SINGLE: ‘How Much Do You Want It?’ – T8PES (feat Mike 110) 29.11.19

Words by Matthew Robinson / Photo by Matt Wilson Photography

It’s a wet, dreary morning in late November. I could have been on my way back from Amsterdam, however I had to turn the trip down to stay at home and let some builders start work on the house. DAMN YOU SPONTANEOUS GETAWAYS. I need something to ease my head, and in his latest single Birmingham artist T8PES asks the question ‘How Much Do You Want It?’ So, I’ll guess I’ll find out.

The first bar whisks me from my dark, rain-battered Stratford living room and plonks me straight into the lights and madness of an Ibiza rave pool party. It’s warming and contagious. I find that typically in most cases of ‘crossover hip hop’, lyrics are all too often forgotten. It seems the art of lyricism is getting harder to find in hip hop enthused genres – however this song simply takes that allegation and throws it with a ‘boom bap’ straight back into my face. The lyric, “as I channel the spirit of John Lennon at the Caver,” just warms me. These are clearly students of the game; T8PES and Mike 110 love music, and it’s easy to hear in this single.

The beat continues to fuel the song as I find myself skanking just listening to it. After the first hook I force myself to pause the track so I can go and get my speaker, to play this louder. I think perhaps more emphasis could be placed on the hook of the piece from a production point of view, as the volume is fairly one dimensional (taking into account that is typical of rave music), but it feels T8PES has more than enough ability to adapt this song into his own fusion genre of rave and hip hop. It’s clear that homage is being paid to old school rave culture and the breakdown of the piece shows T8PES donning his cap to perhaps my favourite element of classic hip hop… disk scratching. The scratching perfectly delivers the samples used into the track and it sounds effortless.

‘Howe Much Do You Want It?’ is a track with so much inspiration, it’s almost like looking through a photo album, picking out your favourites, and creating a collage of memories (or in this case a symphony of sounds). It’s a stamp on hip hop culture saying classic still exists, and that’s a beautiful thing.

‘How Much Do You Want It?’ – T8PES (feat Mike 110)

‘How Much Do You Want It?’ by T8PES is out on general release from Friday 29th November. For more on T8PES, visit www.t8pes.com

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

INTERVIEW: T8PES

T8PES / Matt Wilson www.mattwilsonphoto.co.uk

Interview by Abi Whistance (To the Local) / Pic by Matt Wilson

“When you don’t fit in a box, how do you target your audience? How do you target your demographic?”

T8PES released his eponymous debut album on Friday 24th May, following a rafter packed launch party at The Castle & Falcon in April. But the man behind the moniker, Jimmy Davis, is no stranger to a stage or two – having been a stalwart of the Midlands music scene for years, with artists including Ed Sheeran citing him as an influence.

Now recording and releasing as T8PES, his new 8 track LP stretches from rap to hip hop and rave to grime – featuring collaborations from Luke Truth, Ricardo Williams and Holly Fitzgerald to name but a few.

Flowing with honesty, self analysis, harsh truths and dark humour – alongside the occasional roll call of Birmingham’s evolving club scene – T8PES is a deeply personal journey and a melodic memory lane stroll through the highs and lows of Davis’ bittersweet life experiences.

Having reviewed the album for Birmingham Review back in May, Abi Whistance and the Leeds based music magazine To the Local invited us along to their interview with T8PES – ahead of his support slot for CityLightz at the O2 Academy Birmingham.

To read Abi Whistance’s Birmingham Review of the album T8PES, click here. Or just sit, click back and watch, as T8PES himself talks to Abi about the inspirations and impetus behind his new material:

T8PES is out now on general release. For more on T8PES, including links to online sales, visit www.t8pes.com

For more from To the Local, visit www.tothelocaluk.com

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

ALBUM: T8PES – T8PES 24.05.19

Words by Abi Whistance / Lead pic by Matt Wilson Photography

There’s a reason I struggle to get into grime et al, and I know I’m the top dog of sweeping generalisations when I say this but it all just feels a bit shallow. For me there is nothing relatable about gang tiffs, stacks of bills and a burning desire to be a Hugh Hefner-type. And from the mainstream circuit this is pretty much all I’ve picked up on.

