BREVIEW: Phil Wang @ The Glee Club 11.03.18

Phil Wang @ The Glee Club 11.03.18

Words by Helen Knott

Phil Wang emerges on stage at The Glee Club to the strains of ‘Kung Fu Fighting’, setting the scene for an evening where the influence of his East Asian heritage is never too far away.

During this 90 minute show, titled Kinabalu – named after the highest mountain in Malaysia, Phil Wang covers a multitude of topics, from Chinese New Year, to his aim to die a hero’s death, to his dislike of scary movies (which he dismisses as “a purely western privilege” as no one needs to watch scary movies in Syria). Wang‘s on-stage persona is of a 28-year-old man who is probably not quite as cool as he thinks he is. He may equate buying lube with being a true adult, but he’s buying it in Waitrose and he’s not happy about the high price.

The set is littered with brilliant gags (personal favourite: “You ever done a fart so bad you lose a bar on the Wi-Fi?”) but Wang is most compelling when he concentrates on serious issues. His heritage – he’s half Malaysian, half British – gives him a strong voice on subjects such as Brexit, colonialism, and racism. Wang may have lived in the UK for his entire adult life, but he maintains an outsider’s point of view: for example, he feels more comfortable being patriotic than his British-born friends because he knows what it’s like to live somewhere without the things we take for granted. In short, “You can drink your tap water!”

Wang’s section on Brexit may include some fairly straightforward quips (“I voted remain, as you can tell by my vocabulary”) but it comes through the filter of his childhood in Malaysia, which was part of the British Empire. He argues that globalisation, which brought his parents together and Wang to the UK, came about because of entities like the British Empire. Therefore, in his eyes it’s not a wholly negative period of history, for Malaysia at least. He suggests that the EU is “the first empire built by peace instead of war”, and he’s disappointed that the British public rejected it. It’s interesting stuff, and a take on Brexit (a subject that no comedian seems to be able to avoid at the moment) that is genuinely fresh on the stand up circuit.

Despite the show’s focus on Phil Wang as an entity – his family, his career, his relationships – you get surprisingly little sense of Wang the man. He still has his guard up, often referring to himself in the third person and continually punning on his own surname for a cheap laugh. The only part of the show where it feels like you see the authentic Phil Wang is when, after a section about his girlfriend, he admits that they split up a month ago but he hasn’t bothered to change his material. It’s a fleeting feeling however, as the newly-single Wang quickly turns it into a hammy call-out for groupies.

As a show, Kinabalu is a little too long and doesn’t have much of an overarching thrust – it really just peters out at the end. But when you have jokes as good as Phil Wang, it doesn’t matter too much. Although on his next tour I’m hoping for maybe fewer lube stories and more insightful political analysis.

For more on Phil Wang, visit www.philwang.co.uk

For more from The Glee Club venues, including further event listings and online ticket sales, visit www.glee.co.uk

BPREVIEW: Phil Wang @ Glee Club 11.03.18

Phil Wang @ Glee Club 11.03.18

Words by Helen Knott

Comedian Phil Wang brings his fourth stand-up show, Kinabalu, to Birmingham’s Glee Club on Sunday 11th March.

Doors open at the Glee Club from 7pm to 7:30pm, with the show scheduled to start at 8pm. Minimum age of entry is 14, with tickets are priced at £12 plus booking fee. For direct show information, including venue details and online ticket sales, click here.

At the time of writing, Phil Wang is in the midst of an unlikely controversy. Apparently, in a yet-to-be-aired edition of the BBC’s TV favourite Room 101, Wang nominates Hollywood heartthrob Tom Hiddleston to be sent to the infamous room – the place of pet hates. A pretty solid choice you might think, but Hiddleston’s fans (the ‘Hiddlestoners’) are not amused. Wang is getting some serious stick on Twitter.

