BPREVIEW: Roald Dahl and the Imagination Seekers @ Midlands Arts Centre 21-22.02.20


Words by Ed King

Roald Dahl and the Imagination Seekers comes to the Midlands Arts Centre (MAC) on Friday 21st and Saturday 22nd February – with shows in the MAC theatre at 2pm on both days, alongside an 11am show on the Saturday.

Aimed at children 6 years and older, tickets for Roald Dahl and the Imagination Seekers are priced from £8.50 – £10.50 for children and £8.50 – £15 for adults, depending on the day/time of performance and position within the theatre. Further concessions are available – click here for more direct show information, including full ticket details and links to online sales.

“Snozzcumber… who ever heard of a snozzcumber…?”

Roald Dahl needs little introduction. Responsible for some of the most prolific and wide reaching children’s stories (alongside some pretty dark tales for adults), Dahl’s work has become the contemporary benchmark for young fiction across the world – the highest accolade in this literary genre, it seems, is to be cited as following in the man’s giant footsteps. Just ask Walliams.

But when your portfolio boasts titles including Charlies and the Chocolate Factory, Matilda, The Twits, The Witches, The BFG, Danny the Campion of the Word, James and the Giant Peach, and Fantastic Mr Fox… well, fair enough I suppose.

Get Lost & Found theatre company are still worried though, fearing that ‘all around the world Roald Dahl’s words are disappearing’ and the only way to save these foundations of fantasy is through an ‘ancient guild of tale tenders’ determined to keep Dahl’s stories alive. And although this creative dystopia may be contested by some (Neilsen Holdings, Tim Burton, the United Nations Educational, Scientific and Cultural Organization, and Tim Minchin) why risk it?

So, with a special commission from Puffin Books, Dahl’s publisher, and a thumbs up from the writer’s literary estate, Roald Dahl and the Imaginations Seekers will be touring the UK until the end of March – coming to MAC with their ‘thrilling story delivered through performance, games and creative play’ at the tail end of February’s half term holiday.

And whilst the world beats with subjective hearts, and a man’s opinions do not necessarily reflect his work, as Ehrmann once wrote love ‘is as perennial as the grass’. So, to expand the metaphor, Dahl’s stories are a lush country estate lawn for children across the globe to play upon.

Sowed with empathy, empowerment, mischief, a smidge of anarchy and dollop of love, there are seldom better stories to prepare young minds for all the wonders and peril the world has to offer. You just have to be kind, resolute, and most of all to believe.

For as a wiser man than I once responded, to the snarled face of petulance and precocity, “…we are the music makers. And we are the dreamers of the dreams.”

Roald Dahl and the Imagination Seekers – official trailer 

Roald Dahl and the Imagination Seekers comes to the Midlands Arts Centre on Friday 21st and Saturday 22nd February. For more direct information and links to online ticket sales, visit www.macbirmingham.co.uk/event/roald-dahl-the-imagination-seekers

For more from the Midlands Arts Centre, including further event listings** and online ticket sales, visit www.macbirmingham.co.uk

For more on Get Lost and Found, visit www.getlostandfound.com
For more on Roald Dahl, visit www.roalddahl.com

**If you like the look of this, why not check out some more family friendly shows at MAC:

Sarah & Duck’s Big Top Birthday (4th to 6th Apr), visit www.macbirmingham.co.uk/event/sarah-ducks-big-top-birthday
Through Time (17th Apr), visit www.macbirmingham.co.uk/event/the-noise-next-door-through-time

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual aggression in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

BPREVIEW: Beastly Belle @ Midlands Arts Centre 15-16.02.20

Words by Ed King / Pics by Andi Sapi

Running for four shows across two days, Beastly Belle comes to the Midlands Arts Centre (MAC) on Saturday 15th and Sunday 16th February – kicking off Birmingham’s half term holiday weekend.

Presented by the Norwich Puppet Theatre, tickets for Beastly Belle range from £8.50 to £12.50 – covering a variety of options for adults, children (4yrs+) and babies.

