Pop punk Archives -

March 31, 2018

THE GALLERY: Fall Out Boy @ Arena Birmingham 27.03.18

I’ve always wanted to see Fall Out Boy. Ever since I smuggled my brother’s album collection from his room and listened to them on my paint splattered stereo, I’d been determined to catch the band live and in action.

Due to Arena Birmingham’s new security procedures, getting into the venue took longer than usual. So, I unfortunately missed the first support slot – MAX. However, I arrived in time to catch Against the Current – and what a set it was.

Bursting on stage to their single ‘Wasteland’, singer Chrissy Constanza weaved her way across the platform belting out track after track of pure, unaltered pop rock. Songs from their debut album In Our Bones, such as ‘Blood Like Gasoline’, went down a storm with the Arena crowd, as did their closing track ‘Gravity’. Hopefully, it won’t be long before Against the Current head out on their own UK headline tour – they’ll have gained enough fans from this run with Fall Out Boy to do so, that’s for certain.

Fall Out Boy are no strangers to theatrics and this show was no exception to that rule. As the house lights went down, and the stage lit up with a video of crashing waves and a timer, the room erupted into a cacophony of participation as fans counted down with the clock. Opening with their track ‘Phoenix’, I was expecting drama – however, as countless pyro flares went off (and I felt my skin burn from the heat) I realised I may have underestimated just how much effort the band would have put into production.

You name it, they had it. Pyrotechnics, smoke grenades, strobes, even two levitating stages by the sound desks clad in LED screens – if you haven’t heard of Fall Out Boy before, I urge you to see them play not just for the music, but for the experience. It’s rare these days for a band to put together such a strenuous, precise set, and to pull it off with seemingly effortless ease that I cannot even begin to comprehend how.

Bounding up and down the central walkway, singer Patrick Stump and bass guitarist Pete Wentz seemed to possess endless energy throughout the set – sprinting up and down continuously, only stopping to haul themselves onto the two levitating stages at the end. For all of those who had queued to hug the barriers down at the front, this must have been incredibly frustrating – however for the fans cooped up in the balconies, it was a real treat. If you can’t get to Fall Out Boy, rest assured they’ll bring their show to you.

Still riding high on their own phoenix from the flames, and a cemented return to form with MANIA – their third album since the ‘decompression’ – their set list was as varied as ever too. Newer material such as ‘Young and a Menace’, played by Stump on a grand piano, nestled in next to fan favourites such as ‘Dance Dance’ across a 23-song set that was sure to please everyone in the Arena crowd.

There was even an array of challenging and (no doubt intentionally) incendiary video screen clips – from babies swearing during ‘I Don’t Care’ to footage of Princess Diana’s life and untimely death during ‘Champion’. You could almost feel the Daily Mail journalists sharpen their Parker pens at the latter.

But as for the four lads from Illinois, on stage and at the centre of it all, Fall Out Boy pulled together a set that was both provocative and thoroughly enjoyable. And for me, bucket list – tick.

Fall Out Boy @ Arena Birmingham 27.03.18 / Eleanor Sutcliffe

For more on Fall Out Boy, visit www.falloutboy.com

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Against the Current – supporting Fall Out Boy @ Arena Birmingham 27.03.18 / Eleanor Sutcliffe

For more on Against the Current, visit www.atcofficial.com

For more from SJM Concerts/Gigs and Tours, including further event listings and online ticket sales, visit www.gigsandtours.com

For more on Arena Birmingham, including venue details and further event listings, visit www.arenabham.co.uk

March 26, 2018

BPREVIEW: Fall Out Boy @ Arena Birmingham 27.03.18

Words by Ed King

On Tuesday 27^th March, Fall Out Boy perform at Arena Birmingham, with support from MAX and Against the Current.

Doors open to Arena Birmingham at 6pm, with Max on stage at 6pm and Against the Current at 7:45pm. Fall Out Boy will be performing from 9pm, with the show scheduled to finish by 10:30pm.

Tickets are priced at £32.50 / £42.50 depending on positioning within the arena, plus booking and fulfillment fees – as presented by SJM Concerts/Gigs and Tours.