I’m sure that he doesn’t mind too much. Wang’s comedy often crosses the boundary into things it’s probably not okay to say out loud. He’s not one to beat around the bush on sensitive issues like race or sex or colonialism. Wang’s upbringing – he lived in Malaysia until he his mid-teens before moving to the UK – means that he gets away with a lot of it; he’s allowed to say that the British Empire isn’t all bad, because he has experienced life living in an arm of the British Empire firsthand.

It also means that Wang has ready-made ‘otherness’, something that many other comedians work to manufacture. His name is a perfect distillation of this: he’s half British, half Malaysian, and consequently feels like he doesn’t completely fit in anywhere. This is reflected in his material, and means that Wang can tell us plenty of insightful things about British attitudes to race from an outsider’s point of view.

Phil Wang will be performing his fourth solo show, Kinabalu, which has been solidly picking up four star reviews since it debuted at last year’s Edinburgh Fringe. This performance is part of an extended UK tour, which began at the end of 2017, and has featured a number of sold out shows. This backs-up Wang’s burgeoning TV career, including appearances on Have I Got News for You, Live at the Apollo, and Comedy Central’s Roast Battle, hosted by Jimmy Carr, in which beat fellow comedian Ed Gamble.

If it seems like Wang’s career is going pretty well for someone still in their mid-twenties, it should come as no surprise when you look back at his teenage years. He was performing stand-up sets before university and actively targeted a place at Cambridge so that he could be a member of the famous theatrical society Cambridge Footlights (previous members include Douglas Adams, Stephen Fry, Richard Ayoade and John Oliver). Alongside a degree in Engineering, Wang became president of Footlights and won the Chortle Student Comedian of the Year award. This is clearly a focused and ambitious man.

So far, that ambition, coupled with his unique point of view on British and East Asian culture, are making for a winning combination. Let’s just hope that the Hiddlestoners don’t get him.

Phil Wang – Live at the Apollo

Phil Wang brings his Kinabalu stand up show to the Glee Club (B’ham) on Sunday 11th March. For direct show information, including venue details and online ticket sales, visit www.glee.co.uk/performer/phil-wang

For more on Phil Wang, visit www.philwang.co.uk

For more from the Glee Club venues, including further event listings and online ticket sales, visit www.glee.co.uk

ED’S PICK: March ‘18

Rews + You Dirty Blue, P.E.T @ Hare & Hounds 22.03.18Words by Ed King

**Due to the severe weather conditions, some March editorial may be delayed. It has nothing to do with 1) hangovers, 2) gigs on a Sunday that cause hangovers, 3) each episode of The Deuce being 1hr long. It’s the snow… it’s all about the snow**

The BIG NEWS this month is that Rews are coming back to Birmingham, finishing of their England tour with a special gig at the Hare & Hounds on Thursday 22nd March – joined by an awesome local line up, Tamworth’s garage rock two piece You Dirty Blue and Birmingham’s rising balloon punksters P.E.T.

Still out smashing holes in radio playlists and the right kind of ear drums across the country,  Rews are back on the road (do they ever stop!?!?) with their debut album Pyro – a rock pop stonker which we thoroughly suggest you check out. Read my Birmingham Review of the ten track beast here, or cut out the middle person and just get yourself a copy. You can bill me if you’re unhappy.

But Rews are a step up live. And don’t just take my word for it, ask any of the following: Hew Edwards, Mark Radcliffe, John Kennedy, Scott Mills, Alice Levine, Dev, Greg James, Scott Mills, Clara Amfo, Adele Roberts… (and that’s just the beeb). Or anyone who’s seen them play. Or Google. It’s not a difficult cross reference.

Of course, the best way to know for absolute certainty is to come and see Rews at the Hare & Hounds on 22nd March – for direct gig info and links to online ticket sales, click here. Or to can hop over to the Facebook event page for updates, info and links aplenty – click here.

Paloma Faith @ Genting Arena 21.03.18WARNING – CONTAINS CIVIC PRIDE: Rews have bolted Birmingham onto their England tour dates because their last gig in the city was such a stormer – Birmingham loves Rews, and it seems there’s a little mutual flutter there too. So, come down to the Hare on 22nd March, enjoy an awesome gig from Rews, You Dirty Blue and P.E.T, and stand on for your local live music scene. BRUMMIES UNITE.

