THE GALLERY: You Me At Six @ O2 Academy (B’ham) 10.04.17

THE GALLERY: You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe - Birmingham Review

 

 

 

Words & pics by Eleanor Sutcliffe 

From the queues of fans snaking around the O2 Academy in all directions, it’s clear to see that You Me At Six still have a dedicated fan base. Groups of youngsters, decked in band hoodies and Vans trainers, sit on the ground eating takeaway pizzas that have been delivered to the queue. I get chatting with a group of girls who have been queuing since 12:30pm – an impressive feat, considering that doors weren’t scheduled to open until 7pm.

Security work as quickly as they can to usher everyone inside, and it isn’t long before people are jostling for space in the 3000 capacity venue. I’m interested to see how the night’s first band, Black Foxxes, stand up to the packed crowd; they had played The Rainbow a few months beforehand, so this was a definite leap for the Exeter based trio.

Although seemingly cramped at the front of the stage due to You Me At Six’s piles of gear behind them, Black Foxxes still managed to open strong despite a number of technical mishaps – THE GALLERY: Tonight Alive – supporting You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe - Birmingham Reviewin all my life I’ve never seen a guitar tech work as quick as theirs did to repair Mark Holley’s broken string.

It was refreshing to see a band who had truly started out small and worked their way to the top with such fierce determination as these guys, and it simply shone through their music. Black Foxxes’ depressive rock flirted expertly with soulful melodies, descending at times to tones so inexplicably raw I felt they could be carving out their own genre.

Next were Tonight Alive – one of the few mainstream alternative rock bands to be female fronted. Jenna McDougal is seen as a rebelling goddess by much of the band’s female fanbase, and played on this by cavorting across the stage in a pair of white angel wings. The hit and miss sound was made up for by the band’s theatrics, while the lighting was simple superb. Although I’m not a huge fan of the Tonight Alive’s latest releases, they went down just as well with the crowd as their older heavier material.

When You Me At Six took to the stage, I was scared the crowd barrier may snap from the thousands of people who surged forward. Kicking off with their latest single, ‘Night People’, the band went on to deliver one of the most astounding sets I think I’ve ever seen.THE GALLERY: You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe - Birmingham Review

Cycling through some of their better known hits such as ‘Underdog’ and ‘Save It For The Bedroom’, with some of their newer material thrown in, it was clear to see that these boys won’t be slowing down any time soon.

Plus if you’re a true lover of good sound then it’s worth seeing You Me At Six play live just to listen to their technician’s mix – as true to the albums as you could possibly get. Complimented by an incredibly designed light show, it made for an impressive looking and sounding production.

Josh Franceschi interacted with the sold out O2 Academy crowd on a truly intimate level, preaching the band’s beliefs of equality and love for all. And finishing with the track ‘Room to Breathe’, from their No1 album Cavalier Youth, it’s clear to see that You Me At Six are still working hard – paving their way on the alternative rock scene.

Check out some of Eleanor Sutcliffe’s pics from You Me At Six, Tonight Alive and Black Foxxes at the O2 Academy (B’ham) below, or click the relevant links for the Full Flickr of Pics.

You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe – Brmingham Review

THE GALLERY: You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe - Birmingham Review

THE GALLERY: You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe - Birmingham Review

THE GALLERY: You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe - Birmingham Review

For more on You Me at Six, visit www.youmeatsix.co.uk

 

Tonight Alive – supporting You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe – Birmingham Review

THE GALLERY: Tonight Alive – supporting You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe - Birmingham Review

THE GALLERY: Tonight Alive – supporting You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe - Birmingham Review

THE GALLERY: Tonight Alive – supporting You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe - Birmingham Review

For more on Tonight Alive, visit www.tonightaliveofficial.com

 

Black Foxxes – supporting You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe – Birmingham Review

THE GALLERY: Black Foxxes – supporting You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe - Birmingham Review

THE GALLERY: Black Foxxes – supporting You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe - Birmingham Review

THE GALLERY: Black Foxxes – supporting You Me At Six @ O2 Academy (B’ham) 10.04.17 / Eleanor Sutcliffe - Birmingham Review

For more on Black Foxxes, visit www.blackfoxxes.com
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For more from the O2 Academy (B’ham), including full event listing and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham

For more from Kilimanjaro Live, visit www.kilimanjarolive.co.uk

BPREVIEW: You Me at Six @ O2 Academy (B’ham) 10.04.17

BPREVIEW: You Me at Six @ O2 Academy (B’ham) 10.04.17

Words by Ed King           

On Monday 10th April, You Me at Six perform at the O2 Academy (B’ham) with support from Tonight Alive + Black Foxxes.

