BREVIEW: Dragpunk’s Ghoul School Grand Final @ The Nightingale Club 20.09.19

Words & illustrations by Emily Doyle

It’s a Friday night in September. The nights are drawing in, but it’s still mild enough to enjoy a cigarette on the balcony of Nightingales and watch life go by on Kent Street. Amber Cadaverous, dressed in white satin lingerie and draped in bandages, ushers the crowd into the venue for the Grand Finale of Dragpunk’s Ghoul School.

In July, Dragpunk opened applications for their contest to crown Birmingham’s first drag supermonster. Encouraging applicants from all backgrounds and styles, they stressed in the call out that this is a contest founded on learning and positivity, under the banner of ‘All Drag Is Valid’. In short, they’ve taken a lot more cues from underground hit Boulet Brothers’ Dragula than from Ru Paul’s Drag Race, in terms of values as well as aesthetic.

Both the heats of Ghoul School were well attended, but tonight it’s standing room only not long after the doors open. Plenty of competitors from previous heats have turned out to show their support. Lucius Blac, whose catholic-gothic aesthetic means he’d just as soon be referred to as ‘Father’ than as ‘Daddy’, is propping up the bar. Blac’s performances in heat two were whirlwinds of suave machismo, whether he was wearing a white suit and priest’s collar or a dishevelled clown costume. Sadly, this wasn’t his year – but most of the audience went home that night with pockets full of stickers proclaiming ‘once you go Blac, you don’t go back’ in an ornate blackletter typeface. Flanking Blac are fellow competitors Abel Valentine and The Vicar’s Daughter. Valentine won hearts in heat two with a playful lipsync to Smashmouth’s ‘All Star’. The Vicar’s Daughter, who’s heartfelt mime performance was a highlight of heat one, has fashioned an outfit for tonight out of one of her dad’s stoles, combining it with a barely-there bodysuit, sunglasses, and a fringed boater.

Waiting for the show to begin, heat one performers Cider Goblin and Frieda Brest are perched on the edge of the stage playing Pokemon Go. Cider lived up to their name and gave perhaps the messiest performance of heat one, scattering the stage with empty tinnies out of a bin bag during their lip sync to The Cramps’ ‘Garbage Man’. Frieda was responsible for a delightful chicken themed performance that same evening, it had a skillfully crafted mix featuring Lizzo’s 2018 hit ‘Boys’, but every time she said the word “boys” it was replaced with “chickens”. Often the simplest ideas are the funniest. Tonight, Frieda is here in their masculine alter-ego, Fred D’Coq, complete with a neon pink suit. Sitting in the front row along from them is Church of Yshee 2019 finalist Misty Fye, eager to show support for their partner in crime Glitter King.

Hosting tonight are Dragpunk’s own Lilith and Tacky Alex, a thoroughly odd couple who’ve got polar opposite dress senses and about a foot in height between them. Lilith, veiled in black lace and with eyeliner so sharp it would make Siouxsie Sioux’s eyes water, towers over Alex, who grins at the audience from under a pair of floppy rabbit’s ears and a smear of pink lipstick. The two heats were hosted by the baby of the group, Amber Cadaverous. After some outdated whispers went around the scene challenging the validity of a young queer woman hosting a drag contest, Paul Aleksandr took the stage at the beginning of heat two to make it very clear that as far as Dragpunk are concerned Amber’s place is on the stage. Beaming, Amber took the mic, ringing in the autumn with an enormous pumpkin costume. Paul, having affirmed his role as kindly-yet-creepy uncle of Birmingham’s queer community, returned to mopping up blood and other fluids between performances with an endless supply of blue roll.

