Jay Dyer Archives -

September 11, 2018

BREVIEW: The August Showcase with Lice, The Lizards, The Hungry Ghosts, Whitelight @ Hare & Hounds 12.08.18

Words by Ed King / Pics by Paul Reynolds

Urrgghh… a gig on a Sunday, who has the energy/serotonin left?

Apparently quite a few people, as I saunter (stumble) into the Hare & Hounds Room 2 alongside a very respectable crowd. Numberswise that is, they could all be slow boiling lost children at home for all I know. Or care. My Sunday roll call of compassion is often woefully one-sided. But a strong tail end of the weekend audience have turned out to support RDE and Setting Son’s August showcase – with local lads (and it is a bit of a sausage fest tonight) Whitelight, The Lizards, and The Hungry Ghosts all supporting Joe Talbot’s label champions, Lice.

Whitelight, a band I’ve not heard of before tonight but who I’m reliably told have come from the aftermath of Shaake, take up the first space on the bill – a stripped back twosome, guitar and drums, delivering a big room sound that far surpasses their square inches on stage.

Jokingly I said words to that effect would be my review, but adding ‘fuck me they rock’ probably sums it up quite nicely. There may be a few disjointed moments tonight, in set relying too heavily on the ‘break… and kick in’ rock power play, but the musicianship from this arena filling sound is a more than a little impressive. I could even use the word ‘Hendrix’ and not feel like too much of a fraud. But keep an eye on those listings and make your own addled mind up about them. Whitelight; you have been warned.

Next up are The Hungry Ghosts, a band I love to the core but feel compelled to judge with an extra stern eye. And ear. And gut. And all those things I need to be truthful. But having a replacement bass player on stage tonight – with Miles Cocker filling in for Emily Doyle over a few of the summer months – the most immediate of my knee jerk commentaries is ‘an overwhelming newness’ to their performance tonight.

It’s exciting, it’s rock and roll, but it’s also a little… The stage, for a start, feels too small, with the proficient wall of blues rock tumbling over the first song and smothering ‘Death Rattle Blues’ – the sophomore on the set list tonight. I’ve seen The Hungry Ghosts crammed into much tighter corners, but something is uncomfortably full tonight. And yet there is a… about it all. And as I wrestle with the ellipses that will no doubt be haunting my copy later on, I write ‘too much of something’, ‘this band just keep getting better’, before adding ‘I don’t know’ to my drunk spider scrawl.

‘Lazaro’ follows, with Joe (INSERT SURNAME HERE)’s vocals feeling well rounded for a weekend finale, before a bit of a swing/miss from new song ‘Jesus Fever’ and a somewhat lacking rendition of the tried and tested ‘Super King King’ – one of my longstanding favourites from this band’s slaughterhouse repertoire. But when you’re close to perfection it’s hard to stay consistent, and exciting ebbs and discouraging flows continue from ‘the ghosts’ set tonight – yet I am, once again, left both curious and eager. For all its ferocity and fallacy, it feels like something is brewing in The Hungry Ghosts’ set list tonight, with this Sunday showcase perhaps just first public introduction to an exciting evolution. But never fear; we’ll see/hear from The Hungry Ghosts soon enough, and ‘Shake the Devil’ will no doubt be in there somewhere near the start.

It is now that I must issue an honest, albeit rather unsatisfactory, apology, as I miss The Lizards’ set due to cider and an earth shatteringly endearing band I fell afoul of at the downstairs bar. But I shall leave you with two pearls of wisdom: 1) Orchard Pig cider is not as benign as it sounds, and 2) Liquid Cheeks. And I’ll bet my pension (currently about £32 and a first edition Roald Dahl) that in 18 months time you’ll not need an explanation for the latter.

Time… enough. Attack ships on fire introduce the headline act for tonight, the Bristolian barrage of fun that are Lice. Well documented for bad time keeping and guttural prose, both attributes close to my heart, it is the band’s frontman that I’m most keen to see in full swing. But an army of low thumped drums, distorted feedback, and restrained punk pretensions (if such a thing can exist in the realms beyond oxymoron) are soon taking my eyes across the rough edged four piece. Frontman, Alistair Shuttleworth, who has set the stage for such anarchic atrocities as Fat White Family, owns the Sunday night dwindling crowd from the off – delivering his trademark prose in a way that makes me sit up straight yet miss every word. A linguistic trick I almost love and hate him for in the same short, sharp intake of breath.