Doors open at 7pm with tickets priced at £32.75 – as presented by Kilimanjaro Live. For direct gig info, including venue details and online ticket sales, click here.

Born on the back streets of Surrey, You Me at Six have spent just over a decade clawing their way up the UK rock ladder – suffering awkward award elbows and all too easy genre alliterations.

But the boys from Weybridge have built a pretty phenomenal following too, with the savvy Leeds based Slam Dunk label (…club night, festival) being the first to pick them up, shake them good, send them to Reading and get a 13 track debut to fall out of the boys. No pun… Take Off Your Colours was released in October 2008 and the pop-punk snowball has been building ever since.

Hop-scotching majors, You Me at Six are now on the books at BMG – with their latest LP coming out on the Infectious subsidiary. Ah… Mushroom Records. Being the arguable make or break of the band, after a grueling ten year tour schedule, gears were shifted, home studios were built and the bulk of the recording took place at Blackbird in Nashville.

Jacquire King was brought in (and brave enough) to produce, with the award winning all rounder, Andrew Schepps, as engineer. The end result came out in January this year, with You Me at Six no doubt hoping their fifth studio album, Night People, will be as well received as its No1 spot reaching predecessor.

Things seem hopeful too, with You Me at Six dropping in for a secret Saturday ‘highlight’ set at this year’s Reading Festival before getting back on the road for nine UK dates across April. Birmingham gets its chance to see them midway through at the O2 Academy, with Tonight Alive and Black Foxxes joining them as tour support.

Check out the title track and first single off Night People, link below:

‘Night People’ – You Me at Six

You Me at Six perform at the O2 Academy (B’ham) on Monday 10th April, with support from Tonight Alive + Black Foxxes – as presented by Kilimanjaro Live. For direct gig info and online tickets sales, click here.

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For more on You Me at Six, visit www.youmeatsix.co.uk

For more on Tonight Alive, visit www.tonightaliveofficial.com

For more on Black Foxxes, visit www.blackfoxxes.com

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For more from the O2 Academy (B’ham), including full event listing and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham

For more from Kilimanjaro Live, visit www.kilimanjarolive.co.uk

INTERVIEW: Benjamin Francis Leftwich

Ben Leftwich / By Pip for Dirty Hit Records

*Benjamin Francis Leftwich plays at The Rainbow Courtyard on Thursday 5th May – as presented by Birmingham PromotersKilimanjaro Live. For direct info & tickets, click here.

Words by Ed King

I over play things. It’s a habit. And for one glorious summer Benjamin Francis Leftwich’s debut album – Last Smoke Before the Snowstorm, was the repetitive soundtrack to my earphone clad existence.

Alongside Like I Used To by Lucy Rose, and If You Leave by Daughter, these three debuts owned me for a solid six months – complicit and outright. And now with Leftwich’s follow up album poised to attack, the ‘eagerly awaited’ After the Rain set for release on 19th August, I prepare for predictability once again.

“I really appreciate that,” responds Benjamin Francis Leftwich, as I try to retain any sense of detached cool, “those two artists (Lucy Rose, Daughter) are close friends of mine and I know they’d be incredibly humbled to hear that as well. I know what you mean though; so many records of that genre were coming out then and everyone was on the same gig circuit and festivals – it was a really beautiful time and one that I’ll always cherish.”

