BPREVIEW: Rita Ora @ O2 Academy Birmingham 16.05.18

BPREVIEW: Rita Ora @ O2 Academy Birmingham 16.05.18

Words by Eleanor Sutcliffe

On the 16th of May, Rita Ora will be performing at O2 Academy Birmingham as part of The Girls Tour coming to venues across the UK.

Doors open at the O2 Academy Birmingham from 7pm, with tickets priced at £33.70 (plus delivery fees) – as presented by SJM Concerts, Live Nation and AEG. For direct gig information, including venue details and online ticket sales, click here.

**At the time of writing this gig was close to selling out, with only a few tickets left via Ticketmaster and other outlets. Please ensure you buy from a reputable agent**

Rita Ora rose to mainstream music fame back in 2012, after appearing as the guest vocalist on DJ Fresh’s No1 single ‘Hot Right Now’. In May that year, Ora – who had been working on material for her debut album – released her debut single, ‘RIP’, which also entered the charts at the top spot. Then in August, Ora completed the hat trick with ‘How Do We (Party)’ which again debuted at No1 – making her the only artist of the year to have three consecutive releases at the top of the UK Singles Charts. Rita Ora’s self titled debut album, Ora, came out in August 2012 again reaching the No1 spot on release.

Winning huge industry attention, Rita Ora, who signed to Jay-Z’s Roc Nation label in December 2008, attracted support slots from many major artists such as Coldplay and Drake. Clear that Ora was a pop force to be reckoned with, since those somewhat meteoric beginnings she has toured from England to Australia, recorded with artists from Tinie Tempah to Iggy Azalea, and won pretty much every award you could think of including Best British Breakthrough Act at the 2013 BRIT awards.

Rita Ora has further enjoyed a solid career on screen, appearing as a judge on several high profile TV talent shows and staring as Mia Grey in the Fifty Shades… film trilogy

However, every silver lining has it’s cloud and Rita Ora’s music career took a hit in 2015 after she filed a lawsuit against Roc Nation seeking release from her contract. Settling this in early 2016, Ora signed to Atlantic Records in 2016 – releasing her first single on the imprint, ‘Your Song’, in May 2017.

Rita Ora’s latest solo single, ‘Anywhere’, was released in October 2017, following with a track with Liam Payne from the Fifty Shades Freed soundtrack, ‘For You’, in January 2018 ‘For You’. A further collaboration with Cardi B, Bebe Rexha, and Charli XCX, ‘Girls’, is set for release on 11th May – paving the way for Ora‘s long awaited sophomore studio album, which fans can hope to see released in autumn 2018.

‘Anywhere’ – Rita Ora

On the 16th of May, Rita Ora will be performing at O2 Academy – as presented by SJM Concerts, Live Nation and AEG. For direct gig information, including venue details and online tickets sales, visit www.academymusicgroup.com/o2academybirmingham/rita-ora-tickets 

For more on Rita Ora, visit www.ritaora.com

For from the O2 Academy Birmingham, including all further event listings, visit www.academymusicgroup.com/o2academybirmingham

BPREVIEW: Slam Dunk Festival 2018 (Midlands) @ NEC 28.05.18

BPREVIEW: Slam Dunk Festival 2018 (Midlands) @ NEC 28.05.18

Words by Eleanor Sutcliffe

On the 28th May, Slam Dunk Festival 2018 will be coming to the NEC in Birmingham for the Midlands date of the 3-day festival.

Doors open at the NEC from 12:30pm, with tickets are priced at £54.80 plus booking fee – as presented by Slam Dunk Ltd. For direct information on Slam Dunk Festival 2018, including details on all the events happening across the UK, click here. For a direct link to online ticket sales for Slam Dunk Festival 2018 (Midlands), click here.

Starting in 2006, Slam Dunk Festival has grown over the years into an inaugural part of every pop punk and rock fan’s calendar. With 6 stages hosting countless bands, and thousands of fans flocking to sites across the UK year upon year, it’s been promised that 2018’s line up will be the pinnacle of the festival so far.

Slam Dunk Festival 2018As per usual, the festival is being split into 6 stages – ensuring it can cater for any fans tastes, be that acoustic or pop punk. Headliners this year include Good Charlotte and Jimmy Eat World, who are both making their debut Slam Dunk appearances at the 2018 festivals, alongside Taking Back Sunday, Frank Carter & the Rattlesnakes, and Sleeping with Sirens.