But they are commanding, even to a room that seems half empty from the last time I stood in it (The Lizards, cider, downstairs bar, shit journalist…) and I am quickly moving my shoulders in that way a middle aged man does when he wants to let go. Lice last played in Birmingham “on this stage, almost exactly a year ago” as part of the Killer Wave all day August band Holiday event in 2017, and it’s good to see them headline after such a well earned 12 months.

Oddly, even incongruously (if I were a devotee of Paul Dacre) polite, each song gets a stomach propelled “thank you” as Lice blast though their short songs and punchy set – delivering a well meant audio assault that makes me want to invite them, and their backline, to my next birthday party. Superb, SUPERB FUCKING PERCUSSION. But jumping from the tirade of an angry child to the wisdom of someone with something to say, Lice live up to their hype – as the Joe Talbot endorsed ‘fuck you we don’t care’ send out a set that shows this band mean business. And, even somewhat perversely, I believe them. If my mum were here she would probably file for adoption.

Sunday gigs are hard to promote, Lord knows I know – having spent over a year of my life doing it week in week out. But Setting Son and RDE have delivered this end of the weekend ensemble with fine fettle, setting a backbone of local luminaries against a visiting headline act who well deserve the attention. And, wonderfully, there was a good crowd to receive it. Even if the previous 48 hours have left the room’s frontal cortex a little bereft… well, mine at least.

Ha, and now to write a review about it (my ‘get it down as soon as you get home’ policy). But beyond ‘research Whitelight’, ‘The Hungry Ghosts’ new stuff’, ‘buy The Lizards a drink’ and ‘see Lice play on their home turf’, the South Park back catalogue is about all I have left. I bet Burroughs never had this problem. Possibly a bad comparison. Now, where’s that corkscrew and laptop power cable gone…

Lice @ Hare & Hounds 12.08.18 / Paul Reynolds

For more on Lice, visit www.facebook.com/licebristol

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The Lizards – supporting Lice @ Hare & Hounds 12.08.18 / Paul Reynolds

For more on The Lizards, visit www.soundcloud.com/allyourfriendsarelizards

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The Hungry Ghosts – supporting Lice @ Hare & Hounds 12.08.18 / Paul Reynolds

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

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Whitelight – supporting Lice @ Hare & Hounds 12.08.18 / Paul Reynolds

For more on Whitelight, visit www.officialwhitelight.com

For more from Setting Son, including further event listings and online ticket sales, visit www.facebook.com/settingsonrecords

For more on the Hare & Hounds, including venue details and further event listings, visit www.hareandhoundskingsheath.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

June 2, 2018

THE GALLERY: Captain Süün @ The Sunflower Lounge 24.05.18

Words by Ashleigh Goodwin / Pics by Phil Drury

It’s Thursday night and our three day summer is still going strong. Approaching The Sunflower Lounge, you can see it has already built up a sizeable crowd that spills onto the streets outside, all of whom are enjoying drinks and cigarettes before the show begins downstairs.The crowd is awash with Dr Martens, plaid shirts and corduroy, singing along to various snippets of whatever is playing inside – speakers blaring into the road, through windows open to accommodate the hot weather.

The basement, however, is quiet upon entry. But as Birmingham based ‘psych-soaked four-piece’ Brain Food take to the stage people begin to file through the doors, dutifully taking their spot in front of the stage. The room becomes busy, with it getting so packed near the back that at one point I look like the final member of the most mismatched family trio; my bag and shoulders squashed together between an older man and a younger girl. People greet each other between songs, half jumping on their friends in hugs and adoringly ruffling their hair with one hand whilst sipping their beer in the other. One audience member reenacts the most vicious ‘Charlie Brown’ dance move I’ve ever seen repeatedly throughout the set, whilst bobbing his head to the thick bass lines as they go.

A smooth “howdy” from lead singer Liam Mckeown reverberates through the room and does nothing to calm the raucous crowd. Their setlist – which includes ‘Mindwinder’, a new single yet to be released from their forthcoming EP ‘Get One On’ – is a pleasant haze of swirling chord combinations and fuzzy riffs from rhythm guitarist Jakob Cusp and bassist Wills Carrot, against the smooth swagger of Liam’s vocals and Connor Doyle’s percussion. Brain Food provided the perfect opener for the evening by kicking it off with enthusiasm and getting the crowd going in such a short space of time.

