Live Nation UK

April 20, 2018

THE GALLERY: Trivium @ O2 Academy 17.04.18

Words by Yasmine Summan / Pic by Phil Drury

Florida’s heavy metal band, Trivium, set Birmingham a blaze this week as they storm through the UK on their The Sin and The Sentence World Tour 2018 – bringing city fans extreme head banging, searing guitar riffs, intense breakdowns, and a varied set list of their best hits since they first formed in 1999.

Fans flocked to the O2 Academy Birmingham in the thousands, hounding the merch tables and practically clinging onto the barrier with faces from all generations wavering through the crowd. I could feel the waves of nostalgia and excitement flooding through the room as fans joyfully ran in, decked out in ancient Trivium memorabilia unseen for years.

Opening the night, UK death metal band, Venom Prison, stormed onto the stage with a high energy performance and excessive head banging from vocalist, Larissa Stupar – who’s impressive screams filled the room and left everyone stunned.

Power Trip followed with their unique sound that revives the best elements of 80’s thrash metal, but takes aspects of modern metal to create a unique flare to their music. Their intensely high tempo, fast paced rhythm and scorching guitar solos had energy buzzing through the air; the whole band emanated great stage presence, with guitarist, Blake Ibanez, leaning into the crowd to sing along with the fans.

Code Orange stood out for their insane, off the wall performance that sky rocketed the energy levels in the room. Before their set had even begun the band’s guitarist, Dominic Landolina, ran off the stage and jumped into the crowd, gathering excitement amongst fans.

Whilst I enjoyed the diverse range of support acts, the drastically varying subgenres didn’t fairly compliment their collective talents. Hardcore is often more aggressive whilst metal is more melodic, which garner completely different audiences. Whilst the majority of the crowd was lively, this did result in some disinterested faces across the room and I think better consideration could have been put into the arrangement of the line-up.

As the lights dimmed and fans eagerly waited, I was unsure of what would entail for the atmosphere in the O2 Academy after the mixed reactions for the previous acts. However, I can assure you that as Trivium’s lead vocalist, Matt Heafy, swarmed onto the stage and the thudding of Alex Bent’s drums began to charge through the room, all hell truly did break loose. Trivium kicked in with their latest track, ‘The Sin and The Sentence’, causing crowd surfers to flood through the barriers, with mosh pits circulating around the room as an intoxicating rush of adrenaline dazed the crowd.

Their performance was practically unscathed, it felt so well-rehearsed and strategically thought out. From the layout of the stage that matched their latest album cover, to the lights syncing to the beat of the drums and every single riff tearing its way through the room without a single distorted note in sight, I was beyond overwhelmed with the outstanding performance – especially at Heafy’s guitar riffs that were so crisp they could cut through thin air.

Trivium play on the traditional styles of heavy metal music, which was translated great through their older hits like ‘Throes of Perdition’ and ‘Becoming the Dragon’ with highly amplified extended guitar solos and emphatic drum beats, similar to heavy metal bands like Iron Maiden and Pantera. Although arguably, I do think the lack of their works from popular albums such as Shogun and The Crusade was underwhelming, seeing as these tried and tested tracks translate well with the fans when performed live.

The band moved as one body and fed from each other’s energy. It was clear to see the devoted passion for their work thriving through each member; at times you could even see bassist, Paolo Gregoletto, rapidly strumming with sweat soaking his face, as if he was pouring his soul into every strum. Even between songs the band’s genuine nature transpired, as they constantly thanked the crowd and shared moments of their last time in the UK with Heafy saying he feels that “the UK basically adopted us” because of how frequently they visit.

Short bursts of surreal moments are what truly captivated the O2 Academy Birmingham crowd and brought the room together. It was humbling to see fans completely in awe with their eyes glued to the stage, or even to see someone coming out of a mosh pit completely covered in blood but with a huge grin plastered across their face as they sang along to every word.

