metal Archives -

August 8, 2018

BREVIEW: Iron Maiden @ Genting Arena 07.08.18

Words Ed King / Pics by Eleanor Sutcliffe

It’s no secret or hyperbole that Iron Maiden fans are amongst the most loyal of the heavy metal fraternity. But seeing over 15,000 rockers donning party hats, holding balloons, and waving birthday messages to Maiden’s longest standing lead singer was a large scale surprise.

Whether you’ve followed the band from the start or jumped on with any of their 16 studio albums it’s a pretty special atmosphere tonight, as a sea of Iron Maiden t-shirts and merchandise (along with the people wearing them) stand as a living museum to the band’s 40 year career.

But there is also theatre in the air, as a packed out Genting Arena have come to see Iron Maiden play one of six UK dates on their Legacy of the Beast World Tour and were promised a ‘very special show.’ Known for ‘having fun’ with their stage sets, this could mean nearly anything with Iron Maiden, and speculation and anticipation run rife through the crowd. That and a few plastic pints of Maiden’s very own Trooper beer.

First up though is Killswitch Engage, the Massachusetts spawned metalcore five piece who are joining Iron Maiden at all of their UK dates. Opening with ‘Strength to the Mind’, the lead single from their last studio album Incarnate, it’s a pretty lively affair – with the band’s lead guitarist, Adam Dutkiewicz, jumping around like an adderall adolescence, wiping pantomime amounts of sweat from his brow, and giving head high kicks during ‘Life to Lifeless’.

After a short break, with an en masse attempt to get served… not easy with over 15,000 thirsty people, we hear UFO’s ‘Doctor Doctor’ coming over the arena’s PA system – the longstanding cue that Iron Maiden are making their way from the dressing room. Scenes from the battlefields of World War II play out on the screens at the back of the stage, with quotes from Winston Churchill being somewhat drowned out by a soundtrack of explosions and gunshots.

Then it happens… Iron Maiden launch into their set with ‘Aces High’, as what looks like a full scale Spitfire swoops in to stand as the most outlandish set piece above the stage. Someone said there might be pyrotechnics tonight, which indeed there (including Dickinson strutting around the stage with a portable flame thrower) but no one warned me about a bloody plane.

Even more pertinent in the city that made the Spitfire, with Castle Vale only a stone’s throw down the M6, it’s a simply phenomenal opener – replete with Dickinson dressed in full fighter pilot paraphernalia and the swagger of man who could probably fly the thing. I remind myself it’s the lead singer’s 60^th birthday today, then quietly question ‘what have I done with my life..?’

So the theme is ‘war’, with camo netting covering the stage and the first part of Iron Maiden’s set marching through a tracklist including ‘Where Eagles Dare’, ‘Two Minutes to Midnight’ and ‘The Trooper’. But it’s also a cherry picked selection of Maiden’s extensive back catalogue, with ‘Fear of the Dark’, ‘The Number of the Beast’, and the band’s eponymous closer from their 1980 debut album being a fitting full stop – as well as a generous hat tip to the band’s original lead singer.

The power, ferocity, and noise levels don’t falter, from Iron Maiden’s spectacular start to their three track encore which ends with ‘Run to the Hills’ – sending the Genting Arena into an almost dangerous state of hysteria.

Luckily, and making the finale almost as memorable at the beginning (…an actual plane), we are left with Monty Python’s ‘Always Look on the Bright Side of Life’ coming over the PA, creating a more subdued sing-a-long to send us all home.

Iron Maiden have enjoyed four decades as one of heavy metal’s most successful ensembles, with a gold star reputation for high octane live shows, a tireless work ethic, and a fiercely loyal crowd that will (sometime literally) travel oceans to see them. If tonight is anything to go by, with the passion and production coming off stage a clear cut above anything you would call ‘the norm’, then it’s it’s a well earned trophy.

And happy birthday Bruce Dickinson… what an unbelievable way to celebrate six decades on this planet. Let’s raise a pint of Trooper and toast to many more.