For direct gig information, including venue details and online ticket sales, click here.

Fall Out Boy are back on the road with their MAN I A Tour, kicking off a series of 11 European dates at Arena Birmingham. After finishing their UK dates at London’s O2 Arena on 31^st March, with stops in Cardiff (28^th Mar) and Manchester (29^th Mar) in between, Fall Out Boy will go on to play a series of gigs in France, Holland, Germany, Belgium, China, Singapore and Japan, before returning to the US for a series of dates on home soil.

Fall Out Boy will be back in Blighty for two gigs the Reading and Leeds Festivals this summer, should you miss the European leg of their world wide tour and not be able to afford an Uber to Asia or North America. Mind you, knowing Festival Republic the hole in your pocket might end up just as uncomfortable. For full details of all Fall Out Boy shows, click here.

Stalwarts of the new wave pop/punk scene, Fall Out Boy smashed a small hole into the scene with their 2003 album, Take This to Your Grave. Signed by the then relatively small Fueled by Ramen (and subsequently swallowed up by the then relatively monolithic Island Records) Fall Out Boy put some strong feet forward with their twelve track debut. And whilst it may not have been an immediate commercial success, Take This to Your Grave would cement itself into the mindset of the burgeoning pop/punk culture – receiving plaudits and high chart placements in the mainstream media listicles that would try and surmise the genre many years later. But love it, loathe it, own it, or lost it, fifteen years since its release Take This to Your Grave is widely respected as a defining moment in the pop/punk scene.

Fall Out Boy would go on to release a further three albums, before juggling band members, negative press attention, blotter acid, and the ill fated 2008 release of Folie à Deux would push them into a break up. Or hiatus. Or decompression. But whatever the word, the bursting bubble kept Fall Out Boy collectively off a stage and out of a studio for the next few years – finally stepping back into the limelight with their fifth studio album, Save Rock and Roll, in 2012.

Described by Rolling Stone magazine as a ‘rather stunning renaissance’, Fall Out Boy managed to pull themselves back from the cultural abyss with Save Rock and Roll – paving the way for a renewed touring schedule and their second ‘comeback’ album, American Beauty/American Psycho, released on 16^th January 2015.

Nearly three years to the day later, and Fall Out Boy released MAN I A – the band’s seventh studio album, with a extensive worldwide tour to promote it kicking off in September 2017. Hitting the No1 spots in both the US and Japan, reflecting two of Fall Out Boy’s strongest fan bases, MAN I A would also reach top ten chart positions in Australia, New Zealand, Canada, Germany, Finland and the UK – with the album’s latest (and somewhat cathartic) single, ‘Wilson (Expensive Mistakes)’, released in January 2018.

Fall Out Boy start the UK leg of their MAN I A Tour at Arena Birmingham on Tuesday 27^th March, with support from Max and Against the Current.

‘Wilson (Expensive Mistakes)’ – Fall Out Boy

Fall Out Boy perform at Arena Birmingham on Tuesday 27^th March, with support from Max and Against the Current – as presented by SJM Concerts/Gigs and Tours. For direct gig information, including venue details and online ticket sales, visit www.arenabham.co.uk/whats-on/fall-out-boy

For more on Fall Out Boy, visit www.falloutboy.com

For more on Max, visit www.maxhellskitchen.com

For more on Against the Current, visit www.atcofficial.com

For more from SJM Concerts/Gigs and Tours, including further event listings and online ticket sales, visit www.gigsandtours.com

For more on Arena Birmingham, including venue details and further event listings, visit www.arenabham.co.uk

March 9, 2018March 9, 2018

BPREVIEW: All Time Low @ Genting Arena 15.03.18

Words by Eleanor Sutcliffe

All Time Low will be performing at the Genting Arena on the 15^th March – opening the show by performing their sophomore album, So Wrong, It’s Right, in full. Support will be coming from Southampton based Creeper.

Doors open at the Genting Arena from 5pm (Forum Live) and 6pm (Arena Bowl), with All Time Low scheduled to perform from 8pm onwards. Tickets are currently on sale from £37.63 plus booking fees – as presented by SJM Concerts/Gigs and Tours. For direct gig information, including full showtimes, venue details, and online ticket sales, click here.

