SINGLE: ‘Strangers’ – The Taboo Club 20.07.18

‘Strangers’ – The Taboo Club 20.07.18

Words & live pics by Ed King

On Friday 20th July, The Taboo Club release their debut single ‘Strangers’ – a taste of what’s to come, with their next track, ‘Bible John’, already earmarked for release in autumn this year. But first things first.

‘Strangers’ will be available for free download through the standard online steaming sites from Friday 20th July, with some helpful signposts no doubt on the band’s social media. For more information direct from The Taboo Club just hop, skip and jump over to their Facebook page – click here.

The first track to come from this relatively new band (although each member has been playing in one guise or another for long enough for me to wince at the descriptive) ‘Strangers’ is as perfect an introduction to The Taboo Club as you could get.The Taboo Club - supporting The Mothers Earth Experiment @ The Dark Horse 13.07.18 / Ed King Having recently seen them pop their live cherry at The Dark Horse – supporting those glorious astral adventurers, The Mothers Earth Experiment – The Taboo Club are hard a little to surmise. But it’s my job to try, and by doing so I will be making a paint by numbers review of ‘Strangers’ itself. Right then, where to begin…

There’s a sax, which is awesome, and keys, which are both wonderfully used (not over) by Ben Oerton. Although this invites the lazy journalist jazz references to come spilling out when I’m not watching the keyboard.

But this is not jazz, even if it reminds me of ‘bourbon lit Harlem dive bars’; the overall ‘tapestry of genres’ from The Taboo Club is very much driven by guitar – a duel attack from Jack Ingaglia (rhythm) and Josh Rochelle-Bates (bass), reminding this writer of the Velvet Underground if they happened across Maceo Parker one night and took a shit load of mushrooms. Then, lurking behind some omnipresent red velvet curtains, is a steady kick drum, heartbeat, and teasing rim tap from Aiden Price – all led by Rob Lilley’s deep, brooding, and yet curiously comforting vocals.The Taboo Club - supporting The Mothers Earth Experiment @ The Dark Horse 13.07.18 / Ed King

‘Strangers’ works with these jigsaw pieces, creating a surprisingly short layer cake of crescendos; I say surprisingly short as you could quite easily, and happily, see this ensemble rise and freefall for a good 15minutes before pausing for breath. And no doubt, in the aforementioned New Your suburb, someone under some other name is doing just that.

Produced with aplomb by Ryan Pinson, ‘Strangers’ is a touch of red velvet class to come out of the Birmingham music scene – a true musical fusion without the hubris or hangover of years at the Conservatoire. But to be fair, any of The Taboo Club could well be classically trained – they just haven’t felt the need to tell us about it during the first round of drinks. And the second.

But they did have a few words to throw on the table, in a bold declaration from the ‘Strangers’ press statement, that explains: ‘The Taboo Club are entirely of their own, comprising of and expressing the values of its individual members to create something heart-breakingly cathartic’. And I couldn’t have put it better myself.

The Taboo Club release ‘Strangers’ on Friday 20th July – available for free download through all the usual online steaming sites. For more on The Taboo Club, visit www.facebook.com/TheTabooClubUK

The Taboo Club Showcase Gig with Birmingham Review will be held at The Victoria on Saturday 29th September. To find out more, and to be on the waiting list for when tickets are released, visit the Facebook Event Page by clicking here.

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

BREVIEW: The Mothers Earth Experiment @ The Dark Horse 13.07.18

The Mothers Earth Experiment @ The Dark Horse 13.07.18 / Ed King

Words & pics by Ed King

I never played at the Whisky a Go Go. I was never in the house band; I was never Morrison. As much I wanted to be, mine was another time, another room. Another stage. Mine was breakbeat, rave, and those pills that had nothing to do with weight loss.

But The Mothers Earth Experiment, tonight, they get close. Close enough for me to start my review with wishes and references. Close enough to make me walk out the door and leave everything behind. Close enough, and what are we if nothing but shallow dreams. But fuck me they rock.The Taboo Club - supporting The Mothers Earth Experiment @ The Dark Horse 13.07.18 / Ed King

First up tonight though, at this particularly generous free entry Friday night gig at The Dark Horse, is The Taboo Club – the new face of Rob Lilley and Josh Rochelle-Bates, now joined by Jack Ingaglia (guitar), Ben Oerton (sax/keys) and Aiden Price (drums).

Their first live gig together, there are some rehearsal room cobwebs being dusted down tonight, and by the time ‘Bible John’ comes tumbling off stage, led by Lilley’s deep vocals, we are in a red room of sultry intent. Nestled somewhere between the low lit bourbon dive bars of Harlem and an opiate pit of six string destruction that would make the Velvet Underground blush, The Taboo Club are tapestry of genres and influences – driven by guitar, but with tinges of jazz, sax, and keys, giving the wall of sound a deep lustre.

