BPREVIEW: Beyond the Tracks @ Eastside Park 15-17.09.17

BPREVIEW: Beyond the Tracks @ Eastside Park 15-17.09.17

Words by Damien Russell & Paul Gallear

Birmingham’s Beyond the Tracks festival is set to take over the Eastside City Park, outside Millennium Point, from the 15th to the 17th of September.

This new three day addition to the Birmingham festival scene has a stellar line-up and caters for an eclectic audience incorporating rock, britpop, dance, electronica and more. And it’s not just music that’s on offer, the festival website boasts a ‘great selection of gourmet caterers to suit all tastes and appetites’ as well as ‘a choice of well stocked and well staffed bars’ which, while not essential for the festival experience, will certainly be reassuring for some (me included).

Beyond the Tracks is one of the biggest city centre festivals this year and although there’s no camping, being just five minutes from Moor Street Station the transport access is good enough to take away the sting of the daily ‘commute’. For direct festival info, including more about getting on and off site, click here. For information and online bookings for all Birmingham city centre stations (Moor Street, New Street and Snow Hill) click here to visit Trainline.com

On Friday 15th September the gates will open at 14:00 and this is definitely your day if you like electronic music. Orbital, reunited and with a new track released this February, are the headliners – with Leftfield performing their 1995 album Leftism in full as part of their anniversary tour. There will be a DJ set BPREVIEW: Leftfield @ Beyond the Tracks - Friday 15th Septemberfrom electronica stalwarts Faithless, with Australia’s Jagwar Ma also providing a touch of psychedelia to the Friday night bill.

Beyond the Tracks opening night also sees the return of the Higher Intelligence Agency (HIA) to our city’s soundsytems, who will no doubt bring the old ambient/Oscillate crowd out from under whatever chamomile flavoured rock of lost serotonin they are currently resting – Birmingham Review’s editor included. HIA are also hosting an unofficial after party at Centrala on Friday night, for direct info click here.

On Saturday and Sunday the gates open at midday, with both days set to have a more rock-based line up. There are also a number of notable local names across the weekend, including Saturday’s headliners – britpop veterans Ocean Colour Scene.

Saturday daytime the event openers are Penkridge based indie-rockers Sugarthief, who have had an impressive festival run this year including Y Not and Kendal Calling. They are followed by ‘experimental’ Birmingham band Health & Efficiency who make me think of what indie would sound like if it were invented in the 80’s. Noise punk fuzz merchants Table Scraps are up next, who recently spoke to our own Ed King at their recent double a-side launch with Black Mekon at the Hare & Hounds – click here for the Birmingham Review of the gig, alongside links to the full interview.

BPREVIEW: Table Scraps @ Beyond the Tracks - Saturday 16th SeptemberAlso performing across the Saturday programme are The Americas, with their driving up-tempo rock (reminiscent of Tom Petty) describing themselves as ‘music to ride a motorbike to’. Then there’s Midlands based artfully crafted classic college-rock quartet Superfood and B-Town indie-pop rockers Jaws, both coming back to Birmingham after some significant success outside the city walls. The Twang, who are celebrating the ten-year anniversary of their debut album Love It When I Feel Like This, Maxïmo Park – touring following the release or their 2017 album Rick To Exist – and The Coral complete an indie side to the day’s line-up. To read Damien Russell’s Birmingham Review of Risk To Exist, click here.

For those still craving more following all that, there is an after party running from 23:00 to 03:00 at the O2 Institute featuring a DJ set from Maxïmo Park, Blast Off DJs and Dave Southam of Snobs – click here for more details or check out the banner ad below.

For those not exhausted by the previous two days partying, Sunday is a more eclectic line-up with artists such as Scottish 80’s alternative rockers The Jesus and Mary Chain – touring their new album Damage and Joy, Reading’s shoegaze rockers Slowdive – promoting their eponymous album (the first for twenty-two years) and Birmingham’s own Editors bringing the proceedings to a close.

Beyond the TracksBPREVIEW: Slowdive @ Beyond the Tracks - Sunday 17th September‘ final day will be opened by Dorcha – ‘a five piece Birmingham band of synths, strings, electronics and heavy beats led by composer Anna Palmer’. Then throughout Sunday we will see sets from Victories at Sea – described by The Guardian as ‘dolorous indie disco with a fresh spin’, Goodnight Lenin – who have recently announced they are recording their second album, and psychedelic industrial rockers BLACKASH.

I think it would be fair to say that there is something for everyone on the Beyond the Tracks bill and seeing big national names with current tours/releases lined up side by side with solid local acts is a pleasure. The organisers seem to have considered every act and made sure they all have a connection to the area or to the 2017 music scene – an attention to detail that bodes well for the wider event.

Speaking of the wider event, while information is a little sparse the promotional video for the festival (link below) goes into a little more about what non-music elements we can expect. There is the promise of ‘fine ales, imported lagers, craft beers, scrumpy cider shack, quality cocktails and fine wines & fizz’ for the drinkers, alongside the aforementioned ‘gourmet street food & snacks’ to soak it all up with and and keep you going.

