ED’S PICK: April ‘18

Words by Ed King

Easter Sunday, 1st April… There’s probably a joke in there somewhere. But with a basket of listings and entertainment based excel spreadsheets to plough through who has the time to be witty? Or hunt for Easter eggs, for that matter. Being an adult sucks.

However (…are you ready for this segue) it does allow me to enjoy all the delights of the Flatpack Film Festival without worrying about ID – actually, I’m not sure there’s too much on the programme with an age restriction but Dots & Loops are part of the festival and they brought us Lesley the Pony Has and A+ Day!, so…

Back for festival number 12, those glorious creatives at Flatpack have put on a nine day smorgasbord of celluloid, digital, and other audio/visual treats – running from 13th to 22nd April, in a variety of venue across the city. Too much to cram into this round up; look out for our more in-depth cherry pick in the days to come, or click here for more direct information on the full programme.

Elsewhere in the non-greenfield, Ebola flirting, footwear wrecking land of multi-stage events, we have the Birmingham Literature Festival – hop scotching from various corners of the REP to the Birmingham and Midland Institute from 27th to 29th April. Now old enough to drink beer in America, this year’s Birmingham Literature Festival has a focus on women in literature and publishing, alongside a weekend long programme of ‘inspiring conversations, writing and debate’. Again too much to adequately surmise, but click here for more direct info.

Following on with a female focus, Birmingham Jazz launches its Legends Festival on 27th April – running as a series of satellite events across the city until 20th May. This year’s linchpin is ‘Celebrating Women in Jazz’, with local artists such as Trish Clowes joining a myriad of talent from across the globe. Too much to fit into… you know the drill, click here.

Theatre comes in all shapes and sizes this month, including a couple of choice cuts on Hurst Street – with Wicked beginning its Birmingham run at the Hippodrome (4th-29th Apr) and The Twisted Tale of Hansel and Gretel at the Patrick Centre (4th– 8th Apr).

Across the duel carriageways and road works we have Graham Greene’s Brighton Rock coming to the Birmingham REP (10th – 14th) followed by the political see-saw of 1970’s Britain in This House (17th – 21st) – reminding us fear mongering comes from both sides of the aisle and a dash of vitriol isn’t a particular new idea. How times have changed… or not.

Music takes its usual fat belly slice of our monthly listings, with a few ‘big gigs’ of notE coming to the NEC portfolio – as the Genting Arena sees both Arcade Fire (15th Apr) and Dua Lipa (17th Apr), whilst Arena Birmingham welcomes the Manic Street Preachers (27th Apr) back to the city.

Playing across the non-arena rooms of our musical city, the Hare & Hounds has another eclectic mix – with Kushikatsu Records presenting Shonen Knife (15th Apr) followed Snowpoet (19th Apr) courtesy of Jazzlines. Whilst The Glee Club sees the very welcome return of Nerina Pallot (9th Apr) stopping off in Birmingham on the second date if her UK tour. Fingers crossed there’s a piano on stage.

The Sunflower Lounge sees Killer Wave and Outlander host their ‘Help the Homeless’ pay-as-you-feel charity fundraiser (8th Apr) – with all money raised going to Shelter and Tabor House. Then we have Lucy May Walker playing her first headline show in Birmingham (18th Apr) – both events well worth a stop, look and listen. And £5 of your hard earned cash, of course.

Our mobile branded venues see a bevy of acts this month too, with the O2 Academy presenting George Ezra (4th Apr), The Vaccines (7th Apr), Trivium (17th Apr), The Streets (19th Apr), Coasts (21st Apr) and Akala (24th Apr). Whilst the O2 Institute leads out with Walk the Moon (7th Apr), Little Comets (14th Apr), Aquilo (16th Apr), Of Mice and Men (25th Apr) and Sharon Needles: Battle Axe Tour (26th Apr).

A special mention also has to go to the Hummingbird-Menagerie-Indie-salad days-nostalgia trip coming to the O2 Academy with Love From Stourbridge – featuring The Wonder Stuff and Ned’s Atomic Dustbin (14th Apr). Someone pass me my German army shirt, skateboard and a can of Red Stripe, we’re going early 90’s feral…

And if you’re committed to your anti-corporate support of live music, never fear as mac welcomes Juice Aleem & Surge Orchestra (21st Apr) whilst Mama Roux’s serves two sides of the musical rainbow with The Herbaliser (19th Apr) and Mallory Knox (24th Apr)… probably not a good idea to get those dates mixed up in your diary.

