BREVIEW: Paul Weller @ Genting Arena 24.08.18

Paul Weller @ Genting Arena 24.08.18 / Eleanor Sutcliffe

 

 

 

Words & pics by Eleanor Sutcliffe

You can spot Paul Weller fans from a mile off. Clad in Fred Perry polo shirts and jeans, and finished off with a Harrington jacket, the Genting Arena is teeming with them. It looks like everyone has stepped out of the 80s, back when The Jam were at the height of their career.

Since Weller first emerged as The Modfather back in the day, he has released a total of 26 albums with three different ensembles. His 14th as a solo artist, True Meanings, is scheduled for release on 14th September.Paul Weller @ Genting Arena 24.08.18 / Eleanor Sutcliffe As a musician who has been performing since before I was born, I decided to bring along the biggest Paul Weller expert I know – my dad, who has been listening to Weller since he was 15 and is brutally honest after a pint or two.

As a rescheduled show, having postponed the original March gig due to severe weather conditions – namely ‘the beast from the east’ –  the Genting Arena isn’t as busy as I had anticipated; many fans have not been able to make it to the new date, and the new seating arrangements which have been put in place have got some that could angry and frustrated. We slowly weave our way through disgruntled men and women before settling in by the sound desk for the evening.Paul Weller @ Genting Arena 24.08.18 / Eleanor Sutcliffe

Paul Weller’s stage is surprisingly bare. Having shot my fair share of shows in the Genting Arena, I have become accustomed to bizarre stage set ups, with CO2 cannons, pyro, and just about every visual prop you can think of. He’s forgone all this for two simple black and white film screens each side of the stage to broadcast his performance. A brave move for someone in this day and age, however somehow it works. Weller’s audience aren’t here for the theatrics – they’ve been lifelong fans, many of them listening to his material since they were in their teens.

Paul Weller @ Genting Arena 24.08.18 / Eleanor SutcliffeKicking off his set with ‘White Sky’ from his 12th album Saturns Pattern, we’re treated to a 29 song setlist which spans the entire of Weller’s career. While his newer material such as ‘Woo Sé Mama’ certainly gets people swaying, it’s not surprising that it’s material from his days in The Jam and The Style Council which garners the best reaction tonight; after people head for the bar during ‘Long Time’, they’re soon racing back in to dance along to ‘Man in a Corner Shop’.

Paul Weller @ Genting Arena 24.08.18 / Eleanor SutcliffeIt must be hard playing to a crowd who only seem to want to hear the classics, as many leave the arena to grab refreshments during Weller’s more recent songs. As an artist who has expressed numerous times his desire to move away from his Modfather days, I can only imagine his frustration at playing new material to a room who seem more interested in the contents of a ‘greatest hits’ compilation from The Jam. Every time a tech appears on stage clutching a telecaster guitar, the crowd begin to whoop excitedly, knowing they’re about to hear yet another 80’s throwback.Paul Weller @ Genting Arena 24.08.18 / Eleanor Sutcliffe

Despite this, Weller is in good spirits and glides effortlessly between instruments, dabbing with a grand piano during tracks like ‘You Do Something to Me’. His performance is top notch, which is impressive considering the different genres we are treated to throughout the night. From the Britpop style of ‘That’s Entertainment’ to the folk ballad ‘Wild Wood’, Weller and his backing band flit seamlessly between styles with ease.

He’s also the only artist I have ever witnessed to do not one, but two encores, although this confuses the crowd somewhat and results in a third of them leaving before he performs ‘Town Called Malice’. To my amusement, a gentleman in front of us begins to clap his crutches excitedly over his head while screaming along to the chorus. It’s a sight to behold.

Taking a bow along with his band to rapturous applause from the room, I’m excited to see what style we’ll be treated to when True Meanings is released in September. And whilst the album’s early releases and cited collaborations point towards his more folk focused songwriting, the beauty with Paul Weller’s music is that it truly could be anything.

For more on Paul Weller, visit www.paulweller.com

For more on Stone Foundation, visit www.stonefoundation.co.uk

For more on the Genting Arena, including venue details and further event listings, visit www.gentingarena.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

BPREVIEW: Paul Weller @ Genting Arena 24.08.18

BPREVIEW: Paul Weller @ Genting Arena 24.08.18

Words by Eleanor Sutcliffe

After rescheduling his Birmingham show in March due to heavy snow, Paul Weller will be performing at Genting Arena on the Friday 24th August – with support from Stone Foundation.

Doors open at the Genting Arena from 7:30pm, with all original tickets remaining valid for the rescheduled date. Further tickets are also available, priced from £48.61 + fulfillment fees. For direct gig information, including venue details and online ticket sales, click here.

Paul Weller has been back on the road as a precursor to his latest album, True Meanings, scheduled for release on September 14th 2018 through Parlophone Records. Weller has released a somewhat staggering 14 solo studio albums since 1992, underpinning a career that has seen him release a total of 26 studio albums as the frontman of three prominent ensembles.

