OPINION: The Hold Tight Sessions – Nerina Pallot

Ed’s note…

This was first published in Nerina Pallot’s newsletter, issued to her fans on 18.03.20 – we thought it was such a good idea (and such a warm piece of writing) that we asked if we could syndicate it to our readers. With all the fear in the world right now, alongside the damage to the creative and other industries, we loved seeing a silver lining.

The clue’s in the title, but watch out for Nerina Pallot’s online concerts – The Hold Tight Sessions –  streamed every Thursday at 8pm; we’re still safe to make sound, even if it’s a little further away than the traditional front row. For more on this, click here to visit the Facebook event page or click here to visit Nerina Palllot’s YouTube Channel.

And there’s a couple of sneaky peaks of Nerina live at the end of this article, please excuse the picture quality of the first one but we thought it was a good clip/representation (and please excuse Gloria Hunniford’s segue…)

Be safe and be kind to each other; now is the time for community and compassion. With love from all at Birmingham Review x

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Words by Nerina Pallot / Pics by Katja Ogrin

Before I sat down to write this newsletter, I looked for a poem with which to begin it. I rifled through the books I already have, thought ‘surely me old mucker Philip Larkin has something to say about all this business. Or Pablo Neruda. Maybe go all high falutin’ and rustle up something by that naughty Mr Marvell. Or a bit of Rilke to make us all pause for thought and look all moody like tortured teenagers.’ I spent a long time leafing. Gave up. Googled – what was I gonna Google? Poems for uncertain times? (The poems in existence didn’t bank on times as uncertain as these.) Poems for a world on lockdown? (Nope. Nada in that larder.) Poems for when we’re up a creek nobody knew existed and you have ten thousand spoons when all you need is a paddle?

Guess what. There are no poems for this, but I suspect many will be born because of it.

Tell me, if even a mere month ago somebody had come to you and said in France, if you want to leave your house, you need papers to explain where you’re going and what you’re doing you would have thought them mad. The whole notion was preposterous; a conspiracy theory cooked up by the sort of people who think juicing cures cancer and love to tell you all about it on Facebook. And yet at midday yesterday, this is what came to pass. In France. Land of la liberté, egalité et fraternité. In Italy, people are singing to each other on balconies because that is all there is to do. The world is shutting its doors to keep out an enemy it cannot see, smell or hear.

Now, some of us have waited our whole lives for state sanctioned introversion. We feel validated. We got this. A legitimate excuse to stay home in our pants and read and listen to music and draw and never have to see people? Yes please thank you very much. But now that the option to come out of ourselves has been removed it doesn’t feel good. It doesn’t feel very good at all. Perhaps we have more in common with those folk who move through the world as if it were an amusement arcade. We’re just not very good at parties. But now there aren’t any parties to go to anyway.

And suddenly, I dunno about you, but I could do with a bloody good party.

None of us have any real idea of what is about to unfold, or how long this unfolding will take. Some of us are living week to week, pay cheque to pay cheque. We may be working from home, but only for as long as the companies we work for can keep going. We may run businesses that are trickling away before our very eyes. Some of us may have seen our pensions – everything all those years of slog and sacrifice were meant to be worth it for – slip like sand through an hourglass in just a fortnight. Some of us may be ok. But if we don’t know what it is to come, how can we know for sure?

Here’s the thing. It’s a WE thing. Because for once in human history, every single one of us is affected and we are all in this together. And not in the way David Cameron meant either.

And that is a wonderful thing. I don’t mean this flippantly. Not a single one of us can come away untouched from this – not even Jeff Bezos or Vladimir Putin or Kay Burley’s hairdo. And for all the crappiness in the world – the war, the sickness, the terrorism, the poverty – we also live in a time of extraordinary progress. At the peak of scientific discovery, where right now, at this very minute, all over the planet, there are amazing men and women in white lab coats straining over microscopes and working at lightening speed to find a way to despatch this pesky virus into the biohazard dustbin of time. They will do it. They always do.

We are humans. We do some shitty things, but we also put men on the moon (like in my song sort of) and figure out that as well as making some excellent cheeses, mould can make life saving drugs. We also like to dress our cats in unicorn costumes.

Right now, as I see it, we can only control ourselves. Everything else is out of our jurisdiction – but isn’t it always that way, much as we like to convince ourselves otherwise? So with that in mind, we have to sit this out. Take care of ourselves and each other as best we can. Eat well. Brush our teeth. Get some rest. Watch the bare minimum of news. Concentrate on only each day as it comes. Add gin where necessary.

Do what we can.

What I can do is sing and play music and chat nonsense. And so that is what I’m gonna do for you in coming weeks. Every Thursday at 8PM UK time I’m going to do a little concert from my living room for you. I will happily take requests – although I may need them a day or two in advance to avoid disappointment because I have written A LOT of songs now as I’m old. If glitch free technology allows, I might be able to get some musical friends to join me from their living rooms too. We’re looking into it.

Feel free to dress up and share your photos of sartorial elegance. THIS MEANS PLEASE WEAR CLOTHING. The fancier, the better. I refuse to let you slip into the slovenly ways of the couch potato. We are going to get up every day and make an effort and put lipstick on even if the only person there to witness it is the cat.