And breathe…. There are other gigs this month, some pretty high profile shows too. In the land of five figure crowds, the Genting Arena hosts All Time Low (15th Mar) and the resplendent resurfacing of Paloma Faith (21st Mar). Whilst at Arena Birmingham we see some of America’s A-Lists rock with Fall Out Boy (27th Mar) and 30 Seconds to Mars (29th Mar). So, that’ll keep you busy. And a little broke.

Feeder @ O2 Academy 14.03.18N.B. Paul Weller was scheduled to play at the Genting Arena on 2nd March, but due to the school run slaying beast from the east (erm, the snow) this gig has been postponed. When we know more…

Editors play an ‘intimate’ gig at the Town Hall (4th Mar) to showcase their new album, Violence. Whilst across town Hookworms headline at the Hare & Hounds (4th Mar), and across the road Amit Dittani introduces his debut solo album, Santiago, at the Kitchen Garden Café (4th Mar).

Elsewhere in the city, Ezio return to Birmingham but this time at the Kitchen Garden Cafe (7th Mar), Astroid Boys tour their debut album, Broke, at The Asylum (1th Mar), Feeder take us on a retrospective love in at the O2 Academy (14th Mar), Joan Baez celebrates the end of a near 60 year live career as her Fare Thee Well Tour comes to the Symphony Hall (14th Mar), The Stranglers come to the O2 Academy (17th Mar),Rae Morris @ O2 Institute 21.03.18 ‘First Lady of Celtic Music’ and Clannad family member Moya Brennan plays at the Glee Club (20th Mar), whilst Rae Morris brings a sneak peak of her sophomore album, Someone Out There, to the O2 Institute (21st Mar). Phew… can anyone lend me a tenner?

And so exciting it gets it’s own paragraph, electronic music pioneers, Plaid, bring their AV tour to the Hare & Hounds on 10th March. A pivotal piece in the EDM jigsaw, Plaid come back to Birmingham after their sell out gig in the city last year – if this show doesn’t pack out then there’s something inherently wrong with the world, so we would suggest getting your Warp loving wriggle on and buying a ticket or two quick smart. For direct gig info and online ticket sales, click here or on the relevant hyper link.

Plaid @ Hare & Hounds 10.03.18A little later in the month the same promoters, Scratch Club, are putting on a breaks, beats and hip hop free bash at One Trick Pony with Dr Syntax (The Mouse Outfit, Foreign Beggars) & Pete Cannon, joined by Birmingham’s own DMC champion Mr Switch (30th Mar). For free..!?!? Now that’s a good bloomin’ Friday.

Film is stomping is size 10s across the city too, a cheeky month before Flatpack #12, with a healthy collage of celluloid (well, probably digital now) coming to screens in a variety of Birmingham venues. Ruben Östlund’s takes a well-penned stab at the pretensions of class and art with The Square – on general UK release from 16th March, before coming to The Electric (23rd Mar) and mac (30th Mar). Whilst mac programme a centennial celebration of Ingmar Burgman with The Seventh Seal (16th Mar), The Touch (17th Mar) and Persona (18th Mar).Here to be Heard: The Story of The Slits @ The Mockingbird Kitchen & Cinema 26.03.18

The Mockingbird hosts a Wes Anderson Marathon (18th Mar) featuring The Royal Tenenbaums at 12noon, Life Aquatic with Steve Zissou at 2:30pm, Fantastic Mr Fox at 5:00pm and The Grand Budapest Hotel at 6:45pm. Bit of a welcome refresher course before Anderson’s latest (and animated) feature, Isle of Dogs, is out on general release from 30th March – with two preview screenings at The Electric (25th Mar) if you wanted to jump the gun a little.