Trivium are stretching their adventures across the UK and will be visiting Manchester and London before finalising their The Sin and The Sentence Tour for 2018. But as for their stop at the O2 Academy Birmingham, it brought a nostalgic pang of happiness to see fans, families and friends all enjoying themselves.

Trivium @ O2 Academy 17.04.18 / Phil Drury

For more on Trivium, visit www.trivium.org

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Power Trip – supporting Trivium @ 02 Academy 17.04.18 / Phil Drury

For more on Power Trip, visit www.powertripsl.bandcamp.com

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Code Orange – supporting Trivium @ 02 Academy 17.04.18 / Phil Drury

For more on Code Orange, visit www.codeorangetoth.com

For more on Venom Prison, visit www.venomprison.com

For more from Live Nation UK, including further event listings and online ticket sales, visit www.livenation.co.uk

For more on O2 Academy Birmingham, including venue details and further event listings, visit www.academymusicgroup.com/o2academybirmingham

April 1, 2018April 3, 2018

ED’S PICK: April ‘18

Words by Ed King

Easter Sunday, 1^st April… There’s probably a joke in there somewhere. But with a basket of listings and entertainment based excel spreadsheets to plough through who has the time to be witty? Or hunt for Easter eggs, for that matter. Being an adult sucks.

However (…are you ready for this segue) it does allow me to enjoy all the delights of the Flatpack Film Festival without worrying about ID – actually, I’m not sure there’s too much on the programme with an age restriction but Dots & Loops are part of the festival and they brought us Lesley the Pony Has and A+ Day!, so…

Back for festival number 12, those glorious creatives at Flatpack have put on a nine day smorgasbord of celluloid, digital, and other audio/visual treats – running from 13^th to 22^nd April, in a variety of venue across the city. Too much to cram into this round up; look out for our more in-depth cherry pick in the days to come, or click here for more direct information on the full programme.

Elsewhere in the non-greenfield, Ebola flirting, footwear wrecking land of multi-stage events, we have the Birmingham Literature Festival – hop scotching from various corners of the REP to the Birmingham and Midland Institute from 27^th to 29^th April. Now old enough to drink beer in America, this year’s Birmingham Literature Festival has a focus on women in literature and publishing, alongside a weekend long programme of ‘inspiring conversations, writing and debate’. Again too much to adequately surmise, but click here for more direct info.

Following on with a female focus, Birmingham Jazz launches its Legends Festival on 27^th April – running as a series of satellite events across the city until 20^th May. This year’s linchpin is ‘Celebrating Women in Jazz’, with local artists such as Trish Clowes joining a myriad of talent from across the globe. Too much to fit into… you know the drill, click here.

Theatre comes in all shapes and sizes this month, including a couple of choice cuts on Hurst Street – with Wicked beginning its Birmingham run at the Hippodrome (4^th-29^th Apr) and The Twisted Tale of Hansel and Gretel at the Patrick Centre (4^th– 8^th Apr).

Across the duel carriageways and road works we have Graham Greene’s Brighton Rock coming to the Birmingham REP (10^th – 14^th) followed by the political see-saw of 1970’s Britain in This House (17^th – 21^st) – reminding us fear mongering comes from both sides of the aisle and a dash of vitriol isn’t a particular new idea. How times have changed… or not.

Music takes its usual fat belly slice of our monthly listings, with a few ‘big gigs’ of notE coming to the NEC portfolio – as the Genting Arena sees both Arcade Fire (15^th Apr) and Dua Lipa (17^th Apr), whilst Arena Birmingham welcomes the Manic Street Preachers (27^th Apr) back to the city.

Playing across the non-arena rooms of our musical city, the Hare & Hounds has another eclectic mix – with Kushikatsu Records presenting Shonen Knife (15^th Apr) followed Snowpoet (19^th Apr) courtesy of Jazzlines. Whilst The Glee Club sees the very welcome return of Nerina Pallot (9^th Apr) stopping off in Birmingham on the second date if her UK tour. Fingers crossed there’s a piano on stage.