With an 11am performance and a 2pm performance across the weekend, held in the MAC’s Foyle Studio, you can find out more information (and online ticket links) for Beastly Belle by visiting www.macbirmingham.co.uk/event/beauty-the-beast-beastly-belle

For those of a certain generation, the Midlands Arts Centre is somewhat synonymous with puppets – beautifully crafted characters that used to adorn both the walls and the stages of the old Cannon Hill Park complex. Now, to start a programme of productions and workshops for the Birmingham half term holiday, MAC is welcoming another ensemble of wood and string – as the story of Beastly Belle takes to the Foyle Studio on Saturday 15th and Sunday 16th February.

With a narrative perfectly pitched for today’s Instagram and Love Island devotees, yet one ‘inspired by the iconic era of 1920s and 30s cinema’, Beastly Belle tells the story of the eponymous Belle – a wannabe starlet that is plucked from poverty and given all the ‘glitz and glamour’ of the silver screen.

But what coulda, would, shoulda been a wonderful tale of rags to riches soon turns sour, as our titular heroine become seduced by the adulation of aesthetics and becomes ‘ensnared by a world obsessed with good looks’. Sounds sadly all too familiar.

Told through puppet theatre, against a backdrop of film projections and an original score, Beastly Belle tackles an issue that is all too prevalent in the world of young people today – self-worth, and the misguided benchmarks of ‘beauty’ that can be so crudely used to define it.

The play’s promotional material also cites influences from the classic fairy tale, Beauty and the Beast – so chances are this story ends with a newfound sense of self and an insightful epiphany. Which is no bad thing, for anyone at any age.

But told through puppet theatre, Beastly Belle will at least to give you a good hour of distraction (and silence) even if the message gets missed – which again to those of a certain generation, namely the one’s paying the ticket price, might not be a terrible consolation prize this half term.

And if you remember the MAC’s puppets of yore there may be some warm nostalgia as you stretch back and recall your younger days at the Cannon Hill Park complex… just remember it’s the weekend, and a school holiday, so that ice cream truck is also probably still there too.

Beastly Belle – official trailer (as used for performances at the Norwich Puppetry Theatre)

Beastly Belle comes to the Midlands Arts Centre on Saturday 15th and Sunday 16th February – with shows at 11am and 2pm on both days. For more direct information and links to online ticket sales, visit www.macbirmingham.co.uk/event/beauty-the-beast-beastly-belle

For more from the Midlands Arts Centre, including further event listings** and online ticket sales, visit www.macbirmingham.co.uk

For more from the Norwich Puppet Theatre, visit www.puppettheatre.co.uk

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**If you like the look of this, why not check out some more family friendly shows at MAC:

Roald Dahl & The Imagination Seekers (21st and 22nd Feb), visit www.macbirmingham.co.uk/event/roald-dahl-the-imagination-seekers

Sarah & Duck’s Big Top Birthday (4th to 6th Apr), visit www.macbirmingham.co.uk/event/sarah-ducks-big-top-birthday

Through Time (17th Apr), visit www.macbirmingham.co.uk/event/the-noise-next-door-through-time

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual aggression in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

BPREVIEW: REWS + Novacub, [SKETCH] @ O2 Institute 3 – 21.03.20

Words by Ed King / Pics courtesy of REWSMarshall Records

On Saturday 21st March, REWS come back to Birmingham – bringing The Phoenix Tour to the O2 Institute 3.

REWS will be joined by their travelling companions and Bloc Party splinter group Novacub, performing alongside local support band [SKETCH] – hot off the heels of a sell out show supporting The Pagans S.O.H. and Kioko. But more on these little beauties a little later…

Minimum age of entry to the REWS 21st March show is 14 years old, with the O2 Institute opening the top floor venue doors from 7pm. Tickets are priced at £10 (+ booking fee) – as promoted by Metropolis Music and Birmingham Review. For more gig info and links to online ticket sales, click here to visit the Facebook event page.

** Birmingham Review will donate £1 from all tickets sold through Review Publishing to the NOT NORMAL NOT OK campaign – challenging sexual violence in the music industry. From dance floor to dressing room, everyone deserves a safe place to play. Click here for tickets: www.reviewpublishing.net/product/rews-novacub-sketch-o2-institute-21-03-20**

REWS, or ‘the mighty REWS’ as we have begun calling this band, were last in Birmingham supporting The Darkness – playing to a packed out arena at the O2 Academy just before Christmas. Before that, the mighty REWS (…told you) were supporting Halestorm, again at the O2 Academy, as the North American rock giants stomped their sell out tour across the UK in September 2018.