The second band of the night are The Hungry Ghosts, and people begin to swarm in throughout the first song after their toilet, drink and cigarette breaks. Having only seen ‘The Ghosts’ once before from the back of a busy crowd, only now was I able to appreciate the enticing appeal of the five-piece. Their sound is hard to pin-down, and as they play favourites such as the effortlessly cool ‘Amerika’, ‘Lazaro’ and ‘Hummingbird’, I realised the full rock and roll sounding guitars mixed with the distinctive vocals and controlled screams of frontman Joe Joseph can only really be summerised by their self-description of ‘slaughterhouse blues and trash country’.

I try many variations to describe this in my notes, crossing out each one in frustration as this description is the only one that seems apt for their unique sound, which manages to incorporate elements of rock, punk, blues and psychedelia into one performance. The Hungry Ghosts give an unpredictable yet tight set, presumably due to their confidence and familiarity with the stage; each member puts on a solid performance, showing what a well oiled machine The Hungry Ghosts are without ever coming off as too polished, flat or boring.

Additionally, frontman Joe Joseph seems to possess a magnetism only present in a very small percentage of performers; he knows exactly what he is doing as he commands the small stage of The Sunflower Lounge. From his precise movements and calculated mannerisms, to his addressing of the audience as “brothers and sisters”, Joseph draws you into the performance and really helps solidify the bands overall image and presentation.

The Hungry Ghosts exhibit a theatrical and artistic nature that encompasses everything they do; from their stylised ‘Amerika’ video, to their carefully designed merch of stickers, t-shirts and badges which are set up in a battered suitcase to the left of the stage. This naturally extends to their performance and does make them mesmerising to watch, it makes you want to take note of what is being performed and it boats an indescribable allure. These factors, combined with the fact I had to cut out many notes to make this a somewhat readable size, are what made The Hungry Ghosts, for me, the highlight of the evening.

After The Hungry Ghosts, people stream in and out of the basement and rotate between the bar, smoking area and toilets upstairs, meaning the crowd has dwindled in numbers slightly. But when Black Sabbath’s ‘Iron Man’ fills the room, the remaining audience members eagerly chorus the opening guitar whilst throwing their heads forward to the rhythm. The track is cut short for Captain Süün’s arrival to the stage, as they introduce themselves with a chaotic medley guitars and feedback before diving straight into their set.

Two songs in and lead vocalist Dan Brown asks into the crowd if they can borrow one of The Hungry Ghost’s guitars as there is a problem with Harri Newman’s, the band’s lead guitarist. A couple of minutes later and Billy OIllis swerves through the crowd and props his guitar on the speaker. A tense couple of seconds follow as Newman fiddles with the straps and dials on the body; you can tell there is an impending verse he needs to complete, and with what seems like barely a second to spare he nails it by launching into the riff with a satisfying vengeance.

Small but dedicated pits form from the second song onwards, growing when the four-piece play their EP’s title track ‘Beach Burrito’. Captain Süün sound completely on form, with their live performance lifting the sound of the more subdued, relaxed recording on the EP. The energy displayed by the four-piece and voraciousness of the guitars gives a wild and unexpected layer to their entire set, which the crowd pick up on as pits continue throughout the show.

This culminates in the last song, with the front section of the room throwing themselves into one another as red lights and mind-bending guitars fill the venue – a crowd member goes flying across the floor and people scramble to help them up instantaneously before carrying on in earnest. Not a soul is deterred from giving it their all as people fly into the speakers lining the front of the stage, and frontman Dan Brown has to prop his foot on one to ensure it doesn’t continue its journey across the floor.

Even from my position on the stairs the joy is infectious, and I can hear the shouts of enthusiasm and laughter from the crowd below. The previous two bands look on from the crowd, moving along with the beat whilst some are even part of the pit, whilst Brain Food’s lead singer, Liam Mckeown, unabashedly dances on the stairs.