Then for those moments when the music has got a bit too much, we have some ‘cabaret side shows and walkabouts’ for the grown ups. Not a lot on the programme for children though, with the Beyond the Tracks organsisers issuing the following statement:

‘The event is aimed at an adult audience. There will not be any specific children’s entertainment on site with the focus primarily on the music itself. That said, we are keen not to exclude anyone from the event so have not set an arbitrary age limit for this year. However, all persons do require a full ticket for the event regardless of age’.

But seriously, who under the age of… is going to be losing it to Orbital or The Jesus and Mary Train? Also worth noting Beyond the Tracks has a no re-entry policy and once you’re in, you’re in. Although with a line-up like this I can’t see why anyone would possibly want to be ‘out’.

Beyond the Tracks 2017 – Official Trailer

Tickets for this event are £54.45 for individual day tickets, £145 for a weekend pass, and £11 for the Saturday night after party at the O2 Institute. 

For more on Beyond the Tracks, including full festival details and online ticket sales, visit www.beyondthetracks.org

BPREVIEW: Beyond the Tracks - after party @ O2 Institute 16..09.17

THE GALLERY: Maxïmo Park @ O2 Institute 05.05.17

 

 

 

Words & pics by Michelle Martin

I do love a good cup of tea. Fruity, spicy or a simple Earl Grey. I enjoy tea like I enjoy music, always open to trying new things.

Admittedly, I know little about Maximo Park. From releasing the debut LP twelve years ago on Warp Records, the Mercury nominated A Certain Trigger, to their latest Risk to Exist LP, the band appeared to have slipped through my music collection. And now I know the reason. As I stand in a sold out main arena at the O2 Institute, with fans and adulation all around me, the most interesting thing in the room is the man in the hat, centre stage. Him, and one audience member who was dancing like a T-Rex.

But as much as I enjoyed Paul Smith’s energetic performance, even his stage presence couldn’t make up for the music. Opening strong with ‘What Did We Do to Deserve This?’ – the second single from Risk to Exist, things fell flat pretty quickly for me after that.

Covering a deluge of work from their twelve year portfolio there were the inevitable ebbs and flows, with ‘Our Velocity’ and ‘Girls Who Play Guitars’ – the opening two tracks from the Our Earthly Pleasures sophomore LP – bringing some ear catching open guitars and much stronger vocals to the stage, more so than I found in their recent work. The rest of the set, which I was free to enjoy sans camera after track No#3, felt forgettable. Perhaps I came to this party too late.

But clearly the O2 Institute audience were having a fantastic time, all dancing and singing along, so I guess the opinion of one doesn’t really matter. Maybe that was why I was distracted by a man in the audience attempting to recreate a scene from Jurassic Park – Maxïmo Park’s blend of anarchic stage strutting and political laced indie rock was definitely his flavor. Although I think I’ll pass on this cup of tea next time around.

Check out a selection of Michelle’s shots from Maxïmo Park from the O2 Institute gig in THE GALLERY below. To see the Full Flickr of Pics, click here or on the relevant links.

Maxïmo Park @ O2 Institute 05.05.17 / Michelle Martin – Birmingham Review

Risk to Exist by Maxïmo Park is out on general release from 21st April, via Cooking Vinyl. For more on Maxïmo Park, visit www.maximopark.com 

For more from the O2 Institute, including full venue details and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham 

For more from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

BPREVIEW: Maxïmo Park @ O2 Institute 05.05.17

Words by Ed King / Pics by Ed Taylor

On Friday 5th May, Maxïmo Park will be playing at the 02 Institute. Doors open from 7pm, with tickets priced at £20.50 + booking fee – as presented by SJM Concerts. Minimum age for entry is 14.

N.B. At the time of writing this gig has been ‘Sold Out’, so check with reputable ticket providers for spares and returns. For direct gig info, click here.

Maxïmo Park will be playing further UK dates in Newcastle (6th May), Aberdeen (8th May), Glasgow (9th May), Sheffield (10th May), London (12th May), Bexhill-on-Sea (13th May), Cambridge (15th May), Cardiff (16th May), Falmouth (17th May), Manchester (19th May), Margate (27th May). For direct tour details, including online ticket sales, click here.

Maxïmo Park will be back in Birmingham on Saturday 16th September – co-headling the main stage at the Beyond the Tracks festival on Eastside Park, Birmingham City Centre. For direct festival info, click here.

Schlepping up, down and around the UK, Maxïmo Park are on the headline trial with their new album, Risk to Exist – released on 24th April through Cooking Vinyl. To read the Birmingham Review of Risk to Exist, from Damien Russell, click here.

Named after a park dedicated to the Cuban Generalisimo Máximo Gómez – a key military figure in Cuba’s war of independence – Maxïmo Park have never been too far away from the murky world of socio-political-meets-pop-rock.