The finalists tonight have been given three performance tasks each to determine the winner, who gets to take home a troubling trophy – one of Paul’s sculptures that makes use of a doll’s head and a liberal coating of glossy red paint. First, they’re invited to show off their skills with a narrative performance. Glaswegian queen Diana Morphine takes queues from Tim Burton’s campy classic Beetlejuice, strutting around in a black-and-white striped suit and flinging plastic cockroaches into the audience. Suzi Looz, who’s heat one striptease to Black Flag’s ‘Nervous Breakdown’ saw her booked for a show in London the following week by judge Mary Poppers, delights the crowd by disemboweling Boris Johnson (played with trademark swagger by Haus of Sauseej’s Christian Gay) before emptying a milkshake over his head.

Glitter King, who’s truly mastered comfy drag, cavorts around the stage in a Grumpy Bear onesie to Eiffel 65’s ‘Blue’. Sissy Punk invites Fred D’Coq to join her on stage for a deeply troubling performance, where dialogue from the episode of Always Sunny in Philidelphia where Frank Reynolds convinces the gang they’re eating human meat segues into ‘Truly Scrumptious’ from Chitty Chitty Bang Bang, as Sissy appears to carve slices of deli meat of Fred’s glutes with a sadistic flair. It’s a word perfect lip sync that has the crowd in stitches. The most unexpected performance comes from Nottingham queen and cosplayer Wyntir Rose, who’s interpretation of a viral episode of Peppa Pig is inspired.

The Ghoul School contestants are then invited to perform a brief runway performance. Local comedy-drag performer Cosmic Crum takes the opportunity to show off an impressive silicone breastplate, while Diana Morphine keeps it classy in a floor length red ballgown. Sissy slithers out of a latex dress to reveal an acidic yellow bodysuit, a look that’s almost as delightfully trashy as the camo chaps she wore for her heat one lipsync to Vengaboys. The star of this round is undoubtedly Suzi, who gambols onto the stage in a tartan suit and snaps open a fan which bears the legend ‘TIPTON’. She writhes on the floor, fluttering it coquettishly, to delighted chanting from the crowd. At the time of writing, Suzi is listed as a ‘notable resident’ on Tipton’s Wikipedia page.

For the final act of the night, performers are simply given the brief ‘freakshow’ – surely an invitation for chaos from Dragpunk. Cosmic Crum steps up to the plate with a wonderfully hairy striptease which must have been the final fate of at least three purple wigs. Diana Morphine is a picture of android glamour, glitching and death dropping her way through a slick mix of electronic pop and looking like Barbarella turned up to 11.

Sissy Punk gives one of the night’s most heartfelt and political performances about her trans experience, culminating in some defiant, full frontal nudity to the sound of ‘Sweet Transvestite’ to the adulation of the judges and the crowd. Horror queen Melancholy, who in the last heat stapled a rubber mask directly onto her face and subsequently bled so much her false lashes melted off, takes the stage as the evening’s final act to hushed anticipation, before engaging in some neon clad needle play that is enough to turn even the strongest stomach. Judges China, Ruby Wednesday and Misty Monique retire to deliberate, and at this point it genuinely feels like anyone could win it.

After a short break, Diana Morphine is crowned the winner of Ghoul School 2019 to much deserved applause. Her consistency and variety won the judges over, so she now has the honor of taking the baby head trophy back to Glasgow – as well as hundreds of pounds worth of drag supplies from Give Face Cosmetics, What A Drag, Offend My Eyes, Morphe and Urban Decay and a paid performance spots with Dragpunk in the future. So, look out as this won’t be Diana’s last time in Birmingham…

For more on the Dragpunk Collective, visit www.dragpunkcollective.wordpress.com 

For more from The Nightingale Club, including full event listings and online ticket sales, visit www.nightingaleclub.co.uk 

‘I pick my way through the dressing room, stepping over debris from previous performances – a toy guitar, a picked-over sheet of stick-on moustaches, and a slowly deflating blow up doll. The front of my shirt is damp from where I tried to sponge out a pale purple stain from the Dark Fruits. I slip on my coat, grab my umbrella, and make for the stage with what I hope is an air of masculine confidence.’