This will be the first UK tour for the Baltimore band since they released their latest album, Last Young Renegade, which scooped the Rock Sound Award for Album of the Year in 2017. A far cry from the more summer-y beats of So Wrong, It’s Right – their most recent LP explores a darker side to All Time Low’s style, winning over their fans with tracks such as ‘Dirty Laundry’.

It’s clear All Time Low have come a long way since releasing their debut studio album, The Party Scene, back in 2005. Their steady climb to pop-punk stardom has included performances at festivals such as Warped Tour, Reading and Leeds, plus more albums than you can shake a muddy greenfield stick at.

But the band’s last album did mark a significant shift as All Time Low left their long time label, Hopeless Records, to release Last Young Renegade through the Atlantic subsidiary, Fueled by Ramen. Their latest tour announcement hasn’t been without its obstacles either – with the withdrawal of Pierce The Veil as a co-headliner following allegations of sexual misconduct against the band’s drummer, Mike Fuentes, the status of the UK leg seemed in doubt.

But All Time Low soon rectified the situation by announcing that, as opposed to bringing in another headliner at such short notice, they would instead fill the time by performing their 2007 album So Wrong, It’s Right in full – alongside recruiting the support of ‘horror punk’ four piece, Creeper, on their UK dates.

And with popular tracks such as ‘Dear Maria, Count Me In’ and ‘Remembering Sunday’ hailing from the album in question, fans are in for a nostalgic treat at the Genting Arena and across the UK.

‘Dirty Laundry’ – All Time Low

For more on All Time Low, visit www.alltimelow.com

For more on Creeper, visit www.creepercult.com

For more from SJM Concerts/Gig and Tours, including further event listings and online ticket sales, visit www.gigsandtours.com

For more from the Genting Arena, including venue details and further event listings, visit www.gentingarena.co.uk

January 31, 2018

THE GALLERY: The Bottom Line @ The Asylum (2) 24.01.18

Words by Ashleigh Goodwin / Pics by Eleanor Sutcliffe

The only time I’ve been to The Asylum is on a Saturday night, at around one in the morning, blindly making my way around the downstairs room and the smoking area.

A Wednesday night is quite a different experience. As I make my way upstairs to The Asylum 2 it feels like a completely different place – merch tables are lined up in the corridor and people stand chatting by the bar or sitting on the seats around the side, while a dedicated group stand in front of the stage solidly for the entire evening.

Cited as one of British rock’s best new bands by Rocksound, Birmingham boys Beaumont open the evening. They play tracks from their debut Nothing EP such as ‘Cheap Side’ and ‘E-Street’, which they dedicate to William Shakespeare who penned the silent character and inspiration behind their name. They also perform newer songs ‘Hurler’ and ‘Art School’ – a song they introduce with the line, “this one is about burning down a school”.

Spencer Edmonds’ emotive lyricism, combined with guitars and drumming that match it beat for beat, makes for a crowd-pleasing set. Beaumont’s performance is interesting to watch, as you are able to hear a range of influences in each song, sometimes giving off a Mallory Knox and Young Guns vibe and at other times reminiscent of Lower than Atlantis (which makes sense as their new EP was produced by Lower than Atlantis producer John Mitchell). They leave the audience by thanking them for paying attention, before launching into their last song of the night ‘Boys and Girls’ – a mix of heavy guitars and an insanely catchy chorus that gets the audience head banging.

Better Days take to the stage next, and even before vocalist Graeme Costello finishes the sentence “we’re from Newcastle” the crowd is cheering and jumping at his command. Better Days are a real highlight of the evening. Costello has distinct vocals that work well with the atypical pop-punk sound of the quintet and that translate perfectly into a live setting. The band build a solid connection with the crowd, asking them to “show us your dance moves” before playing ‘Without You’ from their Spilt EP.

Unsurprisingly, when the opening notes to ‘This House’ sound through the venue, people are already singing the opening lines. It sounds a bit like Neck Deep, but revised through Better Days’ effortless, unique execution and approach to song construction that draws influences from pop-punk with an emo undertone. The set is cut short, but nevertheless ends on a high, due to the charismatic camaraderie Better Days have managed to create.