Iron Maiden @ Genting Arena 07.08.18 / Eleanor Sutcliffe

For more on Iron Maiden, visit www.ironmaiden.com

__________

Killswitch Engage – supporting Iron Maiden @ Genting Arena 07.08.18 / Eleanor Sutcliffe

For more on Killswitch Engage, visit www.killswitchengage.com

For more from Live Nation UK, including further event listings and online ticket sales, visit www.livenation.co.uk

For more on the Genting Arena, including venue details and further event listings, visit www.gentingarena.co.uk

________

NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

July 30, 2018July 30, 2018

BPREVIEW: Iron Maiden @ Genting Arena 07.08.18

Words by Ed King

On Tuesday 7^th August, Iron Maiden bring their Legacy of the Beast World Tour to the Genting Arena with support from Killswitch Engage – as presented by Live Nation UK.

Doors open at the Genting Arena from 7:30pm, with tickets ranging from £48.50/60 plus booking and administrative fees – although prices vary depending on positioning within the arena and ticket outlet.

For direct gig information, including venue details and online sales through The Ticket Factory, click here. For tickets direct from Live Nation, click here. For tickets from Ticketmaster, click here.

Iron Maiden are, quite simply, one of the most successful bands on the planet. And their 40 year stamp of authority on the heavy metal scene is unrivalled, starting out with the release of their eponymous debut in 1980 and still breaking new ground (and sales figures) with their latest studio LP, The Book of Souls, released in 2015.

Seriously, try and name another metal outfit that survived for so long and has even grown its sales/fanbase decade after decade. You can’t. Because they don’t exist. Love ‘em, fear ‘em, blame ‘em for the satanic betrayal of the American dream (we’re pointing at you, The Moral Majority) Iron Maiden are a phenomenal success story.

But what makes their latest, arena packing, sell out, world tour such a litany of red letter dates is that it technically shouldn’t be happening – Iron Maiden founder and bassist, Steve Harris, had gone on record saying the band wouldn’t release more that 15 studio albums. The Book of Souls was No16; for all intents and purposes, Iron Maiden should have hung up their plectrums, mics and drumsticks back in 2015.

But as Harris told The Guardian during Iron Maiden’s first Indian concert, at the Bangalore Palace Grounds in 2007, ‘we do think about some kind of half-retirement… But it seems the world won’t let us.’ And why wouldn’t you carry on, when you’re band is still breaking new markets across the globe and your last studio album (and let’s just clarify the trajectory again, your sixteenth studio album) reached No1 in 24 countries.

Iron Maiden have been on the road with their Legacy of the Beast World Tour since May 2018, scheduled to play six dates in the UK from Belfast (2nd Aug) to London (10/11^th Aug). According to the band’s longstanding manager, Rod Smallwood, fans can expect a “history/hits” set list with “both new material and the older favourites” getting performed from Iron Maiden’s extensive portfolio. Even Eddie, the band’s longstanding mascot, is dusting off some of his former glories – with the tour poster presenting him as from his Piece of Mind (1983) and Somewhere in Time (1986) days.

As Smallwood continues, “we decided to base the theme around the Legacy of the Beast name… giving us scope to get creative and have some fun, especially with Eddie! We’re working on a number of different stage sets, all in keeping with the Maiden tradition and we hope to give our fans a fantastic experience when they come to see this very special show.”

‘Speed of Light’ – Iron Maiden (from The Book of Souls)

Iron Maiden bring their Legacy of the Beast World Tour to the Genting Arena on Tuesday 7^th August, with support from Killswitch Engage. For direct show information, including venue details and online sales through The Ticket Factory, visit www.gentingarena.co.uk/whats-on/iron-maiden

For more on Iron Maiden, visit www.ironmaiden.com

For more on Killswitch Engage, visit www.killswitchengage.com

For more from Live Nation UK, including further event listings and online ticket sales, visit www.livenation.co.uk

For more on the Genting Arena, including venue details and further event listings, visit www.gentingarena.co.uk

________

NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

January 21, 2018

THE GALLERY: The Bronx @ Mama Roux’s 17.01.18

Words & pics by Aatish Ramchurn

Tuesday evening. My car headlights stop working on my drive home, and the surprise flakes falling late at night are sticking to the ground. I’m hoping that on Wednesday I don’t wake up to eight inches of snow, and I can find a garage to fit me in to fix my headlights. Thankfully, both of my wishes are granted, and I have no problem making my way to see The Bronx live in Birmingham.

