BPREVIEW: Love from Stourbridge – The Wonder Stuff & Ned’s Atomic Dustbin @ O2 Academy 14/15.04.18

BPREVIEW: Love from Stourbridge – The Wonder Stuff & Ned’s Atomic Dustbin @ O2 Academy 14/15.04.18

Words by Ed King

On Saturday 14th and Sunday 15th April, the Love from Stourbridge Tour comes to the O2 Academy Birmingham – with The Wonder Stuff and Ned’s Atomic Dustbin both playing live, alongside a DJ set from Graham Crabb of Pop Will Eat Itself.

Doors open at the O2 Academy from 7pm, with tickets priced at £34.25 – as presented by Academy Events. For direct gig information, including venue details and online ticket sales, click here.

Back in the hey days of the late 80’s and early 90s – when Indie meant independent, the NME was still credible, and a singles chart position meant you’d actually sold some records (that were actual records), Britain’s alternative music scene was a pretty awesome place. And whilst Seattle was spewing out Cobain and Cornell (R.I.P. gents xx) slap bang in the middle of it all on this side of the pond was The Midlands, with The Wonder Stuff and Ned’s Atomic Dustbin packing out shows at the Aston Villa Leisure Centre, The Hummingbird, and other 3k capacity venues before they became a haven for jungle and knife crime.

Both hailing from Stourbridge, a place God apparently created one wet Tuesday afternoon, Ned’s Atomic Dustbin and The Wonder Stuff ran somewhat parallel to each other – with the former getting their ‘big break’ as the support band on the latter’s tours in 1989 and 1990. And aside from having the best name/t-shirts in music at the time (and possibly for some years afterwards, we’re open to suggestions here) Ned’s Atomic Dustbin are the edgier of the two, with notorious mosh pits, ferocious live shows, and overt murderous intent towards the nation’s goggle-boxes.

The Wonder Stuff, on the other hand, were the top rung of the Indie ladder back in ‘the day’ with consistent chart success, an international fanbase, and headline slots at leading UK music festivals – releasing four albums in five years, until the band’s split in 1994, with three of those LPs breaking the Top 5 in the official UK Album Charts. Their debut, Eight Legged Groove Machine, reached No.18. The Wonder Stuff may not be as angst ridden as Ned’s Atomic Dustbin (may I present Exhibit A, ‘Dizzy’, your honour) but they achieved phenomenal success and stayed rock and roll to the core, even when sharing the mic with Vic Reeves. They dressed a little better than Ned’s back then too.

But the best thing about these two bands is that if you stumble over their music today – regardless of age or naivety/cynicism – it still stands up, nearly 30 years after the first people upturned these Stourbridge stones. But I guess that’s what the Love from Stourbridge Tour is all about, dragging out the old fans for a night of nostalgia whilst gaining new fans by just being solid musicians performing on stage.

And whist there is new/newish material out there on-shelf and on iTunes, it wouldn’t be a bad show if we just sat in the least expensive part of the room and smashed a few Samsung flat screens… don’t worry, the reference points are below.

‘Welcome to the Cheap Seats’ – The Wonder Stuff 

https://www.youtube.com/watch?v=PCMCvzPEsFc

________________

‘Kill Your Television’ – Ned’s Atomic Dustbin 

On Saturday 14th and Sunday 15th, the Love from Stourbridge Tour comes to the O2 Academy Birmingham – with The Wonder Stuff and Ned’s Atomic Dustbin. For direct gig information, including venue details and online ticket sales, visit https://bit.ly/2IMaduJ 

For more on The Wonder Stuff, visit www.thewonderstuff.co.uk

For more on Ned’s Atomic Dustbin, visit www.nedsatomicdustbin.com

For more on Pop Will Eat Itself, visit www.popwilleatitself.net

For more from the O2 Academy Birmingham, including further event listings and online ticket sales, visit www.academymusicgroup.com/o2academybirmingham

BPREVIEW: Nerina Pallot @ The Glee Club 09.04.18

BPREVIEW: Nerina Pallot @ The Glee Club 09.04.18Words by Ed King

On Monday 9th April, Nerina Pallot performs at The Glee Club in Birmingham – with support from Cattle & Cane.

