BPREVIEW: Swan Lake @ Symphony Hall 07.01

BPREVIEW: Swan Lake @ Symphony Hall 07.01

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Words by Ed King / Pics courtesy of MMSPCB

On Saturday 7th January, Swan Lake comes to the Symphony Hall – performed by Marina Medvetskaya’s Saint Petersburg Classic Ballet (MMSPCB).Birmingham Preview

Doors open at 7:30pm with tickets are priced between £43 – £18, as presented by PMB Presentations. For direct event info, including details of the venue and online tickets sales, click here.

Performing their Birmingham debut on 7th January, Marina Medvetskaya’s Saint Petersburg Classic Ballet have been touring both Swan Lake and The Nutcracker across the UK and Ireland since November 2016.

Both written and first performed in the late 19th Century, Swan Lake and The Nutcracker were Pyotr Tchaikovsky’s first and last ballets respectively. Neither a particular success on debut, the bread of Tchaikovsky’s ballet triptych – the jam in this sandwich being Sleeping Beauty – have grown to become household names across the cultural world.

BPREVIEW: Swan Lake @ Symphony Hall 07.01Swan Lake was commissioned and written in about a year, reportedly distracting Tchaikovsky from his focus of scoring opera. But penned with excitement or frustration, Swan Lake is immediately recognisable – from the mournful strings of the introduction to the plucky waltz that evolves Act I, you’ll have heard some of it somewhere before.

A classic tale of love, betrayal, anthropomorphism and witchcraft, Swan Lake is the story of Prince Seigfried who, the night before he has to choose his royal bride, falls in love with the Swan Queen – the spellbound Odette. Transformed into a swan during daylight hours by the evil Baron Rothbart, Odette returns Seigfied’s love at the end of Act II – dancing alongside the lake where he first saw as a swan.

Keen for his own daughter, Odile, to marry the Prince, Von Rothbert casts a spell making her appear as Odette. When all the prospective brides are presented to Seigfried he falls for Von Rothbert’s spell and declares his intentions to marry Odile, whom he believes is Odette. Upon hearing her new love has betrayed her, even under the spell of Von Rothbert, the Swan Queen resigns herself to a broken heart and imminent death.BPREVIEW: Swan Lake @ Symphony Hall 07.01

Act IV concludes as Prince Seigfried realises his mistake and rushes into the dying arms of his beloved Odette. The ballet ends with lake swallowing both Odette and Seigfried, leaving only a corps de ballet of swans to mourn the tragedy of the young lovers.

Performed by Marina Medvetskaya’s Saint Petersburg Classic Ballet (MMSPCB), Swan Lake is the debut production in Birmingham from the contemporary Russian dance troupe. Formed in 1996, MMSPCB has previously toured across Scandinavia, mainland Europe, Russia and North America – presenting ‘the company’s presentations of the best-loved Russian ballets, accompanied by a full orchestra.’

Now the company’s Artistic Director, Marina Medvetskaya says, “It had been a dream of mine to bring this company to audiences in the UK. We enjoyed a wonderful season earlier in the year and I believe UK dance fans fully embraced the beauty, power and dexterity of our male and female dancers in these iconic ballets”

Swan Lake, as performed by Marina Medvetskaya’s Saint Petersburg Classic Ballet, comes to Birmingham for one show only at the Symphony Hall on Saturday 7th January 2017. For direct event info, including details of the venue and online ticket sales, click here.

For more on Marina Medvetskaya’s Saint Petersburg Classic Ballet, visit www.facebook.com/saintpetersburgballet

For more from the Town and Symphony Halls, including a full event programme and online ticket sales, visit www.thsh.co.uk

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BPREVIEW: What the Ladybird Heard Live @ Town Hall – until 11.01.17

BPREVIEW: What the Ladybird Heard Live @ Town Hall – until 11.01.17Words by Ed King / Pics courtesy of THSH

On Tuesday 27th December, What the Ladybird Heard Live opens at the Birmingham Town Hall – running until 11th January 2017.Birmingham Preview

Tickets are priced between £12-17, with shows are held at around 11am, 1pm and 3pm (with variations) most days of the week – excluding Mondays.

For full show dates, times and online ticket sales, click here.

Adapted for the stage by Kenny Wax Family Entertainment Ltd, who have also produced children’s favourites The Gruffalo, The Tiger Who Came to Tea, Hetty Feather and We’re Going On A Beat Hunt for theatre, What the Ladybird Heard Live is based on Julia Donaldson and Lydia Monks’ award winning picture book (Stockport 2011, Scottish Children’s 2011).

