ED’S PICK: February 2018

Words by Ed King

The shortest month of the year is here. Luckily it’s also the turning point, as life starts to push up through the thaw and Percy Thrower can start planning his planters. OK, bad example, but there’s a joke about daisies in the somewhere.

But luckily for us mortal coilers, the venues and promoters of this city are still packing a pretty heavy punch with February’s event calendar. If there truly is no rest for the wicked, then it seem incongruous that anyone got Christmas presents this year.

Comedy starts strong with the ‘queen of the acerbic broad smile’, or Katherine Ryan as she’s known in  other publications, bringing her Glitter Room tour to the Symphony Hall (2nd Feb) – a week before the Machynlleth Comedy Festival Showcase (9th Feb) comes to mac with Joe Lycett, Tom Parry, Mike Bubbins, Rachel Parris and Danny Clives. Then it’s back to the Glee Club for a little end of the month self help, as Lloyd Griffiths (23rd Feb) walks us through what it’s like to feel in:Undated in ‘a show about overcoming the overwhelming.’ I call them mornings, but we’ll see what he brings to the table.

Hurst Street is the home of dance this month, with Matthew Bourne’s Cinderella coming to the Hippodrome (6th – 10th Feb) whilst round the corner DanceXchange and Mark Bruce Company present a reworking of Macbeth (8th-9th Feb). And no doubt making St Valentine’s Day less of a massacre for many in this city, see what I did there, Birmingham Royal Ballet present The Sleeping Beauty back at the Hippodrome (13th – 24th Feb).

Music has everyone from the soon to be great to the already good coming through the city, kicking off with a cross city battle between Peach Club at The Sunflower Lounge (6th Feb) and While She Sleeps at the O2 Institute (6th Feb). A week later we have Iron & Wine at Symphony Hall (13th Feb), followed by Bedford’s alt rockers Don Bronco at the O2 Academy (15th Feb) as Dermot Kennedy plays the O2 Institute (15th Feb). A day later there’s Mondo Royale spicing it up at the Actress & Bishop (16th Feb) bringing a few different strands of your music rainbow across our city. In the days after that, we see Cabbage at the Castle & Falcon (17th Feb), one not to be missed, The Ataris at The Asylum (17th Feb), Irit at the Glee Club (19th Feb), Laura Misch at the Hare & Hounds (20th Feb), Big Cat at the Indie Lounge in Selly Oak (23rd Feb) and Puma Blue at The Sunflower Lounge (24th Feb).

All the ‘big gigs’ this month are at the Genting Arena, in the shape of Imagine Dragons (24th Feb) and the man himself, or one of them at least, Morrissey (27th Feb). But there’s a few home grown releases this month worth saving your sheckles for too, as Amit Datani releases his debut solo album – Santiago (17th Feb) and Table Scraps send another fuzz monster into the world with their latest long player – Autonomy (23rd). Watch out for March’s listings for showcase gigs from both.

Exhibitions come from a multitude of angles this month, with the two blips on our radar being Factory Warhol at The Sunflower Lounge (10th Feb) and The Dekkan Trap from Sahej Rahal in mac’s First Floor Gallery (17th Feb) – with a few ancillary events to introduce both the artist and exhibition.

Some suitable love story based theatre starts treading the boards in this most Hallmark of months, with Penguins (1st –10th Feb) and Brief Encounter (2nd – 17th Feb) coming to the Birmingham REP, as The Last Five Years get played out at The Old Joint Stock (14th – 18th Feb). Then it’s the arguably less seductive A History of Heavy Metal with Andrew O’Neill & Band in mac’s Theatre (18th Feb), before the award winning Mental has a three day at The Old Joint Stock (21st – 23rd Feb) and Terence Rattigan’s The Windslow Boy begins it’s run at REP (21st Feb – 3rd Mar). And for one night only each, LEFTY SCUM: Josie Long, Jonny & The Baptists and Grace Petrie present a mix bag of ‘Music! Comedy! Revolutionary socialism’ again in mac’s Theatre (27th Feb) whilst back at The Old Joint Stock there is single An Act of Kindness (28th Feb) to round off the month. But don’t worry, it’ll be back in March.