‘Stay Lucky’ – Nerina Pallot (live from the Trades Club, Hebden Bridge)

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‘Sophia’ – Nerina Pallot (performed live on Heaven and Earth / BBC)

Nerina Pallot will be hosting a living room concert every Thursday from 8pm GMT – The Hold Tight Sessions. For more on this, click here to visit the Facebook event page – or click here to visit Nerina Pallot’s YouTube channel.

For more on Nerina Pallot, visit www.nerinapallot.com

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual aggression in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

BPREVIEW: Nerina Pallot @ The Glee Club 09.04.18

BPREVIEW: Nerina Pallot @ The Glee Club 09.04.18Words by Ed King

On Monday 9th April, Nerina Pallot performs at The Glee Club in Birmingham – with support from Cattle & Cane.

Doors are open at The Glee Club from 7:00pm to 7:45pm, with the show scheduled to start at 8pm. Please note, latecomers will not be admitted. Tickets are priced at £18.50 (adv) – for direct show information, including venue details and online ticket sales, click here.

Stopping off in Birmingham for the second date on her April UK tour, Nerina Pallot is on the road with her latest album, Stay Lucky. Released in October 2017, Pallot’s sixth studio album is a ten track line in the sand – a polished LP with strong melodies, recorded in a reported two week stint at London’s RAK Studio.

A friend once challenged my to name an artist, or band, that got better album by album. Try it. It’s not as easy as its sounds. But Nerina Pallot is a firm fixture on that list, having evolved from the Dear Frustrated Superstar days of pop intent into the savvy lyricist and genre crossing multi-instrumentalist that delivered The Sound and the Fury and Stay Lucky.

Pallot’s never been too far away from addictive melodies, but her last two albums are well rounded stamps of superiority; from vocals to rhythm, there’s an exciting late bloom coming from Pallot in these not-so-salad days. There’s also a bevvy EPs out there too, with Pallot undertaking the very literal Year of EPs project – releasing one extended play each month across 2014. Google and ye shall find.

But to pick out a couple of cherries from Pallot’s latest LP to reference, the title track wouldn’t be a bad place to start – ‘Stay Lucky’ shows off Pallot’s vocal range, subtle production, and aptitude for ivory led melodies. Then after a couple of backwards arrow clicks and you have ‘Bring Him Fire’, a tough edged declaration with some staccato guitar from Bernard Butler. But it’s all cracking stuff on Stay Lucky, with elements of jazz, soul, and mature pop melodies flecked throughout the album.

Pallot’s legion of live fans, that travel the length and breadth of the UK to follow her on tour (in a way that would end you up in court if you don’t have the ticket stubs to argue a defence), will be shouting from the side lines right about now as well. It’s not just Nerina Pallot’s music that has made her such a supported and self-governed artist, there is something inescapable and endearing (and funny) when she performs. If you haven’t seen Pallot perform live, you really should.

And whilst I could drown us all in hyperbole, adverbs, and Union Chapel reviews to back this up, instead I’ll stumble over a somewhat clumsy segue, as Birmingham gets its chance to find out on…

‘Stay Lucky’ – Nerina Pallot

Nerina Pallot performs at The Glee Club on Monday 9th April – with support from Cattle & Cane. For direct gig information, including venue details and online ticket sales, visit www.glee.co.uk/performer/nerina-pallot 

For more on Nerina Pallot, visit www.nerinapallot.com

For more on Cattle & Cane, visit www.cattleandcane.co.uk

For more on The Glee Club venues, including further event listings across all sites, visit www.glee.co.uk  

ED’S PICK: April ‘18

Words by Ed King

Easter Sunday, 1st April… There’s probably a joke in there somewhere. But with a basket of listings and entertainment based excel spreadsheets to plough through who has the time to be witty? Or hunt for Easter eggs, for that matter. Being an adult sucks.

However (…are you ready for this segue) it does allow me to enjoy all the delights of the Flatpack Film Festival without worrying about ID – actually, I’m not sure there’s too much on the programme with an age restriction but Dots & Loops are part of the festival and they brought us Lesley the Pony Has and A+ Day!, so…

Back for festival number 12, those glorious creatives at Flatpack have put on a nine day smorgasbord of celluloid, digital, and other audio/visual treats – running from 13th to 22nd April, in a variety of venue across the city. Too much to cram into this round up; look out for our more in-depth cherry pick in the days to come, or click here for more direct information on the full programme.

Elsewhere in the non-greenfield, Ebola flirting, footwear wrecking land of multi-stage events, we have the Birmingham Literature Festival – hop scotching from various corners of the REP to the Birmingham and Midland Institute from 27th to 29th April. Now old enough to drink beer in America, this year’s Birmingham Literature Festival has a focus on women in literature and publishing, alongside a weekend long programme of ‘inspiring conversations, writing and debate’. Again too much to adequately surmise, but click here for more direct info.