The crowd are a real highlight of the Captain Süün gig tonight, with the headline set definitely the most interactive and responsive they’ve been all evening. And when time is finally called on the evening, people snake out with sweat soaked faces and huge grins and make their way to the bar upstairs – riding the high of Captain Süün for at least a little while longer.

Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

For more on Captain Süün, visit www.facebook.com/captainsuun

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The Hungry Ghosts – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

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Brain Food – supporting Captain Süün @ The Sunflower Lounge 24.05.18 / Phil Drury

For more on Brain Food, visit www.facebook.com/brainfoodofficial

For more from The Sunflower Lounge, including full event listings and venue details, visit www.thesunflowerlounge.com

May 23, 2018May 23, 2018

BPREVIEW: Captain Süün + The Hungry Ghosts, Brain Food @ The Sunflower Lounge 24.05.18

Words by Ashleigh Goodwin

On Thursday 24th May, The Sunflower Lounge welcomes psychedelic quartet Captain Süün – with support from Birmingham’s ‘trash country’ The Hungry Ghosts, and ‘swirling psych-soaked four-piece’ Brain Food.

The Sunflower Lounge opens its doors at 7.30pm, with the event having an age restriction of 18+ as presented by Red Dawn Events. At the time of writing all limited/discount advance tickets have sold out, but you can still buy a special offer pair of tickets for £9 or general admission singles for £6 – both including booking fee. For direct gig information, including venue details and links to all online ticket sales, click here.

Bristolian garage psych band, Captain Süün, have worked tirelessly since their formation in 2016 – playing numerous shows over the past couple of years, alongside truly creative artists from across the UK such as The Wytches, Cegvera and Yo No Se.

Having signed to Stolen Body Records after ‘a raucous set at Bristol Psych Fest’s’ in 2017 the band are now releasing their Beach Burrito EP, with The Sunflower Lounge gig the first of three dates to support the launch. Captain Süün’s official release show for their Beach Burrito EP is being held on Friday 25^th May at The Trap in their hometown, where The Hungry Ghosts will once again be joining them on stage.

But no strangers to the second city, their refined and crafted sound has already made ‘a mark upon the Birmingham music scene with many local acts pledging their love for Captain Süün’ – boasting an infectious formula of skillful songwriting, warm fuzz, and a mixture of droning, brooding riffs and surf guitars.

And the future is seemingly bright for the four-piece beyond the UK too, as Captain Süün embark on a European tour next month to promote their Beach Burrito EP – before returning to their hometown in July to once again play at Bristol’s Psych Fest, alongside Night Beats and the French trio Dusty Mush.

Second on the bill are self-professed ‘slaughterhouse blues’ five-piece, The Hungry Ghosts, bringing the main support of the night. The last time The Hungry Ghosts joined Captain Süün in Birmingham was when the two bands completed the line up for Table Scraps’ Autonomy album release party at the Hare & Hounds back in March, as presented by This Is Tmrw.

The Hungry Ghosts’ completely identifiable sound combines contemporary rock and blues, against an alternative country and western background – no small feat, but one done to captivating effect. Drawing from an array of genres and inspirations The Hungry Ghosts deliver a truly distinctive body of work, which makes for not only a dynamic live performance but a hypnotic one too. But after the release of their double A-side, ‘Lazaro/Amerkia’, back in July 2017 – through Brum based record label Setting Son Records – the band have been busy playing shows across the UK, and of course in Birmingham.

Brain Food we’re a little less clued up on, but have been instructed on good authority that the ‘progressive psychedelia’ Birmingham based four piece ‘should be taken as part of a balanced diet, and is made using one part Liam Mckeown (Vox, Lead Guitar), one part Jakob Cusp (Rhythm Guitar), one part Wills Carrot (Bass), and one part Connor Doyle (Drums).’ Sounds promising, and possibly good for your digestion, but one we’ll have to get back to you about after having seen them on stage.