Telling the tale of how a simple ladybird foils ‘two men in a big black van, with a map and a key and a cunning plan’ from stealing a farmyard’s ‘fine prize cow’, What the Ladybird Heard is essentially an exercise in linguistics and phonics. And farmyard security.

Playfully illustrated by Lydia Monks, Donaldson’s narrative of rhyming couplets is as close to a song as you’re going to get without singing – complete with alliterated arch-villains and anthropomorphised animals. But it also carries a soft message of empowerment, that no matter how small or (mostly) silent you are your voice is still important.

Previous What the Ladybird Heard Live productions have played heavy on audience participation, with many of the farmyard animals being created by prompts and scattered stage props. But considering the book will take you about 15mins maximum to read (and the attention span of a toddler can be less than that) you’d hope director Matthew Gregory has some extra on stage distractions in his arsenal.

Running at the Birmingham Town Hall until the New Year, this will be your only chance to see What the Ladybird Heard Live on stage before summer next year. The production runs again at the Lyric Theatre in London, from Wednesday 5th July to Sunday 6th September 2017.

What the Ladybird Heard Live

What the Ladybird Heard Live opens at the Birmingham Town Hall – running from Tuesday 27th December, until 11th January 2017. 

A ‘specially curated relaxed performance… for people with an Autistic Spectrum Condition, a learning disability or sensory and communication disorder’ will be held on Sunday 8th January 2017 at 3pm. For direct event info, including full show dates/times and online ticket sales, click here.

For more on What the Ladybird Heard Live, visit www.whattheladybirdheardlive.co.uk

For more from the Town & Symphony Halls, including full event programmes and online tickets sales, visit www.thsh.co.uk

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OPINION: I wish it could be Christmas…

OPINION: I wish it could be Christmas... / Ed King

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Words & lead pic by Ed King

‘As long as that’s here, I’ll be OK. I can drink that; by the time the line gets below the bottom of the red shield, past the emblems, the cursive and the thick bold type, I’ll feel OK. I don’t need a mixer but I have orange juice or lemonade. There’s even ice in the fridge. If there’s time.’

I would have this conversation with myself at least once a day. Usually at lunchtime or as I’m lying in bed. I had no bedtime anymore. I woke up earlier too – an odd by product of addiction – with an inbuilt alarm clock running on fear or necessity. Life was a drawing of Gin Lane and it’s a cold Tuesday morning when you’re waiting for Victoria Wine to open.OPINION: I wish it could be Christmas...

In the end, the precise cut lines of the Smirnoff logo turned into the rounded edges of Grants. The world became numb. Anesthetized. The colours stayed the same, as did the schedule and as did the fear. But the necessity got worse as the price tagged dropped, like some symbiotic downward spiral. My ability to ration found levels almost as frightening as my denial. It was around this time that I began to question my drinking.

Vodka and orange in the morning, first thing. Then another. I’d make one for the shower and have a forth with toast. With a healthy pour, this could be a third of a litre gone by breakfast. Then I’m ready for the day. I’d struggle through the morning, taking a half-and-half bottle to work and hiding behind the same masks as everyone else, and then get back on track at lunchtime. Or just before if I could conjure a meeting. Order a beer, drink it quick, pretend you don’t notice, then order another one before your colleagues have time to say “…but you hold it well”. We all knew I didn’t. But I could order a shot at the bar both times, and there was always the vodka – hiding and ready should oblivion ever be needed.

I was eighteen years old. I kept this going until I was at least twenty two.

It started with abuse, neglect and aggression. As many acts of obnoxious self destruction will. Locked in a house with a sexual bully for a step brother and the ‘Ice Queen’ for a stepmother, although pantomimes were ultimately a lie. I was six, when Andrew made me play the games I never understood. The ones that always ended with me getting beaten up and made to hide under his bed. The rest of the house was even less fun – three floors of cold anger, radiating from our weekend matriarch as she stalked from once acerbic non sequitur to another, threatening my eight year old sister like a violent hybrid of Sylvia Plath and Cruella de Vil (I would honestly like to find something positive to say about this time and place in my life, and I guess it’s either ‘Mojo’ or ‘Chris’. But one was a cat, the other was ten, and neither has sanctity on their job descriptions).

I remember my childhood best by houses and the ‘weekends at Leamington’ were when, and where, it all came together. Or undone. But eventually every weekend became every fortnight, before sliding into the forever to be blessed ‘occasional days’. The wild stab of parenting poking fun at itself with an oddly honest moniker. I didn’t care. With every step I was freer than before.