I’m no expert in the realms of trap, rap and hardcore either. But I think that’s probably a good thing. So with little emotional investment in the genres, I can objectively say that T8PES is on to a winner for both novices (like me) and your more well-established grimeheads – with this debut album feeling exciting for a sound that I thought was one swift kick away from the bucket.

Walking the tightrope between love and hate treacherously close at times, T8PES has crafted something that perhaps shouldn’t work, but just does. Acid house and grime don’t exactly go hand in hand at first inspection, but the combination leaves me questioning why the hell I hadn’t heard this kind of thing before.

In actuality, I guess I have. But it’s the nostalgia and familiarity of this eponymous album that earns it the title of ‘a good listen.’ Fans of The Avalanches gather round and bring your 12” of the Mondays’ ‘Hallelujah’ whilst you’re at it, T8PES is mixed with enough pre-millennium dance hits to keep you going all night… even without those eccies.

But it’s not just the familiar nineties sound in tracks like ‘How Much Do You Want It’ and ‘Gotta Believe’ that gives this album the wistfulness of a time gone by, it’s the discussion of the trials and tribulations of teen-hood too. A mature reflection on growing up, T8PES has written a record that’ll strike a chord with most – tackling difficult themes of drug use, alcoholism and the effects of bad influences, featured on an album that feels like a coming-of-age tale.

I think it’s important to note that this may be one of the most well-produced debut albums I’ve heard in a long time too. Home cooked electronica and remixing have been polluting the scene for a while, making it a bit too easy to publish rubbish and a hell of a lot harder to find the gems. And I’m not saying that a Soundcloud system lockdown needs to be put in place to stop the sick bucket of low-quality artists from (God forbid) overflowing, it is pretty indisputable that the cornucopia of self publishing platforms have made it more difficult to identify the best of the best.

I can’t really whinge on about that for too long because the cream supposedly always rises to the top, and T8PES has sailed right up onto my radar with this debut album. But what it truly boils down to is a radio-friendly combination of EDM and rap that manages to keep a hold of the substance so many others lose in the process – with stand out production, and some solid variation in sound that leaves something for everyone here.

Not to blow anyone’s trumpet or anything – but I think we’ve just hit the grime jackpot.

‘Hope & Pray’ – T8PES featuring Holly Fitzgerald

T8PES is out on general release from Friday 24th May. For more on T8PES, including links to online sales, visit www.t8pes.com

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL – NOT OK campaign, click here. To sign up and join the NOT NORMAL – NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL – NOT OK website.

BREVIEW: J Hus @ O2 Academy (B’ham) 09.11.17

J Hus @ O2 Academy (B’ham) 09.11.17 / Cameron Goodyer - Birmingham Review

 

 

 

Words by  & pics by Cameron Goodyer

Arriving at the O2 Academy and seeing the expected throngs of people congesting the street eager to see J Hus was a pleasant, but unsurprising, Thursday night experience.

Over the past few years, J Hus, the young Londoner, has made a strong impact on the grime scene. His particular style of African influenced pop/grime collaboration has driven his success to a near sell-out Common Sense European tour and this occasion is no exception as the evening was sold out well in advance.

It’s common to expect a familiar format of support-act, support-act, headliner at these sorts of events but the old saying ‘expect the unexpected’ still holds true as the typically interminable waiting was cast aside in favour of a DJ set kicking straight in, energising the crowd and offering a ‘taster session’ for the rest of the evening. A selection of hip-hop, grime and R&B set the mood very nicely as the sound system pushed out hits and classics alike and the crowd began moving.J Hus @ O2 Academy (B’ham) 09.11.17 / Cameron Goodyer - Birmingham Review

With the DJ still in mid-flow, the first official act of the evening took to the stage; a man going by the name DC. DC, sporting a striped orange t-shirt, offered the crowd a friendly welcome before diving into his act; a machine gun spray of lyrics, faster than anyone I have seen before. The crowd seemed on-board with this and impressed with his skill and I found it frankly memerising to behold. As well as speed, DC has good annunciation and the clarity of what he was saying wasn’t lost, something that would have been noticeable in the slower parts of his balanced set.