Now REWS are back in Birmingham for one of the final few dates on The Phoenix Tour, which founder and frontwoman Shauna Tohill explains is: “celebrating rebirth and change, which seems quite apt, given that we are all going through dark times at the moment. I’m hoping it will inspire people to keep positive, be confident and change for the better. Expect new tunes, a new band and a safe space to immerse yourself. See you at the front!”

Led by N. Irish musician and songwriter Shauna Tohill, REWS somewhat exploded onto the UK’s live circuit a few years ago – releasing their first album, Pyro, in November 2017. Chocked with ‘wall to wall bangers’ (which is you’ve ever been to a REWS gig is a pretty appropriate metaphor) this ambitious debut featured previously released singles such as ‘Miss You in the Dark‘, ‘Shine’, ‘Your Tears’, and Birmingham Review favourite ‘Can You Feel It?

A monster of an album, with an infectious onslaught of high energy alt-rock/pop, the onlything better than listening to a copy of Pyro is when REWS play it live. But don’t take our word for it, as this 10 track line in the sand won REWS a bevy of Radio 1 airtime and a spot on the John Peel Stage at Glastonbury 2018 – with plaudits across the BBC and Pilton festival alike, including Mark Radcliffe’s clarion call: “Stupendous – if you get a chance, go and see them. Go.” A sentiment we whole heartedly agree with.

REWS were also the inaugural UK signing to Marshall Records, when the ionic rock music brand formed it’s own record label in 2017 – opening up territories across the globe and seeing this ferocious high rising balloon travel even further.

And it’s been strength to strength for REWS ever since (albeit with some lineup changes at the tail end of 2018, turning the two piece into a three piece) as the act once nominated for Planet Rock’s ‘Best New Band 2017’ are now back on the road and releasing some of their best new music to date. Which considering their back catalogue is a hard bubble to burst, with only the inevitable ‘…album two’ question left hanging in the air.

But again, don’t take our word for it – to check out REWS’ latest single, ‘Birdsong’, click on the airtwork above or the video below. And if after listening to it you think all the hype is hyperbole, then you’re either a cynic by default or clinically dead on the inside. And that’s as objective as I can get.

Then again, you might just want a little more proof. Perhaps in a live setting, for example. Which is fair enough… I suppose. Did we mention REWS come to the O2 Institute 3 on Saturday 21st March?

‘Birdsong’ – REWS

REWS perform at the O2 Institute 3 on Saturday 21st March, with support from Novacub and [SKETCH] – as promoted by Metropolis Music and Birmingham Review, with support from the NOT NORMAL NOT OK campaign. For more gig info and links to online ticket sales, click here to visit the Facebook event page.

**Birmingham Review will donate £1 from all tickets sold through Review Publishing to the NOT NORMAL NOT OK campaign – click here for tickets: www.reviewpublishing.net/rews-novacub-sketch-o2-institute-21-03-20/**

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For more on REWS, visit www.rewsmusic.com

For more on Novacub, visit www.wearenovacub.com
For more on [SKETCH], visit www.sketchband.com

For more on the O2 Institute, including venue details and further event listings, visit www.academymusicgroup.com/o2institutebirmingham

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual aggression in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

OPINION: When someone says rape…

Words by Ed King / Lead image provided by Getty Images

I want you to remember your best sexual experience. I want you to relive it, in every detail, the most pleasurable and safe experience you’ve ever had with a lover.

I want you to remember where you were, what you wore, what you had to eat and to drink. I want you to remember what they wore, until they wore nothing. I want you to remember what they ate and they drank.

I want you to remember every step of the sex itself – every physical touch and every emotion that went with it. I want you to remember what they did first, what they did last. I want you to establish a timeline. I want you to remember the strength of their body, if their skin was hot, cold, rough, or smooth. I want you to remember if, at any point, you smiled. Or laughed, even if you didn’t mean to. I want you to remember them entangled with you. I want you to paint a vivid picture of the flesh and the thoughts and the sweat and the noise.

Now I want you to go into the street and tell the first person you meet, a stranger. Tell them everything.

Now I want you to do the same for your worst sexual experience.