By the time I was fourteen I never had to go back, and had already discovered blotter paper acid (my wings of mercy, then hell) and smoked much more than I drank. But when peer platforms and public expectations/acceptance kicked in, around that sweet sixteen spot, I found alcohol much more than reliable. It was legal, kind of, and I could sit on a park bench with a clearly visible reason. I could share it, even if only to dilute the guilt. But no one would call the police and a bottle of Bulgarian Cellars was the same price as a Blue Penguin. I probably wouldn’t have even have been expelled. And I could eat.

I functioned highly for several years – an existence not as fun as it sounds. You get away with very little. But I was earning money, having sex, and being successful in interviews; I grew up, of sorts. I built things, I destroyed things, and I still have friends left. I even gave up drinking. Twice. I went to AA, Aquarius and numerous third sector councilors, before my mother locked my in a room with nothing but a bottle of Jacob’s Creek and my own face to stare at. Three months later I emerged like a shaky butterfly, torn and frayed by still just about able to fly. I still remember the first time I went into the town centre sober.

Now that broken boy is a long way behind me. The wounds are scars. And although I can knock back the shots, and the angry is ‘still there mum’, I am nothing of the shadow I once was. It’s Boxing Day and there’s alcohol all around me, but I’m not drinking. I had two glasses of Malbec at Christmas dinner without realising, and the champagne on OPINION: I wish it could be Christmas...arrival is still sitting half touched on the window sill. The cheap French stubbies are unopened and there’s a bottle of rum in my kitchen I’ve used only for baking. Tonight I’m staying in, watching The Goonies and Gremlins back to back. I’m not thinking about New Year’s Eve until New Year’s Eve and I’m already scaling back my ideas for that.

It’s also on days like today that I remember one of the ‘moments of clarity’ from my early twenties – a man who had come to speak at an Aquarius meeting I once attended. He was ‘an inspirational speaker’ who had ‘survived’ the ‘disease’ that is alcoholism. He was very animated and very angry, and wouldn’t walk on the same side of the road as a pub beer garden (or even an off license) because of the ‘blind addiction that is ruining society, being sold and taxed by a government that doesn’t want to care about its people.’ He didn’t care about us, and even then, as I dug chewed nails into weak skin, I could at least see that. There was nothing in this man to admire or to aspire to be; he was ‘full of shit’ and still ‘broken’ by his ‘personal choice’. The Feudal System. The East India Company. The National Lottery. Your own life. His was no more a freedom than my previous daily routine.

I’m writing this to get ahead of New Year’s Eve Resolution #3 – be more honest with my writing. And start at the start, right? But in this time of orchestrated celebration and endorsed excess, I say find your peace. Your peace. Be merry, if you can. Don’t be me or that man. Be happy.

And if you can be a happy drunk, one who’ll wake up sober with just the right amount of regret, then I’ll raise a glass, deck the halls and sing along. Hogarth be damned.

Ed King is a writer and editor of Birmingham Review. Follow him @edking2210

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THE GALLERY: Dorcha + Chartreuse, Delta Autumn @ Hare & Hounds 22.12.16

Dorcha @ Hare & Hounds 22.12.16 / Rob Hadley © Birmingham Review

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Words by Ed King / Pics by Rob Hadley

On Thursday 22nd December, Dorcha performed at the Hare & Hounds with Chartreuse + Delta Autumn as support.

Headlining the This Is Tmrw Christmas shindig, Dorcha were also releasing their new ISM EP – with hard press copies available for the first time. Dorcha had previously released a limited digital run at their Centrala party in mid November.

Lurking head and shoulders above the rest, if such as thing is logistically possible, was Jay Dyer – taking notes for a BREVIEW in between the occasional Winterval Shandy. To, be, continued after Christmas.

But to get something out before THE BIG DAY, and to save you too much of that troublesome reading lark, here’s some pics of all the acts on the Xmas bill from Rob Hadley. For the Full Flicker of Pics, click here or on featured links.

Now go wrap some pressies; Back to the Future’s on soon.