Having recently completed a UK tour, alt rock band PVRIS will be back in Birmingham performing on the Jägermeister Stage – along with State Champs, Knuckle Puck, Four Year Strong, and Southampton’s horror rock band Creeper. To read our Birmingham Review of when PVRIS came to the O2 Academy Birmingham, click here.

The Monster Stage will be home to bands such as Twin Atlantic and Moose Blood, while the Fireball Stage will host Slam Dunk favorites Zebrahead and Reel Big Fish.

However, it’s the smaller stages where many of the festival’s gems really lie – with up and coming bands such as Holding Absence, Loathe, Stand Atlantic and Astroid Boys all making appearances at this year’s festival. The acoustic Key Club Stage is looking to be a belter too, with Birmingham’s Luke Rainsford performing alongside Speak Low If You Speak Love and an extra stripped back set from Four Year Strong.

The rounding off the night will be the Slam Dunk Festival 2018 after party, hosted by Birmingham’s alternative club night UPRAWR – held in the Genting Arena Forum from 11pm to 3am.

So a bit to keep you busy on the Bank Holiday, and with an uber strong line up of the scene’s great, good and going to be HUGE tickets are likely to sell out. You might want to scrap your pennies together a little quickly – this year’s Slam Dunk Festival is looking to quite possibly be the best yet.

On the 28th May, Slam Dunk Festival 2018 comes to the NEC in Birmingham. For direct information on Slam Sunk Festival 2018, including details on all the events happening across the UK, visit www.slamdunkmusic.com

For a direct info and online ticket sales for Slam Dunk Festival 2018 (Midlands), visit www.gentingarena.co.uk/whats-on/slam-dunk-festival

For more on the Slam Dunk Festival 2018 after party – hosted by UPRAWR, click here.

For more from the Genting Arena, including full event listings and online ticket sales, visit www.gentingarena.co.uk

BREVIEW: Opulence Presents Mother’s Meeting with Charity Kase @ Bar Jester 28.04.18

BREVIEW: Opulence Presents Mother's Meeting with Charity Kase @ Bar Jester 28.04.18

Words & illustrations by Emily Doyle

Opulence promised a brand new performance night with Mother’s Meeting and the people have turned out for it. Drag fans fill the basement of Bar Jester, staring expectantly at the mural of nude men that decorates the back of the stage.

Dahliah Rivers welcomes the crowd. She wears a gold floor length art deco style dress, and fiery red hair tumbles down her shoulders.

Dahliah Rivers - Mother's Meeting @ Bar Jester 28.04.18 / By Emily DoyleJenna Davinci is first to perform. She begins lip syncing to Hi Fashion’s ‘Amazing’, which is interrupted by Meryl Streep’s iconic ‘Cerulean’ monologue from The Devil Wears Prada. By the time Davinci is gesticulating along to Milk’s ‘Touch the Fashion’, a clear theme has emerged. Despite all this, she looks perfectly at home in horizontal stripes.

Jay Andre bounces on stage to the opening bars of Grimes’ electro-pop anthem ‘Kill V. Maim’ to the delight of the crowd. Her fishnet bodysuit is trimmed with a fringe of plastic spikes; they rustle as she dances, bristling like cheerleader pom poms. Andre‘s routine is excitable and high energy – a fitting tribute to Grimes herself.

Jenna Davinci - Mother's Meeting @ Bar Jester 28.04.18 / By Emily DoyleNora Virus wears a chintz bodysuit with a face hood, complete with a red collar and matching fishnet tights. Her melding of twee florals and skintight fetishwear results in a look that can only be described as Cath Clubkidston. Virus razzle-dazzles the audience with a routine to Victoria Wood’s ‘The Ballad of Barry and Freda’. During the week, Virus puzzled her online followers by asking around for a sturdy tea trolley. It all makes sense when, as Wood’s vocals surge over the PA, Virus comes careening across the stage on one:

“This folly, is jolly,

Bend me over backwards on me hostess trolley.

Let’s do it, let’s do it tonight!”

Jay Andre - Mother's Meeting @ Bar Jester 28.04.18 / By Emily DoyleI caught up with Virus after the show and asked what had inspired her inaugural Mother’s Meeting performance.