And whilst the-man-in-the-hat, Paul Smith (not that kind of hat, not that Paul Smith), was once quoted as saying ‘I think it’s people who change the world but music can influence people’Maxïmo Park have arguably used their sixteen years of creative endevours to do just that. Plus they’ve made their own beer. So, on the road during the UK’s local elections and campaign trails for the general… that’s going to be some green room to tidy.

But with a front man you’d rip your granny’s teeth out to get, Maxïmo Park also have a reputation for pretty electrifying stage shows, no matter what your political leanings. Expect strutting, jumping, the occasional strobe, and the band’s name (sometimes literally) up in lights somewhere. And with a new album to hock at the merch stand I wouldn’t expect too many pulled punches, even with two fingers extended in the face of totalitarian capitalism.

Birmingham Review last saw Maxïmo Park, again at the 02 Institute, in December 2015 – click here to read Helen Knott’s Birmingham Review of the gig.

‘Risk to Exist’ – Maxïmo Park

Risk to Exist by Maxïmo Park is out on general release from 21st April, via Cooking Vinyl. For more on Maxïmo Park, visit www.maximopark.com

For more on Maxïmo Park at the O2 Institute, including venue details and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham/events/928783/maximo-park-tickets

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For more from the O2 Institute, including full venue details and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham

For more from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

ALBUM: Risk to Exist – Maxïmo Park

Words by Damien Russell / Pic by Ed Taylor

Those of you who know Maxïmo Park’s back catalogue will know they are a band who’ve had a little bit of everything over the years: diversity and cohesion, political and emotional, good reception and bad. It would be fair to say that their latest album, Risk to Exist, might be something of an unknown.

The first thing I should say is that this review will contain spoilers. So stop reading now if mystery is something you need in your life before you listen. The reason I say that is that while Risk To Exist has many elements, subtlety is not among them; it would impossible to do any comprehensive review without giving at least some of the game away.

Okay, so the nod to mystique done. Risk To Exist is an 11-song rollercoaster of an album that is instantly recognisable as being Maxïmo Park. Also this is a political record, and it’s clear to see that in the world according to Maxïmo Park politics is in a bad way.

There is a change in mood and emotion in the lyrics as you listen through the record, but also the consistent feeling of dissatisfaction and negativity. Almost at times like moving through the five stages of grief, perhaps missing out the bargaining stage. There is a bouncy melancholy to the album’s opener, ‘What Did We Do to Deserve This’, and the closing track ‘Alchemy’ has a feeling of resignation and being thankful for what you have that rounds the whole thing off nicely. The middle is a melee of anger, confusion and disappointment, with a side order of resentment for good measure.

Of course all of those negative emotions are tempered by Maxïmo Park’s sound and musical style, so an angry song (lyrically) is at times wrapped in a bouncy 80’s synth-pop style; ‘What Did We Do to Deserve This’ is a great example.

That’s not to say the band’s sound hasn’t evolved; through the album Maxïmo Park are both of, and outside, ‘their time’ in equal measure. They capture that early ‘00s Alt-Pop sound and then slide into an 80’s synth-fest, rolling back out again to give a nod towards the rock stylings we all know from ‘Our Velocity’.

It would be overstating to say that the changes in sound are seamless and it would be easy for a casual listener to hear a ‘collection of songs’ rather than an album. But it became clear to me while listening to Risk to Exist that the subject matter brings the whole thing together in a clever way. Although I wonder if the presentation might make this record become dated more quickly, and there are times I found myself listening and wishing that the lyrics had been made a bit less obvious to give more room for interpretation and for me, the listener, to put a bit of myself into what I was hearing. I hesitate to use the word ‘preachy’ but I was thinking it at times; perhaps that will divide listeners, riling those of a different opinion.

I’ve always been a fan of politics and music working side by side, to try to affect positive change. But there is a difference between encouraging unity and positive action and railing against a mood and time that you don’t agree with. Personally I think Risk To Exist has crossed into the latter, which does dilute the message a little.

In summary, Risk to Exist is a good album. Perhaps not a great album, but there are a few tracks on it that I would listen to over and over. My personal favourites are ‘What Did We Do to Deserve This’, which I mentioned earlier, and ‘Work and Then Wait’ – a mid-album track that could definitely be another single, and quite a successful one too.

It will be interesting to see what their overt political leanings bring to the live stage as Maxïmo Park tour their sixth studio album across the UK. Birmingham get’s its first chance to find out on the 5th of May at the O2 Institute, then again at the inaugural Beyond the Tracks festival on Sat 16th September.

‘Risk to Exist’ – Maxïmo Park

Risk to Exist by Maxïmo Park is out on general release from 21st April, via Cooking Vinyl. For more on Maxïmo Park, visit www.maximopark.com

For more on Maxïmo Park at the O2 Institute, including venue details and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham/events/928783/maximo-park-tickets

For more on Maxïmo Park at Beyond the Tracks, visit www.beyondthetracks.org