BREVIEW: Clerks & Shooting Clerks (with Q&A) @ The Mockingbird Cinema & Kitchen 19.01.18

Clerks & Shooting Clerks (with Q&A) @ The Mockingbird Cinema & Kitchen 19.01.18

Words by Emily Doyle

On arrival, the foyer of the Mockingbird Cinema & Kitchen is full. The waiting audience is abuzz with discussion of “the original”. As usual, the informal atmosphere at this indie gem leaves newcomers unsure of the etiquette: “Do we just go in?”

At 7:15pm sharp, a member of the cinema staff opens the door and welcomes us in. Shooting Clerks writer and director Christopher Downie is joined by producer Ryan James in front of the screen. The pair explain their last minute decision to reverse the running order, showing the original Clerks (1994) followed by Shooting Clerks (2016), and that they’ve never actually watched the two films back-to-back before. They ask if anyone has never seen Clerks. A smattering of hands are raised. The rest of the auditorium turn to give them encouraging looks – everyone knows that they’re in for a treat.

Clerks opens with the now iconic View Askew vanity card, and the audience settles into their seats contentedly. There’s joy to be had in enjoying this cult hit in a cinema surrounded by laughing fans, rather than half-watching it on a laptop at a winding down house party. The short scenes and quick dialogue mean that there’s always something new to enjoy; Smith packs so many witticisms into 92 grainy monochrome minutes that Clerks stands up well to multiple watches. Iconic lines (“What kind of convenience store do you run here?”) raise a hearty laugh from new viewers and certified Kevin Smith geeks alike.

On the surface, you’d be forgiven for thinking Clerks relies on smutty laughs and a DIY aesthetic, but its true charm runs much deeper. Even without much knowledge of the back story, everything about the film feels authentic. The cast have the chemistry you’d expect from real life friends, and the dialogue could only have been written by someone who really does work in a convenience store. An unacquainted viewer is left with some questions though: Why black and white? Is this as low budget as it looks? And who is this Silent Bob character?

The team behind Shooting Clerks have the answers. There is a short break to grab a beer and a bag of fresh popcorn from the bar, then Downie and James introduce their film, encouraging the audience to look out for the twenty cameos (with more still to be added in later cuts of the film).

UK screenings of Shooting Clerks have been long awaited – it only premiered last week at The Prince Charles Cinema in London. Rather than the obvious documentary style, the film follows a biopic format. It’s not often you see a biopic where everyone portrayed is still alive to pass comment, but Downie is lucky enough to have Kevin Smith’s support.Clerks & Shooting Clerks (with Q&A) @ The Mockingbird Cinema & Kitchen 19.01.18 The film tells the story behind Clerks, a tale which is now the stuff of indie cinema legend.

We see a young Kevin Smith skipping school to go to the cinema with his father (played by Scott Schiaffo, the Chewlies gum representative in the original Clerks). An older, more familiar Smith is excellently played by Mark Frost. We see him working in the real convenience store where Clerks was filmed by night. We see the fabled credit cards used to raise the $27,000 budget for a film that would go on to gross $3 million at the box office. We even see the birth of Jay and Silent Bob.

Shooting Clerks is a film with a lot of heart. After showing them working day and night, Downie concludes with scenes of the Clerks crew celebrating the sale of the distribution rights to the dubiously named Harry Weizmann of Mirimax Films. Shooting Clerks is a film about making a film with your friends – with whatever means you can get your hands on.

“Are you guys okay with a drunk Q&A?” James asks, storming to the front of the auditorium, wine glass in hand. He’s joined once again by Downie, and by Chris Bain (Jason Mewes) and Tom Sullivan (Jeff Anderson) from the cast. The group offer up a quick back-story, explaining that most of the film was shot in Scotland with a just a few scenes in the US. They address the Harry Weismann character, with Downie saying he was relieved that they didn’t include a portrayal on the actual producer in question in light of recent accusations. James tells the audience that the film is about 85% accurate, and that, “the truth is the truth – this is a very entertaining way of telling the truth.”

When asked about their favourite Kevin Smith film, it’s a surprise to see that the crew almost unanimously agree on Clerks II. Maybe another biopic is in the works, then? 