The Taboo Club - supporting The Mothers Earth Experiment @ The Dark Horse 13.07.18 / Ed KingAbsurdly promising, even if I am a little biased. The Taboo Club play the next Birmingham Review showcase on Saturday September 29th at The Victoria and we predict an interesting first time around the sun for this band – a tight ensemble with real depth. So stay alert, you listicles of music press future. More is sure to follow from The Taboo Club.

But back in the present, it’s time for Birmingham’s favourite space cadets to come in for landing. I’ve seen The Mothers Earth Experiment before, and they’re good. They’re tight. Polished psych rock. Musicians who know how to play, and who you get the feeling (I can only observe) really enjoy their time on stage together. At least I love watching their keyboard player.

The Mothers Earth Experiment @ The Dark Horse 13.07.18 / Ed King

But there’s something in their set tonight, and the front row, and the bass, and the shoulders that sway in that Nico kinda way. There’s something more. I’m engaged in a different way than before; perhaps it’s the blues rock, for whatever you or I make of that term. But it’s good, and a little ferocious. Two words I’m confident we all understand.

Frontman Mark Roberts pulls his face and eyes out over the crowd, as the band open with ‘Cool Down Mama’ and work backwards through their debut album. The combined exuberance of this six piece, who are probably classically trained (I have no idea but it feels like they could, or should, be) with high ideas and the balls to bring them to life, is unassailable.

The Mothers Earth Experiment @ The Dark Horse 13.07.18 / Ed KingI’m a little drunk and lazy as I write this (I recently adopted the stance of penning each review as soon as I get back. You know, whilst it’s ‘still fresh’. The photos on the other hand…) but I have an overwhelming urge to run across the bonnets of parked cars, or laugh. Or actually enjoy myself in public. There’s a deeper edge to The Mothers Earth Experiment tonight that I’m not erudite (sober) enough right now to adequately describe, but it keeps me in the crowd with a half jealous fix on stage. The man next to me agrees. We stop talking and watch. And dance, when the moments of tight self-control allow us.

Donald Trump would not agree. His name is mentioned more than a few times tonight, and not with compassion or without candour. But let’s face it, as we laugh at doom and the absurdity of such a close nuclear winter, the man is indeed “a cunt”. But with balloons and battle cries constantly thrown off stage we are unified at The Dark Horse tonight, on the very day that such monstrosity prepares themselves for dinner with the divine right of kings.The Mothers Earth Experiment @ The Dark Horse 13.07.18 / Ed King And in a further act of general good will, The Mothers Earth Experiment have been passing out NOT NORMAL – NO OK stickers until in the room is adorned with specs of yellow and black. A wonderful sight to see; bless everyone one stage and off. Click here for more on the NOT NORMAL – NO OK campaign.

But we’re nearing the end, my only friend, and the The Mothers Earth Experiment say sayonara with a new track before heading back to the cosmos – ‘Bliss’, which builds, folds, unfolds, and explodes off stage like a grenade wrapped in a cloud.The Mothers Earth Experiment @ The Dark Horse 13.07.18 / Ed King Bliss… For Spaceman 3 playing ‘Revolution’ on a particularly angry day perhaps; the shift from sweet jangles to sonic assault is almost rude… and so much fun. A startling denouement. No encore needed. Although The Mothers Earth Experiment had one planned, as the track listing I stole (it’s usually a journalist) told me was ‘Fortress’.

The rest of my night ends with random friends, strange new faces, stories of pet executions (lack of funds… ouch, you’ve got to love the fluctuating moral compass) and that unpleasant edge in Moseley I’m old enough to reference. Fuck you, I remember when this was all fields…

The Mother’s Earth Experiment at The Dark House, we give you four out of five stars, No one gets five. And I’m sure the letter you send home about this will be the talk of your family Christmas mailout. But I loved it; a great gig. And one that didn’t cost us a bean too.

So to the people of planet Earth, go out and purchase everything on The Mothers Earth Experiment merch stand and keep the world replete with good music. Also, keep Saturday September 29th free for The Taboo Club Showcase Gig with Birmingham Review at The Victoria. That is the judgement of music journalism. It has spoken. Pay no attention to the man behind the curtain. And considering tonight was a free entry gig, with copies of The Mothers Earth Experiment’s eponymous album being given away, I’d say it’s the very least we can do. 