Meanwhile, back in the West Country…

‘Beach Burritio’ – Captain Süün

https://www.youtube.com/watch?v=-ut0vvLc-uE

Captain Süün perform at The Sunflower Lounge on Thursday 24^th May, with support from The Hungry Ghosts and Brain Food – as presented by Red Dawn Events. For direct gig information, including venue details and online ticket sales, visit www.thesunflowerlounge.com/event/captain-suun-the-hungry-ghosts

For more on Captain Süün, visit www.facebook.com/captainsuun

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

For more on Brain Food, visit www.facebook.com/brainfoodofficial

For more from The Sunflower Lounge, including full event listings and venue details, visit www.thesunflowerlounge.com

February 28, 2018

THE GALLERY: Average Sex @ Hare & Hounds 25.01.18

Words by Ed King / Pics by Martin O’Callaghan

Sunday, a day so hard to sell even God has to pass the hat. But Setting Son are unperturbed, as the local record label and promotions company present the London based pop/punksters, Average Sex, after having to reschedule the gig from a previously booked date back in January. And gaw’d bless them for it.

Average Sex were last in the city for The Hungry Ghosts’ ‘Amerika/Lazaro’ single launch party at Centrala – a cracking night, swirling in a maelstrom of DIY, inappropriate nakedness, steel blues, garage rock, endless cider, and a middle finger to the EHO smoke machine. Lots of fun.

But tonight Average Sex are headlining the bill, replete with their new bassist and The Hungry Ghosts and Miles Cocker in support. As far as I can see there’s no smoke machine, and I’m not taking any layers of clothing off, but with such a promising line up I reckon there’s still some fun to be had. And cider. There’s always cider.

Nestled into the ‘second room’ at the Hare & Hounds (which I curiously prefer to the main stage) a comfortable crowd and sense of camaraderie huddle together, braving the tail end of their collective hangovers and an absurd cold snap that just won’t quit.

First up is Miles Cocker, the dark fringe lyricist and ex-Horror Show front man/Youth Man bassist, who is on stage for the “first time I’ve played an acoustic guitar in public”. But like the bastard child of Kelly Jones and Kristin Hersh (now there’s a hangover), Cocker oozes snakeskin confidence – proffering an onslaught of melody and more sentences to make this writer a bit green round the gills. “Exercise me, circumcise me, drill three holes and crucify me,” awesome stuff.

A cat call to “all our brothers and sisters” announces The Hungry Ghosts are on stage next, as the man so good they named him twice waves a mic in the air and rests his other hand on the keyboard which is now front and centre to their set.

Opening with ‘Amerika’, the jangly opiate journey across an imagined West Coast, The Ghosts are on top form tonight – tight and slick, especially for a Sunday, and sounding ‘more Donington’ than I have heard them in a while, according to my notes. ‘Death Rattle Blues’ swaggers off stage second, before one of my favourite from the famished phantoms, ‘Super King King’, struts its predatory blues across the room.

(Note to self: loud public exclamations about a song with your surname in the title might appear a touch narcissistic, and I am too perfect for narcissism. But here’s some proof that it’s not just a tenuous link I’m applauding. And that I repeat myself.)

And now it’s time for the big show… as the slightly tweaked Average Sex take their places on stage, with Laetitia Bocquet’s broad smile and self-expressions filling the rest of the room. Dragging yourself to The Midlands on a Sunday could threaten the pilot light of many an out of town band, but not tonight.

Opening with ‘Hey Boy’, there seems to be no stumbling or blocks in the new path of Average Sex – with a confident punk pop sound bouncing off stage. Immediate and together, you can see the professional sheen on a band who have been taken under the OGenesis wings and recently toured with The Charlatans. ‘Sociopath’ is next, which could have been written about the man standing to my left, before The Las-esque sound (and dubious set list spelling) of ‘Come Over’ are thrown off stage in short succession.

Far from embedding a new member, and having to say goodbye to an old one, Average Sex appear as close as a rock band should be without drawing tabloid attention. Chat and banter roll around the stage and into the crowd, with a couple of publicly endearing moments between Bocquet and her band mates. Average Sex feel like they have spent many van rides and hotel rooms together, with most of them surviving to tell the tale. But its infectious, and by the time the heavy riffs and distorted love laden lyrics of ‘Ice Cream’ are rattling around the room most of the bodies within it are following suit.

Rounding off with two more relatively recently released tracks, the darkly declarative ‘Ugly Strangers’ and perfectly tilted set closer ‘We’re Done’, the polished sharp edge of this well-rehearsed anarchy is off stage without an encore. Mind you, the downstairs bar has closed (so no more cider) and all that’s left are the tight stares of bar staff who want to call it a week.