For more on Shooting Clerks, visit www.shootingclerks.com

For more from The Mockingbird Cinema & Kitchen, including full event listings and online ticket sales, visit www.mockingbirdcinema.com

BPREVIEW: Clerks & Shooting Clerks (with Q&A) @ The Mockingbird Cinema & Kitchen 19.01.18

Words by Emily Doyle

The Mockingbird are launching into the New Year with a whole evening dedicated to cult nineties comedy, Clerks.

On Friday 19th January, the Custard Factory based ‘cinema and kitchen’ will be screening the Kevin Smith debut, alongside Shooting Clerks – the feature length comedy/biographical drama about the making of the original. Doors open at 7pm, with tickets priced at £10 for entry to both films. For direct screening info, alongside links to online tickets sales, click here.

For the unacquainted, this black & white indie flick was made on $28,000 and shot by night in the convenience and video stores its director, Kevin Smith, once worked at by day. Clerks ended up grossing over $3 million.

Upon its release in 1994, Clerks was loved by audiences and critics for its deadpan performances and sharp dialogue. Peter Travers wrote in Rolling Stone that, ‘Smith nails the obsessive verbal wrangling of smart, stalled twentysomethings who can’t figure out how to get their ideas into motion.’ It ended up spawning two sequels, spin off TV shows, cartoons and comics.

Smith’s feature length debut also went on to win a slue of industry awards, including the ‘Award of the Youth’ and ‘Mercedes-Benz Award’ at the 1994 Cannes Film Festival, and being joint awarded the ‘Filmmakers Trophy’ at the 1994 Sundance Film Festival – along with Boaz Yakin’s thriller, Fresh.

The evening will start at 7:15pm with a screening of Shooting Clerks, a biopic shot in Dundee, Fife, New Jersey and Florida by the Scottish based production house, Auld Reekie Media. Director Christopher Downie tells the story behind Clerks, and how Kevin Smith went from indie crusader to cinematic icon. Embodying the underdog spirit of its muse, the documentary went from being only 9% funded on its original IndieGoGo fundraiser to winning the Orlando Film Festival Indie Spirit Award.

While Shooting Clerks had a US release in 2016 (including a special screening in Kevin Smith’s hometown of Atlantic Highlands, New Jersey) it’s only now getting a UK release.

After the screening, Downie will be joined by members of the Shooting Clerks cast. Following autograph signing and photo ops, a showing of the original Clerks (1994) will kick off at 10pm.

Clerks – official trailer

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Shooting Clerks – official trailer 

https://www.youtube.com/watch?time_continue=111&v=_AV1aSmVjG4

On Friday 19th January, The Mockingbird Cinema & Kitchen will be screening a double bill of Clerks and Shooting Clerks, alongside a Q&A with crew and cast members from Shooting Clerks.

For direct screening info, alongside links to online tickets sales, visit www.mockingbirdcinema.com/event/clerks-and-shooting-clerks-double-bill-with-directorcast-qa/ 

For more on Shooting Clerks, visit www.shootingclerks.com

For more from The Mockingbird Cinema & Kitchen, including full event listings and online ticket sales, visit www.mockingbirdcinema.com

THE GALLERY: Rews + The Hungry Ghosts + Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17

Rews + The Hungry Ghosts + Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley - Birmingham Review

 

 

 

Words by Ed King / Pics by Rob Hadley

On Saturday 25th November, Birmingham Review presented its Winter Showcase at the Actress & Bishop – a sold out live gig with Rews, The Hungry Ghosts and Ed Geater. It’s taken me more than a week to recover.

I’ve sat down to write a review of the night several times too, but how do you write a report about your own gig..? You can’t, well I can’t. But luckily our friends at Counteract can, so for Charlotte Niblett’s two cents on the Birmingham Review Winter Showcase click here – with some cracking pics from Paul Reynolds thrown in for good measure. And I have been kicking myself that in all the copy I’ve written about Ed Geater I never came up with ‘triple threat’… good work Charlotte, love that one.