Ah the halcyon days… But such an immediate impact can be both a blessing and a curse, with the pressures to jump even higher, especially on ‘that difficult second album’, often the antithesis to a healthy creative development. And more often than not, with the aforementioned being a triptych example, the make or break in this scenario can come down to the label.Dirty Hit logo

“They’re amazing; I consider them family,” explains Leftwich – talking about Dirty Hit, his label for nearly a decade. “It’s a great home, they’ve allowed me to make the record that I wanted and needed to make. They’re just very music focused; I was almost going to say ‘tolerant’, but the people who work there have an amazing ear and ultimately they’re just music lovers who know more about how to make things work (industry) than I do.”

You do get a sense of camaraderie from the Dirty Hit roster, even from the outside looking in – like it’s more a friendly faced 4AD than a suited and booted Sony. “I’m not just saying that because we’re talking,” confirms Leftwich, “but the level of dedication goes so much further than just the music and song writing than I think people realise – it’s everything. When you’re working with an independent label like that, and you go into an office and there are five people running the whole thing… out of necessity it has to be inclusive, and song focused. And of course ambitious.”

Good to know. When my kazoo career is ready for takeoff I know where to send my demo. But it’s not all a garrulous love in at Casa de la Leftwich, as the five year hiatus between albums was the result of the illness and subsequent death of Benjamin’s father – a man the After the Rain press release describes as both ‘a parent and his number one source of inspiration’.

“…feel free to ask me what you want to ask me,” says Leftwich, as I stumble around the foundations of his latest endeavour. “There’s no question of me being offended. By ‘aspects’ do you mean things as well as the death of dad?” I do. It’s a poor choice of words, but how driven by that particular sadness was the writing process for After the Rain?

After the Rain / Benjamin Francis Leftwich“It was hugely impactful, massively so.  I’ve run through the timeline of it so much; I was with dad back in York, living in the house, and I loved that I could be there. Then I went on tour to America, which in hindsight I regret, but you know, that’s life.  Then I came back and was writing in my room; me and my sister were there, sharing time.” Again the press release mentions this, how After the Rain’s opening track was ‘written in the living room opposite his father’s old house.

“We had producers coming up and setting up in the living room recording music, we had a full mixing desk in the living room at one point.” I feel like I’ve left my shoes on where I shouldn’t. But was it all about your dad?

“When something like that happens it’s more than just about that initial thing,” continues Leftwich, “it affects everything else around it. So that album (After the Rain) is massively inspired by it, and everything that followed. Not every song is about that – they cover a massive geographical and emotional range, but of course it’s a theme that runs though, and probably, subconsciously, maybe, ties them all together.”

Luckily for the sake of this conversation (and the apparent label goodwill) the first teaser from Benjamin Francis Leftwich’s new album is a superb return to form – the delicate but visceral ‘Tilikum’, which has been out in the public domain since early this year.

“The name of the song came from the name of the whale in the film Blackfish,” explains Leftwich, “and it’s a name that I was once planning on calling my baby… but that didn’t happen.” I remember ‘Tilikum’s opening six lines and choose not to ask. “And I wrote a song kind of explaining my thoughts about that and for the future. The chorus is just full of love.” The verses aren’t bad either; with a crafted sensitivity and robust pen, ‘Tilikum’ is arguably a step up from its predecessors. And that’s hard for me to say.

But there’s something else in Benjamin Francis Leftwich’s first release in half a decade, something evolved. Maybe it’s the time spent in between albums, maybe it’s the tragedy and catalyst, maybe it’s the Charlie Andrew production, or the “wider range of music than I listened to five years ago” and “sounds and textures from different records” that Leftwich references in his follow up. I honestly couldn’t say. And part of me doesn’t want to.

But with a 27 date tour before the album’s release – traversing Europe, America and Canada, and a date at our own Moseley Folk Festival, I’ll probably have enough time to find a suitably verbose suggestion.

Now someone get me Elena Tonra on the phone…

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Benjamin Francis Leftwich plays at The Rainbow Courtyard on Thursday 5th May – as presented by Birmingham Promoters & Kilimajaro Live. For direct info & tickets, click visit http://therainbowvenues.co.uk/events/benjamin-francis-leftwich/

For more on Benjamin Francis Leftwich, visit http://www.benjaminfrancisleftwich.com/

For more from The Rainbow Venues, visit http://therainbowvenues.co.uk/