Alternative rockers, Lacey, provide the night’s main support, immediately launching into ‘Change the Story’ from their 2015 album Under the Brightest Lights. The crowd is radiating excitement and it’s easy to see why; the way the vocals mix together and are supported by strong hooks make for a catchy catalogue of songs with an anthemic quality.

Again, their relationship with the audience makes them enjoyable to watch – it’s been a while since I’ve been to show with such a high level of audience interaction and I’d forgotten how much richer it can make the experience. As Lacey explain something to the effect of “we’re running on 75% capacity, but are 100% awesome, 82% drunk and will reach full capacity by the end” and that guitarist Josh will pick up the bar tab, the atmosphere is only progressively positive from there.

So, when vocalist Graz asks who is excited for The Bottom Line the cheering increases tenfold. Another highlight begins when they say, “this next song is a cover and we liked it so much we put it on a CD for you”, referring to their 2016 release ‘Dammit’ – their take on the classic Blink 182 song, which is perfectly executed in a slowed down version of the original. Lacey play their newest release, ‘Answers’, which gets a positive reception, but nothing compared to the reaction of the crowd when they end on ‘Tonight’ which is still echoing through my head over a day later.

Upstairs at The Asylum gets progressively more hyped as The Bottom Line’s time draws near. When the lights go down and a red light creeps across the stage, the crowds’ cheering increases as the foursome enter from the back of the room with their guitars. Vocalist, Callum Amies, greets the room with a cool “Hello Birmingham” before continuing, “here’s the deal – I can’t sing and you can…I woke up this morning and couldn’t even speak.” Not that you can tell that his voice is suffering, as their performance is tight, with exact precision across the guitars, drums and vocals.

Before the vocals start, the crowd is jumping high at the first reverb of the guitar, and at the command of the band they split down the middle, creating gang-vocals – a trademark of many of their songs. Nearly each track is intertwined with audience participation, such as getting the crowd to crouch down on the floor during ‘Record Player’ – something of a popular trope in the alternative scene, but one that never gets old as you see members of the crowd laughing and clutching their friends for balance. The crowd is made to squeeze in tight as they sing the chorus, and as Amies balances preciously on the barriers hands shoot up to support him.

The penultimate song, ‘I Still Hate’, you boasts a ridiculously catchy chorus and signature pop-punk riffs that go down extremely well with the crowd. The Bottom Line end with ‘Teenage Dirtbag’ – it would almost be rude not to as they’d covered ‘Smash Mouth’ mid set – both tracks a nod to the influences that are prevalent throughout their music. You get the feeling The Bottom Line could be playing to a venue of a ten thousand or ten, and their performance wouldn’t falter; there would be the same level of interaction, energy and passion, as they utilise the space and crowd to such a great extent. I don’t remember the last time I’ve seen the phrase ‘in the palm of their hand’ in effect so intently. The audience is entranced.

It is enjoyable to witness the range of influences that each band draws from tonight, and this is reflected in the audience who are mostly clothed in band merchandise from Bowling for Soup to All Time Low. It reinforces the richness of the genre and sub-genres spanning from generalised alternative rock, to pop-punk to emo elements.

I can’t help but focus on crowds when going to events such as this and I feel it can say a lot about the bands on stage. Seeing The Asylum audience grouping together, dancing amongst their friends and throwing their hands in the air to every beat reinforces the importance of music to a predominantly younger audience. These are defining years in music, where knowledge and tastes are built by attending gigs. It is something special to witness.