The Sunflower Lounge sees Killer Wave and Outlander host their ‘Help the Homeless’ pay-as-you-feel charity fundraiser (8^th Apr) – with all money raised going to Shelter and Tabor House. Then we have Lucy May Walker playing her first headline show in Birmingham (18^th Apr) – both events well worth a stop, look and listen. And £5 of your hard earned cash, of course.

Our mobile branded venues see a bevy of acts this month too, with the O2 Academy presenting George Ezra (4^th Apr), The Vaccines (7^th Apr), Trivium (17^th Apr), The Streets (19^th Apr), Coasts (21^st Apr) and Akala (24^th Apr). Whilst the O2 Institute leads out with Walk the Moon (7^th Apr), Little Comets (14^th Apr), Aquilo (16^th Apr), Of Mice and Men (25^th Apr) and Sharon Needles: Battle Axe Tour (26^th Apr).

A special mention also has to go to the Hummingbird-Menagerie-Indie-salad days-nostalgia trip coming to the O2 Academy with Love From Stourbridge – featuring The Wonder Stuff and Ned’s Atomic Dustbin (14^th Apr). Someone pass me my German army shirt, skateboard and a can of Red Stripe, we’re going early 90’s feral…

And if you’re committed to your anti-corporate support of live music, never fear as mac welcomes Juice Aleem & Surge Orchestra (21^st Apr) whilst Mama Roux’s serves two sides of the musical rainbow with The Herbaliser (19^th Apr) and Mallory Knox (24^th Apr)… probably not a good idea to get those dates mixed up in your diary.

Elsewhere in the city, comedy offers a relatively strong respite from those kids and their music – with The Glee Club presenting Tony Law (13^th Apr), Alun Cochrane (15^th Apr) and Craig Campbell (22^nd Apr).

Or if you just want to stand and stare, you could waste a happy hour or two at Lewes Herriot: The Glass Arcana exhibition at Artefact in Stirchley (13^th – 14^th Apr). Or watching the flyers unfold with an exhibition from the seminal 90’s ambient electro club Oscillate, at Centrala (16^th – 28^th Apr) – bearing in mind there is an end of exhibition party with HIA and POLE (28^th Apr) so you might want to do more than actually just stand and stare. Or not. Depends how you dance to Sun Electric, I suppose. Necking enough amphetamines to kill a small horse always worked for me, but vegetarian options are available.

But to end on the most glamorous of high notes (pun absolutely intended) Paul Alexsandr and Dragpunk present Candyland at The Nightingale (6^th Apr) – a choc full celebration of ‘local and national UK drag of all genders, sexualities and abilities that you’ll adore.’ Then at the other end of the April rainbow, Opulence are launching Mother’s Meeting at Bar Jester (28^th Apr) – a band spanking new ‘performance night dedicated to showing off a variety of drag and queer talent across Birmingham and the U.K.’, with special guest Charity Kase joined by a pageant of the Opulence crew on stage and Elliot Barnicle on the decks.

Birmingham can be proud for many reasons, but the cross over embrace of its drag community is one to really get those flags waving. We love covering it, and it seems the punters of Birmingham love supporting it. So, Vive la/le drag community of our fair/fairer city, alongside all who sail on these most wonderful of waters. Save some energy though, Birmingham Pride is a mere calendar page turn away.

And wait, I’ve just thought of one. A Jewish carpenter and a 6ft rabbit walk into Cadbury World…

For more on any of the events listed here, click on the highlighted hyperlinks. Ed King is Editor-in-Chief of Review Publishing, which issues both the Birmingham Review and Birmingham Preview. To follow Ed King on Twitter, click here.

February 3, 2018

BREVIEW: Katherine Ryan – Glitter Room @ Symphony Hall 02.02.18

Words by Ed King

We filed slowly, languidly into the hall. The auditorium was vast… But not silent, which is an immediate win for a Birmingham crowd.

