Moseley Archives -

July 20, 2018

SINGLE: ‘Strangers’ – The Taboo Club 20.07.18

Words & live pics by Ed King

On Friday 20^th July, The Taboo Club release their debut single ‘Strangers’ – a taste of what’s to come, with their next track, ‘Bible John’, already earmarked for release in autumn this year. But first things first.

‘Strangers’ will be available for free download through the standard online steaming sites from Friday 20^th July, with some helpful signposts no doubt on the band’s social media. For more information direct from The Taboo Club just hop, skip and jump over to their Facebook page – click here.

The first track to come from this relatively new band (although each member has been playing in one guise or another for long enough for me to wince at the descriptive) ‘Strangers’ is as perfect an introduction to The Taboo Club as you could get. Having recently seen them pop their live cherry at The Dark Horse – supporting those glorious astral adventurers, The Mothers Earth Experiment – The Taboo Club are hard a little to surmise. But it’s my job to try, and by doing so I will be making a paint by numbers review of ‘Strangers’ itself. Right then, where to begin…

There’s a sax, which is awesome, and keys, which are both wonderfully used (not over) by Ben Oerton. Although this invites the lazy journalist jazz references to come spilling out when I’m not watching the keyboard.

But this is not jazz, even if it reminds me of ‘bourbon lit Harlem dive bars’; the overall ‘tapestry of genres’ from The Taboo Club is very much driven by guitar – a duel attack from Jack Ingaglia (rhythm) and Josh Rochelle-Bates (bass), reminding this writer of the Velvet Underground if they happened across Maceo Parker one night and took a shit load of mushrooms. Then, lurking behind some omnipresent red velvet curtains, is a steady kick drum, heartbeat, and teasing rim tap from Aiden Price – all led by Rob Lilley’s deep, brooding, and yet curiously comforting vocals.

‘Strangers’ works with these jigsaw pieces, creating a surprisingly short layer cake of crescendos; I say surprisingly short as you could quite easily, and happily, see this ensemble rise and freefall for a good 15minutes before pausing for breath. And no doubt, in the aforementioned New Your suburb, someone under some other name is doing just that.

Produced with aplomb by Ryan Pinson, ‘Strangers’ is a touch of red velvet class to come out of the Birmingham music scene – a true musical fusion without the hubris or hangover of years at the Conservatoire. But to be fair, any of The Taboo Club could well be classically trained – they just haven’t felt the need to tell us about it during the first round of drinks. And the second.

But they did have a few words to throw on the table, in a bold declaration from the ‘Strangers’ press statement, that explains: ‘The Taboo Club are entirely of their own, comprising of and expressing the values of its individual members to create something heart-breakingly cathartic’. And I couldn’t have put it better myself.

The Taboo Club release ‘Strangers’ on Friday 20^th July – available for free download through all the usual online steaming sites. For more on The Taboo Club, visit www.facebook.com/TheTabooClubUK

The Taboo Club Showcase Gig with Birmingham Review will be held at The Victoria on Saturday 29^th September. To find out more, and to be on the waiting list for when tickets are released, visit the Facebook Event Page by clicking here.

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

July 19, 2018

BREVIEW: The Mothers Earth Experiment @ The Dark Horse 13.07.18

Words & pics by Ed King

I never played at the Whisky a Go Go. I was never in the house band; I was never Morrison. As much I wanted to be, mine was another time, another room. Another stage. Mine was breakbeat, rave, and those pills that had nothing to do with weight loss.

But The Mothers Earth Experiment, tonight, they get close. Close enough for me to start my review with wishes and references. Close enough to make me walk out the door and leave everything behind. Close enough, and what are we if nothing but shallow dreams. But fuck me they rock.

First up tonight though, at this particularly generous free entry Friday night gig at The Dark Horse, is The Taboo Club – the new face of Rob Lilley and Josh Rochelle-Bates, now joined by Jack Ingaglia (guitar), Ben Oerton (sax/keys) and Aiden Price (drums).

Their first live gig together, there are some rehearsal room cobwebs being dusted down tonight, and by the time ‘Bible John’ comes tumbling off stage, led by Lilley’s deep vocals, we are in a red room of sultry intent. Nestled somewhere between the low lit bourbon dive bars of Harlem and an opiate pit of six string destruction that would make the Velvet Underground blush, The Taboo Club are tapestry of genres and influences – driven by guitar, but with tinges of jazz, sax, and keys, giving the wall of sound a deep lustre.