Watch out for Emily Doyle’s Diary of a Short Lived Drag King, a 24 page A4 ‘zine recanting her own experiences of when she manned up and got on stage – with illustrations from Emily and photography from Eleanor Sutcliffe. 

Diary of a Short Lived Drag King will be available through Review Publishing from 30th September, click here for more details.

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

BPREVIEW: Dragpunk’s Ghoul School Grand Final @ The Nightingale Club 20.09.19

Words by Ed King

On Friday 20th September, the Grand Finale of Dragpunk’s Ghoul School will be held at The Nightingale Club.

Doors open for this devilish delectation from 8pm, with tickets priced at £5 advance and more on the door. For direct event information, including online ticket sales, click here to visit Dragpunk’s Ghoul School Facebook event page.

Hosting heats 1 & 2 in August, the time has come for the Grand Finale of Dragpunk’s Ghoul School – the celebration competition where fledgling kings and queens get to ‘push the boundaries of drag’ and possibly run home with a huge bag of cosmetics and a ‘giant handmade Dragpunk gothic crown and trophy’. That and a paid up performance slot at Dragpunk’s Halloween Drag Me to Hell Part II at Eden Bar on 11th October, which ‘aint to be sniffed at no matter how much dried blood you’ve got stuck round your nostrils.

Always inclusive, Dragpunk have emphasised in the application process for Ghoul School that the competition is ‘alternative’ and open to any gender, age, ability or style. You can be political, you can be subversive, you can be a comedy or tragedy – indeed, in their own promotional words Dragpunk ‘believes competitions should be fun and creative, full of learning and guidance… It’s all about the taking part and putting on a show for you the audience.’ And if you’ve ever been to a Dragpunk event before, it’s usually quite a spectacular.

But it is a competition, after all, and battling to out-spook each other on stage will be some impressive acts from the August qualifying heats. Emily Doyle, Birmingham Review’s resident drag writer and illustrator, has been watching the Ghoul School unfold…

Ghoul School set out to create a platform for Birmingham’s up-and-coming alternative performers,” explains Emily, “and they’ve certainly delivered on that so far. In the heats of Dragpunk’s inaugural talent contest, we’ve seen everything from mime and juggling to facial stapling and microwave lasagna – it’s hard to imagine what the final could look like. It will without a doubt be the place to see the rising stars of Birmingham drag, although it’s worth noting that the first few rows may get wet…

Dragpunk’s Ghoul School Grand Final comes to The Nightingale Club on Friday 20th September, as promoted by the Dragpunk Collective. For direct event information, including online ticket sales, click here to visit the Dragpunk Facebook Page.

For more on the Dragpunk Collective, visit www.dragpunkcollective.wordpress.com

For more from The Nightingale Club, including full event listings and online ticket sales, visit www.nightingaleclub.co.uk 

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‘I pick my way through the dressing room, stepping over debris from previous performances – a toy guitar, a picked-over sheet of stick-on moustaches, and a slowly deflating blow up doll. The front of my shirt is damp from where I tried to sponge out a pale purple stain from the Dark Fruits. I slip on my coat, grab my umbrella, and make for the stage with what I hope is an air of masculine confidence.’

Watch out for Emily Doyle’s Diary of a Short Lived Drag King, a 24 page A4 ‘zine recanting her own experiences of when she manned up and got on stage – with illustrations from Emily and photography from Eleanor Sutcliffe. 

Diary of a Short Lived Drag King will be available through Review Publishing from 7th October, click here for more details and links to online orders.

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

THE GALLERY: Dragpunk presents Drag Me to Hell! @ The Nightingale Club 12.10.18

THE GALLERY: Lilith – Drag Me to Hell! @ The Nightingale Club 12.10.18 / Sarah Maiden

 

 

 

Words by Anna Cash Davidson / Pics by Sarah Maiden

On Friday 12th October, Dragpunk hosted their Drag Me to Hell! show at The Nightingale Club, the oldest and most popular LGBTQ venue in Birmingham, running since 1969.

