THE GALLERY: Morrissey @ Genting Arena 27.02.18

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

 

 

 

Words & pics by Eleanor Sutcliffe

I never truly clicked with Morrissey’s music, I’ll admit – as a youngster, my dad was much fonder of playing me bands such as The Clash and The Jam as opposed to the man in question.

However, I can remember my best friend in sixth form playing me a handful of tracks from Viva Hate and they’ve been imprinted in the far corners of my brain ever since. So, when the opportunity arose to catch Morrissey at the Genting Arena, performing tracks from his latest album Low in High School, I knew I had go. Back to school it was. Plus, it’s not often you get to see musicians of this standing so up close.

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham ReviewAnd up close it was. Making my way through the sea of blue jeans and quiffed hair, I picked up my pass and waited to be escorted through to the photo pit. Swarms of fans, who all somehow looked identical, were buzzing into the arena. But not to catch a support act; a video was being played on stage showing highlights from Morrissey’s career.

I’ve taken lots of photos of artists over the years – from shows in tiny rundown venues, to sold out arena concerts with thousands of people. But standing at the front of Morrisey’s near Genting Arena crowd, I don’t think I’ve ever shot a show where an audience has been this absorbed and entranced by a performer.

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham ReviewSo, as the curtain drops and Morrissey glides on stage, I am expecting his near 15,000 strong fans to go hysterical. But instead, it’s a subdued sense of wonder that encompasses the room for the following hour or so. Yes, some scream and shout as he wanders over to them, clutching their hands while singing Elvis Presley’s ‘You’ll Be Gone’ – but the majority stand still and stare in blatant wonder. As someone who is used to crowd surfers and mosh pits, it’s a bit bloody odd. But it’s odd in the best way. Tonight is true appreciation.

Morrissey’s setlist reflects the man himself too – uncompromising; a complete mixed bag of covers, newer releases, and some of his earliest work. The show itself is as blatantly political, with a video screen at the back showing brutal animal cruelty during ‘The Bullfighter Dies’ which causes even the hardest of men in the room to wince.Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

A tribute to the likes of Geoff Bent, Roger Byrne and David Pegg is played during ‘Munich Air Disaster 1958’, while clips of police brutality are aired for ‘Who Will Protect Us from The Police?’ Each track is interspersed with a picture of Morrissey deep in thought, a cigarette poised between his fingers.

Yes, for me some parts of the evening drag slightly. Morrissey’s newest work doesn’t send the room into stupor quite like ‘I Started Something I Can’t Finish’, and there’s something slightly nauseating watching him sing ‘When You Open Your Legs’.

However, tonight’s show at the Genting Arena is, overall, a success. It’s annoyingly impressive. Morrissey makes the stage his own in a way that few ex-front man ever can, with a five figure crowd united in ardent appreciation. And whomever your musical idols may be, from whatever era, that’s something not many will ever achieve.

 

 

 

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

Morrissey @ Genting Arena 27.02.18 / Eleanor Sutcliffe – Birmingham Review

For more on Morrissey, visit www.morrisseyofficial.com

For more from the Genting Arena, including full event listings and online ticket sales, visit www.gentingarena.co.uk

BPREVIEW: Morrissey @ Genting Arena 27.02.18

Morrissey @ Genting Arena 27.02.18

Words by Eleanor Sutcliffe

Morrissey will be performing at the Genting Arena on the 27th February, as part of his first full UK tour since 2015 – giving Birmingham fans the opportunity to hear tracks from his latest album, Low in High School.

Doors open from 6pm, with tickets priced from £40.50 – as presented by SJM Concerts/Gigs and Tours. For direct gig information, including venue details and online ticket sales, click here.

Low in High School is Morrissey’s eleventh studio album, and crept its way into the UK charts back when it was released last November. In typical Morrissey fashion, however, it wasn’t the music that received the most attention but the album’s cover art. True, if you want to be noticed then by all means emblazon your latest album with a photo of a child holding a sign exclaiming to axe the monarchy. And an axe. Anyone else might think twice about the consequences of being so outspoken. Not Morrissey.