I love my home city, but it can be a tough cookie for any touring artist – from the Insane Clown Posse to Ani DiFranco, you just can’t be sure when it come to a Birmingham gig. And I have never seen comedy at the Symphony Hall; a huge room, indeed a ‘vast auditorium’, one a friend astutely described as “the 1980’s trying to do the 1950’s”.

But if tonight isn’t sold out, then it’s a damn near close. All I can count are the empty chairs stuck in traffic or cursing an AWOL babysitter. Booking Joe Lycett as support was a bold local move too. So bold it could have even backfired, as Lycett takes to the intimidating plateau that is the Symphony Hall stage (without a orchestra on it at least) and makes it as cosy as your living room. Cosier, in fact, like the living room of a good friend but one who won’t expect you to clean up afterwards. Or a total stranger’s when you’ve drunk too much to care.

Taking us to the interval and in some case to our seats, as with the unlucky couple that arrive a little late (once the show had started, once the stand up comedy show had started, once the stand up comedy show had started in front of thousands of people that can see you’re in the wrong aisle) Lycett confidently segues from jokes of civic humour to the best use for an Amazon Alexa. Extreme, funny, and extremely funny, the now Kings Heathen is about to embark on his I’m About to Lose Control and I think Joe Lycett (nice) tour, kicking off the day before Valentines. Definitely one to watch out for, and then watch. If you can. It’s pretty much sold out too.

Sauntering onto the big and empty Symphony Hall stage, “it’s a long walk…”, Katherine Ryan looks resplendent in pink silk (I think) with red frills. Or her Vagina Trousers, as we are quickly informed. So there’s an image that will never leave my mind. Assured, tempered by a tour that’s been running since September, and all the qualities that a stand up Faust would be picking his scabs to sign, seal and deliver, Ryan opens with jokes about relationships, the ending of relationships, and moving six thousand miles away with your fingers crossed – an oddly narcissistic approach to putting your emotional cards on the table. Immediately engaging, Ryan turns what could have been trite into fresh and personal material, inviting us into walk though the weird worlds we all inhabit (even if some of us aren’t totally aware of our terrain). Honest, the fun side of frustrated, and cut to perfection; I will never look at a dolphin in quite the same way again.

From jibes about her “ineffectual butler” daughter, be it stalking Anna Kendrick or learning the difference between “day wine and night wine”, to an accentuated recount of when her family came over from the “trashy part” of Canada to see her small London freehold, Ryan has a firm grip on her delivery. Its gut wrenching; at one point I honestly feel the cartilage between my ribs ask me to stop. But by the time my favourite line of the night is uttered, namely that the Frank Sinatra standard ‘My Way’ is the “anthem of a cunt”, it’s clear there is to be little respite. And I will love that sentence until the day that I die.

But Ryan’s wrath is anything than just pure self deprecation, as everyone from her school gate peers – the bake sale obsessed Julie (who I swear is a more fertile version of my step mother) to the Lycra obsessed husband who would get “hate fucked” back in his box, get an astute poke in the ribs. And if you’ve ever spent “two Christmases” traversing a bitter and empty motorway…

Celebrity culture is also in range, as public domain miscreants – from R Kelly to the misogynists of musical theatre – receive a taste of the lash. But don’t worry, an escape to any would be sexual predator is offered; just “don’t fuck vulnerable women”, as the chant that never was (but should have been) rings around the back rows of the West End.