DC was set to be followed by an act called NSG and at their allotted time, first one man took to the stage, then another. And another. And another, and so on until the stage seemed packed full of bouncing energetic bodies. Too many to keep an eye on all at once by far. Unfamiliar with NSG’s music (I had only heard of them in a VICE/ID article), I found their strong afro-beat sound very fitting to the evening and it was clear to me they were a good support for J Hus’s set.

J Hus @ O2 Academy (B’ham) 09.11.17 / Cameron Goodyer - Birmingham ReviewThe flow of the evening was broken slightly following NSG as the next act, Young T & Bugsey, were unable to attend. Rather than move the timings for the evening, the decision seemed to be made that two men would take the stage and fill the time hyping up the crowd.

Unsure of how long a slot they were set to fill, it certainly felt long and rather than any set songs being played, the DJ seemed to play sections with the two men onstage belting out the odd word here or there. Passable at first, but soon it became clear the momentum of the evening was being lost and I could hear people in the crowd beginning to question when they would stop and the main act of the evening begin. Not something I could blame them for as my own energy, alongside all of the build-up from NSG, slipped away.

Luckily, without further delay or interlude, J Hus took to the stage; exactly what was needed and seemingly that had been noticed by J Hus or his team. His appearance turned the atmosphere back around and the crowd became elated, screaming loudly as smoke flooded the stage and blue and red lights (imitating police lights) flashed.J Hus @ O2 Academy (B’ham) 09.11.17 / Cameron Goodyer - Birmingham Review

One of the key features of this staging shift was the DJ’s booth. For the first part of the evening this had seemed like an overly large dark space now the black cloth covering the area was removed to reveal that J Hus had brought two gleaming private number plate adorned Mercedes Benz cars onto the stage, seemingly working, with headlights streaming through the smoke.

Fittingly, J Hus himself walked out to the strains of the tour and album namesake track ‘Common Sense’, diving straight into his set with his biggest hit of the moment. With the sell-out O2 Academy audience drowned in smoke J Hus’s stage presence was impressive and it felt like he had instantly won over the 3000-odd people and made the night his own. Never was this more clear than, when asking for everyone to hold up the torches on their phones, the venue became bathed in the soft light that only a small lithium battery can provide. J Hus @ O2 Academy (B’ham) 09.11.17 / Cameron Goodyer - Birmingham ReviewJ Hus himself made for an impressive sight, suited as he was in an array of jewellery firing the already strobing lights in even more erratic and interesting ways.

J Hus moved through his set and began to bring out the bigger hits in his arsenal. As ‘Bouff Daddy’ began, he told the crowd to “mash up the place” and mash it up they did, including J Hus’s own hype-man who had returned to the stage and was seemingly having the time of his life. It was fantastic to look around and see everyone on the outside edges of the room moving and counterpoint to the crush closer to the stage, in those areas many people had space to move freely and were really expressing themselves, dancing with great enthusiasm.

J Hus @ O2 Academy (B’ham) 09.11.17 / Cameron Goodyer - Birmingham ReviewThis continued until the instantly recognised introduction to one of J Hus’s earlier hits began; ‘Lean & Bop’. As this reverberated around the room, it became clear that many people knew what to do and they had stopped dancing in their own way, instead following the signature dance to this well-known song, smiling broadly as they did so.

As the evening began to wind down and the end was approaching J Hus announced to mixed reaction that he would be performing a new track that the audience would never have heard before. The mixed reaction of the audience to this was down, I feel, to the fact that while many of them were happy to be part of this new experience, the audience as a whole were keen to be singing along and to have set dances in mind for the tracks, something not offered by a new song.

After this, J Hus hit the audience with two of his biggest tracks to date – ‘Fisherman’, a song that got a much bigger more positive reaction than I had expected, and ‘Did You See’. ‘Did You See’ is the bigger of the two and undoubtedly a track that most people had been waiting for. It was worth the wait. Taking everyone by surprise, mid-song J Hus left the stage and headed into the crowd. Before you could blink, everyone in this main section of the room rushed forward, lyrics on their lips, clamouring for a piece of the main man himself.