Which is exactly why his fan base is so loyal. There’s no hiding behind a false persona with this man – what you see is, blatantly, what you get. It’s something that’s carried him through the years from when he fronted the Smiths right up to the blossoming of his solo career. Morrissey‘s fiercely outspoken attitude and carefully crafted aesthetic of a social recluse resonates with fans across the world.

Granted, Morrissey‘s solo career has also been a bit of a roller-coaster. Solo albums such as his debut Viva Hate and the 1994 release Vauxhall and I received unanimous acclaim from even the most hardened critics, while others such as Kill Uncle were described by the musician himself as being saturated with ‘session musician embalming fluid’ and subsequently fell at the very first hurdle.

But endorsed by some of music’s most loyal fans, it’s never a dull moment when you see this man on stage. The live shows themselves can create a touch of controversy here and there with Morrissey‘s personal and political thoughts coming off stage in more than just lyrics, and I’m intrigued to see what he brings to the Genting Arena. A strong portfolio of new tracks and fan favourites, no doubt. But, I mean, anything could happen. It’s Morrissey.

‘Spent the Day in Bed’ – Morrissey (from his latest album, Low in High School)

Morrissey performs at the Genting Arena on Tuesday 27th February, as presented by SJM Concerts/Gigs and Tours. For direct gig information, including venue details and online ticket sales, visit www.gentingarena.co.uk/whats-on/morrissey

For more on Morrissey, visit www.morrisseyofficial.com

For more from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

For more from the Genting Arena, including full event listings and online ticket sales, visit www.gentingarena.co.uk

BPREVIEW: Screening Rights Film Festival @ mac 26.10-01.11.17

BPREVIEW: Screening Rights Film Festival @ mac 26.10-01.11.17

Words by Heather Kincaid

Returning for its third year in 2017, Screening Rights Film Festival is Birmingham’s international festival of social justice film –screenings features from around the world, with Q&A sessions and panel discussions on the themes and issues they address.

Held at mac, Screening Rights Film Festival 2017 will run from Thursday 26 October until Wednesday 1 November – with ticket deals available for people booking multiple screenings. For more info, including venue details and online ticket sales, click here

According to the Screening Rights Film Festival website, ‘The need for heartfelt films about the depths of human adversity around the world has grown enormously in recent decades’ – as the festival organisers seek to inspire and develop debate by shining a light on filmmakers responding to major contemporary concerns. At the heart of the project is the question of the potential for film, both drama and documentary, ‘to affect, or even effect, personal, social and political change’, whether by informing, provoking, moving, inciting action, connecting people or simply bearing witness to events.

Emerging out of research conducted by former University of Birmingham film lecturer Dr Michele Aaron, Screening Rights Film Festival has spent the last couple of years steadily establishing a place in the city’s cultural calendar. With Aaron having recently taken up a post at Warwick, this year the festival has been helped by the joint support of both universities, as well as a base at mac Birmingham.

Ghost Hunting @ mac 26.10.17 / Screening Rights Film FestivalBuilding on her long-held interest in the ethics of film and spectatorship, the project was originally kicked off by a symposium on ‘Screening Vulnerability’, beginning as an event series co-organised by Aaron and PhD student, John Horne. In 2016, it expanded to encompass twelve films screened in five different venues. This year, however, the focus has narrowed again, with just nine films being shown at mac. It’s a little smaller then, but the greater simplicity afforded by a single, centralised location might well work in the festival’s favour in terms of attracting audiences.

Unsurprisingly, the films being shown at the Screening Rights Film Festival reflect the organisers’ specific areas of expertise and investigation, as well as being influenced by hot topics on the global sociopolitical stage. Dr Aaron has described how, in recent years, her focus has shifted from writing about “power and ethics of representation and spectatorship in relationship to, principally, mainstream English cinema,” and towards a more outward-looking approach with an interest in film practice, often collaborating with filmmakers and community groups.

Among the manifestations of this change has been an intensive smartphone filmmaking course delivered to university students from the West Bank with the help of Palestinian youth advocacy agency, Sharek. Tramontane @ mac 26.10.17 / Screening Rights Film FestivalThe best short film to come out of that ‘Tammayaz’ scheme was screened at last year’s Screening Rights Film Festival, alongside Mohamed Jabaly’s and Abu Marzouq’s Ambulance. Meanwhile, John Horne’s PhD thesis concerns the ‘western’ spectator and the ‘Arab Spring’. Accordingly, films from and/or about the Middle East feature prominently on this year’s programme, making up a total of six out of the nine films being shown.