Absurdly promising, even if I am a little biased. The Taboo Club play the next Birmingham Review showcase on Saturday September 29^th at The Victoria and we predict an interesting first time around the sun for this band – a tight ensemble with real depth. So stay alert, you listicles of music press future. More is sure to follow from The Taboo Club.

But back in the present, it’s time for Birmingham’s favourite space cadets to come in for landing. I’ve seen The Mothers Earth Experiment before, and they’re good. They’re tight. Polished psych rock. Musicians who know how to play, and who you get the feeling (I can only observe) really enjoy their time on stage together. At least I love watching their keyboard player.

But there’s something in their set tonight, and the front row, and the bass, and the shoulders that sway in that Nico kinda way. There’s something more. I’m engaged in a different way than before; perhaps it’s the blues rock, for whatever you or I make of that term. But it’s good, and a little ferocious. Two words I’m confident we all understand.

Frontman Mark Roberts pulls his face and eyes out over the crowd, as the band open with ‘Cool Down Mama’ and work backwards through their debut album. The combined exuberance of this six piece, who are probably classically trained (I have no idea but it feels like they could, or should, be) with high ideas and the balls to bring them to life, is unassailable.

I’m a little drunk and lazy as I write this (I recently adopted the stance of penning each review as soon as I get back. You know, whilst it’s ‘still fresh’. The photos on the other hand…) but I have an overwhelming urge to run across the bonnets of parked cars, or laugh. Or actually enjoy myself in public. There’s a deeper edge to The Mothers Earth Experiment tonight that I’m not erudite (sober) enough right now to adequately describe, but it keeps me in the crowd with a half jealous fix on stage. The man next to me agrees. We stop talking and watch. And dance, when the moments of tight self-control allow us.

Donald Trump would not agree. His name is mentioned more than a few times tonight, and not with compassion or without candour. But let’s face it, as we laugh at doom and the absurdity of such a close nuclear winter, the man is indeed “a cunt”. But with balloons and battle cries constantly thrown off stage we are unified at The Dark Horse tonight, on the very day that such monstrosity prepares themselves for dinner with the divine right of kings. And in a further act of general good will, The Mothers Earth Experiment have been passing out NOT NORMAL – NO OK stickers until in the room is adorned with specs of yellow and black. A wonderful sight to see; bless everyone one stage and off. Click here for more on the NOT NORMAL – NO OK campaign.

But we’re nearing the end, my only friend, and the The Mothers Earth Experiment say sayonara with a new track before heading back to the cosmos – ‘Bliss’, which builds, folds, unfolds, and explodes off stage like a grenade wrapped in a cloud. Bliss… For Spaceman 3 playing ‘Revolution’ on a particularly angry day perhaps; the shift from sweet jangles to sonic assault is almost rude… and so much fun. A startling denouement. No encore needed. Although The Mothers Earth Experiment had one planned, as the track listing I stole (it’s usually a journalist) told me was ‘Fortress’.

The rest of my night ends with random friends, strange new faces, stories of pet executions (lack of funds… ouch, you’ve got to love the fluctuating moral compass) and that unpleasant edge in Moseley I’m old enough to reference. Fuck you, I remember when this was all fields…

The Mother’s Earth Experiment at The Dark House, we give you four out of five stars, No one gets five. And I’m sure the letter you send home about this will be the talk of your family Christmas mailout. But I loved it; a great gig. And one that didn’t cost us a bean too.

So to the people of planet Earth, go out and purchase everything on The Mothers Earth Experiment merch stand and keep the world replete with good music. Also, keep Saturday September 29th free for The Taboo Club Showcase Gig with Birmingham Review at The Victoria. That is the judgement of music journalism. It has spoken. Pay no attention to the man behind the curtain. And considering tonight was a free entry gig, with copies of The Mothers Earth Experiment’s eponymous album being given away, I’d say it’s the very least we can do.

For more on The Mothers Earth Experiment, visit www.themothersearthexperiment.wordpress.com

For more on The Taboo Club, visit www.facebook.com/TheTabooClubUK

For more from Sonic Gun, including further event listings and online ticket sales, visit www.facebook.com/sonicgunconcerts

For more on The Dark Horse, including venue details and further event listings, visit www.darkhorsemoseley.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

July 12, 2018July 12, 2018

BPREVIEW: The Mothers Earth Experiment @ The Dark Horse 13.07.18

Words by Ed King

On Friday 13^th July, The Mothers Earth Experiment play a free entry gig at The Dark Horse in Moseley – with support from The Taboo Club.

Doors open upstairs at ‘the horse’ from 8pm, with tickets costing NOTHING AT ALL YOU LUCKY MUSIC LOVING BAST*RDS – as presented by Sonic Gun. For direct information, visit the Facebook Event Page by clicking here.