Also, I kinda/sorta don’t have to write anything as the solider of Birmingham Review (or Rob Hadley as he is know in the wider world) was front row and centre for the entire evening with a camera in his hands. And if a picture paints a thousand words then there’s around 84k without you fluttering an eyelash or me hitting a key. Any more would just be rude.

There are some cherry picked pics below, but I would CAPITAL LETTER SUGGEST you check out the full Flickr of Rob’s pics by clicking on this hyperlink or the suitably subtle prompts littering this report.

Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17But now you’ve got me typing away… the Birmingham Review Winter Showcase wasn’t only a chance to book three acts that are all amongst the most exciting on the national gig circuit today, it was an opportunity to put our money where our mouth is. Birmingham Review covers many corners of the city’s cultural landscape, but music is where we began and will always be an intrinsic part of our content.

Rews, The Hungry Ghosts and Ed Geater all have a real “chance at whatever metaphor you use for success”, and we’ve said so with words and pics several times before. But on Saturday 25th November Birmingham Review got to be part of that progression, even if only for one night. But what an incredible night it was.

Ed Geater opened up to an already busy room, playing the tried and tested from his portfolio such a  ‘Symmetry’ and ‘Don’t Think’ alongside a quick toe dip into some newer waters. Layering beat boxing over acoustic six string melodies, with the occasional breakbeat to keep you quite literally on toes, Geater kicked off the Winter Showcase with poise and aplomb. The Hungry Ghosts swaggered on stage for the second set, oozing with gin and mischief, and served up a fine platter of slaughterhouse blues with ‘Amerika’, ‘Lazaro’ and a slightly tweaked ‘Super King King’. Raw, raucous, and now with a cemented new line up, there is just so much to love about this band.

Then it was Rews… half way through their UK tour to promote Pyro, the duo’s corker of a debut album, and straight into a gut punching rock explosion with ‘Let It Roll’. On fire throughout the entire set, featuring album tracks including ‘Your Tears’, ‘Miss You in the Dark’ and ‘Death Yawn’ alongside the ferocious ‘Can You Feel It?’ (one of my personal favourites live), Rews quite simply nailed it – Shauna Tohill’s fearless front stage lead as Colette Williams powers through with vocals and percussion, it’s awesome stuff. Birmingham will never be quite the same again.

The other significant win at the Birmingham Review Winter Showcase was the crowd. There’s a lot of talk about ‘supporting the local music scene’ but unless you drag yourself out of the house, stick a smile on your chops, and get involved when musicians and singers are bearing their souls on stage… then talk is all that it will ever be. At the Birmingham Review Winter Showcase 175 people did all of the things I’ve just listed. And it felt phenomenal. To everyone who was upstairs at the Actress & Bishop on Saturday 25th November, I both salute and thank you.

The Birmingham Review Winter Showcase was also my swansong, as I now hand the reigns over to Helen Knott – who is taking over as Birmingham Review editor, and Damien Russell – who is coming in as Birmingham Preview editor.

I will be moving over to editor-in-chief (sounds more glamorous than it is) and focusing on the books and periodicals set for release under Review Publishing. Look out for our first titles which will be on shelf by the end of 2017: Snapshots of Mumbai – a coffee table book about the Indian megacity, and the Birmingham Music Review 2017 anthology.

We’re recruiting too, so if you know your way around a QWERTY keyboard or a DSLR please email charlotte@birminghamreview.net

Meanwhile, back at the Actress & Bishop

 

 

 

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

For more on Rews, visit www.rewsmusic.com

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The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

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Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

For more on Ed Geater, visit www.edgeater.co.uk

For more from the Actress & Bishop, including venue details and links to event, visit www.theactressandbishop.co.uk

WRITERS/PHOTOGRAPHERS WANTED – Birmingham Review is looking for new contributors. Anyone wanting to get involved, please email a short introduction to charlotte@birminghamreview.net 

LAST FEW TICKETS: Rews + The Hungry Ghosts + Ed Geater @ Actress & Bishop 25.11.17

LAST FEW TICKETS: Rews + The Hungry Ghosts + Ed Geater @ Actress & Bishop 25.11.17

Words by Ed King

IT’S CHRISSSSSSSMAAASSSSSS…

Well, kind of, bit of an obligatory catcall in Birmingham right now. But love it or loathe it (and as inescapable as the people crushing death trap that is the German Market) it’s ‘that time of year’ again.