2017’s line-up includes the documentary Ghost Hunting, in which Palestinian director Raed Andoni confronts his demons head-on by recruiting a team to help him build a replica of the Israeli interrogation centre where he was held at the age of 18.

Drama Tramontane follows the struggle of a young Lebanese man to uncover the truth about his origins and identity after discovering that his ID card is a forgery; while Raving Iran sees two DJs forced to make a choice between home and family or moving abroad to pursue their passion for forbidden ‘Western’ music.

In The Other Side of Home, a Turkish woman raises questions about identity in a moving, personal tribute to the still-denied Armenian genocide of 1915; in Mr Gay Syria, the crowdfunded debut feature of Ayşe Toprak, a group of LGBT Syrian refugees kick back against intolerance in Turkey.

Raving Iran @ mac 01.11.17 / Screening Rights Film FestivalThere’s also Notes to Eternity, a more ‘impressionistic meditation’ on the Israel-Palestine conflict, centred on the lives and ideas of prominent thinkers and Israeli policy critics Noam Chomsky, Norman Finkelstein, Sara Roy and Robert Fisk.

Another area of interest for the festival’s creators has been depictions of illness, madness and even death on screen. Among Aaron’s more recent projects, for example, has been the Life: Moving exhibition, comprising a series of films created with residents of Erdington’s John Taylor Hospice, lately displayed at Birmingham REP as part of a wider UK and international tour.

This year, Screening Rights Film Festival has joined forces with Flatpack Assemble to present a screening of Jennifer Brea’s Unrest, which charts the director’s own experience of living with ME, otherwise known as Chronic Fatigue Syndrome.

Jaha's Promise @ mac 29.10.17 / Screening Rights Film FestivalDespite the fact that thousands of people worldwide independently attest to similar symptoms, medical science has so far failed to offer any explanation for the condition, leading many to conclude that it is purely psychosomatic. In an attempt to conduct some investigations of her own and potentially change attitudes towards the illness, Brea connected with fellow sufferers, piecing together her film from recorded Skype interviews, iPhone footage and professionally shot vérité.

Coinciding with mac Birmingham’s ongoing Women and Protest season (13 September – 26 November), Jaha Dukureh also uses personal experience as a springboard for her film Jaha’s Promise. Now based in the US, the activist began her life in Gambia where a significant number of girls are subjected to Female Genital Mutilation (FGM) during infancy. Having been cut at just a week old, Jaha herself did not discover the truth or what it would mean for her until she was married to an older man at the age of 15. After having a daughter of her own, however, she vowed to return to her home country to confront its deeply embedded culture of FGM, whatever the cost.

Finally, Nick de Pencier’s Black Code uses The Citizen Lab’s 2009 exposure of global internet spy ring ‘Ghostnet’ as a starting point for a chilling exploration of 21st Century surveillance culture. In an unnerving trailer that combines archive footage with satellite imagery and CCTV-style shots, Citizen Lab director Dr Ronald Deibert describes the highly detailed and growing “digital exhaust” produced by Internet users and how three developments – mobile devices, social media and cloud computing – have resulted in “the most profound change in communication technology in the whole of human history”.

But this isn’t just a case of emails being intercepted: there are hints of cameras and audio devices being hacked and switched on unbeknownst to owners, and documents being extracted from hard-drive storage. “This is where Big Data meets Big Brother,” the trailer concludes. Prepare to leave feeling a little paranoid…

Unrest – @ mac 27.10.17 / Screening Rights Film Festival

https://www.youtube.com/watch?v=LWZ1_-7KOS4

Screening Rights International Film Festival is at mac Birmingham from Thursday 26 October until Wednesday 1 November – ticket deals are available for people booking multiple screenings. For more info, including venue details and online ticket sales, click here

For more on Screening Rights Film Festival, visit www.screeningrights.org

For more information about mac Birmingham, including full event listings and online ticket sales, visit www.macbirmingham.co.uk