Eddie Archives -

August 8, 2018

BREVIEW: Iron Maiden @ Genting Arena 07.08.18

Words Ed King / Pics by Eleanor Sutcliffe

It’s no secret or hyperbole that Iron Maiden fans are amongst the most loyal of the heavy metal fraternity. But seeing over 15,000 rockers donning party hats, holding balloons, and waving birthday messages to Maiden’s longest standing lead singer was a large scale surprise.

Whether you’ve followed the band from the start or jumped on with any of their 16 studio albums it’s a pretty special atmosphere tonight, as a sea of Iron Maiden t-shirts and merchandise (along with the people wearing them) stand as a living museum to the band’s 40 year career.

But there is also theatre in the air, as a packed out Genting Arena have come to see Iron Maiden play one of six UK dates on their Legacy of the Beast World Tour and were promised a ‘very special show.’ Known for ‘having fun’ with their stage sets, this could mean nearly anything with Iron Maiden, and speculation and anticipation run rife through the crowd. That and a few plastic pints of Maiden’s very own Trooper beer.

First up though is Killswitch Engage, the Massachusetts spawned metalcore five piece who are joining Iron Maiden at all of their UK dates. Opening with ‘Strength to the Mind’, the lead single from their last studio album Incarnate, it’s a pretty lively affair – with the band’s lead guitarist, Adam Dutkiewicz, jumping around like an adderall adolescence, wiping pantomime amounts of sweat from his brow, and giving head high kicks during ‘Life to Lifeless’.

After a short break, with an en masse attempt to get served… not easy with over 15,000 thirsty people, we hear UFO’s ‘Doctor Doctor’ coming over the arena’s PA system – the longstanding cue that Iron Maiden are making their way from the dressing room. Scenes from the battlefields of World War II play out on the screens at the back of the stage, with quotes from Winston Churchill being somewhat drowned out by a soundtrack of explosions and gunshots.

Then it happens… Iron Maiden launch into their set with ‘Aces High’, as what looks like a full scale Spitfire swoops in to stand as the most outlandish set piece above the stage. Someone said there might be pyrotechnics tonight, which indeed there (including Dickinson strutting around the stage with a portable flame thrower) but no one warned me about a bloody plane.

Even more pertinent in the city that made the Spitfire, with Castle Vale only a stone’s throw down the M6, it’s a simply phenomenal opener – replete with Dickinson dressed in full fighter pilot paraphernalia and the swagger of man who could probably fly the thing. I remind myself it’s the lead singer’s 60^th birthday today, then quietly question ‘what have I done with my life..?’

So the theme is ‘war’, with camo netting covering the stage and the first part of Iron Maiden’s set marching through a tracklist including ‘Where Eagles Dare’, ‘Two Minutes to Midnight’ and ‘The Trooper’. But it’s also a cherry picked selection of Maiden’s extensive back catalogue, with ‘Fear of the Dark’, ‘The Number of the Beast’, and the band’s eponymous closer from their 1980 debut album being a fitting full stop – as well as a generous hat tip to the band’s original lead singer.

The power, ferocity, and noise levels don’t falter, from Iron Maiden’s spectacular start to their three track encore which ends with ‘Run to the Hills’ – sending the Genting Arena into an almost dangerous state of hysteria.

Luckily, and making the finale almost as memorable at the beginning (…an actual plane), we are left with Monty Python’s ‘Always Look on the Bright Side of Life’ coming over the PA, creating a more subdued sing-a-long to send us all home.

Iron Maiden have enjoyed four decades as one of heavy metal’s most successful ensembles, with a gold star reputation for high octane live shows, a tireless work ethic, and a fiercely loyal crowd that will (sometime literally) travel oceans to see them. If tonight is anything to go by, with the passion and production coming off stage a clear cut above anything you would call ‘the norm’, then it’s it’s a well earned trophy.

And happy birthday Bruce Dickinson… what an unbelievable way to celebrate six decades on this planet. Let’s raise a pint of Trooper and toast to many more.

Iron Maiden @ Genting Arena 07.08.18 / Eleanor Sutcliffe

For more on Iron Maiden, visit www.ironmaiden.com

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Killswitch Engage – supporting Iron Maiden @ Genting Arena 07.08.18 / Eleanor Sutcliffe

For more on Killswitch Engage, visit www.killswitchengage.com

For more from Live Nation UK, including further event listings and online ticket sales, visit www.livenation.co.uk

For more on the Genting Arena, including venue details and further event listings, visit www.gentingarena.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

July 30, 2018July 30, 2018

BPREVIEW: Iron Maiden @ Genting Arena 07.08.18

Words by Ed King

On Tuesday 7^th August, Iron Maiden bring their Legacy of the Beast World Tour to the Genting Arena with support from Killswitch Engage – as presented by Live Nation UK.