Rising to fame back in the 1970s with his first band, The Jam, it wasn’t too long before Weller broke into the UK Top 40  with their debut single, ‘In the City’, scrapping into the official album chart in May 1977. The Jam’s follow up and more politically charged ‘Eton Rifles’ made it to No3 in November 1979, before Weller scooped up his first No1 with The Jam’s ‘Going Underground’ in March 1980.

But six studio albums and multiple hits later Weller decided he’d had enough and left The Jam, much to the surprise of fellow band members Rick Buckler, Bruce Foxton and Steve Brookes. And seemingly their fans, as The Jam’s 1982 farewell tour sold out shows across the UK including five consecutive dates at Wembley Arena while both their final single, ‘Beat Surrender’, and studio album, The Gift, reached No 1 on the official UK charts.

Determined to move on musically Weller was soon focused on another project, and so in 1982 The Style Council emerged. Teaming up with keyboard player Mick Talbot, drummer Steve White, and former Wham! backing singer Dee. C Lee, The Style Council explored different musical genres and styles including jazz, folk and R &B, and achieved modest success across Europe and America. Gaining his first ever No1 singles in America and Australia, with ‘You’re The Best Thing’ and ‘Shout To The Top’, Weller reportedly felt free from The Jam-shaped box which he had been confined to earlier on in his career. However as the 1980s came to an end so did The Style Council, announcing their split in 1989 after Polydoor refused to release their deep house tinged fifth studio album, Modernism: A New Decade.

Whilst many musicians would then live out the rest of their careers regurgitating past hits with an unenthusiastic backing band, Weller was always known for going against the grain which was exactly what he did, as he paved the way for his solo career. After a slow start with his eponymous solo debut, Weller reinforced his place as one of Britain’s finest singer/songwriters with the release his Mercury prize nominated Wild Wood in 1993, followed by the widely revered Stanley Road in 1995.

Now with 13 solo studio albums tucked under his belt and another on the way, as well as numerous accolades including the 2006 BRIT Lifetime Achievement Award, it’s clear that The Modfather isn’t departing from the British music scene anytime soon.

True Meanings, with promotional material boasting a ‘grandiose-yet-delicate, lush orchestration’ with ‘Paul’s better-than-ever voice, singing some of his most nakedly honest words’, is scheduled for release on 14th September and features a variety of collaborations from artists including Lucy Rose, Rod Argent (The Zombies) and Noel Gallagher.

The lead single from True Meanings, ‘Aspects’, was released on 25th May to coincide with Paul Weller’s 60th Birthday, whilst the album’s latest teaser, ‘Movin’ On’, was released on 1st August.

‘Aspects’ – Paul Weller 

Paul Weller plays at the Genting Arena on Friday 24th August, with support from Stone Foundation – the gig has been rescheduled from 2nd March, with all original tickets still valid. For direct information, including venue details and links to online tickets, visit www.gentingarena.co.uk/whats-on/paul-weller

For more on Paul Weller, visit www.paulweller.com

For more on Stone Foundation, visit www.stonefoundation.co.uk

For more on the Genting Arena, including venue details and further event listings, visit www.gentingarena.co.uk

________

NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

BREVIEW: Paramore @ Genting Arena 14.01.17

Paramore @ Genting Arena 14.01.17 / Eleanor Sutcliffe – Birmingham Review

 

 

 

Pics by Eleanor Sutcliffe

Hot on the heels of their fifth studio album, After Laughter, Paramore play to a packed crowd at the Genting Arena, with only a handful of tickets left in the Gods of the 15,683 capacity venue. Not bad for a Sunday. Not bad for any day.

Paramore are back in Birmingham for one of only five dates on the UK leg of Tour Three, with support from Philadelphia’s mewithoutYou, before heading across the globe for gigs in Australia, New Zealand and South Asia.

And the line up looks strong, replete with Zac Farro (one of the original members who left the band in 2010) and three additional touring musicians making up the Tour Three ensemble. But an even more palpable strength tonight comes from the crowd.Paramore @ Genting Arena 14.01.17 / Eleanor Sutcliffe – Birmingham Review

Kicking off, quite literally (as Williams demonstrates her ability to boot you in the face, should she want too) with the first single from their last album – the poignantly penned ‘Hard Times’ – Paramore belt out a set of classic hits from their more rockier albums, alongside a smorgasbord of pop nuggets from After Laughter.

But even whilst delivering their earlier rock fuelled singles such as ‘Ignorance’ and ‘That’s What You Get’, there is a undeniably pop tinge to the Paramore on stage today, something a smattering of the near 16,000 strong crowd might have taken little getting used to.Paramore @ Genting Arena 14.01.17 / Eleanor Sutcliffe – Birmingham Review Although some things never change, and by the time one lucky audience member is brought on stage for ‘Misery Business’ the entire arena is joining in and singing along.

Paramore have both a loyal fan base and a chequered history, with the Hayley Williams fronted band changing its line up several times in recent years and steering through some publicly choppy waters. Williams is the one with the record deal, but the arguments over ownership and copyright have spilled off the stage and across the internet since Jeremy Davis first left the band in 2005.