They say Friday 13^th is an auspicious day (“they talk a lot, don’t they…”) and The Mothers Earth Experiment are channelling whatever from wherever to feed the collective unconscious with some musical manna this weekend.

Always worth a stop, look and listen, The Mothers Earth Experiment have been pumping out their jazz, funk, and lava lamp tinged psych rock for a handful of years now. One of the more musically proficient bands we’ve come across on Brum’s live circuit, The Mothers Earth Experiment are a tight and intelligent six piece delivering ‘detailed sonic tapestries of dense psychedelic atmospheres and emotive melodies’ with a social-political message never too far behind. Committed to the cause of music. Plus, they’re lovely people. And the world needs lovely people.

But this weekend, The Mothers Earth Experiment are being extra good to us all. First up, they’re throwing a free gig. So no bank balances will suffer if you want to go out and get your psych rock wiggle on this weekend. Bless you gents.

Second up, The Mothers Earth Experiment are gifting ten free copies of their debut album as part of the promo for the gig – leaving a round of drinks and a lift home as the only acts of generosity left to give. To win a copy, all you’ve got to do is share their Facebook post about it – click here – and the winners will be announced via the band’s social media, with CDs ready for collection at The Dark Horse.

Sounds simple enough. But to celebrate the arrival of POTUS to the UK, The Mothers Earth Experience have tailored their competition to honour the illustrious floppy wig wearing war mongering celebrity obsessed egotistical megalomaniac. In the band’s own words:

‘And if you want a really big chance of winning something, remember I personally will buy something special for the person with the best plaque, t-shirt, sign etc that tells Donald Trump where to fucking go.’

The Mothers Earth Experiment were also quick to get behind the NOT NORMAL – NOT OK campaign, which got launched this week to ‘encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.’ In an act of on and off stage solidarity, the band will be handing out NOT NORMAL – NOT OK stickers at their gig on Friday 13^th July, asking people to wear one whilst at the venue and ‘show the perpetrators of sexual assault, violence, and misconduct that their actions will not be tolerated.’

“We at The Mothers Earth Experiment have been angered and horrified to hear of stories of sexual assault in the local scene. We’re getting behind the NOT NORMAL – NOT OK campaign to try and bring light to these horrific abuses of power – from danceflooor to dressing room. On Friday 13th July our gig coincides with Donald Trump arriving in the UK; a physical reminder that the very top echelons of society can still get away with “grabbing them by the pussy”.

We want to end this and although we may not be able to get Trump yet, we can sure as hell sort out our scene with enough support. So to all the people who have ever been taken advantage of, to all the people who have seen the other side of their friends, to all those who’ve been abused by someone with power over them, we can and will make a difference.”

Also appearing on the bill are The Taboo Club, the recently formed phoenix from the flames of the band Semantics – playing their first gig in their fresh new form. The Taboo Club has Joshua Rochelle-Bates and Rob Lilley at the helm, from the aforementioned, but also boasts an eclectic line up of solid sounds and musicians from across the musical spectrum – expect guitar, bass, sax, keys, and soaring walls of sonic bliss from a deluge of influences. But here a quick hello from the band themselves:

“The Taboo Club have a lot of respect for The Mothers Earth Experiment, having known them on the local circuit for some time now, and we couldn’t think of anyone more fitting to support for our first gig. It’s really exciting to be playing live after having worked so hard as a new band.

We can’t wait for people to hear The Taboo Club too. It’s an ensemble of expressive and tight musicians playing amalgamations of different genres – songs that command attention but welcome intimacy. The sound is informed and shaped by our individual contributions, but with a jazz chemistry and other familiar yet strange things.”

It’s pretty stuff awesome too. Birmingham Review was privy to some rehearsals and we liked it so much we’ve booked The Taboo Club to play our next showcase gig – held at The Victoria on Saturday 29th September.

Tickets for The Taboo Club Showcase Gig with Birmingham Review are not on sale yet, but we’ve had a fair few people ask for reserves already (honestly, just shy of a quarter of the room so far) so jump over to the Facebook Event Page and stick your hand in the air.

Meanwhile, back in a warm and fuzzy corner of space somewhere near the third rock from the sun…

‘Cool Down Mama’ – The Mothers Earth Experiment

The Mothers Earth Experiment play a free gig at The Dark Horse on Friday 13^th July, with support from The Taboo Club – as presented by Sonic Gun. For direct gig information, visit the Facebook Event Page by clicking here.

