It’s annoyingly impressive. Morrissey makes the stage his own in a way that few ex-front man ever can, with a five figure crowd united in ardent appreciation. And whomever your musical idols may be, from whatever era, that’s something not many will ever achieve.

 

 

 

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

For more on Morrissey, visit www.morrisseyofficial.com

For more from the Genting Arena, including full event listings and online ticket sales, visit www.gentingarena.co.uk