So, enough to keep you lovebirds busy this month – or to distract the kings and queens of singledom on that depressing light letter box day. But whether you face this world alone or together there’s always Fight Club for £1 at The Mockingbird Kitchen & Cinema (12th Feb). Cheaper than a card, at least. 

For more on any of the events listed here, click on the highlighted hyperlink. Ed King is Editor-in-Chief of Review Publishing, which issues both the Birmingham Review and Birmingham Preview.

BREVIEW: Fern Brady – Suffer, Fools! @ Glee Club (B’ham) 29.01.18

Fern Brady – Suffer, Fools! @ Glee Club (B’ham) 29.01.18

Words by Helen Knott

Fern Brady was meant to perform at the Glee Club’s Studio on Friday night rather than today, a Monday, but a date mix up meant that she was in Sweden instead. A Friday night gig would have likely made for a larger audience, with the overspill of people too late to get into the main room plumping up the numbers. But, on the positive side, tonight’s good natured crowd is here specifically to see Brady. They are attentive and they get it.

Brady’s show is called Suffer, Fools! and it takes us through a number of dramatic episodes in her life, from experiences in dead end jobs (serving breakfast to paedophiles and murderers, working as a stripper) to an abusive relationship that culminated with an attempt on her life. Heavy topics for a comedy show perhaps, but Brady keeps things light and fast-moving, using these life events as a backbone to talk around a number of contemporary issues.

The lack of gay marriage and abortion in Northern Ireland, for instance. In Brady’s eyes: “All homophobes are gay. It’s just a waiting game.” She suggests it’s not gay people ruining the definition of traditional marriage – straight people do it all the time. She backs this up with examples, like her father’s second marriage to “Julie from Milton Keynes” and tall women marrying short men (“I think it’s against nature”). Brady cleverly parrots the language around homophobia when defending her own relationship with an Irish guy who is shorter than herself: “We look stupid together… but love is love.”

Fern Brady – Suffer, Fools! TourBrady mentions having to amend some of her jokes before the BBC will broadcast them, in particular one about DUP leader Arlene Phillips. She can go a little close to the mark, but always with the aim of making an important point, as is the case with her material about sexual harassment. Brady claims to have been complaining about being sexually harassed on the street for the past five years, but was taken as seriously as, “ghosts or homeopathy”. How times have changed. She calls out celebrities such as Joanna Lumley, Angela Lansbury and Liam Neeson for undermining the seriousness of the accusations against Harvey Weinstein, Kevin Spacey and Louis CK. Brady’s understated delivery is largely quiet and deliberate, so when she does raise her voice to make an indignant point it has plenty of impact.

The final section of Suffer, Fools! looks at two of Brady’s dysfunctional past relationships. A story about a bad break-up with a posh boy at university explores issues of class (“I don’t fuck outside my class”) and eating disorders. It ends violently, but not as violently as an abusive relationship in her twenties where her boyfriend attempts to smother her with a pillow. It was all a long time ago and Brady refrains from making any profound points about what happened, even if she jokes that this would get her an extra star in a Guardian review.

It all leads up to a very silly, but funny final scene that pulls together a number of jokes from the show. It’s a fitting climax to a very well thought-out hour of comedy in which Brady doesn’t shy away from the darker side of life and is brutal in her pursuit of a zippy punchline. This, along with her low-key delivery, sets her apart from other new comics on the block. I hope that the BBC doesn’t polish too much of the weirdness out of her.

For more on Fern Brady, visit www.fernbrady.co.uk

For more from the Glee Club venues, including full event listings and online ticket sales, visit www.glee.co.uk

BREVIEW: Ed Byrne – Spoiler Alert @ Town Hall 27.01.18

Ed Byrne – Spoiler Alert @ Town Hall 27.01.18

Words by Helen Knott

Ed Byrne warms up the healthy Town Hall audience with some amusing quips about the building work in Birmingham city centre. He takes the slightly generic line, “It will be lovely when it’s finished” and runs with it, extending it into a much funnier, and more topical joke. “You see all those signs for Carillion and think, ‘Oh fuck. It’s never going to be finished…”

Audience duly warmed up, Byrne launches into the gig proper. Called Spoiler Alert, he describes the catalyst for the show as being his concern about, “how spoiled we are, as people, as individuals, as consumers.” A lot of the material centres around Byrne’s concern that his two children are themselves spoiled. They go to a nicer school than he did, have better toys… “I’m raising two posh, English, boys.”