Doors are open at The Glee Club from 7:00pm to 7:45pm, with the show scheduled to start at 8pm. Please note, latecomers will not be admitted. Tickets are priced at £18.50 (adv) – for direct show information, including venue details and online ticket sales, click here.

Stopping off in Birmingham for the second date on her April UK tour, Nerina Pallot is on the road with her latest album, Stay Lucky. Released in October 2017, Pallot’s sixth studio album is a ten track line in the sand – a polished LP with strong melodies, recorded in a reported two week stint at London’s RAK Studio.

A friend once challenged my to name an artist, or band, that got better album by album. Try it. It’s not as easy as its sounds. But Nerina Pallot is a firm fixture on that list, having evolved from the Dear Frustrated Superstar days of pop intent into the savvy lyricist and genre crossing multi-instrumentalist that delivered The Sound and the Fury and Stay Lucky.

Pallot’s never been too far away from addictive melodies, but her last two albums are well rounded stamps of superiority; from vocals to rhythm, there’s an exciting late bloom coming from Pallot in these not-so-salad days. There’s also a bevvy EPs out there too, with Pallot undertaking the very literal Year of EPs project – releasing one extended play each month across 2014. Google and ye shall find.

But to pick out a couple of cherries from Pallot’s latest LP to reference, the title track wouldn’t be a bad place to start – ‘Stay Lucky’ shows off Pallot’s vocal range, subtle production, and aptitude for ivory led melodies. Then after a couple of backwards arrow clicks and you have ‘Bring Him Fire’, a tough edged declaration with some staccato guitar from Bernard Butler. But it’s all cracking stuff on Stay Lucky, with elements of jazz, soul, and mature pop melodies flecked throughout the album.

Pallot’s legion of live fans, that travel the length and breadth of the UK to follow her on tour (in a way that would end you up in court if you don’t have the ticket stubs to argue a defence), will be shouting from the side lines right about now as well. It’s not just Nerina Pallot’s music that has made her such a supported and self-governed artist, there is something inescapable and endearing (and funny) when she performs. If you haven’t seen Pallot perform live, you really should.

And whilst I could drown us all in hyperbole, adverbs, and Union Chapel reviews to back this up, instead I’ll stumble over a somewhat clumsy segue, as Birmingham gets its chance to find out on…

‘Stay Lucky’ – Nerina Pallot

Nerina Pallot performs at The Glee Club on Monday 9th April – with support from Cattle & Cane. For direct gig information, including venue details and online ticket sales, visit www.glee.co.uk/performer/nerina-pallot 

For more on Nerina Pallot, visit www.nerinapallot.com

For more on Cattle & Cane, visit www.cattleandcane.co.uk

For more on The Glee Club venues, including further event listings across all sites, visit www.glee.co.uk  

ED’S PICK: April ‘18

Words by Ed King

Easter Sunday, 1st April… There’s probably a joke in there somewhere. But with a basket of listings and entertainment based excel spreadsheets to plough through who has the time to be witty? Or hunt for Easter eggs, for that matter. Being an adult sucks.

However (…are you ready for this segue) it does allow me to enjoy all the delights of the Flatpack Film Festival without worrying about ID – actually, I’m not sure there’s too much on the programme with an age restriction but Dots & Loops are part of the festival and they brought us Lesley the Pony Has and A+ Day!, so…

Back for festival number 12, those glorious creatives at Flatpack have put on a nine day smorgasbord of celluloid, digital, and other audio/visual treats – running from 13th to 22nd April, in a variety of venue across the city. Too much to cram into this round up; look out for our more in-depth cherry pick in the days to come, or click here for more direct information on the full programme.

Elsewhere in the non-greenfield, Ebola flirting, footwear wrecking land of multi-stage events, we have the Birmingham Literature Festival – hop scotching from various corners of the REP to the Birmingham and Midland Institute from 27th to 29th April. Now old enough to drink beer in America, this year’s Birmingham Literature Festival has a focus on women in literature and publishing, alongside a weekend long programme of ‘inspiring conversations, writing and debate’. Again too much to adequately surmise, but click here for more direct info.