Always good to see such a commanding line up, whatever day you can squeeze it into your schedule, and I leave the Hare & Hounds both a little Sunday blissed and full satiated. Not bad for the end of a weekend.

But it would be good to see more from Setting Son, if they have the inclination, as every time they promote a gig I end up with more in my earphones than I had before going in. And as much as I love the creative corner of Centrala, if you can keep them walking (stumbling) distance to my house then I won’t be arguing. Now all we need is a well penned joke about it being cold but still wanting to by ‘Ice Cream’. A man walks into a gelateria with his earphones in…

Average Sex @ Hare & Hounds 25.01.18 / Martin O’Callaghan – Birmingham Review

For more on Average Sex, visit www.facebook.com/averagesex

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The Hungry Ghosts – supporting Average Sex @ Hare & Hounds 25.01.18 / Martin O’Callaghan – Birmingham Review

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

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Miles Cocker – supporting Average Sex @ Hare & Hounds 25.01.18 / Martin O’Callaghan – Birmingham Review

For more on Miles Cocker, visit www.soundcloud.com/miles-cocker

For more from the Hare & Hounds (Kings Heath), including further event listings and online ticket sales, visit www.hareandhoundskingsheath.co.uk

For more on Setting Son Records, visit www.facebook.com/settingsonrecords

February 23, 2018February 27, 2018

BPREVIEW: Average Sex @ Hare & Hounds 24.01.18

Words by Ed King

On Sunday 25^th January, Average Sex play at the Hare & Hounds (Kings Heath) with support from The Hungry Ghosts and Miles Cocker.

Doors open at 7:30pm, with tickets priced at £5 – as presented by Setting Son Records. For direct gig info, including links to online tickets sales, click here.

Hot on the heels of their tour with The Charlatans (…mic, drop) Average Sex are coming back to the Midlands for a headline show at the Hare & Hounds – ticking off the Birmingham box that was sadly missed on their winter support tour. Gaw’d bless ‘em.

And whilst they spent last December playing with the Tim Burgess’ indie pop flower/powerhouse, Average Sex have also not long released their debut Ice Cream EP – out on Burgess’ own OGenesis Recordings. Lead single, ‘Ugly Strangers’, is a cathartic (we hope) look at drink, denial and the dark corners that our minds try and run from – reported penned by vocalist Laetitia Bocquet during her evening escapes at a pub in Dalston. Whilst the other three tracks cover the familiar themes of love, unrequited love, break up (falling out of love) and licking someone’s face (kinda, sorta love). Job done, we reckon.

Fun and a little ferocious, the last time Birmingham Review saw Average Sex was at the Hungry Ghosts’ ‘Amerika/Lazaro’ single launch at Centrala, and to quote The Four Seasons… Now sharing a stage with the famished phantoms once again, albeit the other way round, we’re pretty confident this gig will be well worth your five British pounds.

But if you needed more (you cultural capitalists) then Setting Son have also thrown Miles Cocker into the mix, who can usually be found ripping an eardrum or two with the wonderful and loud (or even wonderfully loud) Youth Man. Last seen, by Birmingham Review, flying solo at the uber-muso-glorious-smorgasbord that is All Years Leaving, Senor Cocker may be a tad calmer on his own. Only a tad mind, this ‘aint a Magic FM roadshow quite yet. But in whatever form this stalwart of the local stages and scene is always worth a stop, look and listen – so get there early, you know the drill people.

But we’ll stretch our editorial neck a little further along the line and say: expect fuzz. All round, really. And with a line-up of bouncy garage punk, slaughterhouse blues, and lyrics explaining how to stretch your bread budget, this can’t be too bad an idea for a Sunday.

Meanwhile, somewhere in Dalston…

‘Ugly Strangers’ – Average Sex

Average Sex play at the Hare & Hounds (Kings Heath) on Thursday 25^th February, with support from The Hungry Ghosts and Miles Cocker – as presented by Setting Son Records. For direct event info and links to online ticket sales, click here.

For more on Average Sex, visit www.facebook.com/averagesex

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

For more on Miles Cocker, visit www.soundcloud.com/miles-cocker

For more from the Hare & Hounds (Kings Heath), including further event listings and online ticket sales, visit www.hareandhoundskingsheath.co.uk

For more on Setting Son Records, visit www.facebook.com/settingsonrecords