For more on The Mothers Earth Experiment, visit www.themothersearthexperiment.wordpress.com

For more on The Taboo Club, visit www.facebook.com/TheTabooClubUK

The Taboo Club Showcase Gig with Birmingham Review will be held at The Victoria on Saturday 29th September. To find out more, and to be on the waiting list for when tickets are released, visit the Facebook Event Page by clicking here.

For more from Sonic Gun, including further event listings and online ticket sales, visit www.facebook.com/sonicgunconcerts

For more on The Dark Horse, including venue details and further event listings, visit www.darkhorsemoseley.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

BPREVIEW: The Mothers Earth Experiment @ The Dark Horse 13.07.18

Words by Ed King

On Friday 13th July, The Mothers Earth Experiment play a free entry gig at The Dark Horse in Moseley – with support from The Taboo Club.

Doors open upstairs at ‘the horse’ from 8pm, with tickets costing NOTHING AT ALL YOU LUCKY MUSIC LOVING BAST*RDS – as presented by Sonic Gun. For direct information, visit the Facebook Event Page by clicking here.

They say Friday 13th is an auspicious day (“they talk a lot, don’t they…”) and The Mothers Earth Experiment are channelling whatever from wherever to feed the collective unconscious with some musical manna this weekend.

Always worth a stop, look and listen, The Mothers Earth Experiment have been pumping out their jazz, funk, and lava lamp tinged psych rock for a handful of years now. One of the more musically proficient bands we’ve come across on Brum’s live circuit, The Mothers Earth Experiment are a tight and intelligent six piece delivering ‘detailed sonic tapestries of dense psychedelic atmospheres and emotive melodies’ with a social-political message never too far behind. Committed to the cause of music. Plus, they’re lovely people. And the world needs lovely people.

But this weekend, The Mothers Earth Experiment are being extra good to us all. First up, they’re throwing a free gig. So no bank balances will suffer if you want to go out and get your psych rock wiggle on this weekend. Bless you gents.

Second up, The Mothers Earth Experiment are gifting ten free copies of their debut album as part of the promo for the gig – leaving a round of drinks and a lift home as the only acts of generosity left to give. To win a copy, all you’ve got to do is share their Facebook post about it – click here – and the winners will be announced via the band’s social media, with CDs ready for collection at The Dark Horse.

Sounds simple enough. But to celebrate the arrival of POTUS to the UK, The Mothers Earth Experience have tailored their competition to honour the illustrious floppy wig wearing war mongering celebrity obsessed egotistical megalomaniac. In the band’s own words:

‘And if you want a really big chance of winning something, remember I personally will buy something special for the person with the best plaque, t-shirt, sign etc that tells Donald Trump where to fucking go.’

The Mothers Earth Experiment were also quick to get behind the NOT NORMAL – NOT OK campaign,  which got launched this week to ‘encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.’ In an act of on and off stage solidarity, the band will be handing out NOT NORMAL – NOT OK stickers at their gig on Friday 13th July, asking people to wear one whilst at the venue and ‘show the perpetrators of sexual assault, violence, and misconduct that their actions will not be tolerated.’

“We at The Mothers Earth Experiment have been angered and horrified to hear of stories of sexual assault in the local scene. We’re getting behind the NOT NORMAL – NOT OK campaign to try and bring light to these horrific abuses of power – from danceflooor to dressing room. On Friday 13th July our gig coincides with Donald Trump arriving in the UK; a physical reminder that the very top echelons of society can still get away with “grabbing them by the pussy”.

We want to end this and although we may not be able to get Trump yet, we can sure as hell sort out our scene with enough support. So to all the people who have ever been taken advantage of, to all the people who have seen the other side of their friends, to all those who’ve been abused by someone with power over them, we can and will make a difference.”

Also appearing on the bill are The Taboo Club, the recently formed phoenix from the flames of the band Semantics – playing their first gig in their fresh new form. The Taboo Club has Joshua Rochelle-Bates and Rob Lilley at the helm, from the aforementioned, but also boasts an eclectic line up of solid sounds and musicians from across the musical spectrum – expect guitar, bass, sax, keys, and soaring walls of sonic bliss from a deluge of influences. But here a quick hello from the band themselves:

“The Taboo Club have a lot of respect for The Mothers Earth Experiment, having known them on the local circuit for some time now, and we couldn’t think of anyone more fitting to support for our first gig. It’s really exciting to be playing live after having worked so hard as a new band.

We can’t wait for people to hear The Taboo Club too. It’s an ensemble of expressive and tight musicians playing amalgamations of different genres – songs that command attention but welcome intimacy. The sound is informed and shaped by our individual contributions, but with a jazz chemistry and other familiar yet strange things.”