Following on with a female focus, Birmingham Jazz launches its Legends Festival on 27th April – running as a series of satellite events across the city until 20th May. This year’s linchpin is ‘Celebrating Women in Jazz’, with local artists such as Trish Clowes joining a myriad of talent from across the globe. Too much to fit into… you know the drill, click here.

Theatre comes in all shapes and sizes this month, including a couple of choice cuts on Hurst Street – with Wicked beginning its Birmingham run at the Hippodrome (4th-29th Apr) and The Twisted Tale of Hansel and Gretel at the Patrick Centre (4th– 8th Apr).

Across the duel carriageways and road works we have Graham Greene’s Brighton Rock coming to the Birmingham REP (10th – 14th) followed by the political see-saw of 1970’s Britain in This House (17th – 21st) – reminding us fear mongering comes from both sides of the aisle and a dash of vitriol isn’t a particular new idea. How times have changed… or not.

Music takes its usual fat belly slice of our monthly listings, with a few ‘big gigs’ of notE coming to the NEC portfolio – as the Genting Arena sees both Arcade Fire (15th Apr) and Dua Lipa (17th Apr), whilst Arena Birmingham welcomes the Manic Street Preachers (27th Apr) back to the city.

Playing across the non-arena rooms of our musical city, the Hare & Hounds has another eclectic mix – with Kushikatsu Records presenting Shonen Knife (15th Apr) followed Snowpoet (19th Apr) courtesy of Jazzlines. Whilst The Glee Club sees the very welcome return of Nerina Pallot (9th Apr) stopping off in Birmingham on the second date if her UK tour. Fingers crossed there’s a piano on stage.

The Sunflower Lounge sees Killer Wave and Outlander host their ‘Help the Homeless’ pay-as-you-feel charity fundraiser (8th Apr) – with all money raised going to Shelter and Tabor House. Then we have Lucy May Walker playing her first headline show in Birmingham (18th Apr) – both events well worth a stop, look and listen. And £5 of your hard earned cash, of course.

Our mobile branded venues see a bevy of acts this month too, with the O2 Academy presenting George Ezra (4th Apr), The Vaccines (7th Apr), Trivium (17th Apr), The Streets (19th Apr), Coasts (21st Apr) and Akala (24th Apr). Whilst the O2 Institute leads out with Walk the Moon (7th Apr), Little Comets (14th Apr), Aquilo (16th Apr), Of Mice and Men (25th Apr) and Sharon Needles: Battle Axe Tour (26th Apr).

A special mention also has to go to the Hummingbird-Menagerie-Indie-salad days-nostalgia trip coming to the O2 Academy with Love From Stourbridge – featuring The Wonder Stuff and Ned’s Atomic Dustbin (14th Apr). Someone pass me my German army shirt, skateboard and a can of Red Stripe, we’re going early 90’s feral…

And if you’re committed to your anti-corporate support of live music, never fear as mac welcomes Juice Aleem & Surge Orchestra (21st Apr) whilst Mama Roux’s serves two sides of the musical rainbow with The Herbaliser (19th Apr) and Mallory Knox (24th Apr)… probably not a good idea to get those dates mixed up in your diary.

Elsewhere in the city, comedy offers a relatively strong respite from those kids and their music – with The Glee Club presenting Tony Law (13th Apr), Alun Cochrane (15th Apr) and Craig Campbell (22nd Apr).

Or if you just want to stand and stare, you could waste a happy hour or two at Lewes Herriot: The Glass Arcana exhibition at Artefact in Stirchley (13th – 14th Apr). Or watching the flyers unfold with an exhibition from the seminal 90’s ambient electro club Oscillate, at Centrala (16th – 28th Apr) – bearing in mind there is an end of exhibition party with HIA and POLE (28th Apr) so you might want to do more than actually just stand and stare. Or not. Depends how you dance to Sun Electric, I suppose. Necking enough amphetamines to kill a small horse always worked for me, but vegetarian options are available.