Dragpunk are a collective that ‘aim to promote LGBTQ art, awareness and confidence’ in Birmingham, bringing together drag (‘a creative art for anyone regardless of their gender, sexual identity and orientation’) and punk (‘an expressive, individual freedom that is anti-establishment and anti-mainstream society’). THE GALLERY: Cosmic Crum – Drag Me to Hell! @ The Nightingale Club 12.10.18 / Sarah MaidenThe show is hosted by Lilith and features the whole Dragpunk collective – Tacky Alex, Paul Aleksandr, Amber Cadaverous – with appearances from Cosmic Crum, Tanja McKenzie, Eva Serration, and special guest Ruby Wednesday.

The venue has limited seating capacity, so I take a standing position – managing to find a spot not obstructed from view by drag queens in 6-inch heels. The stage is decorated in full Halloween pantomime galore, littered with fake candles and furnished with red drapes, skulls and a crystal ball.THE GALLERY: Tacky Alex – Drag Me to Hell! @ The Nightingale Club 12.10.18 / Sarah Maiden As we wait for the 9:30 pm start time, eerie music plays in the background that takes me back to theme parks of my childhood, and this theatricality is only increased by the smoke machine that alerts us that the performance has begun.

Our host for the evening is Lilith, who stuns in a Gothic bride get-up, complete with a black veil, delivering us humorous one-liners throughout the evening, with her interjections providing a break from the intensity of some of the performances.THE GALLERY: Paul Aleksandr – Drag Me to Hell! @ The Nightingale Club 12.10.18 / Sarah Maiden The narrative of the performance follows Lilith summoning dead spirits with her crystal ball and there is everything you want from a Halloween drag show, with Frankenstein’s bride, Salem witch trials, Ouija boards and light dose of devil-worship.

Cosmic Crum bursts through the crowd and all I can see are the horns on his head until he reaches the stage, and the two men he has on a leash become visible. Crum pours blood on them and they lick it off each other, whilst ‘Seven Nation Army’ plays in the background.THE GALLERY: Tanja McKenzie – Drag Me to Hell! @ The Nightingale Club 12.10.18 / Sarah Maiden Tacky Alex brings some clownish joy to the stage, lip-syncing Tiny Tim’s ‘Living in the Sunlight’, whilst Paul Aleksandr gives us a dramatic rendition of Eurythmics ‘Sweet Dreams (Are Made of These)’. “Wasn’t that intense?” quips Lilith during the interlude.

THE GALLERY: Eva Serration – Drag Me to Hell! @ The Nightingale Club 12.10.18 / Sarah MaidenPopular music plays a key part throughout the show tonight, with Celine Dion’s ‘My Heart Will Go On’ and Kiss’ ‘I Was Made for Lovin’ You’ also featuring. Less popular numbers include a devil-worship song (with the lyrics ‘praise the devil’) in Tanja Mckenzie’s performance, with the Satanic as a clear running theme. Towards the end, Lilith uses a Ouija board to help her summon our final spirits for the evening.

THE GALLERY: Ruby Wednesday – Drag Me to Hell! @ The Nightingale Club 12.10.18 / Sarah MaidenStand-out performances include Eva Serration’s depiction of Frankenstein’s creature and bride told as a feminist revenge story, lip syncing to a speech from recent TV series Penny Dreadful“Never again will I kneel to any man. Now they shall kneel to me. As you do, monster,” we hear, before she rips off his head and her own white shapeless dress, revealing a red corset and fishnets as a sign of her new freedom.

The final performance of the evening is Ruby Wednesday, whose refreshing take on drag is particularly striking in a pinstripe suit, eyeliner, heels. and wigless – blurring the lines even further between gender. Ruby Wednesday ends the night with sparks flying, literally, sending us off with an angle grinder in an impressive display, in keeping with the drama of the evening.