The examples Byrne uses to illustrate how spoilt his children are aren’t particularly horrifying. His children are able to watch specialised children’s TV channels, so they don’t have to wait until Saturday morning to watch cartoons. They ask for elderflower cordial and enjoy eating pesto. They aren’t particularly overwhelmed by an expensive trip to Lapland to meet Santa, because they saw him in Westfield shopping centre the Christmas before.

This is funniest when Byrne confides, “It’s all I have in me not to hate my own children”. And that he once considered letting his youngest child touch an electric fence as a “learning opportunity”. These kinds of thoughts quite likely pass through a lot of parents’ minds when their children are being difficult, but they’re rarely voiced publicly. It’s a little close to the mark for a number of audience members, who shift uncomfortably in their seats, as is a joke about wanking while camping and the section when he ruminates on the effect that getting divorced would have on his career (“a rich seam to mine”). It’s a gentile crowd, and I’m not sure that they’ve seen much of Byrne’s wanking material on the BBC.

It’s hard to take Byrne (a successful comedian with a big house and a nice car) seriously when he talks about how spoilt his children and the general population are. He starts the show by dissing the disappointing free snacks that he receives in tour venues. He complains about the – no doubt lucrative – corporate gigs that he plays. He criticises his tour manager for booking him into an arena in Derby, which he has no chance of selling out. There’s more than a whiff of “first world problems” about all this. I’m sure than Byrne must be making these comments purposely hypercritical to show that no one is above being spoilt; he’s too clever to lack self-awareness. But if we’re meant to be laughing at him as a character, he should ham it up a bit. In reality, it’s so cloaked under his cheery persona that you don’t really notice the absurdity of what he’s saying.

Byrne teeters on the edge of something interesting when talking about the way that we consume news. Instead of reading to challenge our opinions, Byrne argues that we seek news that is “tailored to our beliefs”. This probably is more prevalent than it used to be, with social media echo chambers trapping us into only ever reading views allied to our own. But Byrne’s example that we now only read newspapers that tally with our beliefs doesn’t completely ring true – there have been left and right wing newspapers in Britain for years; this isn’t a modern phenomenon. Still, spending some time teasing out how, in this regard, people are more spoilt than they used to be, and the impact it has on our political landscape, could have made for a compelling end to the show. Instead, Byrne quickly moves on and the point is lost between a weird rant about how semi-skimmed milk is indulgent and an unfunny anecdote about an author friend.

In essence, much of Spoiler Alert is a variation on the trope pedaled by grandparents the world over. Basically: “young people don’t know they’re born these days!” This would be fine if Byrne was exploring the topic in a particularly thought-provoking, novel or, crucially, funny way. Comedy doesn’t always have to be making a point and to have the aim of providing an entertaining Saturday evening for a roomful of people is completely valid. On the whole, Byrne achieves this objective, but too often the jokes and anecdotes meander without packing a punch.

For more on Ed Byrne, visit www.edbyrne.com

For more from Town Hall, including full event listings and online ticket sales, visit www.thsh.co.uk

BPREVIEW: Katherine Ryan – Glitter Room @ Symphony Hall 02.02.18

Katherine Ryan – Glitter Room @ Symphony Hall 02.02.18

Words by Ed King

On Friday 2nd February, Katherine Ryan brings her Glitter Room Tour to Birmingham’s Symphony Hall – with Joe Lycett as the stand up support act. 

Katherine Ryan’s Glitter Room is scheduled for 8pm at the Symphony Hall, with tickets priced at £24.50 (+bf) as presented by Live Nation UK. For direct show information, including venue details and online ticket sales, click here.

Queen of the acerbic broad smile, Katherine Ryan has been poking the ribs of our populous since settling in Britain about a decade ago – winning the Nivea sponsored Funny Women Award in 2008.