But to end on the most glamorous of high notes (pun absolutely intended) Paul Alexsandr and Dragpunk present Candyland at The Nightingale (6th Apr) – a choc full celebration of ‘local and national UK drag of all genders, sexualities and abilities that you’ll adore.’ Then at the other end of the April rainbow, Opulence are launching Mother’s Meeting at Bar Jester (28th Apr) – a band spanking new ‘performance night dedicated to showing off a variety of drag and queer talent across Birmingham and the U.K.’, with special guest Charity Kase joined by a pageant of the Opulence crew on stage and Elliot Barnicle on the decks.

Birmingham can be proud for many reasons, but the cross over embrace of its drag community is one to really get those flags waving. We love covering it, and it seems the punters of Birmingham love supporting it. So, Vive la/le drag community of our fair/fairer city, alongside all who sail on these most wonderful of waters. Save some energy though, Birmingham Pride is a mere calendar page turn away.

And wait, I’ve just thought of one. A Jewish carpenter and a 6ft rabbit walk into Cadbury World…

For more on any of the events listed here, click on the highlighted hyperlinks. Ed King is Editor-in-Chief of Review Publishing, which issues both the Birmingham Review and Birmingham Preview. To follow Ed King on Twitter, click here.

THE GALLERY: Rews @ Hare & Hounds 22.03.18

Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

 

 

 

Words by Ed King / Pics by Aatish Ramchurn & Eleanor Sutcliffe

“…can anyone take my ticket?”

A man stands in the doorway at the Hare & Hounds, gesticulating like a proud Neville Chamberlain. OK, bad example. But it’s 7:30pm, the venue has just opened, and there’s a queue forming behind him. As gigs on a school night go this is looking promising.

And so it should be, the once ‘rising balloon’ now ‘rock powerhouse’ of Rews have returned to the city – bolting a Birmingham gig onto the end of their UK spring tour, before finishing their run with dates in Ireland and Northern Ireland. Plus, they’ve sold out. On a Thursday. Something that’s a shiny badge of honour for bands that play in the second city, and one that is unassailable Rews deserve.

Since releasing their debut album, Pyro, back in November 2017, the Marshall signed two piece have been relentless in their performances and promotion – with their penultimate single, ‘Your Tears’, recently receiving a week of A-List airplay on Radio One. Rews are on the march, and it’s working. This is a band that you only have to see play once to become hooked. And from most of the DJs on Auntie’s No1 station to the room full of people coming tonight, there’s many who’d agree.

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor SutcliffeThe Hare 2 continues to fill up, with the venue’s narrow stairs looking like a bathroom queue at a house party. Roddy Woomble is playing in Hare 1, launching the promo campaign of this year’s Mosley Folk Festival, and it’s a busy night all round in Kings Heath. The buzz in the air is both cliché and palpable, with a healthy half room turnout by the time Rews’ first support band, P.E.T, swagger on stage – dripping head to toe in punk paraphernalia and attitude.

“Take your hands off me, I’M NOT YOUR P.E.T”, declares front woman, Abi Whistance, screaming into the mic and over the crowd – who have edged closer to the stage to find out where this ‘tiny but mighty’ noise is coming from.

P.E.T are relatively fresh faces on the Birmingham live circuit, having formed as the leaves fell in 2017. But already they’re already picking up a wealth of support and steam, with their unrelenting thrash punk and dead pan humour – stabbing the ribcages of the establishment with ‘Eton Mess’, to cutting off those wandering hands with their eponymous opening track. It’s raw, unashamed, and musically solid. This is a band who could get somewhere, or take us all down in the most colourful of ways whilst trying. But I’d watch out for P.E.T… tonight’s ‘rising balloon’ baton has been firmly handed over.

You Dirty Blue – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor SutcliffeThe rolling cymbal crashes and rough vocals of You Dirty Blue are on stage next, washing the room with waves of psychedelic and garage rock. I’m reticent to call it ‘blues rock’ again, as the man to my left is currently reading the BPREVIEW for tonight’s gig, smirking, shaking his head like a straight laced Will Self, and muttering “…this is not blues”. He might even be right, in his lexicon and record collection at least, but it seems no one really cares as the Tamworth two piece kick out tracks from their Tough Crowd EP and beyond.