Paramore @ Genting Arena 14.01.17 / Eleanor Sutcliffe – Birmingham ReviewThen there’s their move from rock, to pop rock, to pop, which seems to have been consolidated with Paramore’s latest LP. But the fevour of their fanbase has clearly mitigated any on stage issues or revolving door quabbles, as the energy that fills the Genting Arena tonight stands testament to the songwriting and success Paramore are responsible for.

Plus Hayley Williams is a ferocious front woman, exuding inexhaustible energy as she flits across the stage and talks, with some candour, to the Birmingham crowd. Not least about the “safe little place” she finds on stage.

And it can’t be easy to be in her shoes sometimes (especially whilst head high kicking themselves across a Sunday stage) but Paramore seem as confident as ever tonight – in both their new direction and in the army of fans that will seemingly follow them wherever they lead. Or to the Midlands, at least.

 

 

 

Paramore @ Genting Arena 14.01.17 / Eleanor Sutcliffe – Birmingham Review

Paramore @ Genting Arena 14.01.17 / Eleanor Sutcliffe – Birmingham Review

Paramore @ Genting Arena 14.01.17 / Eleanor Sutcliffe – Birmingham Review

Paramore @ Genting Arena 14.01.17 / Eleanor Sutcliffe – Birmingham Review

Paramore @ Genting Arena 14.01.17 / Eleanor Sutcliffe – Birmingham Review

Paramore @ Genting Arena 14.01.17 / Eleanor Sutcliffe – Birmingham Review Paramore @ Genting Arena 14.01.17 / Eleanor Sutcliffe – Birmingham Review

For more from Paramore, visit www.paramore.net 

For more from mewithoutYou, visit www.mewithoutyou.com 

For more on the Genting Arena, venue details and further event listings, visit www.gentingarena.co.uk

For more from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

BPREVIEW: Paramore @ Genting Arena 14.01.17

BPREVIEW: Paramore @ Genting Arena 14.01.17

Words by Ed King / Pic courtesy of SJM Concerts

On Sunday 14th January, Paramore come to the Genting Arena in Birmingham – performing one of only five dates on their UK tour, with support from Philadelphia’s mewithoutYou.

Doors for the Genting Arena open at 6pm, with mewithoutYou on stage at 7:30pm and Paramore kicking off their headline set at 8:45pm. Standard tickets are priced between £34.24 – £48.93 (inc fees) depending on positioning within the arena.

Amplify Hospitality tickets are also available for £135 (inc fees) which offer a variety of perks – including VIP check in, access to the private lounge, alongside complimentary drinks and dinner. As promoted by SJM Concerts, for full gig details on Paramore at the Genting Arena and links to all available tickets, click here.

*At the time of writing no more standing tickets were available. Extra arena tickets have been released by the promoters, but this gig is looking like a sell out so you might want to move a little quicker than usual.*

Paramore have been on the road with their new album, After Laughter, since summer last year – playing six UK and Ireland dates in 2017, including one night at the Royal Albert Hall (…just, imagine, that one). The Tennessee now trio then embarked on an extensive Tour Two of North America and Canada, from September to October, before confirming their Tour Three return to Europe with gigs in Spain, France and the UK from 7th to 20th Jan. To stay up to date with all Paramore tour details, direct from the band, click here.

Released in May 2017, via the Warner subsidiary – Fueled by Ramen, After Laughter is the fifth studio album from Paramore.  After Laughter also sees the return of Zac Farro, one of the band’s original members, who announced in Feb 2017 that he was back with Paramore to record and tour their new album.

Once again produced by Justin Meldal-Johnsen and Taylor York (who worked together on the band’s previous and eponymous album) After Laughter has received widespread acclaim from fans and the music press alike, with Rolling Stone surmising it as ‘a gorgeously produced, hook-studded record with cocked-eyebrow trepidation adding a jittery edge.’ Indeed, it is the bittersweet lyrics from Hayley Williams that seem to be gathering the most attention from After Laughter, with some uncomfortable scars seemingly part of the creative force behind the band’s latest LP. And after a quick Google search through some bizarrely bitter statements and retrospective foot stamping, you can understand why.

But for the fans it’s business as usual, with renewed fervor at Zac Farro’s return and a sell out show zeal supporting Paramore’s latest road trip. After Laughter’s lead single, ‘Hard Times’, reached No6 on the Billboard Hot Rock Charts across the pond and was officially certified ‘Silver’ by British Recorded Music Industry (that’s selling over 200k copies, to you and me).

Subsequent singles ‘Told You So’ and ‘Fake Happy’ both beat a Billboard Hot Rock Top 40, whilst the album itself climbed even higher – reaching No1 on the same US chart and No4 on the UK’s Official Album Chart.

So it seems you can’t keep a good thing down after all, no matter how publicly some corners of the world might try to – ‘and I bet everybody here is just as insincere’. Well, quite.

‘Fake Happy’ – Paramore 

Paramore come to the Genting Arena on Sunday 14th January, with support from MewithoutYou – as presented by SJM Concerts/Gigs and Tours. For direct event info and online ticket sales, click here. 

For more from Paramore, visit www.paramore.net 

For more from mewithoutYou, visit www.mewithoutyou.com 

For more on the Genting Arena, venue details and further event listings, visit www.gentingarena.co.uk

For more from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com