Elsewhere in the city, comedy offers a relatively strong respite from those kids and their music – with The Glee Club presenting Tony Law (13th Apr), Alun Cochrane (15th Apr) and Craig Campbell (22nd Apr).

Or if you just want to stand and stare, you could waste a happy hour or two at Lewes Herriot: The Glass Arcana exhibition at Artefact in Stirchley (13th – 14th Apr). Or watching the flyers unfold with an exhibition from the seminal 90’s ambient electro club Oscillate, at Centrala (16th – 28th Apr) – bearing in mind there is an end of exhibition party with HIA and POLE (28th Apr) so you might want to do more than actually just stand and stare. Or not. Depends how you dance to Sun Electric, I suppose. Necking enough amphetamines to kill a small horse always worked for me, but vegetarian options are available.

But to end on the most glamorous of high notes (pun absolutely intended) Paul Alexsandr and Dragpunk present Candyland at The Nightingale (6th Apr) – a choc full celebration of ‘local and national UK drag of all genders, sexualities and abilities that you’ll adore.’ Then at the other end of the April rainbow, Opulence are launching Mother’s Meeting at Bar Jester (28th Apr) – a band spanking new ‘performance night dedicated to showing off a variety of drag and queer talent across Birmingham and the U.K.’, with special guest Charity Kase joined by a pageant of the Opulence crew on stage and Elliot Barnicle on the decks.

Birmingham can be proud for many reasons, but the cross over embrace of its drag community is one to really get those flags waving. We love covering it, and it seems the punters of Birmingham love supporting it. So, Vive la/le drag community of our fair/fairer city, alongside all who sail on these most wonderful of waters. Save some energy though, Birmingham Pride is a mere calendar page turn away.

And wait, I’ve just thought of one. A Jewish carpenter and a 6ft rabbit walk into Cadbury World…

For more on any of the events listed here, click on the highlighted hyperlinks. Ed King is Editor-in-Chief of Review Publishing, which issues both the Birmingham Review and Birmingham Preview. To follow Ed King on Twitter, click here.

THE GALLERY: Touch My Secret @ Hare and Hounds 06.12.17

Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

 

 

 

Words by Steve Crawford / Pics by Denise Wilson

Kushikatsu Records promised an eclectic evening tonight and so it proves to be, with three very different and distinct acts taking the stage in the smaller room at the Hare and Hounds.

The first act of the evening is Exotic Pets, a lo-fi indie garage punk trio consisting of two guitarists, Dave and Adam, backed by drummer, Becky. Although only forming a year or so ago they have already supported the likes of Ghosts of Dead Airplanes and Sunshine Frisbee Laserbeam. It’s always gratifying to see a decent array of effects pedals with the guitar combination of Fender Jaguar / Fender Telecaster: we’re clearly in good, solid, garage indie territory.

Exotic Pets have a bright, single-coil, post-punk, unfussy sound, but with enough licks and flourishes to keep things interesting. The band’s first song, ‘Carrion’, is musically an upbeat cheery number, but this jauntiness belies the lyrically dark subject matter which drummer Becky delights in telling the audience about afterwards. Exotic Pets – supporting Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham ReviewAs far can be ascertained, Liverpudlian drummer Becky is de facto leader of Exotic Pets, and her engaging banter with fellow bandmates and the audience gives us an insight into the band’s relationships and dynamics.

In stark contrast to Becky’s affable chattiness, Adam remains stoically silent, acknowledging the next track with just a thumbs up, with Becky declaring this as, “the most Yorkshire thing I’ve ever seen you do”. There are some Yorkshire vs. Lancashire dynamics going on.