For more on The Mothers Earth Experiment, visit www.themothersearthexperiment.wordpress.com

For more on The Taboo Club, visit www.facebook.com/TheTabooClubUK

For more from Sonic Gun, including further event listings and online ticket sales, visit www.facebook.com/sonicgunconcerts

For more on The Dark Horse, including venue details and further event listings, visit www.darkhorsemoseley.co.uk

________

NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up and join the NOT NORMAL – NOT OK campaign, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

July 3, 2018

BPREVIEW: Cocktails & Cabaret @ Bohemian Cocktail Bar & Kitchen 04.07.18

Words by Emily Doyle

The issue with Wednesdays is that they don’t tend to be remotely saucy enough. This week, Bohemian Cocktail Bar & Kitchen in Moseley are laying on an evening of Cocktails & Cabaret to remedy this.

Bohemian Cocktail Bar & Kitchen is open from 11am to 12midnight, with the Cocktails & Cabaret event running from 7pm until kicking out time. Entry is free, the cocktails are not – for more info, visit the Cocktails & Cabaret Facebook Event Page by clicking here.

Cocktails & Cabaret will feature burlesque, comedy, music, and of course the odd libation. Pole Sports UK winner Kirstie Ryan will be leaving the pole at home to perform a rare floor routine. Self-described ‘part-time poet and full-time philanderer’ Armitage Spode will be bringing his ribald rhymes to the proceedings. May Pole will be treating the crowd to a neo-burlesque routine, and of course the line up culminates in the ever present promise of ‘many more…’

The organiser and compère for the evening is named Rosie, so when she told me that ‘Miss Rosie Rouge’ would be performing I assumed she was speaking in the third person. When I went to clarify this, it turned out that Miss Rosie Rouge is actually the partner and co-star of our host, who prefers to be known just as Rosie. The pair will be performing together on the night in a truly serendipitous double act.

“The Bohemian actually approached us a couple of months ago about putting on an event.” Rosie (the organiser) told me. “A cabaret was the winning choice because of our connections with a range of performers and our love for burlesque”

Of course, cabaret is only part of the offering here; I asked the burning question – which cocktail should one be sipping while the evening unfolds?

“An Old Fashioned, to get you in the mood for an evening of debauchery…”

Cocktails & Cabaret comes to Bohemian Cocktail Bar & Kitchen in Moseley on Wednesday 4^th July, with free entry all night. For more on Cocktails & Cabaret, visit www.facebook.com/cocktailsandcabaretbohemian

For more from Bohemian Cocktail Bar & Kitchen, including full event listings and venue details, visit www.bohemianbar.co.uk

April 1, 2018April 3, 2018

ED’S PICK: April ‘18

Words by Ed King

Easter Sunday, 1^st April… There’s probably a joke in there somewhere. But with a basket of listings and entertainment based excel spreadsheets to plough through who has the time to be witty? Or hunt for Easter eggs, for that matter. Being an adult sucks.

However (…are you ready for this segue) it does allow me to enjoy all the delights of the Flatpack Film Festival without worrying about ID – actually, I’m not sure there’s too much on the programme with an age restriction but Dots & Loops are part of the festival and they brought us Lesley the Pony Has and A+ Day!, so…

Back for festival number 12, those glorious creatives at Flatpack have put on a nine day smorgasbord of celluloid, digital, and other audio/visual treats – running from 13^th to 22^nd April, in a variety of venue across the city. Too much to cram into this round up; look out for our more in-depth cherry pick in the days to come, or click here for more direct information on the full programme.

Elsewhere in the non-greenfield, Ebola flirting, footwear wrecking land of multi-stage events, we have the Birmingham Literature Festival – hop scotching from various corners of the REP to the Birmingham and Midland Institute from 27^th to 29^th April. Now old enough to drink beer in America, this year’s Birmingham Literature Festival has a focus on women in literature and publishing, alongside a weekend long programme of ‘inspiring conversations, writing and debate’. Again too much to adequately surmise, but click here for more direct info.

Following on with a female focus, Birmingham Jazz launches its Legends Festival on 27^th April – running as a series of satellite events across the city until 20^th May. This year’s linchpin is ‘Celebrating Women in Jazz’, with local artists such as Trish Clowes joining a myriad of talent from across the globe. Too much to fit into… you know the drill, click here.

Theatre comes in all shapes and sizes this month, including a couple of choice cuts on Hurst Street – with Wicked beginning its Birmingham run at the Hippodrome (4^th-29^th Apr) and The Twisted Tale of Hansel and Gretel at the Patrick Centre (4^th– 8^th Apr).