It’s pretty stuff awesome too. Birmingham Review was privy to some rehearsals and we liked it so much we’ve booked The Taboo Club to play our next showcase gig – held at The Victoria on Saturday 29th September.

Tickets for The Taboo Club Showcase Gig with Birmingham Review are not on sale yet, but we’ve had a fair few people ask for reserves already (honestly, just shy of a quarter of the room so far) so jump over to the Facebook Event Page and stick your hand in the air.

Meanwhile, back in a warm and fuzzy corner of space somewhere near the third rock from the sun…

‘Cool Down Mama’ – The Mothers Earth Experiment

The Mothers Earth Experiment play a free gig at The Dark Horse on Friday 13th July, with support from The Taboo Club – as presented by Sonic Gun. For direct gig information, visit the Facebook Event Page by clicking here. 

For more on The Mothers Earth Experiment, visit www.themothersearthexperiment.wordpress.com

For more on The Taboo Club, visit www.facebook.com/TheTabooClubUK

The Taboo Club Showcase Gig with Birmingham Review will be held at The Victoria on Saturday 29th September. To find out more, and to be on the waiting list for when tickets are released, visit the Facebook Event Page by clicking here.

For more from Sonic Gun, including further event listings and online ticket sales, visit www.facebook.com/sonicgunconcerts

For more on The Dark Horse, including venue details and further event listings, visit www.darkhorsemoseley.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up and join the NOT NORMAL – NOT OK campaign, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

BPREVIEW: Kings Heath Dining Club @ Highbury Hall 01.07.18

Kings Heath Dining Club @ Highbury Hall / Wayne Fox

Words by Ed King / Pics by Wayne Fox – courtesy of Digbeth Dining Club

On Sunday 1st July, Kings Heath Dining Club returns to Highbury Hall for another afternoon/evening of food, drink, music, events… and probably a bit more food. Clue’s in the title.

Situated on the grounds of this Grade 2 listed building, which was once the Birmingham home of Joseph Chamberlain, Kings Heath Dining Club will be open from 11am to 7pm. Tickets are £6 (adv) and £8 – available online through Skiddle, click here. To visit the Facebook Event Page, for direct event information and further links to tickets, click here.

Fundamentally a celebration of street food, King Heath Dining Club will bring an array of traders to the B13 based Highbury Hall this weekend – currently advertising Original Patty Men, Low N Slow, Bournville Waffle Company, Cake Doctor, Leave it to Esmie, Buddha Belly, Homeboys, Chef Shack, Manila Munchies and The Middle Feast.

There will also be live music from The Original Players, The Equators, and Aphrodite Strings – alongside Digbeth Arts Markets, comedy, wellness therapies, and retro gaming from Dead Pixels. And whilst you can only eat and drink as much as you your wallet will allow, all the day’s entertainment is included in the ticket price, with no age restrictions.

Held in collaboration with the Hare & Hounds, Kings Heath Dining Club is the suburban split from the Digbeth based mothership – usually taking place on York Road, outside the venue that partners their Kings Heath events. Holding their first event at Highbury Hall back in April this year, Sunday 1st July marks the start of three further street food summer showcases at the Highbury Park based mansion.

How things change; it seems a long time ago that Digbeth Dining Club’s founder, Jack Brabant, gave up filming raves from across the globe to bring street food to the back streets of Birmingham – a culture of cuisine he had seen mushroom (pun intended) in London and further afield. Six years, in fact. But believe it or not, all this pop-up, avant garde, street/festival food malarkey started in our city from pretty much one box of bright sparks. And now the inferno is so rampant it’s hard to imagine Birmingham without it. Like Motorways or the Internet. Ah the youth of today, I remember when this were all Toys R Us and Woolworths…

Partnering with the Hare & Hounds seems like a shrewd move into the suburbs too, with the prolific entertainment venue having done more to shape the cultural cache of Kings Heath than a million plant pots or local councillors.

And with a bevy of tried and tested foodies coming to Highbury Hall, it’s difficult to see where this could go wrong. Just don’t look up, I guess. Although Sunday 1st July is set to be the hottest day of an already pretty scorching week, so I’d only worry about the weather is you’re made of ice cream.

All that’s left to do is cherry pick (again, pun intended) a menu to put to the taste test, and after some grueling investigative journalism (eating) we’ve gone for The Middle Feast – the Lucy Rhodes run Persian pop up that has some of the best Kebabs, shawarmas, mezze, and flatbread that you can get your mits on this side of the Mediterranean.