Following on with a female focus, Birmingham Jazz launches its Legends Festival on 27th April – running as a series of satellite events across the city until 20th May. This year’s linchpin is ‘Celebrating Women in Jazz’, with local artists such as Trish Clowes joining a myriad of talent from across the globe. Too much to fit into… you know the drill, click here.

Theatre comes in all shapes and sizes this month, including a couple of choice cuts on Hurst Street – with Wicked beginning its Birmingham run at the Hippodrome (4th-29th Apr) and The Twisted Tale of Hansel and Gretel at the Patrick Centre (4th– 8th Apr).

Across the duel carriageways and road works we have Graham Greene’s Brighton Rock coming to the Birmingham REP (10th – 14th) followed by the political see-saw of 1970’s Britain in This House (17th – 21st) – reminding us fear mongering comes from both sides of the aisle and a dash of vitriol isn’t a particular new idea. How times have changed… or not.

Music takes its usual fat belly slice of our monthly listings, with a few ‘big gigs’ of notE coming to the NEC portfolio – as the Genting Arena sees both Arcade Fire (15th Apr) and Dua Lipa (17th Apr), whilst Arena Birmingham welcomes the Manic Street Preachers (27th Apr) back to the city.

Playing across the non-arena rooms of our musical city, the Hare & Hounds has another eclectic mix – with Kushikatsu Records presenting Shonen Knife (15th Apr) followed Snowpoet (19th Apr) courtesy of Jazzlines. Whilst The Glee Club sees the very welcome return of Nerina Pallot (9th Apr) stopping off in Birmingham on the second date if her UK tour. Fingers crossed there’s a piano on stage.

The Sunflower Lounge sees Killer Wave and Outlander host their ‘Help the Homeless’ pay-as-you-feel charity fundraiser (8th Apr) – with all money raised going to Shelter and Tabor House. Then we have Lucy May Walker playing her first headline show in Birmingham (18th Apr) – both events well worth a stop, look and listen. And £5 of your hard earned cash, of course.

Our mobile branded venues see a bevy of acts this month too, with the O2 Academy presenting George Ezra (4th Apr), The Vaccines (7th Apr), Trivium (17th Apr), The Streets (19th Apr), Coasts (21st Apr) and Akala (24th Apr). Whilst the O2 Institute leads out with Walk the Moon (7th Apr), Little Comets (14th Apr), Aquilo (16th Apr), Of Mice and Men (25th Apr) and Sharon Needles: Battle Axe Tour (26th Apr).

A special mention also has to go to the Hummingbird-Menagerie-Indie-salad days-nostalgia trip coming to the O2 Academy with Love From Stourbridge – featuring The Wonder Stuff and Ned’s Atomic Dustbin (14th Apr). Someone pass me my German army shirt, skateboard and a can of Red Stripe, we’re going early 90’s feral…

And if you’re committed to your anti-corporate support of live music, never fear as mac welcomes Juice Aleem & Surge Orchestra (21st Apr) whilst Mama Roux’s serves two sides of the musical rainbow with The Herbaliser (19th Apr) and Mallory Knox (24th Apr)… probably not a good idea to get those dates mixed up in your diary.

Elsewhere in the city, comedy offers a relatively strong respite from those kids and their music – with The Glee Club presenting Tony Law (13th Apr), Alun Cochrane (15th Apr) and Craig Campbell (22nd Apr).

Or if you just want to stand and stare, you could waste a happy hour or two at Lewes Herriot: The Glass Arcana exhibition at Artefact in Stirchley (13th – 14th Apr). Or watching the flyers unfold with an exhibition from the seminal 90’s ambient electro club Oscillate, at Centrala (16th – 28th Apr) – bearing in mind there is an end of exhibition party with HIA and POLE (28th Apr) so you might want to do more than actually just stand and stare. Or not. Depends how you dance to Sun Electric, I suppose. Necking enough amphetamines to kill a small horse always worked for me, but vegetarian options are available.

But to end on the most glamorous of high notes (pun absolutely intended) Paul Alexsandr and Dragpunk present Candyland at The Nightingale (6th Apr) – a choc full celebration of ‘local and national UK drag of all genders, sexualities and abilities that you’ll adore.’ Then at the other end of the April rainbow, Opulence are launching Mother’s Meeting at Bar Jester (28th Apr) – a band spanking new ‘performance night dedicated to showing off a variety of drag and queer talent across Birmingham and the U.K.’, with special guest Charity Kase joined by a pageant of the Opulence crew on stage and Elliot Barnicle on the decks.

Birmingham can be proud for many reasons, but the cross over embrace of its drag community is one to really get those flags waving. We love covering it, and it seems the punters of Birmingham love supporting it. So, Vive la/le drag community of our fair/fairer city, alongside all who sail on these most wonderful of waters. Save some energy though, Birmingham Pride is a mere calendar page turn away.

And wait, I’ve just thought of one. A Jewish carpenter and a 6ft rabbit walk into Cadbury World…

For more on any of the events listed here, click on the highlighted hyperlinks. Ed King is Editor-in-Chief of Review Publishing, which issues both the Birmingham Review and Birmingham Preview. To follow Ed King on Twitter, click here.