Exotic Pets’ standout track is ‘Meteor’, with Adam’s vocals enhanced by delay effect on the microphone, giving it a slight Joe Meek edge. However, the biggest response from the night comes for ‘Hot Boys on Campus’ and at the time of writing this is the only Exotic Pets track available to purchase from Bandcamp for a mere £1, or more should you wish. Exotic Pets are the least polished act of the evening, at the moment at least, but it really doesn’t lessen their performance and it’s obvious that they already have a loyal following. An EP is due out next year and I look forward to more adventures in the lives of the band.Einstellung – supporting Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

In complete contrast to Exotic Pets are Einstellung, reportedly playing live for the first time in about two years. Despite the Germanic sounding name, Einstellung are a four piece from Birmingham formed around 2004. The band are very open about their influences – given the name, plus the fact that their tracks can hit upwards of 15 minutes and all have German titles, then krautrock is one of the more obvious ones. With its members also citing Black Sabbath, My Bloody Valentine and Spiritualized as some of their favourite bands, Einstellung occupies an altogether darker and heavier sound than krautrock bands like Neu!, creating a sound that has been self-described as ‘powerkraut’.

Tonight they produce huge slabs of powerkraut, as wave after wave pummels the audience. One tune leads into another with no gaps in between. Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham ReviewWell, virtually no gaps: there’s a point near the end of the set when the briefest of pauses allows the audience members to show their appreciation.Einstellung are a real force to witness in a venue like the Hare and Hounds.

You may think that lengthy instrumentals could get tedious and are something to be endured, but this is not the case at all. Einstellung (and it’s tempting here to now refer to the band as The Mighty Einstellung) are mesmerising live. Tracks start slowly and fairly quietly, with heavy riffs that repeat and build into something quite hypnotic, gathering pace until they can’t be contained, eventually erupting into frantic, unrestrained crescendos. The final tune sees the guitars being throttled into amps to produce wails of feedback. It’s possibly the reason why earplugs were being handed out on the door.

Chatting afterwards to Steve Hough from the band, he is asked why the two year gap between playing live? “We’re lazy, we’re getting older and we have careers”. All of which is fair enough. But he does admit just how it enjoyable it was to get back on stage again. We can but hope that all members of Einstellung enjoyed themselves equally as much, or at least enough to want play live again and soon.Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

There’s no setlist, apparently there never is, much to the disappointment of my setlist-stealing friend who had managed to nab Exotic Pets’ one earlier. My friend works his magic again with tonight’s headline act and duly obtains said setlist from the stage (after band has finished playing, of course). It’s a wonderful looking document, but given that it’s written in Japanese not particularly useful for reviewing purposes.

Headliners, Touch My Secret, are the second trio of the evening but an altogether different beast to Exotic Pets and, indeed, Einstellung. Labelled as ‘J-Rock’, Touch My Secret inhabit a more traditional power-rock territory compared to fellow compatriot J-rockers Mutant Monster, who they supported at the Hare and Hounds last year.

Touch My Secret are fronted by Anne on guitar and vocals, Chloe on bass, and Louie on drums. But it’s a lone Louie who emerges from the crowd to take up the sticks behind his kit and proceeds to kick things off with a quite magnificent drum solo, heralding the other two members on stage to complete the line-up.

Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham ReviewFrom the start it’s clear that the trio are tremendously talented musicians. Louie’s drumming is outstanding; all drummer jokes are null and void after this opening solo and he doesn’t let up for the rest of the night. Similarly, Anne and Chloe fly around their respective fretboards note perfect with absolute precision. Anne is an exceptionally adept guitarist, with impressive chops that range from chugging power chords, dexterous solos and Eddie Van Halen-style tapping techniques along the neck. She also has the rock star moves down to a tee: foot-on-monitor poses and white Les Paul-style guitar held triumphantly aloft.

It is impressive how three people can make such an immense and powerful noise, but Touch My Secret can and do, yet making it seem so effortless. A few songs under their belts and Anne, apologising for her poor English, but in pretty much perfect English, addresses the audience, “Maybe you can’t understand Japanese lyrics. But fuck it.” She then proceeds to fire up yet another colossal J-rock monster of a tune. She’s right. Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham ReviewIt doesn’t matter that the lyrics are largely in Japanese and it doesn’t detract from the enjoyment of watching such a high calibre band. Halfway through their set, Touch My Secret do break into English with a fine cover of Hole’s ‘Celebrity Skin’, one of the few times most of the audience can sing along.

Two songs before the end, one of Louie’s snare drums is killed in action; his drumming is too much for the poor snare to take, as he proudly displays the battered and ripped instrument to the crowd. There’s a quick interlude as the snare is replaced and for the first time tonight Touch My Secret come off the accelerator to play a slower, more melodic number. The final song finishes and its cheers and applause all round from the crowd, which is reportedly the biggest audience the band has had so far on this tour.