“When we came up with the name, my first thoughts were of 1950’s housewives at a Tupperware party, enjoying afternoon tea. I’m a huge Victoria Wood fan, she’s an absolute legend, and I stumbled across ‘The Ballad of Barry and Freda’, which I hadn’t heard for years! I couldn’t stop laughing and instantly knew I wanted to perform this. The whole idea just seemed fucked up. I’d be lip syncing to something your mom and dad would be laughing at back in the day, but dressed like something they’d have nightmares about.”

Closing the opening set of the night, Charity Kase makes her first appearance. In the advent of Ru Paul’s Drag Race the term ‘sickening’ has been thrown around to describe some drag looks. But in this instance it seems justified: Kase wears a floor length nun’s habit, but her face is a mess of grimy bandages.Charity Kase - Mother's Meeting @ Bar Jester 28.04.18 / By Emily Doyle

Followers of her work will have been expecting an element of horror tonight, but no one can have been ready for this. Makeup obscures her mouth and eyes, so they appear as gaping holes. To the sounds of ‘Stay’ by Shakespeare’s Sister she tears off her costume, revealing an inverted cross chained to her chest. Kase looms over the shrouded cadaver she wheeled on stage with her, and with a flash of red light tears into it with a sickle. When she steps back, she is holding a blood drenched appendage aloft. No prizes for guessing what appendage that might be…

After a much needed interval, hostess Dahliah Rivers treats the crowd to a glittering routine ‘Raise the Roof’ from Andrew Lippa’s 1997 musical The Wild Party. It seems a fitting choice to kick off the second set, and Rivers luxuriates in the glamour of it.Elliot Barnicle - Mother's Meeting @ Bar Jester 28.04.18 / By Emily Doyle

Elliott Barnicle emerges from the DJ booth to do a number. He struts across the stage in his trademark silver leotard to the sugar-sweet pop of Little Mix’s ‘Hair’. The performance continues on a theme, with snippets of Brooke Candy’s ‘Don’t Touch My Hair Hoe’, Alaska Thunderfuck’s ‘This Is My Hair’, and Willow Smith’s ‘Whip My Hair’. The last of these sees Barnicle, who is as usual sporting his boyish haircut, produce a handful of blonde extensions and whirl them around.

No mother’s meeting would be complete without an appearance from Birmingham’s own drag matriarch, Yshee Black. Although it’s a Saturday night, Black has graced us with her Sunday best for a gospel inspired number. She sets off her blue suit-dress with a matching eye shadow. Her rousing performance is the perfect penultimate act of the night.Yshee Black - Mother's Meeting @ Bar Jester 28.04.18 / By Emily Doyle

Returning to close the show, Charity Kase wears a pink satin nightgown and carries a Nestle Dairy Box aloft. The top half of her face is a disconcerting mask. Shanks & Bigfoot’s ‘Sweet Like Chocolate’ begins to play. She saunters through the crowd towards the stage, flipping her Barbie-blonde ringlets in the faces of audience members. She offers the box of chocolates around before stuffing them into her mouth by the handful.

Throughout the lip sync, Kase goes on to consume multiple bars of Galaxy. The majority of these are produced from the depths of her frilly white underwear, and spat out again at the audience. She manages not to miss a beat of the song. When the track finishes she is sprawled on the stage, covered in melted chocolate. The next morning I find a lump of partially chewed fudge on my shoe.Nora Virus - Mother's Meeting @ Bar Jester 28.04.18 / By Emily Doyle

The Mother’s Meeting crowd file out onto the Queensway. In true maternal fashion, Nora Virus is diligently checking that all the audience are either part of her flock heading to the The Nightingale or are getting home safely. Later, I get her thoughts on Charity Kase.

“Charity blew me away. Both performances were so well thought out. I’m always here for the strange and unusual! I’m a queer kid in both meanings of the word and she is right up my alley…”

Opulence have pulled it off tonight. I ask Virus what’s next for the group.

“Opulence are a real diverse bunch of queens. We have theatre queens, comedy queens, deathdrop bitches, the lot. You want variety, we got it honey! No two Mother’s Meetings will ever be the same. We plan to showcase the best of U.K drag in Birmingham, as well as other styles of performance. You just wait to see who we have for Mother’s Meeting part two.”