And so ended the evening and with the lyrics of ‘Did You See’ resonating in my head I made my way out of the O2 Academy. J Hus’s post crowd-dive question ‘Did you see what I done?’ wouldn’t leave me and the answer is simply; yes. I saw you take a Thursday evening in the O2 Academy in Birmingham and turn it into an event people will talk about until the next one. Until the next one. 

For more on J Hus, visit www.jhusmusic.com 

For more from Birmingham O2 Academy, including full event listings and online ticket sales, visit www.academymusicgroup.com/o2academybirmingham 

For full gig listings from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

BPREVIEW: J Hus @ O2 Academy (B’ham) 09.11.17

BPREVIEW: J Hus @ O2 Academy (B’ham) 09.11.17

Words by Cameron Goodyer

On Thursday 9th November, J Hus comes to the O2 Academy Birmingham. Doors open at 7pm, with the event billed as sold out at the time of writing – please check with the venue or respectable ticket outlets before purchasing. For direct gig info, including venue details, click here.

J Hus continues his headline tour across the UK with dates at the Manchester Academy (10th Nov), Rock City Nottingham (14th Nov), O2 Academy Brixton – London (15th Nov), Alexandra Palace – London (30th Nov) The LCR – University of East Anglia, Norwich (6th Dec). Click here for full tour details, as presented by SJM Concerts/Gigs and Tours.

Thursday 9th November marks the midpoint of the UK leg of J Hus’ European tour, following the release of his latest album ‘Common Sense’ which went straight to No3 on the iTunes chart and flew through the UK albums chart, being hailed as one of the best British Breakthrough albums of the year. This in mind, it’s unsurprising that every UK date, including this one, is sold out.

Booming out of rolled down car windows and out of almost every late night club won’t be the only places you’ll be hearing hits such as ‘Did You See’  & ‘Playing Sport’ as ‘The Fisherman’, as J Hus is more colloquially known, graces the O2 Academy in Birmingham this coming Thursday. J Hus earned this title through his considerable collection of ‘fisherman style hats’, an iconic accessory which became such a key part of his image he even wrote a song about it. And something that we may be able to see first-hand on Thursday 9th November.

J Hus was and is a true pioneer in the sound that, once unique, is now deeply rooted into the ideology of modern day grime. Although once is the key word as since his skyrocket in success many have tried to impersonate his style, his sound, his character. In some ways, you could say it’s been diluted down but for sure it’s becoming more and more noticeable to the point where it’s no longer just his style – it’s the style he shaped.

J Hus is as a born and bred Londoner with strong African essence flowing throughout his music most likely inspired by his, Gambian decent on his mother’s side.

After aspiring to take up rapping, it took the push of two friends (and later managers) to help him out and take the leap into professionalism, coming after the release of a few tracks online. Summer 2015 was the beginning of the boom for J Hus as he released ‘Lean & Bop’, a simple yet catchy song that makes your body want to jive. This one song, streaming six million times (double that now), and getting its own dance, soon became the summer club anthem being blasted everywhere and remixed countless times.

2016 was no slacking point following this success and proving he was no one hit wonder, J Hus released the single ‘Friendly’(receiving a nomination at the MOBO Awards) alongside, ‘Playing Sports’, ‘Liar Liar’ (remix) and ‘Solo One’ – not bad for someone whose career has, in some ways, only just begun.

Alongside an article about him in The Guardian and signing to Epic Records, this year has been full of hits and features for J Hus. Including a collaboration with arguably one of the biggest current UK artists and a godfather to the grime scene, Stormzy.

At present, J Hus’ name is scattered all over the UK charts, not only via his features but his solo single ‘Did You See’ coming in at No9 and  I’m sure the O2 Academy Birmingham crowd will give a very warm welcome to this new star in his highly anticipated headline show.

‘Did You See’ – J Hus

J Hus comes to the O2 Academy Birmingham on 9th November, as part of a UK wide headline tours – for full tour dates and details, visit www.gigsandtours.com/tour/j-hus 

For more on J Hus, visit www.jhusmusic.com

For more from Birmingham O2 Academy, including full event listings and online ticket sales, visit www.academymusicgroup.com/o2academybirmingham 

For full gig listings from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

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