Knowing that the night has sold out, I arrive early to Digbeth’s most quaintly-decorated venue, Mama Roux’s. Standing by the stage in a virtually empty room, I watch it gradually fill up, with those arriving the earliest heading straight upstairs to the balcony to get the best view.

Until this point, I was unaware of who the support act was going to be, or if there even was a support act. I’d only seen this gig promoted by Surprise You’re Dead! Music, as The Bronx playing their latest album, The Bronx V, ‘in its entirety’. I found it a little hard to believe that The Bronx would be playing two and a half hour sets up and down the country.

Not that I doubt that they could. They’ve been touring as both The Bronx and Mariachi El Bronx for 15 years, even playing as both bands on the same night. It was just a gut feeling that there had to be someone supporting them throughout this club venue tour.

As it turns out, Ming City Rockers, from Immingham, are supporting The Bronx on their UK album showcase gigs. The East Lincolnshire rockers capture the attention of the audience with their fast-paced, punk rock and roll sound, reminiscent of The Buzzcocks and MC5.

Although there’s no restriction on the amount of photos I can take of bands at Mama Roux’s, I decide to impose the three song rule on myself, just so I can enjoy the rest of Ming City Rocker’s short, but powerful set, along with the rest of the audience. If you like your bands fast, loud, and slightly obnoxious (I mean that in a good way), their album, Lemon, would be worth checking out.

As Ming City Rockers leave the stage, I feel naturally drawn into the dispersion of the room, until this thought suddenly dawned on me: ‘This floor will be packed with people nearer the time The Bronx are on, do I really want to move away from the stage?’

I position myself to the left, until I’m wedged between stage speakers and the rest of the front row. I’m aware I’m not going to be in this position for too long but I have a decent place to start shooting from before things get less than ideal.

With the instruments set up, and beers settled by each amplifier, The Bronx are warmly welcomed by the Birmingham crowd. Frontman, Matt Caughthran, edges closer to the audience, greeting them as if meeting an old friend, before the band explodes into The Bronx V from start to finish. With where I’m positioned, I take advantage of getting shots in the limited time Matt Caughthran spends on stage – he seems more comfortable out in the middle of the crowd.

I’d gone into this gig presuming that my biggest challenge would be trying to get focused pictures in the middle of a frantic mosh pit, with an onslaught of stage divers and a poorly-lit environment.

However, it was something else entirely. Whenever Matt Caughthran was down in the room, from where I was perched on the slightly poked out corner of a speaker to give me a higher vantage point, I found myself in a Where’s Wally? situation, as I was having trouble differentiating which out of the many bald, tattooed men present was The Bronx’s frontman. Following the trail of the microphone cable into the crowd didn’t help me find him either, as he’s quite short. There were times I’m sure I was focusing on the wrong person.

After playing their fifth, eponymous release from their record label, White Drugs, The Bronx ventured into more familiar territory, with fan favourites such as ‘White Guilt’, ‘Knifeman’, and set closer ‘History’s Stranglers’.

I know us concert photographers tend to prefer to shoot in the comfort of photo pits, away from people knocking our elbows in minimal space. But I have to admit, shooting a vibrant punk show in a packed out, intimate venue with poor lighting, not only provides a fun, yet frustrating challenge. It also gives you images that document the soul of punk rock in Birmingham.

The Bronx @ Mama Roux’s 17.01.18 / Aatish Ramchurn – Birmingham Review

For more on The Bronx, visit www.thebronxxx.com

_________

Ming City Rockers – supporting The Bronx @ Mama Roux’s 17.01.18 / Aatish Ramchurn – Birmingham Review

For more on Ming City Rockers, visit www.mingcityrockers.co.uk

For more on Mama Roux’s, Birmingham, including full events listings, visit www.facebook.com/mamarouxs

For more on Surprise You’re Dead! Music, visit www.surpriseyouredeadmusic.co.uk

January 20, 2018January 20, 2018

BREVIEW: Paramore @ Genting Arena 14.01.17

Pics by Eleanor Sutcliffe

Hot on the heels of their fifth studio album, After Laughter, Paramore play to a packed crowd at the Genting Arena, with only a handful of tickets left in the Gods of the 15,683 capacity venue. Not bad for a Sunday. Not bad for any day.

Paramore are back in Birmingham for one of only five dates on the UK leg of Tour Three, with support from Philadelphia’s mewithoutYou, before heading across the globe for gigs in Australia, New Zealand and South Asia.