The Mockingbird are also showing the eponymous biopic about the notorious fashion designer, Westwood, throughout the month. But we recommend you wait until 26th March, so you can jump straight into Here to be Heard: The Story of The Slits – another biopic, but this time about an altogether more altogether slice of formative female punk.Comedy Short - fundraiser fro SIFA Fireside @ Artefact (Stirchley High Street) 21.03.18

On the city’s smaller silver screens this March, Neighbourhood present a series of comedy shorts at Artefact in Stirchley (21st Mar) – with a pay as you feel fundraiser for SIFA Fireside, a Birmingham based organisation who support ‘those experiencing homelessness or who are vulnerably-housed.’ A great charity that deserves our cash and consideration; look outside, now pay what you feel.

Elsewhere, The Victoria welcomes the rescheduled Birmingham Horror Group: Mini-Movie Marathon (25th Mar) which is also fundraising – this time ‘with proceeds from ticket sales going to the medical charity Diabetes UK’. Whilst the Kitchen Garden Café screen the Arnie body count craziness and all round awesome… Predator  (20th Mar) – which we are more than a little happy about. I’m off to buy a dog eared cigar, dog eared dog tags, and practice the film’s profound script such as, “if it bleeds we can kill it”. Powerful stuff Arn, Kierkegaard?

The Gilded Merkin @ Glee Club 18.03.18Treading the boards this month, Joe Black starts the UK run of his new show, Touch of Evil: A Celebration of Villainy in Song, with two nights at The Old Joint Stock (09-10th Mar). The Birmingham REP stages fingersmiths’ rewrite of John Godber’s Up’n’Under (12-14th Mar) – a play about pride and adversity (and rugby, to be fair) which has been adapted for all audiences ‘with a cast of Deaf and hearing actors using British Sign Language and spoken English’.

Overlapping a little bit, REP also present The Kite Runner (13-24th Mar) performed in venue’s main theatre, coming to Birmingham after ‘an outstanding’ run in the West End. Then back in the ‘burbs, The Wardrobe Ensemble present their tale 90’s nostalgia and the Blair honeymoon – Education, Education, Education – at mac (20th Mar).

On the more glamourous side of town, Alyssa Edwards’ The Secret Is Out Tour saunters over to the Glee Club (7th Mar), before BCU’s Burlesque society present Dare to Desire at the Bierkeller (15th Mar) and Scarlett Daggers brings The Gilded Merkin burlesque show back to the Glee Club (18th Mar).The Twisted Circus @ O2 Academy 30.03.18 Not far behind is Ben DeLaCreme, with her ‘terminally delightful’ show coming to the Glee Club (29th Mar) – a day before Klub Kids present The Twisted Circus in all its glitz and glory at the O2 Academy (30th Mar).

Comedy has a pretty decent crack of the whip in March too, kicking off with Russell Brand’s Re:Birth at Symphony Hall (8th Mar) before the Glee Club takes the reigns until April, with Phil Wang (11th Mar), John Robbins (21st Mar) and Tiff Stevenson (23rd Mar).

Outside of all that, if you’ve got any dry socks or shekles left, there’s A Notorious Odyssey at The Electric (24th Mar) – as Birmingham’s 35 piece a cappella choir, notorious, take us on ‘a musical voyage where no audience has gone before’ performing ‘tunes from sc-fi films and TV, to music inspired by space and the future.’

Across town and the space-time continuum, Rupi Kaur presents an evening of performance poetry the Town Hall (24th Mar) including work from her recently released second collection, The Sun and Her Flowers.Phil Wang @ Glee Club 11.03.18 Then just shy of a week later, Richard P Rogers rounds off the month with his Frank Cook and the Birmingham Scene exhibition at mac’s Community Gallery (30th Mar) – a study of the titular Ladywood artist, as he worked his way from the north Birmingham back to backs to art school in London in the late 1960’s.

Right then, a fair amount happening in March – I’m off to do some diary/bank statement cross referencing. And maybe drink a glass of wine, or two. What day is it again…?

For more on any of the events listed here, click on the highlighted hyperlinks. Ed King is Editor-in-Chief of Review Publishing, which issues both the Birmingham Review and Birmingham Preview.