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This is an exercise in empathy I saw the Birmingham based Rape & Sexual Violence (RSVP) organisation deliver, to a group of venue operators and licensees at a South Side Pub Watch meeting. It was a ‘tough crowd’, fidgeting through a hot afternoon and a meeting they were obligated to attend. But this stopped the room. This made us think. Can you imagine actually doing that…?

The idea is to put yourself in the position of a victim of sexual assault, to help you to respond to any cases of sexual violence that might happen around you. To better understand what a victim of sexual assault would have to go through just to report what had happened to them – just to start a criminal investigation, to hold a rapist to account, to get justice. To stop it happening again.

It gets worse for the victim too, this is only the first step – the next is a line of cross examination to see if they would be a viable voice in court, with all the clichés and rebuttals that circle cases of sexual violence like patriarchal vultures. Did you lead them on? Did you know them? Did you act like you wanted sex? Were you drinking? Were you high? Was your clothing too sexy? Did you laugh at their jokes? Did you actually say the word ‘no’…?

But the RSVP exercise has stuck with me as a powerful way to put yourself in this terrible situation, even by proxy, and to allow even only a thin line of understanding for the process a victim of sexual violence will have to go through when they report what happened to them. Just the process of reporting it. Not the violence. Just the admin around it.

This pub watch meeting was over a year ago, but it came back into my head the other day when a social media post about sexual violence in Birmingham’s music scene got challenged – in a rather immediate and short sighted response, ‘evidence’ was asked for. Now this is not an attack on anyone for being involved in this conversation, debate and open discussion is healthy. And there is a side of me that says fair enough, evidence is important. Crucial in a courtroom. As a journalist reporting on anything, not just cases of sexual violence, I would be screaming “facts, figures, and cross referencing,” into my laptop.

Also, to be falsely accused of sexual violence must be a terrible experience – it does happen, you can’t and shouldn’t say it doesn’t. People of all genders and identification, of all ages, of all strata in society, are capable of lies.

But the bigger problem – the much more serious, pressing, and pertinent issue – are all the cases of rape, sexual assault, violence, coercion, abuse, and manipulation that never get reported. With all the sexual aggressors that continue to normalise their heinous actions because the victim is too scared, too wounded, too vulnerable or unsupported to go through the reporting process. Because people of all genders and identification, of all ages, of all strata in society, are capable of causing pain.

So, what do we do? Being involved in the NOT NORMAL NOT OK campaign has been, and remains to be, a significant learning curve for me – there was a point when I may have been the one calling for something to back up someone’s claim. Although I would like to think I would have done this at a later stage, off social media, and only if it was relevant for me to do so (i.e. not challenging someone who I didn’t know about something I was not privy to). And we are all fallible.

Plus, working with RSVP and the sexual violence and modern slavery team at West Midlands Police has helped me shape my understanding – something not everyone gets the chance to experience. But the first step to take around cases of sexual violence is relatively simple.

You listen.

Start there. Listening helps. Listening empowers people to recall and recant the most hideous of experiences, and to find strength to do it clearly – explaining the facts, figures and ‘evidence’ that someone at the appropriate stage will be looking for.

But the point of right and wrong, of truth and lies, is a few steps down the line. And we’re only at the first – you rarely know the veracity of what anybody is telling you, about anything, from an opening statement. You certainly don’t know it from a post on social media. Walking into this conversation immediately asking for proof will not help someone to deliver information, to explain the situation – it will only help silence them and countless other victims who need support and who need to be heard.

So, listen. Again, start there. Don’t shut someone down because you don’t want to hear what they have to say, or because you hold crossed fingers that it will turn out to be untrue. We’re not there yet, there’s a challenging and difficult process to go through until we reach a point of cross examination – one that is designed, in essence, to begin addressing what is true and to hold people to account.

And if it helps, use the RSVP exercise – put yourself in the position of someone who has experienced sexual violence and has found the strength to talk about. To speak out. To challenge it. To seek help and to seek help for others.

There is an old and troubling adage that if you’re being raped then you should shout “fire”, because people would be more likely to come to your aid.

What would you want the first response to be?