Overall, it is an enjoyable night, bringing together people of all ages, genders and sexualities in an entertaining show, leaving us never quite knowing what to expect next. I think it’s time to start planning my Halloween costume…

 

 

 

Dragpunk presents Drag Me to Hell! @ The Nightingale Club 12.10.18 / Sarah Maiden

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For more on the Dragpunk Collective, visit www.facebook.com/dragpunkcollective

For more from The Nightingale Club, including full event listings and online ticket sales, visit www.nightingaleclub.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

BPREVIEW: Dragpunk presents Drag Me to Hell! @ The Nightingale Club 12.10.18

BPREVIEW: Dragpunk presents Drag Me to Hell! @ The Nightingale Club 12.10.18Words by Ed King

On Friday 12th October, the Dragpunk collective are back for another show – returning to The Nightingale with Drag Me to Hell!

Appearing at Drag Me to Hell! will be the whole Dragpunk collective Amber Cadaverous, Paul Aleksandr, Tacky Alex, with Lilith as the evening’s hostess – joined by Cosmic Crum, Tanja McKenzie, and Eva Serration.

There will also be a special guest appearance from Ruby Wednesday, who is flying The Familyyy Fierce nest for a night to sit glacier cherry style on the evening’s proceedings in Birmingham.

Doors open at The Nightingale Club from 8:30pm, with Drag Me to Hell! starting from 9:30pm prompt – running until the 16+ curfew ends at 11pm. Tickets are priced at a super reasonable £3 (adv) and £5 (otd), with entry to the official after party included if you’re old enough to go. Or brave enough, this is a ‘Halloween Theatre Show’ after all…

For direct links to online ticket sales for Drag Me to Hell! visit Eventbrite by clicking here. Or for more information on the show, visit the Facebook Event page by clicking here.

Dragpunk Presents’ first show back in April, Candyland, was a showcase of the collective’s great, good and covered in condiments – ‘showcasing local and national UK drag of all genders, sexualities and abilities that you’ll adore!’ Check out Emily Doyle’s illustrated Birmingham Review of Candyland by clicking here.

But there’s more to Dragpunk that shock, horror, and baking ingredients abuse – the local ‘collective of creative queer-minded people’ are strong advocates for artistry and inclusivity, promoting shows that create ‘a safe space for self-expression’ for every friendly face that attends.

Dragpunk’s latest offering, Drag Me to Hell! is also a shimmy/shake into more theatrical territory, with the set piece showcase conveyor belt making way for a narrative led production.

We want to give a solid Halloween show,” explains Dragpunk’s Paul Aleksandr, “full of atmosphere with some very cool and well thought out performances, from horror to some creepy tongue-in-cheek comedy. It’s the start of something different for drag Birmingham drag shows.”

Sounds like a night out to me, one the show’s promo rhetoric says ‘will take you back to the times of Victorian darkness, bringing drag performances and theatre together, where spirits, demons, and some good ol’ camp horror will bring the night alive! Quite literally!’

Ah, you’ve got to love Halloween for the marriage of performance and art, and Dragpunk have never been afraid of a bit of needle and thread. If you’ve ever seen Aleksandr’s ‘Hungry Caterpillar’ costume…

Dragpunk Presents: Drag Me to Hell! at The Nightingale Club on Friday 12th October. For direct links to online ticket sales for Drag Me to Hell!, visit Eventbrite by clicking here. Or for more information on the show, visit the Facebook Event page by clicking here.