Doors open at the Genting Arena from 7:30pm, with tickets ranging from £48.50/60 plus booking and administrative fees – although prices vary depending on positioning within the arena and ticket outlet.

For direct gig information, including venue details and online sales through The Ticket Factory, click here. For tickets direct from Live Nation, click here. For tickets from Ticketmaster, click here.

Iron Maiden are, quite simply, one of the most successful bands on the planet. And their 40 year stamp of authority on the heavy metal scene is unrivalled, starting out with the release of their eponymous debut in 1980 and still breaking new ground (and sales figures) with their latest studio LP, The Book of Souls, released in 2015.

Seriously, try and name another metal outfit that survived for so long and has even grown its sales/fanbase decade after decade. You can’t. Because they don’t exist. Love ‘em, fear ‘em, blame ‘em for the satanic betrayal of the American dream (we’re pointing at you, The Moral Majority) Iron Maiden are a phenomenal success story.

But what makes their latest, arena packing, sell out, world tour such a litany of red letter dates is that it technically shouldn’t be happening – Iron Maiden founder and bassist, Steve Harris, had gone on record saying the band wouldn’t release more that 15 studio albums. The Book of Souls was No16; for all intents and purposes, Iron Maiden should have hung up their plectrums, mics and drumsticks back in 2015.

But as Harris told The Guardian during Iron Maiden’s first Indian concert, at the Bangalore Palace Grounds in 2007, ‘we do think about some kind of half-retirement… But it seems the world won’t let us.’ And why wouldn’t you carry on, when you’re band is still breaking new markets across the globe and your last studio album (and let’s just clarify the trajectory again, your sixteenth studio album) reached No1 in 24 countries.

Iron Maiden have been on the road with their Legacy of the Beast World Tour since May 2018, scheduled to play six dates in the UK from Belfast (2nd Aug) to London (10/11^th Aug). According to the band’s longstanding manager, Rod Smallwood, fans can expect a “history/hits” set list with “both new material and the older favourites” getting performed from Iron Maiden’s extensive portfolio. Even Eddie, the band’s longstanding mascot, is dusting off some of his former glories – with the tour poster presenting him as from his Piece of Mind (1983) and Somewhere in Time (1986) days.

As Smallwood continues, “we decided to base the theme around the Legacy of the Beast name… giving us scope to get creative and have some fun, especially with Eddie! We’re working on a number of different stage sets, all in keeping with the Maiden tradition and we hope to give our fans a fantastic experience when they come to see this very special show.”

‘Speed of Light’ – Iron Maiden (from The Book of Souls)

Iron Maiden bring their Legacy of the Beast World Tour to the Genting Arena on Tuesday 7^th August, with support from Killswitch Engage. For direct show information, including venue details and online sales through The Ticket Factory, visit www.gentingarena.co.uk/whats-on/iron-maiden

For more on Iron Maiden, visit www.ironmaiden.com

For more on Killswitch Engage, visit www.killswitchengage.com

For more from Live Nation UK, including further event listings and online ticket sales, visit www.livenation.co.uk

For more on the Genting Arena, including venue details and further event listings, visit www.gentingarena.co.uk

________

NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

October 10, 2017

BREVIEW: Absurdly Fabulous: The Improvised Episode @ mac 29.09.17

Words by Charlotte Heap

As an ardent Absolutely Fabulous fan I was apprehensive at how Foghorn Unscripted would reimagine the beloved sitcom in their feature length show, Absurdly Fabulous. Such familiar and favourite characters can be tricky to emulate whilst bringing new laughs, and shows using such well loved source material can depend as much on the audience’s appetite for absurdity as the actors’ talent.

Foghorn Unscripted, a company of local improv comedians and professional actors established in 2011, bases all of its performances on audience suggestion and their own imaginations. Having worked with University of Birmingham’s student improv groups in the past, I hoped that Foghorn Unscripted’s experience would bring a slickness to their show – especially as this particular production had been performed at least once before at mac.

Billed as the ‘episode that was never made’, five actors appeared on the Hexagon’s small stage to present Absurdly Fabulous; with so few female leading comedic roles, having the main characters played by men was an interesting choice. Eddie was excellent, as Foghorn’s Aaron Twitchen brought controlled chaos and quick comedy to the part. Less successful in drag was Patsy, with a focus on her gruff voice and lecherous ways but not enough effort given to the character’s familiar physicality and wit.

The show’s more minor roles were played with varying levels of success by the other troupe members. Saffy suffered somewhat, as Kit Murdoch (Foghorn Unscripted’s founder) played her slightly too saccharine for my taste, with not enough withering sarcasm. Murdoch’s energy was essential to keeping the show moving, but I felt her portrayal of Boris Johnson also missed the mark.