Walls of sound are built and knocked to the ground, riffs get scatter gunned, as Leon James’ rough but endearing vocals lead us through a Velvet Underground tinged Purple Haze with some Seattle seeded two fingers up. You Dirty Blue’s final track, of both tonight’s set and their Tough Crowd EP – ‘Gallow Dancer’, punches a particular hole in the room, with a melodic hook and chorus I dedicate to the smart phone wielding ‘man to my left’. It’s like drowning in a lava lamp whilst John Peel and Bruce Pavitt play you ‘some really cool shit’. And if you have any room on the inside of your forearm left, carve You Dirty Blue as a musical reminder. Awesome stuff.

Some set changes ensue and fervent mummering begins, as Rews get ready for their headline set – the eager beaver Thursday night crowd pushing itself towards the front of the stage. Awesome to see such enthusiasm, but not easy when you’re juggling drum kits on a busy stage. Lights down, lights up, mummering stops, and like the opening scene in Back to the Future (minus the clock, coffee or dog food) we are poised – somewhere a plectrum glints…

Rews @ Hare & Hounds 22.03.18 / Eleanor SutcliffeImmediate and personable, Rews (aka Shauna Tohill and Collette Williams) beam their appreciation to the crowd and across the room – launching into the staple of tracks from their debut album. ‘Let it Roll’ bounces off stage declaring the rock intentions of tonight’s set, reeling in an already health and safety defying audience with invisible fish hooks. No one here gets out alive, or at least until the end of the set, as the great and good from Pyro and beyond (…album two?) get a rigorous shake. Or even ‘Shake Shake’, but not until a little later.

There’s a real joy in watching Rews perform, and not just because their already tight performance seems even more polished this time around. It’s the sheer energy and enjoyment you get sweeping off stage. Rews are in Birmingham at the end of a long and arduous tour (…think snow, lots of snow) but tonight could be the first time they’ve stepped on stage after a month in the sun and several nights of interrupted sleep. The banter is great as well, with the closeness between the two musicians making the whole room feel part of something special.

Then comes ‘the moment’. Rews had alluded to adding a “sort of an electro acoustic rendition of one of our older songs” into the set, after their gig in Leeds a few nights before. And as Williams leaves her stool to join Tohill at the front of the stage, this is what we’re about to getRews @ Hare & Hounds 22.03.18 / Aatish Ramchurn – soft steel strings and a tapped out percussion deliver a stripped back version of ‘Everything’, one of Rews’ older tracks that is getting a post Pyro make-over. It’s beautiful. My job is to find words but often I can’t, and this just works. Rews work. Add your own hyperbole.

Crammed into the edges of the merch stand, I let the rest of the set wash through me. I think I scribble the words ‘triumphant’ and ‘step up’ into my notebook, but any serious reportage is done for the day. Thankfully there’s a load of pics to help you piece this night together (see below) if you weren’t there to witness it first hand – with the full Flickr of pics from Aatish Ramchurn here, and from Eleanor Sutcliffe here.

And it you didn’t make it to the Hare and Hounds on 22nd March, or if you’ve not seen this continuously impressive rock duo before, I strongly suggest checking Rews out for yourself. If you haven’t got a copy of Pyro, start there. But if you ever see them on a bill poster, in whatever corner of the globe you call home, then put your hands in your pocket and buy a ticket. It’s hard to imagine you’ll feel short changed. And next time Rews come back to Birmingham, you might want to move a little quickly whilst you’re at it.

 

 

 

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn & Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

For more on Rews, visit www.rewsmusic.com

_________

You Dirty Blue – supporting Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn & Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

For more on You Dirty Blue, visit www.youdirtyblue.com

_________

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn & Eleanor Sutcliffe

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Aatish Ramchurn

P.E.T – supporting Rews @ Hare & Hounds 22.03.18 / Eleanor Sutcliffe

For more on P.E.T, visit www.facebook.com/petbanduk

For more from Metropolis Music, visit www.metropolismusic.com

For more on the Hare & Hounds (Kings Heath), including venue details and further event listings, visit www.hareandhoundskingsheath.co.uk

BPREVIEW: Fall Out Boy @ Arena Birmingham 27.03.18

Fall Out Boy @ Arena Birmingham 27.03.18

Words by Ed King

On Tuesday 27th March, Fall Out Boy perform at Arena Birmingham, with support from MAX and Against the Current.