And the line up looks strong, replete with Zac Farro (one of the original members who left the band in 2010) and three additional touring musicians making up the Tour Three ensemble. But an even more palpable strength tonight comes from the crowd.

Kicking off, quite literally (as Williams demonstrates her ability to boot you in the face, should she want too) with the first single from their last album – the poignantly penned ‘Hard Times’ – Paramore belt out a set of classic hits from their more rockier albums, alongside a smorgasbord of pop nuggets from After Laughter.

But even whilst delivering their earlier rock fuelled singles such as ‘Ignorance’ and ‘That’s What You Get’, there is a undeniably pop tinge to the Paramore on stage today, something a smattering of the near 16,000 strong crowd might have taken little getting used to. Although some things never change, and by the time one lucky audience member is brought on stage for ‘Misery Business’ the entire arena is joining in and singing along.

Paramore have both a loyal fan base and a chequered history, with the Hayley Williams fronted band changing its line up several times in recent years and steering through some publicly choppy waters. Williams is the one with the record deal, but the arguments over ownership and copyright have spilled off the stage and across the internet since Jeremy Davis first left the band in 2005.

Then there’s their move from rock, to pop rock, to pop, which seems to have been consolidated with Paramore’s latest LP. But the fevour of their fanbase has clearly mitigated any on stage issues or revolving door quabbles, as the energy that fills the Genting Arena tonight stands testament to the songwriting and success Paramore are responsible for.

Plus Hayley Williams is a ferocious front woman, exuding inexhaustible energy as she flits across the stage and talks, with some candour, to the Birmingham crowd. Not least about the “safe little place” she finds on stage.

And it can’t be easy to be in her shoes sometimes (especially whilst head high kicking themselves across a Sunday stage) but Paramore seem as confident as ever tonight – in both their new direction and in the army of fans that will seemingly follow them wherever they lead. Or to the Midlands, at least.

Paramore @ Genting Arena 14.01.17 / Eleanor Sutcliffe – Birmingham Review

For more from Paramore, visit www.paramore.net

For more from mewithoutYou, visit www.mewithoutyou.com

For more on the Genting Arena, venue details and further event listings, visit www.gentingarena.co.uk

For more from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

January 16, 2018

BPREVIEW: The Bronx @ Mama Roux’s 17.01.18

Words by Aatish Ramchurn

On Wednesday 17th January 2018, Surprise Your Dead! Music present The Bronx at Mama Roux’s – where the band will be playing their latest album, The Bronx V.

Doors open at 7pm, with tickets priced at £17 (+bf) – but be warned, at the time of writing this event has already sold out so for direct gig info, click here.

To celebrate the release of their latest album, The Bronx will be playing The Bronx V ‘in its entirety’ in venues across the UK. The Southern Californian punks will arrive at Mama Roux’s on Wednesday 17th January, with the gig selling out just days after the Birmingham based promoters, Surprise You’re Dead! Music, released tickets.

Founded in 2002 by frontman Matt Caughthran, guitarist Joby J.Ford, bassist James Tweedy, and drummer Jorma Vik, The Bronx quickly attracted attention from major label, Island Def Jam Music Group, after just 12 shows. However, the band decided to put out their first few releases by forming their own label, White Drugs.

Their first major release came with their 2nd eponymous album (a title trend the band would continue) in 2006, when Ken Horne joined the band as their second guitarist. Subsequent albums would eventually be put out on White Drugs, including their 5th and latest album, The Bronx V, which was released in September 2017.

The Bronx last visited Birmingham as part of the Slam Dunk Festival 2017 at The Genting Arena, where they were joined by new drummer, David Hidalgo Jr.

When they’re not playing as a punk rock members of The Bronx also play as a mariachi band, Mariachi El Bronx, having three albums released under this name. But there will be no sign of any mariachi music at Mama Roux’s on the 17th January, as it will be pure, unadulterated punk rock coming from The Bronx as they perform their fifth album in this special showcase event.

For more on The Bronx, visit www.thebronxxx.com

For more on Mama Roux’s, Birmingham, including full events listings, visit www.facebook.com/mamarouxs

For more on Surprise You’re Dead! Music, visit www.surpriseyouredeadmusic.co.uk