Across the duel carriageways and road works we have Graham Greene’s Brighton Rock coming to the Birmingham REP (10^th – 14^th) followed by the political see-saw of 1970’s Britain in This House (17^th – 21^st) – reminding us fear mongering comes from both sides of the aisle and a dash of vitriol isn’t a particular new idea. How times have changed… or not.

Music takes its usual fat belly slice of our monthly listings, with a few ‘big gigs’ of notE coming to the NEC portfolio – as the Genting Arena sees both Arcade Fire (15^th Apr) and Dua Lipa (17^th Apr), whilst Arena Birmingham welcomes the Manic Street Preachers (27^th Apr) back to the city.

Playing across the non-arena rooms of our musical city, the Hare & Hounds has another eclectic mix – with Kushikatsu Records presenting Shonen Knife (15^th Apr) followed Snowpoet (19^th Apr) courtesy of Jazzlines. Whilst The Glee Club sees the very welcome return of Nerina Pallot (9^th Apr) stopping off in Birmingham on the second date if her UK tour. Fingers crossed there’s a piano on stage.

The Sunflower Lounge sees Killer Wave and Outlander host their ‘Help the Homeless’ pay-as-you-feel charity fundraiser (8^th Apr) – with all money raised going to Shelter and Tabor House. Then we have Lucy May Walker playing her first headline show in Birmingham (18^th Apr) – both events well worth a stop, look and listen. And £5 of your hard earned cash, of course.

Our mobile branded venues see a bevy of acts this month too, with the O2 Academy presenting George Ezra (4^th Apr), The Vaccines (7^th Apr), Trivium (17^th Apr), The Streets (19^th Apr), Coasts (21^st Apr) and Akala (24^th Apr). Whilst the O2 Institute leads out with Walk the Moon (7^th Apr), Little Comets (14^th Apr), Aquilo (16^th Apr), Of Mice and Men (25^th Apr) and Sharon Needles: Battle Axe Tour (26^th Apr).

A special mention also has to go to the Hummingbird-Menagerie-Indie-salad days-nostalgia trip coming to the O2 Academy with Love From Stourbridge – featuring The Wonder Stuff and Ned’s Atomic Dustbin (14^th Apr). Someone pass me my German army shirt, skateboard and a can of Red Stripe, we’re going early 90’s feral…

And if you’re committed to your anti-corporate support of live music, never fear as mac welcomes Juice Aleem & Surge Orchestra (21^st Apr) whilst Mama Roux’s serves two sides of the musical rainbow with The Herbaliser (19^th Apr) and Mallory Knox (24^th Apr)… probably not a good idea to get those dates mixed up in your diary.

Elsewhere in the city, comedy offers a relatively strong respite from those kids and their music – with The Glee Club presenting Tony Law (13^th Apr), Alun Cochrane (15^th Apr) and Craig Campbell (22^nd Apr).

Or if you just want to stand and stare, you could waste a happy hour or two at Lewes Herriot: The Glass Arcana exhibition at Artefact in Stirchley (13^th – 14^th Apr). Or watching the flyers unfold with an exhibition from the seminal 90’s ambient electro club Oscillate, at Centrala (16^th – 28^th Apr) – bearing in mind there is an end of exhibition party with HIA and POLE (28^th Apr) so you might want to do more than actually just stand and stare. Or not. Depends how you dance to Sun Electric, I suppose. Necking enough amphetamines to kill a small horse always worked for me, but vegetarian options are available.

But to end on the most glamorous of high notes (pun absolutely intended) Paul Alexsandr and Dragpunk present Candyland at The Nightingale (6^th Apr) – a choc full celebration of ‘local and national UK drag of all genders, sexualities and abilities that you’ll adore.’ Then at the other end of the April rainbow, Opulence are launching Mother’s Meeting at Bar Jester (28^th Apr) – a band spanking new ‘performance night dedicated to showing off a variety of drag and queer talent across Birmingham and the U.K.’, with special guest Charity Kase joined by a pageant of the Opulence crew on stage and Elliot Barnicle on the decks.

Birmingham can be proud for many reasons, but the cross over embrace of its drag community is one to really get those flags waving. We love covering it, and it seems the punters of Birmingham love supporting it. So, Vive la/le drag community of our fair/fairer city, alongside all who sail on these most wonderful of waters. Save some energy though, Birmingham Pride is a mere calendar page turn away.

And wait, I’ve just thought of one. A Jewish carpenter and a 6ft rabbit walk into Cadbury World…

For more on any of the events listed here, click on the highlighted hyperlinks. Ed King is Editor-in-Chief of Review Publishing, which issues both the Birmingham Review and Birmingham Preview. To follow Ed King on Twitter, click here.