For more on Charity Kase, visit www.charitykase.co.uk

For more from Opulence, visit www.facebook.com/opulencebirmingham

For more from Bar Jester, visit www.barjester.co.uk

THE GALLERY: Mallory Knox @ Mama Roux’s 24.04.18

Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

 

 

 

Words by Yasmine Summan / Pics by Eleanor Sutcliffe

Mallory Knox have returned from their brief hiatus to shed any doubt or dismay, as they charge through the UK on their self-titled tour of 2018 – joined by JUDAS and Dead! Playing a series of more ‘intimate’ shows, the now four piece band are back on the road for six dates throughout April, ready to rock out until they tear the whole room apart from Brighton to Glasgow.

Tonight is Mama Roux’s turn, as Birmingham hosts the penultimate gig before Mallory Knox close out their tour at the Bodega in Nottingham. JUDAS are first to kick in, and whilst I enjoy their typical indie rock style of stripped down, guitar riffs, and continuous drum set loops – that shifts attention onto the ‘tom toms’, bringing an elevated, pop element to their music – the harmonies are scathed by off-pitch, out of tune rhythms and a lackluster vocal range from lead singer, John Clancy.

JUDAS – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor SutcliffeThe man clearly appears to be trying his hardest, but rather than having his vocals crisply cut through thin air they crunch into the microphone and even become inaudible at times. Although JUDAS maintain a vivacious stage energy throughout their set and gain quite humbling crowd engagement, albeit with sadly off par vocal ranges that somewhat scorn their talents and on occasion left me to painfully cringe.

Bursting through the doors of the mainstream industry to alight the new age of rock and roll, Dead! dominate as the main support act – immediately blowing the roof clean off the Mama Roux’s. Bordering between alternative/punk rock, Dead! omit the typical nonchalant, wild and chaotic personality of 70’s rock in their performance. Whilst screeching guitar riffs burn through every strum of the finger, heavy kick drums create a low thumping rhythm to head bang to – alongside Alex Mountford’s enthralling vocals that cling to every corner of the room.

Dead! – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor SutcliffeDead! strategically play slower verses that intensely build into high energy, fast tempo choruses, with mosh pits opening up left, right and center. Pandering to the crowd with fan favorite songs (as Sam Matlock shreds his guitar solo to ‘Enough, Enough, Enough’ whilst balancing on Louis Matlock’s drum kit, in true rock and roll style) I feel that their set list underwhelms their talents. Their performance tonight is perhaps mellowed out for Mallory Knox’s crowd, but songs like ‘Off White Paint’ and ‘Enemy’ hold an evident absence during the show.

But now it’s time for the headline act, playing one of their first live shows since the departure of vocalist Mike Chapman in February this year. And there’s no messing about from tonight’s crowd, with fans practically diving onto the stage as Mallory Knox kick in with their new single, ‘Black Holes’. Bassist and now vocalist, Sam Douglas, captivates the room as he rushes onto the stage, blaring his gnawing bass riffs with every burning strum. Moving as one body, the room responds and elevates into chaos, as everyone jumps around and seemingly quite literally loses their minds.

Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

Bouncing around the room, Mallory Knox perpetuate boundless stage energy, with guitarist, Joe Savins, leaning into the crowd to sing along with fans. Radiating a humble nature, Douglas and the rest of the band thank everyone for coming out – with the now front man even delving into his personal life, to openly admit he is struggling but the fans are helping him through.

As off the wall moments of insanity among the audience sway through the show, including lots of crowd surfing and mosh pits, the momentum of the set moves like a rollercoaster. And whilst their track list tonight also features fan favorites, including some of their best hits such as ‘Beggars’ and ‘Better Off Without You’, upon reaching the forth song the show mellows out almost too drastically.

The pace set by their lively start takes a seriously low drop as Mallory Knox reach the middle of the set, picking up with a few newer tracks towards the end. But the ball begins to properly (rock and) roll again when they brake through with ‘Wake Up’, sending the Mama Roux’s back into uproar once more.Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe Since the departure of Chapman, Mallory Knox appear to be shedding their 2013 alternative rock cage – one that has arguably overshadowed their sound for years – and are advancing into heavier rock, incorporating lower riffs and fast tempo beats. It does feel that Mallory Knox’s newer singles, ‘Livewire’ and ‘Black Holes’, gain popularity from the audience as they drive the band’s creative direction into new horizons, possibly paving an exciting future for the band’s sound.