Claire Corfield played Bubbles brilliantly but was underused, whilst Ciaron Allanson-Campbell, noticeably lacking in confidence, was much better cast as the robotic Marshall than as Mother. I was hoping Absurdly Fabulous would elevate the satirical sitcom’s most famous characters, but instead the production delivered caricatures. And whilst Absolutely Fabulous’ trademark catchphrases featured heavily, Foghorn Unscripted were unable to recreate the razor sharp wit of Jennifer Saunders’ writing.

I felt the audience participation element was also more minimal than the Absurdly Fabulous promo material had promised. Scribbled suggestions from some attendees were placed in jars on the stage and incorporated into the show’s framework in a slightly clunky fashion, whilst pictures of audience members were brought into the show after the interval, with a gentle ‘roast’ going down a storm with certain members of the audience. However if you weren’t part of this, and didn’t know what people had been asked to suggest, the participation element was a little confusing and excluding.

The more scripted elements of Absurdly Fabulous landed, again, with varying levels of success. An ‘Alexa’ joke (using pre-recorded responses) was initially inventive and funny, but then felt prolonged and, at points, badly timed. In fact, timing, sound and blocking were all constant issues; the raucous nature of the source material demands a certain level of chaos, but the troupe struggled with minimal props (wig swapping led to awkward delays) and an overdressed set.

A clothes rail collapsed as too many characters made an overzealous entrance, and whilst Eddie made a joke from this mishap, the moment encapsulated the production’s failure to make good use of mac‘s Hexagon Theatre – an intimate space which can be wonderfully manipulated, but one that leaves little room for error. Costume changes in full view of the audience, and occasional difficulties in hearing what was being said, simply added to the unexpected amateurishness. However, the friendly local audience laughed loudly and a lot. But on a Friday evening, with an £8 ticket price, this Ab Fab purist was left a little disappointed. I laughed a little but I cringed more.

Perhaps my fondness for Absolutely Fabulous (alongside my familiarity with improv in my own professional context) led to especially high expectations, but Foghorn Unscripted promised ‘debauchery, fashion and celebrity’ with Absurdly Fabulous and this wasn’t quite delivered. Billed as the ‘episode that was never made’, I felt the improv troupe found the easy laughs but failed to fully explore the humour and potential inherent in such rich source material.

For more on Foghorn Unscripted, visit www.foghornunscripted.com

For more from mac, including full event listings and online ticket sales, visit www.macbirmingham.co.uk

September 27, 2017

BPREVIEW: Absurdly Fabulous: The Improvised Episode @ mac 29.09.17

Words by Charlotte Heap

Foghorn Unscripted, Birmingham’s own improvised comedy group, present another feature length show – Absurdly Fabulous: The Improvised Episode, performed for one night only at mac’s Hexagon Theatre on Friday 29^th September.

Doors open at 7.30pm, with tickets priced at £8 (£6 concessions). For direct event info, including venue details and online ticket sales, click here.

Billed as ‘the episode they never made’, the mac audience can expect a re-imagining of beloved 90s satirical sitcom Absolutely Fabulous (Ab Fab to its friends). Foghorn Unscripted, a group of local ‘improv’ comedians and professional actors established in 2011, bases all of its performances on audience suggestion and their own imaginations. Given the raucous nature of the source material, fans should no doubt prepare themselves for some silliness (and presumably, more audience participation than usual).

It’s difficult, however, to imagine where Foghorn Unscripted may take the already established personas like Eddie and Patsy. Such familiar and favourite characters can be tricky to emulate, especially while bringing new laughs, and theatre productions such as this can depend as much on the audience’s appetite for absurdity as the actors’ talent.

Having run for more than 20 years, first aired in 1992 (as well as a recent feature-length film released in 2016) Absolutely Fabulous’s catchphrases and jokes will need a fresh approach from Foghorn Unscripted.

Like the TV programme, Absurdly Fabulous: The Improvised Episode promises to bring ‘debauchery, fashion and celebrity’. With a running time of 105 minutes, there’ll need to be some clever and surprising comedy to keep the audience on side. And for this lifelong Ab Fab fan, it’s fingers crossed that Foghorn Unscripted’s homage to Jennifer Saunders’ writing will be fittingly funny.

Forghorn Unscripted present Absurdly Fabulous: The Improvised Episode – performed in mac’s Hexagon Theatre on Friday 29^th September. For direct event info, including venue details and online ticket sales, click here.

For more on Foghorn Unscripted, visit www.foghornunscripted.com

For more from mac, including full event listings and online ticket sales, visit www.macbirmingham.co.uk