For more on the Dragpunk Collective, visit www.facebook.com/dragpunkcollective

For more from The Nightingale Club, including full event listings and online ticket sales, visit www.nightingaleclub.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

ELEANOR’S PICK: Slam Dunk Festival 2018 (Midlands) @ NEC 28.05.18

ELEANOR’S PICK: Slam Dunk Festival 2018 (Midlands) @ NEC 28.05.18

Words by Eleanor Sutcliffe

Slam Dunk Festival 2018 (Midlands) comes to the NEC in Birmingham on 28th May. For a direct event information, including venue details and online ticket sales, visit www.gentingarena.co.uk/whats-on/slam-dunk-festival

As one of the most anticipated dates in the UK pop punk calendar, it’s safe to say Slam Dunk Festival are taking no prisoners with this year’s line up. With a bevy of bands and artists descending upon the NEC in just under a week’s time, I took it upon myself to comb through the roster and select a number that I personally love.

ELEANOR’S PICK: Holding Absence at Slam Dunk Festival 2018 (Midlands) @ NEC 28.05.18

Holding Absence / Rock Sound Breakout Stage

Birmingham favourites, Holding Absence, are set to make their Slam Dunk debut this year on the Rock Sound Breakout Stage. Having recently announced the departure of guitarist Feisal El-Khazragi, it will be one of their first performances without him in their line up. But with Holding Absence recently nominated for Best British Breakthrough Band at the 2018 Heavy Metal Awards, plus playing a string of dates supporting Being as an Ocean across Europe in June, they’re certainly not letting El-Khazragi’s departure slow them down.

Represented by Sharptone Records – who bought us the likes of Don Broco, Miss May I and We Came As Romans – the Cardiff based band also recently toured and released a co-EP with Loathe titled This Is As One, which earned them numerous positive reviews from critics for tracks such as ‘Saint Cecilia’.

Holding Absence perform at 3:30pm on the Rock Sound Breakout Stage. For more on Holding Absence, visit www.holdingabsence.com

Saint Cecilia’ – Holding Absence

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ELEANOR’S PICK: PVRIS at Slam Dunk Festival 2018 (Midlands) @ NEC 28.05.18

PVRIS / Jägermeister Main Stage

Having recently performed at Coachella, PVRIS will be returning to Birmingham hot off the heels of the American leg of their All We Know of Heaven, All We Need Of Hell tour – promoting their latest album of the same name.

Lynn Gunn’s dreamy vocals, combined with the band’s heavy rock influences, have earned them a dedicated fanbase and won them Rock Sound’s Artist of the Year Award back in 2017. Here’s hoping PVRIS also perform some tracks from their debut album, White Noise, with songs such as ‘St. Patrick’ and ‘My House’ being on my personal wish list.

PVRIS perform at 8:15 pm on the Jägermeister Main Stage. For more on PVRIS, visit www.pvris.com

‘Anyone Else’ – PVRIS

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ELEANOR’S PICK: Taking Back Sunday at Slam Dunk Festival 2018 (Midlands) @ NEC 28.05.18

Taking Back Sunday / Monster Energy Main Stage

Returning to Slam Dunk for the 3rd time, Taking Back Sunday were in the first wave of bands to be confirmed to at perform this year’s festival.

Having released their 7th album, Tidal Waves, in September 2016, and parting ways with their original guitarist Eddie Rayes last month, it will be interesting to see if we get to hear any new material from the group. Although I’m hoping to hear classic tracks such as ‘You’re So Last Summer’ and ‘MakeDamnSure’ as well as songs such as ‘You Can’t Look Back’ from their latest album live.

Taking Back Sunday perform at 8:05pm on the Monster Energy Main Stage. For more on Taking Back Sunday, visit www.takingbacksunday.com

‘You’re So Last Summer’ – Taking Back Sunday

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ELEANOR’S PICK: Astroid Boys at Slam Dunk Festival 2018 (Midlands) @ NEC 28.05.18Astroid Boys / Impericon Stage

The Impericon stage will be hosting hardcore grime band Astroid Boys, who have always delivered impressive shows in Birmingham. Growing steadily since their formation back in 2012, they were bought to my attention after being featured in BBC Radio 4’s documentary Operation Grime, which tailed them on a tour across the UK.