Ed King is the campaign lead for NOT NORMAL NOT OK, challenging sexual violence in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play. For more on NOT NORMAL NOT OK, visit www.notnormalnotok.com

If you have been affected by any issues surrounding sexual violence and want to seek advice or support, visit www.notnormalnotok.com/category/support-advice or email info@notnormalnotok.com

NOT NORMAL NOT OK: Safe & Sound @ ACM Birmingham 28.11.19

Words & pics by Genevieve Miles

As part of their enrichment programme at the end of 2019, the Academy of Contemporary Music (ACM) in Birmingham hosted a special Safe & Sound event on Thursday 28th November – presenting a day of seminars and activities about safeguarding within the music industry.

NOT NORMAL NOT OK were invited to open the event, with the campaign director, Ed King, asked to talk to ACM’s students about the sexual violence, aggression, and manipulation they might face – with all of ACM’s students focused on a career in music, be it on stage of off, this was an opportunity for the NOT NORMAL NOT OK campaign (which champions the strapline ‘from dance floor to dressing room, everyone deserves a safe place to play’) to reach a directly relevant audience.

Talking about the ongoing sticker campaign, where NOT NORMAL NOT OK attend live music events and distribute campaign logo stickers to everyone playing or partying at the gig, King was keen to encourage ACM students to embrace a visible stance against sexual violence. The NOT NORMAL NOT OK sticker campaign has been prevalent at venues across the region, creating a clearly branded environment of ‘no tolerance’ towards sexual violence at gigs, and King was eager to see the message carried by those entering the music profession.

“If we can get ACM’s students, and everyone making their first inroads into the music industry, to start confidently having the conversation about sexual violence, manipulation, and coercion, then it can have a trickle up effect as their involvement in music increases,” explains King.

“There’s a long standing and embedded culture of sexual aggression in the music industry that we need to combat, one that has been quietly abusing people across the industry for decades. But if new music professionals embrace the idea of no tolerance towards sexual violence, that will hopefully grow with them and help to change the industry landscape as a whole. It also sets a clear precedent, from the start, as sad as it is that we might need to reafirm one, on what is acceptable to those who might find themselves becoming aggressors.”

Working with a range of music promoters and artists, some less supportive than others to the campaign message, NOT NORMAL NOT OK is hopeful that with a changing of the guards these dangerous and old fashioned views will eventually die off. It is worth remembering that rape within wedlock was only made illegal in the UK from 1991 onwards.

Christopher East, Designated Safeguarding Lead at ACM – who helped organise Safe & Sound alongside Vix Perks, the Wellbeing Mentor & Mindfulness Coach at ACM Birmingham – feels it is the institution’s ‘duty’ to offer these seminars and events: “it is our duty of care to raise awareness and equip our students as best we can,” explains East – further citing the importance of being “proactive rather than reactive when it comes to tackling the many challenges that we face in society and our personal lives.”

Mirroring the direct approach and attitude of the NOT NORMAL NOT OK campaign, East’s hopes were that ACM’s Safe & Sound events will encourage their students to be “assertive, empowered and vigilant,” which would, in turn, help prevent students from “falling into dangerous situations within their respective career paths.”

Also speaking at the ACM Safe & Sound event was Tanuja Patel from the Birmingham & Solihull Women’s Aid organisation – bringing the gender diverse audience into a strong discussion around safe spaces for women. Just as with King and the NOT NORMAL NOT OK campaign that preceded Patel’s presentation, it was encouraging to see such confident engagement from ACM’s student body. The day was rounded off with a Krav Maga workshop, demonstrating the combined fighting system and offering simple tips on physical self-defense.

I was also invited to perform a few songs from my own portfolio, taking the stage once the dust had settled from the two seminars that began the day – giving me a chance to represent the musicians who want to support and see positive change.

As a performing artist, it seems necessary that a campaign such NOT NORMAL NOT OK would be at the ACM Safe & Sound event; it is so relevant to these young music lover’s lives, the venues and promoters targeted by the campaign are where the students at this event will be punters or where those in the room who aspire to be artists will one day be performing.

But this doesn’t stop in the classroom – in recent years, well known artists such as Frank Carter have interrupted their own gigs in order to call out sexual assault from within the crowd. This absence of shame or shyness can only be empowering to the no tolerance movement, encouraging young people, such as the students at ACM, to be more vocal as they build a career in the music industry.

NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual aggression in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play. To learn more about the NOT NORMAL NOT OK campaign, visit www.notnormalnotok.com

For more on the Academy of Contemporary Music (ACM) Birmingham, visit www.acm.ac.uk/courses/birmingham