There is even a little time for some proxy president poking, filtered through the plight of “the world’s most unlucky gold digger” Melania Trump. And despite the clear attack at the abject horror that currently sits in The White House, this once again over used subject is the conduit for another piece of acerbic genius – namely that the maligned First Lady is only “one line of coke and an aggressive hand job” away from inheritance and freedom. We can but hope. Or perhaps even help, to a point. I know a guy with some cracking Colombian flake…

Katherine Ryan’s Glitter Room is on tour across the UK until the 24^th March 2018. For more on Katherine Ryan, including full tour dates and online ticket sales, visit www.katherineryan.co.uk

For more on Joe Lycett, visit www.joelycettcomedy.co.uk

For more from Live Nation UK, including further event listings and online ticket sales, visit www.livenation.co.uk

For more from both the Symphony and Town Halls, including further event listings and online ticket sales, visit www.thsh.co.uk

February 1, 2018February 2, 2018

ED’S PICK: February 2018

Words by Ed King

The shortest month of the year is here. Luckily it’s also the turning point, as life starts to push up through the thaw and Percy Thrower can start planning his planters. OK, bad example, but there’s a joke about daisies in the somewhere.

But luckily for us mortal coilers, the venues and promoters of this city are still packing a pretty heavy punch with February’s event calendar. If there truly is no rest for the wicked, then it seem incongruous that anyone got Christmas presents this year.

Comedy starts strong with the ‘queen of the acerbic broad smile’, or Katherine Ryan as she’s known in other publications, bringing her Glitter Room tour to the Symphony Hall (2^nd Feb) – a week before the Machynlleth Comedy Festival Showcase (9^th Feb) comes to mac with Joe Lycett, Tom Parry, Mike Bubbins, Rachel Parris and Danny Clives. Then it’s back to the Glee Club for a little end of the month self help, as Lloyd Griffiths (23^rd Feb) walks us through what it’s like to feel in:Undated in ‘a show about overcoming the overwhelming.’ I call them mornings, but we’ll see what he brings to the table.

Hurst Street is the home of dance this month, with Matthew Bourne’s Cinderella coming to the Hippodrome (6^th – 10^th Feb) whilst round the corner DanceXchange and Mark Bruce Company present a reworking of Macbeth (8^th-9^th Feb). And no doubt making St Valentine’s Day less of a massacre for many in this city, see what I did there, Birmingham Royal Ballet present The Sleeping Beauty back at the Hippodrome (13^th – 24^th Feb).

Music has everyone from the soon to be great to the already good coming through the city, kicking off with a cross city battle between Peach Club at The Sunflower Lounge (6^th Feb) and While She Sleeps at the O2 Institute (6^th Feb). A week later we have Iron & Wine at Symphony Hall (13^th Feb), followed by Bedford’s alt rockers Don Bronco at the O2 Academy (15^th Feb) as Dermot Kennedy plays the O2 Institute (15^th Feb). A day later there’s Mondo Royale spicing it up at the Actress & Bishop (16^th Feb) bringing a few different strands of your music rainbow across our city. In the days after that, we see Cabbage at the Castle & Falcon (17^th Feb), one not to be missed, The Ataris at The Asylum (17th Feb), Irit at the Glee Club (19^th Feb), Laura Misch at the Hare & Hounds (20^th Feb), Big Cat at the Indie Lounge in Selly Oak (23^rd Feb) and Puma Blue at The Sunflower Lounge (24^th Feb).

All the ‘big gigs’ this month are at the Genting Arena, in the shape of Imagine Dragons (24^th Feb) and the man himself, or one of them at least, Morrissey (27^th Feb). But there’s a few home grown releases this month worth saving your sheckles for too, as Amit Datani releases his debut solo album – Santiago (17^th Feb) and Table Scraps send another fuzz monster into the world with their latest long player – Autonomy (23^rd). Watch out for March’s listings for showcase gigs from both.

Exhibitions come from a multitude of angles this month, with the two blips on our radar being Factory Warhol at The Sunflower Lounge (10^th Feb) and The Dekkan Trap from Sahej Rahal in mac’s First Floor Gallery (17^th Feb) – with a few ancillary events to introduce both the artist and exhibition.