Happy holidays all x

Delta Autumn – supporting Dorcha @ Hare & Hounds 22.12.16

Delta Autumn – supporting Dorcha @ Hare & Hounds 22.12.16 / Rob Hadley © Birmingham Review Delta Autumn – supporting Dorcha @ Hare & Hounds 22.12.16 / Rob Hadley © Birmingham Review

For more on Delta Autumn, visit www.deltaautumnmusic.com

 

Chartreuse – supporting Dorcha @ Hare & Hounds 22.12.16

Chartreuse – supporting Dorcha @ Hare & Hounds 22.12.16 / Rob Hadley © Birmingham Review

Chartreuse – supporting Dorcha @ Hare & Hounds 22.12.16 / Rob Hadley © Birmingham Review

Chartreuse – supporting Dorcha @ Hare & Hounds 22.12.16 / Rob Hadley © Birmingham Review

For more on Chartreuse, visit www.facebook.com/chartreuseband

 

Dorcha @ Hare & Hounds 22.12.16

Dorcha @ Hare & Hounds 22.12.16 / Rob Hadley © Birmingham Review

Dorcha @ Hare & Hounds 22.12.16 / Rob Hadley © Birmingham Review

Dorcha @ Hare & Hounds 22.12.16 / Rob Hadley © Birmingham Review

Dorcha @ Hare & Hounds 22.12.16 / Rob Hadley © Birmingham Review

Dorcha @ Hare & Hounds 22.12.16 / Rob Hadley © Birmingham Review

For more on Dorcha, visit www.facebook.com/Dorchauk

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For more from This Is Tmrw, including full event listing and online ticket sales, visit www.thisistmrw.co.uk 

For more from the Hare & Hounds (Kings Heath), including full event listing and online ticket sales, visit www.hareandhoundskingsheath.co.uk

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BPREVIEW: Dorcha + Chartreuse, Delta Autumn @ Hare & Hounds 22.12.16

BPREVIEW:  Dorcha + Chartreuse, Delta Autumn @ Hare & Hounds 22.12.16 / Artwork by Lewes HerriotWords by Ed King

On Thursday 22nd December, Dorcha perform at the Hare & Hounds (Kings Heath) with Chartreuse + Delta Autumn as support.

Doors open at 7:30pm. Tickets are priced at £7 (advance) and £10 (otd) with ‘all proceeds from this show will now go towards helping those affected by the Aleppo crisis.’ For direct gig info and online tickets sales, click here.Birmingham Preview

This Is Tmrw will be also throwing some DJs into the Christmas pudding, as it’s their party and they’ll play if they want to, with a ‘Special Guest’ also curiously billed to appear… Could it be Father Christmas?

No. He doesn’t exist. And how scary is a fat cosplayer, drunk on Sherry, creeping into your children’s bedroom at three in the morning..? Someone get Paul Dacre on the phone.

The obligatory Santa/Sexual Predator jokes aside; this looks like a good celebration whatever your appropriated religious predilection. Dorcha have (kind sorta) released a new EP recently, ISM, making some limited edition copies available at their Centrala party in mid November.

Being (INSERT PLAYFUL SELF DEPRECIATION) we never made it to Minerva Works and have been quietly self harming ever since. But now, dear hearts, bring out the short sleeves ‘cos Dorcha will be selling CDs at the Hare. It’s like Christmas.

Supporting Dorcha are the ever wonderful and sublime, Chartreuse. Named after mountains, monks or some really poky liquor, this Birmingham four piece are but wee nippers in the broader scheme of things – but bugger me with a salad tosser, they’re already amongst the cream of Birmingham crop. Like a chunk of 4D fell into Lou Reed’s overnight bag, got covered in Absinthe and glitter, before being sprinkled around Bobby Gillespie’s hotel room at 6am… It’s fair to say we like them. But see what you think – we rely too much on metaphors anyway.

Also supporting are Delta Autumn. Honestly, we don’t know much about this band. Except that it wasn’t always a band. But self described as ‘smashing hip hop, glitch, pop, rock, jazz and electro acoustic compositional techniques together to create a sound that sits somewhere between James Blake, Flying Lotus and Thundercat’ they sound worth a stop, look, listen. And This Is Tmrw are not often wrong.

But if you want a sneaky peak there’s a few tracks on Delta Autumn’s website for you to scroll through, including the oddly frenetic ‘Citrus Quotes’ with Juice Aleem – always a good name to see on a track listing.

Meanwhile, back at the ranch…

Dorcha / ISM EP Launch party @ Centrala 17.11.16

On Thursday 22nd December, Dorcha perform at the Hare & Hounds (Kings Heath) with support from Chartreuse + Delta Autumn. For direct gig info and online tickets sales, click here.

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For more on Dorcha, visit www.facebook.com/Dorchauk

For more on Chartreuse, visit www.facebook.com/chartreuseband

For more on Delta Autumn, visit www.deltaautumnmusic.com

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For more artwork from Lewes Herriot, visit www.lewesherriot.carbonmade.com

For more from This Is Tmrw, including full event listings and online ticket sales, visit www.thisistmrw.co.uk

For more from the Hare & Hounds (Kings Heath), including full event listings and online ticket sales, visit www.hareandhoundskingsheath.co.uk

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