Astroid Boys‘ music is not for the faint hearted – expect brutal lyrics addressing issues such as racism, mashed with hardcore and grime influences to create a sound you probably have never heard before… but will just as probably want to listen to again.

Astroid Boys perform at 2:20 pm on the Impericon Stage. For more on Astroid Boys, visit www.astroid-boys.com

‘Foreigners’ – Astroid Boys

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ELEANOR’S PICK: As It Is at Slam Dunk Festival 2018 (Midlands) @ NEC 28.05.18

As It Is / Signature Brew Stage

Announcing the August release of their latest album, The Great Depression, only a few days ago, Brighton based As It Is will be headlining the Signature Brew stage this year.

A band who’ve amassed a dedicated fan base with tracks such as ‘Dial Tones’ and ‘Hey Rachel’, their material is catchy, easy to listen to and fun – however it’s unfair to assume they lack a more serious side. Their latest release, ‘The Wounded World’, delves into a much darker side of their ever-expanding noise, having been cited by the band as a ‘new era’ of their music which expands on ‘the societal romanticisation of depression’ and ‘the disrepair of present-day human connection’.

As ever with this band, though, As It Is approach their subject with the respect and sensitivity it warrants – referencing their new material as a means for them to work to create a positive change for mental health.

As It Is perform at 8:30pm on the Signature Brew Stage. For more from As It Is, visit www.asitisofficial.bandcamp.com

‘The Wounded World’ – As It Is

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ELEANOR’S PICK: Luke Rainsford at Slam Dunk Festival 2018 (Midlands) @ NEC 28.05.18

Luke Rainsford / The Key Club Acoustic Stage

The Key Club Acoustic Stage is hosting a stellar line up of bands and artists, including Birmingham’s Luke Rainsford – combining upbeat guitar with gut wrenching vocals, making music that is hard hitting but a real treat to listen to.

Having toured the UK extensively since the release of I Feel At Home With You in February 2017, and having recently released his latest EP, I Just Don’t Deserve To Be Loved, in April 2018, Rainsford’s music deals with difficult issues such as loss, bereavement, low self esteem and mental health. Good, honest stuff.

Luke Rainsford performs at 4:15 pm on The Key Club Acoustic Stage. For more on Luke Rainsford, visit www.lukerainsford.bandcamp.com

‘Home Safe’ – Luke Rainsford

https://www.youtube.com/watch?v=ltnvyxgWovs

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ELEANOR’S PICK: Stand Atlantic at Slam Dunk Festival 2018 (Midlands) @ NEC 28.05.18

Stand Atlantic / Rock Sound Breakout Stage

Australian trio, Stand Atlantic, will also be making their Slam Dunk debut this year, having recently toured with other performers such as ROAM and Knuckle Puck. With their latest EP, Sidewinder, reaching an impressive #10 on Rock Sound’s Top 50 Albums of 2017, and having been cited by Kerrang! as one of the hottest bands of 2018, Stand Atlantic are proving they’re a force to be reckoned with.

Claiming influences from Blink-182 to The 1975, they’re certainly considered a mixed bag musically too – but in the best possible way. Trust me. Go and listen to ‘Coffee at Midnight’. You can thank me later.

Stand Atlantic perform at 6:00 pm on the Rock Sound Breakout Stage. For more on Stand Atlantic, visit www.facebook.com/StandAtlantic 

‘Coffee at Midnight’ – Stand Atlantic

Slam Dunk Festival 2018 (Midlands) comes to the NEC in Birmingham on 28th May. For direct information on Slam Dunk Festival 2018, including details on all the events happening across the UK, visit www.slamdunkmusic.com

For a direct info and online ticket sales for Slam Dunk Festival 2018 (Midlands), visit www.gentingarena.co.uk/whats-on/slam-dunk-festival

For more from the Genting Arena, including full events listing and venue details, visit www.gentingarena.co.uk