Doors open to Arena Birmingham at 6pm, with Max on stage at 6pm and Against the Current at 7:45pm. Fall Out Boy will be performing from 9pm, with the show scheduled to finish by 10:30pm.

Tickets are priced at £32.50 / £42.50 depending on positioning within the arena, plus booking and fulfillment fees – as presented by SJM Concerts/Gigs and Tours.

For direct gig information, including venue details and online ticket sales, click here. 

Fall Out Boy are back on the road with their MAN I A Tour, kicking off a series of 11 European dates at Arena Birmingham. After finishing their UK dates at London’s O2 Arena on 31st March, with stops in Cardiff (28th Mar) and Manchester (29th Mar) in between, Fall Out Boy will go on to play a series of gigs in France, Holland, Germany, Belgium, China, Singapore and Japan, before returning to the US for a series of dates on home soil.

Fall Out Boy will be back in Blighty for two gigs the Reading and Leeds Festivals this summer, should you miss the European leg of their world wide tour and not be able to afford an Uber to Asia or North America. Mind you, knowing Festival Republic the hole in your pocket might end up just as uncomfortable. For full details of all Fall Out Boy shows, click here.

Stalwarts of the new wave pop/punk scene, Fall Out Boy smashed a small hole into the scene with their 2003 album, Take This to Your Grave. Signed by the then relatively small Fueled by Ramen (and subsequently swallowed up by the then relatively monolithic Island Records) Fall Out Boy put some strong feet forward with their twelve track debut. And whilst it may not have been an immediate commercial success, Take This to Your Grave would cement itself into the mindset of the burgeoning pop/punk culture – receiving plaudits and high chart placements in the mainstream media listicles that would try and surmise the genre many years later. But love it, loathe it, own it, or lost it, fifteen years since its release Take This to Your Grave is widely respected as a defining moment in the pop/punk scene.

Fall Out Boy would go on to release a further three albums, before juggling band members, negative press attention, blotter acid, and the ill fated 2008 release of Folie à Deux would push them into a break up. Or hiatus. Or decompression. But whatever the word, the bursting bubble kept Fall Out Boy collectively off a stage and out of a studio for the next few years – finally stepping back into the limelight with their fifth studio album, Save Rock and Roll, in 2012.

Described by Rolling Stone magazine as a ‘rather stunning renaissance’, Fall Out Boy managed to pull themselves back from the cultural abyss with Save Rock and Roll – paving the way for a renewed touring schedule and their second ‘comeback’ album, American Beauty/American Psycho, released on 16th January 2015.

Nearly three years to the day later, and Fall Out Boy released MAN I A – the band’s seventh studio album, with a extensive worldwide tour to promote it kicking off in September 2017. Hitting the No1 spots in both the US and Japan, reflecting two of Fall Out Boy’s strongest fan bases, MAN I A would also reach top ten chart positions in Australia, New Zealand, Canada, Germany, Finland and the UK – with the album’s latest (and somewhat cathartic) single, ‘Wilson (Expensive Mistakes)’, released in January 2018.

Fall Out Boy start the UK leg of their MAN I A Tour at Arena Birmingham on Tuesday 27th March, with support from Max and Against the Current.

‘Wilson (Expensive Mistakes)’ – Fall Out Boy

Fall Out Boy perform at Arena Birmingham on Tuesday 27th March, with support from Max and Against the Current – as presented by SJM Concerts/Gigs and Tours. For direct gig information, including venue details and online ticket sales, visit www.arenabham.co.uk/whats-on/fall-out-boy

For more on Fall Out Boy, visit www.falloutboy.com 

For more on Max, visit www.maxhellskitchen.com

For more on Against the Current, visit www.atcofficial.com

For more from SJM Concerts/Gigs and Tours, including further event listings and online ticket sales, visit www.gigsandtours.com

For more on Arena Birmingham, including venue details and further event listings, visit www.arenabham.co.uk