Touch My Secret are a winner tonight in Birmingham. The city’s growing taste for all things Japanese, along with the influence of Kushikatsu Records, hopefully means that more bands from the Far East will grace midlands venues in the near future.

 

 

 

Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

For more on Touch My Secret, visit www.touchmysecret.com

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Einstellung – supporting Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Einstellung – supporting Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Einstellung – supporting Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

For more on Einstellung, visit www.einstellung.bandcamp.com

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Exotic Pets – supporting Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Exotic Pets – supporting Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Exotic Pets – supporting Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

Exotic Pets – supporting Touch My Secret @ Hare and Hounds 06.12.17 / Denise Wilson – Birmingham Review

For more on Exotic Pets, visit www.ex0ticpets.bandcamp.com

For more on Kushikatsu Records, visit www.facebook.com/kushikatsurecords

For more from the Hare and Hounds, including full event listings and online ticket sales, visit www.hareandhoundskingsheath.co.uk

BPREVIEW: Touch My Secret @ Hare and Hounds 06.12.17

Words by Steve Crawford / Pics courtesy of Ikon Gallery

 

On Wednesday 6th December, Kushikatsu Records in collaboration with Orion Live present Japanese power-pop, power-rock trio Touch My Secret at the Hare and Hounds, as part of their December 2017 UK tour. Last seen at the venue as support act to all girl J-Punk group Mutant Monster in November 2016, Touch My Secret now return as headliners in their own right with support from Einstellung and Exotic Pets.

Doors open at 7:30pm, with tickets priced at £11.00 +bf. For direct gig info, including venue details and online ticket sales, click here.

Kushikatsu Records are a Birmingham based label whose frequent trips to Japan have been spent emerged in the Japanese music scene seeking out bands such as Touch My Secret which they promote in the UK to ever growing and appreciative audiences.

The opening act for the evening are Birmingham’s Exotic Pets – a lo-fi, indie, garage trio and no strangers to the Hare and Hounds (and other local venues) having this year supported the likes of Ghosts of Dead Aeroplanes, Soeur and Sunshine Frisbee Laserbeam. Their current single ‘Hot Boys on Campus’ is available as a download from Bandcamp.

Following Exotic Pets will be another Birmingham band, Einstellung – formed as an “outlet for its members to blend their record collections”, and a fusion that inspired the creation of what the band have called ‘Powerkraut’ (a name they originally gave to their studio). Citing influences from Neu!, My Bloody Valentine and Black Sabbath, their first release was a 28 minute single entitled ‘Sleep Easy Mr Parker’ in 2006 and have since released three albums: Wings of Desire, The Rest Are Thunder , All and Nothing. Described live as ‘repetitive, hypnotic with a pulsing beat… that climbs towards a thunderous noise freak out’… it might get loud? “Big earplugs!” we’re told by the band in a recent post. You have been warned.

Our headliners for the evening, Touch My Secret formed less than 3 years ago and played their first gig on the 5th March 2015 at the Shibuya Take Off 7 in Tokyo. Since then, the band have recorded and toured across Japan, China and the UK – but also gained a fan base from as far afield as Russia, Mexico and Brazil. Touch My Secret’s  debut album, nil, was released less than a year after the band formed – followed by their sophomore mini album, GET YOUR WORLD, which came out in April of this year, featuring the theme from the smartphone game ‘God Eater Online’.

Fronted by vocalist/guitarist Anne, with Chloe on bass and Louie on drums (who’s surnames are kept curiously clandestine) the musically-tight trio play a driven and dynamic guitar based rock with fast but melodic rock-pop hooks and licks. Touch My Secret should prove to be a potent and formidable act to experience live.

‘Revenge’ – Touch My Secret

For more on Touch My Secret, visit www.touchmysecret.com

For more on Einstellung, visit www.einstellung.bandcamp.com

For more on Exotic Pets, visit www.ex0ticpets.bandcamp.com

For more on Kushikatsu Records, visit www.kushikatsurecords.com

For more from the Hare and Hounds, including full event listings and online ticket sales, visit www.hareandhoundskingsheath.co.uk