The Bottom Line @ The Asylum (2) 24.01.18 / Eleanor Sutcliffe – Birmingham Review

For more on The Bottom Line, visit www.thebottomlineuk.com

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Lacey – supporting The Bottom Line @ The Asylum (2) 24.01.18 / Eleanor Sutcliffe – Birmingham Review

For more on Lacey, visit www.laceyofficialuk.com

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Better Days – supporting The Bottom Line @ The Asylum (2) 24.01.18 / Eleanor Sutcliffe – Birmingham Review

For more on Better Days, visit www.soundcloud.com/betterdaysband

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Beaumont – supporting The Bottom Line @ The Asylum (2) 24.01.18 / Eleanor Sutcliffe – Birmingham Review

For more on Beaumont, visit www.facebook.com/beaumontband

For more from The Asylum, including full event listings and online ticket sales, visit www.theasylumvenue.co.uk

For more on Surprise You’re Dead! Music, visit www.surpriseyouredeadmusic.co.uk

January 23, 2018

BPREVIEW: The Bottom Line @ The Asylum (2) 24.01.18

Words by Ashleigh Goodwin

The Bottom Line perform at The Asylum 2 on Wednesday 24^th January, coming straight from their supporting slot on Waterparks’ sold out tour.

Promoted by Surprise You’re Dead! Music, doors to The Asylum 2 open at 6pm with the gig accessible to ages 14+. Standard tickets start from £10 on The Asylum website, and £11 (adv) on SeeTickets – for direct gig info and links to online ticket sales, click here.

Established in 2011, The Bottom Line have made waves across the scene since releasing their debut album Role Models? in the same year – from supporting pop-punk powerhouses Bowling for Soup and Simple Plan, to an eventful 2017 that saw the band play over 60 shows on a tour spanning the USA, Canada and Europe.

2018 sees the London based four-piece embarking on their biggest UK headline tour to date, coming to The Asylum in Birmingham at the midway point of six dates from Glasgow to London. Also this year, The Bottom Line are co-headlining the Saturday of Pop Punk Pile Up 2018 – sharing the top bill status with bands such as Room 94 and The King Blues over the course of the April weekender.

The Bottom Line’s aim ‘to make jumpy music and remind people that not everything sucks’ is reflected in their array of singles including ‘Cancel Christmas’ and ‘Insecure’, as well as their I Still Hate You EP, released in January 2018. Also worth checking out is the band’s Covered in Punk! album that includes covers of Wheatus, Weezer, Andrew W.K and Taylor Swift (accompanied by a hilarious parody on their Youtube channel) – available to download for free, along with their complete discography, on The Bottom Line’s Bandcamp page.

Known for their energetic live performances, interaction with fans and their self-proclaimed statement to ‘keep pop punk fun’, The Bottom Line have carved their place in the modern day pop-punk scene, with a nostalgic old school sound and vibe and songs that wouldn’t seem out of place alongside an early 2000’s pop-punk playlist – their video for ‘Record Player’ baring similarity to (or possibly paying homage) Sum 41’s ‘In Too Deep’ video.

Accompanying The Bottom Line on their UK tour are Newcastle based pop-punk four-piece Better Days, who take components of early 2000’s pop punk and intertwine them with newer takes and an emo undertone; Graeme Costello’s unique vocals overlap the band’s engrossing hooks and emotive lyrics.

Better Days have had an insanely packed past couple of years since forming – from releasing their debut single ‘This House’ in their conception year, to playing alongside bands such as Seaway, WSTR and Less Than Jake, as well as appearing at Slam Dunk festival, all since 2015.

Also on The Asylum bill are the Nottingham based alternative rock band Lacey, whose back-catalogue is compiled of catchy songs with sing-along choruses, incorporating elements of rock, pop-rock and post-emo. Lacey released their debut album, Under the Brightest Lights, back in 2015 – demonstrating their capabilities as a polished, compelling four-piece on the British rock scene.

With Lacey‘s follow up 5 track I Don’t Owe the World a Thing EP released in February 2016 – alongside their latest single, ‘Answers’, released in May 2017 – it wouldn’t be a bad idea to catch any of these bands in the smaller venues whilst you still can.

‘I Still Hate You’ – The Bottom Line

For more on The Bottom Line, visit www.thebottomlineuk.com

For more on Better Days, visit www.soundcloud.com/betterdaysband

For more on Lacey, visit www.laceyofficialuk.com

For more from The Asylum, including full event listings and online ticket sales, visit www.theasylumvenue.co.uk

For more on Surprise You’re Dead! Music, visit www.surpriseyouredeadmusic.co.uk