Some suitable love story based theatre starts treading the boards in this most Hallmark of months, with Penguins (1^st –10^th Feb) and Brief Encounter (2^nd– 17^th Feb) coming to the Birmingham REP, as The Last Five Years get played out at The Old Joint Stock (14^th – 18^th Feb). Then it’s the arguably less seductive A History of Heavy Metal with Andrew O’Neill & Band in mac’s Theatre (18^th Feb), before the award winning Mental has a three day at The Old Joint Stock (21^st – 23^rd Feb) and Terence Rattigan’s The Windslow Boy begins it’s run at REP (21^st Feb – 3^rd Mar). And for one night only each, LEFTY SCUM: Josie Long, Jonny & The Baptists and Grace Petrie present a mix bag of ‘Music! Comedy! Revolutionary socialism’ again in mac’s Theatre (27^th Feb) whilst back at The Old Joint Stock there is single An Act of Kindness (28^th Feb) to round off the month. But don’t worry, it’ll be back in March.

So, enough to keep you lovebirds busy this month – or to distract the kings and queens of singledom on that depressing light letter box day. But whether you face this world alone or together there’s always Fight Club for £1 at The Mockingbird Kitchen & Cinema (12^th Feb). Cheaper than a card, at least.

For more on any of the events listed here, click on the highlighted hyperlink. Ed King is Editor-in-Chief of Review Publishing, which issues both the Birmingham Review and Birmingham Preview.

January 29, 2018

BPREVIEW: Katherine Ryan – Glitter Room @ Symphony Hall 02.02.18

Words by Ed King

On Friday 2^nd February, Katherine Ryan brings her Glitter Room Tour to Birmingham’s Symphony Hall – with Joe Lycett as the stand up support act.

Katherine Ryan’s Glitter Room is scheduled for 8pm at the Symphony Hall, with tickets priced at £24.50 (+bf) as presented by Live Nation UK. For direct show information, including venue details and online ticket sales, click here.

Queen of the acerbic broad smile, Katherine Ryan has been poking the ribs of our populous since settling in Britain about a decade ago – winning the Nivea sponsored Funny Women Award in 2008.

Born, raised and educated in Ontario, Ryan initially moved to the UK to help the restaurant chain Hooters set up in Nottingham – sticking around in Albion longer than expected, picking up some solid bookings as a comedian and setting into the tight lipped day to day of England. Now a self described “typical British mum – a young, uneducated immigrant”, Ryan has become a familiar face in Britain as a TV presenter, regular guest on TV panel shows, and part of the festival stand up circuit.

With a self deprecating, child (adulation) bashing, velvet glove punch approach to her material, Katherine Ryan is not likely to appear at a Pontins family cabaret anytime soon (I once saw both mother and daughter on stage for a skit… not your standard red coat fodder). Likewise, I can’t imagine there’s too much sleep being lost in the Ryan household when Waitrose run out of Chai Latte mix.

But for those anti-millennials who enjoy a sticking a good two fingers up at the tacit/absurd sides of society, you might find yourself in the right room with Katherine Ryan.

Although her latest tour, Glitter Room (named after her daughter’s bedroom) sees Ryan shift from the ‘waspish put-down to a more positive celebration of her life’ – with a little room left for Trump bashing and jabs at Baby Machine Julie. Personally, I’m fingers crossed for another attack of the Beyoncés. But a boy can dream.

Katherine Ryan – on Conan, February 2017

Katherine Ryan brings her Glitter Room Tour to Birmingham’s Symphony Hall on Friday 2^nd February, with Joe Lycett as the support stand up act. For direct show information, including venue details and online ticket sales, visit www.thsh.co.uk/event/katherine-ryan

For more on Katherine Ryan, visit www.katherineryan.co.uk

For more on Joe Lycett, visit www.joelycettcomedy.co.uk

For more from Live Nation UK, including further event listings and online ticket sales, visit www.livenation.co.uk

For more from both the Symphony and Town Halls, including further event listings and online ticket sales, visit www.thsh.co.uk