Katherine Ryan – Glitter Room @ Symphony Hall 02.02.18Born, raised and educated in Ontario, Ryan initially moved to the UK to help the restaurant chain Hooters set up in Nottingham – sticking around in Albion longer than expected, picking up some solid bookings as a comedian and setting into the tight lipped day to day of England. Now a self described “typical British mum – a young, uneducated immigrant”, Ryan has become a familiar face in Britain as a TV presenter, regular guest on TV panel shows, and part of the festival stand up circuit.

With a self deprecating, child (adulation) bashing, velvet glove punch approach to her material, Katherine Ryan is not likely to appear at a Pontins family cabaret anytime soon (I once saw both mother and daughter on stage for a skit… not your standard red coat fodder). Likewise, I can’t imagine there’s too much sleep being lost in the Ryan household when Waitrose run out of Chai Latte mix.

But for those anti-millennials who enjoy a sticking a good two fingers up at the tacit/absurd sides of society, you might find yourself in the right room with Katherine Ryan.

Although her latest tour, Glitter Room (named after her daughter’s bedroom) sees Ryan shift from the ‘waspish put-down to a more positive celebration of her life’ – with a little room left for Trump bashing and jabs at Baby Machine Julie. Personally, I’m fingers crossed for another attack of the Beyoncés. But a boy can dream.

Katherine Ryan – on Conan, February 2017

Katherine Ryan brings her Glitter Room Tour to Birmingham’s Symphony Hall on Friday 2nd February, with Joe Lycett as the support stand up act. For direct show information, including venue details and online ticket sales, visit www.thsh.co.uk/event/katherine-ryan 

For more on Katherine Ryan, visit www.katherineryan.co.uk

For more on Joe Lycett, visit www.joelycettcomedy.co.uk

For more from Live Nation UK, including further event listings and online ticket sales, visit www.livenation.co.uk

For more from both the Symphony and Town Halls, including further event listings and online ticket sales, visit www.thsh.co.uk

BPREVIEW: Ed Byrne @ Town Hall 27.01.18

Ed Byrne @ Town Hall 27.01.18

Words by Helen Knott

Comedian Ed Byrne brings his Spoiler Alert show to Birmingham’s Town Hall on 27th January, in the first week of a UK tour that stretches into June.

Spoiler Alert is scheduled for 8pm at the Town Hall, with and tickets priced at £27 (+bf). For direct show information, including venue details and online ticket sales, click here.

Ed Byrne has been a comedian for around 20 years now, pretty much his entire adult life. He’s had hit tours, DVDs and has sold out numerous runs at the Edinburgh Fringe.

Byrne has also established a successful TV career, not just through his numerous appearances on comedy shows such as Mock the Week, Have I Got News for You and Live at the Apollo, but also in factual genres. Indeed, Byrne seems to have reached the enviable position of being able to create TV series about subjects he’s personally interested in, such as Dara & Ed’s Great Big Adventure in Central America and its successor Road to Mandalay – road trips that feature friend and fellow comedian, Dara Ó Briain.

Byrne is undoubtedly in comedy’s Premier League, with publications like the Sunday Times declaring that his work ‘could stand proudly next to any Izzard, Bailey, Carr or Skinner stadium-filler’. He certainly tends to mine similar ground to these comedians, though arguably without the quirks that make their voices truly unique.

Spoiler Alert was debuted and developed at last year’s Edinburgh Fringe, as Byrne traces his shift from a working class young Dubliner to a middle class countryside-dweller. He looks at the impact this change has had on his children’s upbringing compared to his own, and asks the audience “are we right to be fed up, or are we spoiled?”

It may sound like common territory for a mainstream comedian’s set, but with Byrne‘s effortless, laid back delivery (and those 20 years of comedy experience) he’s sure to bring an easy charm to a well-considered and fun evening of genial entertainment.

Ed Byrne on weddings – Live at the Apollo

Ed Byrne brings his Spoiler Alert show to Town Hall on Saturday 27th January. For direct show information, including venue details and online ticket sales, visit www.thsh.co.uk/event/ed-byrne-spoiler-alert 

For more on Ed Byrne, visit www.edbyrne.com

For more from both the Town Hall and Symphony Hall, including full event listings and online ticket sales, visit www.thsh.co.uk