LAST FEW TICKETS: Rews + The Hungry Ghosts + Ed Geater @ Actress & Bishop 25.11.17And to kick Winterval in the proverbial sack (of presents… shame on you) on Saturday 25th November, Birmingham Review presents its Winter Showcase at the Actress & Bishop – a live gig with Rews, The Hungry Ghosts and Ed Geater.

Doors open at 8pm, music starts at 8:30pm, with tickets priced at £8 (advance) and £10 (on the door) plus booking fee. Tickets can still be bought via See Tickets until 12noon on Sat 25th November – for online sales, visit www.seetickets.com/event/rews-the-hungry-ghosts-ed-geater/actress-and-bishop

**LAST FEW ADVANCE TICKETS REMAINING** You might well get in on the door (it might well cost you an extra two quid) and we might well jettison a table or two, but there are less advance tickets than can be counted on two hands. So hop, skip and jump people.

And in case you need a little nudge, here’s a speed dating introduction to each act we’ve got performing at the Birmingham Review Winter Showcase – with some useful links to boot. See you, and them, at the Actress & Bishop on Saturday 25th Nov.

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Rews

Rews and their infection ‘earworms’ crawled into our subconscious back in Feb, after a stellar gig at the Flapper. To read Damien Russell’s BREVIEW of the gig, click here – to read Ed King’s INTERVIEW with Rews just before they got on stage, click here. And it seems we weren’t the only ones to go a little batshit over Rews, as everyone from a Glastonbury baked Mark Radcliffe to a Huw Stephens have been championing the duo.

Rews have recently released their debut album too – the somewhat awesome Pyro. To read Ed King’s ALBUM review of Pyro, click here. And if you’re more audio than visual (or a little from Column A and a little from Column B), the check out Rews’ official video to ‘Your Tears’ – the lead single from Pyro.

‘Your Tears’ – Rews (taken from their forthcoming debut album, Pyro) 

For more on Rews, visit www.rewsmusic.com

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The Hungry Ghosts

The Ghosts, The Ghosts, The Ghosts… Where to begin? If this band aren’t destroying the main stage at some greenfield site in the next few years then there is something SERIOUSLY WRONG with the universe. The kings and queen of slaughterhouse blues, ferocious and phenomenal on stage (and often off, for part of the set at least) The Hungry Ghosts are one of the most exciting bands playing in the Midlands today. I’ve said it before and I’ll say it again.

But seeing (and hearing) is believing, so get yourself to the Actress & Bishop on Saturday 25th Nov and bear witness to this first hand. Meanwhile, amongst the coyotes and shadows of an unforgiving prairie…

‘Amerika’ – The Hungry Ghosts

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

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Ed Geater

I felt more than a little sheepish asking Ed Geater to play the ‘support’ slot at our Winter Showcase, but he graciously didn’t flinch and said yes. So we poker faced it and casually sent him a Booking Confirmation. Playing it cool…

Beatboxer, singer songwriter, possibly Birmingham’s best collaborator, and a proper, PROPER performer – Ed Geater is a unique gem that this city should be proud to call one of their own. The Birmingham Review Winter Showcase will be Ed Geater‘s last gig for ‘a while’, as he’s hibernating to concentrate on some new material (… fe, fi, fo, fum, I smell the blood of an album)  and we are uber excite to get this man on a stage we’re promoting. Playing first, make sure you get there for doors open at 8pm – you do not want to miss a minute of Ed Geater.

‘Don’t Think’ – Ed Geater

For more on Ed Geater, visit www.edgeater.co.uk

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Birmingham Review presents its Winter Showcase at the Actress & Bishop on Saturday 25th November with Rews, The Hungry Ghosts and Ed Geater.

Advance tickets are priced at £8 (+bf) and can still be bought via See Tickets until 12noon on Sat 25th – for online sales, click here.

For more from the Actress & Bishop, including venue details and links to event, visit www.facebook.com/Actressandbishop