And on Sunday 1st July, The Middle Feast will be presenting a new dish: Persian Spiced Buttermilk Fried Chicken, which comes with fries, slaw and harrisa mayo. Also available from The Middle Feast will be Cooked Whole Cauliflower Shawarma, Diced Lamb Kebab with Charcoal Hummus – plus a range of salads, smoked yogurt, sweet pickled radish, gluten free and vegan options.

And whilst we couldn’t 100% confirm it, if you see the Halloumi Fries on the menu then we strongly suggest grabbing some before they sell out. In fact, get us some whilst you’re there too.

Kings Heath Dining Club @ Highbury Hall 01.07.18Kings Heath Dining Club comes to Highbury Hall on Sunday 1st July. For direct event information, and links to online ticket sales, visit www.facebook.com/events/775347119336101

For more from Digbeth Dining Club, including further event listings, visit www.digbethdiningclub.com

For more on the Hare & Hounds, including venue details and further event listings, visit www.hareandhoundskingsheath.co.uk 

For more on Highbury Hall, visit www.birmingham.gov.uk/highbury_hall

SINGLE: ‘All the Best’ – Quinn 01.06.18

SINGLE: ‘All the Best’ – Quinn 01.06.18Words by Ed King / Pics by Bryony Williams

On Friday 1st June, Quinn release their latest single – ‘All the Best’. Phew, where to begin…

Firstly, ALL HAIL SAM LAMBETH. This is unashamedly sycophantic, and mainlines into the comfortable narcissism that turned that fresh faced indie kid from the ‘Near to You’ video into the canine caning rockstar you can see to your left.

But sod it. Some people are born performers and Mr Lambeth’s ‘brainchild’ is a joy to behold if for no other reason than he’s at the front of it.

Secondly, I’m going to try far too hard in this review. Might as well admit it. Centre stage stadium pretensions aside, Sam Lambeth is a better music writer than I am and it pisses me off no end. Actually, to clarify, the fact he doesn’t write for Birmingham Review is what really flicks the nads, but it’s all pretty much the same to my ego.

So, with that in mind, let’s copy/paste something from the ‘All the Best’ press release:

‘All the Best’ represents the best of Quinn’s past and the exciting future they are set to embark upon – Lambeth’s knack for driving melodies are wrapped around soaring synths, pounding Balearic beats and subtle sampling. “We took a conventional rock song and messed about with it, but on some different coloured wrapping paper and tried to give Quinn a new identity,” Lambeth said. “I’ve always loved pop in its purest sense, and hearing Beck’s record Colors made me realise you can have it both ways.”

Couldn’t have put it better myself. Hush ego, hush. But Quinn’s latest single is catchy as hell. Like some metaphor involving an airborne virus and a big thumbed sports star, the boy writes a mean pop hook and no mistake. And whilst I wouldn’t use White Isle rhetoric to describe it, ‘All the Best’ is a clear windows down summer winner. Cars, floppy hair, mirror lens sunglasses etc, etc…

SINGLE: ‘All the Best’ – Quinn 01.06.18No pretensions, ‘All the Best’ won’t win an Ivor Novello, but it sends an army of smiling earworms marching down your lug holes from the first happy clappy riff until the somewhat unfortunate fade out. Lambeth’s vocals have seldom sounded stronger too. But with ball-out-of-the-park-regular Ryan Pinson in production it’s an unsurprisingly well polished chill pill. Apart from the fade out. I don’t like fade outs. But that’s me.

Lyrically, ‘All the Best’ – as the Bible of sugar coated indie decrees – is about unrequited love with a gracious smile and confident nod to the unknown. The irony is that behind this creative love in was a somewhat public clusterfuck of a fond farewell, one we won’t dwell on but is a) worth mentioning considering the song’s premise, and b) another feather in the cap of a man who seems to be endlessly chasing somebody’s summer. Refer to paragraph one.

OK, time for a counterpoint. There’s always a counterpoint. Hang on. Need to get my right click on the go again here…

When it came to the next project, Lambeth had one rule – don’t repeat yourself. “Our last EP, Crush, was a homage to the hazy melodies and fizzy fretwork of the ‘90s, and thus was very guitar driven,” he said. “For where I was headed next, I knew it had to be completely different. It was time to experiment.”

Different, sure, but completely..? And if you’re old enough, ‘Words that Say’ by Mega City Four. But this is what Sam Lambeth does with Quinn to such Technicolor effect, and there’ll be plenty of time for that dub step opera with the Ukulele Orchestra of Great Britain. Fuck it, it’s summer. We’ve got convertible cars to drive down the M4.

And to surmise with more open ended plagiarism, if it ‘aint broke…

‘All the Best’ – Quinn

Quinn release their latest single, ‘All the Best’, on Friday 1st June. For more on Quinn, visit www.facebook.com/quinnrocks