It’s clearly been a tough time for Mallory Knox since the recent departure of their long-time vocalist, Mike Chapman. And whilst they power through their performance tonight, I’d argue that the band are still not fully rehearsed or together since this event. Moments of vulnerability, unknowingness, and confusion peak through their performance – as microphone stands fall over mid-song, off-time rhythms weave through their guitars, and Douglas’ voice strains itself to reach the capabilities that Chapman could.

Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor SutcliffeI respectably applaud Mallory Knox for continuing with this tour despite all odds, and there are clear moments were their talents shine through. But perhaps a more sensible response would have been to postpone the tour until the band were fully ready to perform without Chapman. In fact, their unsparing mistakes tonight only emphasise the absence of Chapman, leading some including myself to think ‘would this happen if Mikey were here?’

Reflecting on tonight’s show, Mallory Knox are clearly trying as best as they can to make ends meet; plunging into a year-long hiatus would realistically have only tarnished their popularity and most likely upset fans, so the band have pushed through despite their recent loss – one that has clearly impacted their live performances.

And whilst they may still be finding their footing as a four piece, shreds of their former glory did flutter through their set, especially with Douglas’ heightened confidence when performing new tracks. I feel that with time this band will be back on their feet again.

 

 

 

Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

For more on Mallory Knox, visit www.malloryknox.com

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Dead! – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

Dead! – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe Dead! – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe Dead! – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

For more Dead!, visit www.theinternetisdead.co.uk

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JUDAS – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

JUDAS – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe JUDAS – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe JUDAS – supporting Mallory Knox @ Mama Roux’s 24.04.18 / Eleanor Sutcliffe

For more on JUDAS, visit www.wearejudas.com

For more from Kilimanjaro Live, including further event listings and online ticket sales, visit www.kilimanjarolive.co.uk

For more on Mama Roux’s, including venue details and further event listings, visit www.facebook.com/mamarouxs

BPREVIEW: Opulence Presents Mother’s Meeting with Charity Kase @ Bar Jester 28.04.18

BPREVIEW: Opulence Presents Mother's Meeting with Charity Kase @ Bar Jester 28.04.18

Words by Emily Doyle

On Saturday 28th April, Birmingham’s party collective Opulence launch their brand new night, Mother’s Meeting. In honour of the inaugural event, Opulence are bringing avant garde queen and Instagram darling Charity Kase to Birmingham, for a night of performance at Bar Jester on the Queensway in Birmingham City Centre.

Doors open for Opulence Presents Mother’s Meeting at Bar Jester from 9pm, with performers scheduled to go on stage from 10pm. Tickets are priced at £4 (adv) and £4 (otd) – for direct event information and links to online ticket sales, click here.

BPREVIEW: Opulence Presents Mother's Meeting with Charity Kase @ Bar Jester 28.04.18London based artist Charity Kase gained recognition when they carried out the ‘365 Days of Drag’ challenge, a feat that won Kase the Queen of the U.K 2017 Award through WERRRK.COM. This saw the 21-year-old art student produce a new look every day for a year.

The completed gallery can be found on their website, where looks inspired by horror films and children’s toys nestle alongside the abstract and the political. Each character comes with their own snippet of a story, which could be a taste of what live audiences can expect at Mother’s Meeting. Kase’s art also spills over into their own DIY clothing label, Upperkase.

As part of their mission to showcase Birmingham’s diverse drag culture, Opulence have laid on an impressive line-up of support acts. Opulence’s own Jay Andre, Dahliah Rivers, Jenna Davinci, Yshee Black and Nora Virus will also be taking the stage, while Elliot Barnicle will be serving up his bold, graphic looks from the DJ booth. Altogether, the Mother’s Meeting crowd can expect another fresh addition to Birmingham’s burgeoning drag scene.

Opulence Presents Mother’s Meeting at Bar Jester on Saturday 28th April, with Charity Kase as the headline act – joined by a troupe of Opulence’s own performers. For direct event info and links to online ticket sales, click here. 

For more on Charity Kase, visit www.charitykase.co.uk

For more from Bar Jester, visit www.barjester.co.uk

For more from Opulence, visit www.facebook.com/opulencebirmingham