BPREVIEW: Warpaint @ O2 Institute 22.03.17

 

 

Words by Ed King

On Wednesday 22nd March, Warpaint come to the O2 Institute – with support from a band on the punkier side of the UK Rough Trade roster, Shame.

Doors open at 7pm with tickets priced at £21 (+booking fee), as presented by Crosstown Concerts. Minimum age for entry is 14 with under 16s requiring adult accompaniment. For direct gig info, including full venue details and online ticket sales, click here.

Warpaint come to the O2 Institute in Birmingham for the first date in their six date UK & Ireland tour, including a set at the BBC 6 Music Festival in Glasgow. On the road promoting their third studio album, Heads Up, Warpaint land back on British shores after six dates across mainland Europe.

And Heads Up is what’s it’s all about right now for Warpaint, with only a handful of songs from their latest LP making it onto the previous tour’s set list. As Theresa Wayman told Clash Magazine in late 2016, “right now we only have five new songs in the set, which doesn’t feel like enough”.

But Heads Up is an arguable transition for Warpaint, with a new approach to writing and recording bringing a broader spectrum of styles and tempo; the opiate haze from much of Warpaint’s back catalogue now has the odd disco biscuit bounce and white line shuffle to keep it on its toes. There’s even a Soulwax remix.

The crowds seem to be toying with a chance of pace too, as Warpaint’s last gig in Manchester received a respectable mosh pit response. “We played ‘Love Is To Die’, ‘New Song’ and ‘Disco/Very’ all in a row” continues Wayman in her interview with Clash, “and people were moshing pretty hard. But we did the same set in Edinburgh the night before and it was completely the opposite, so I don’t know what the secret is really.”

But with Jake Bercovici back at the helm, who produced Warpaint’s debut Exquisite Corpse EP, it’s not a total clean slate. And lots of Heads Up harks back to the shoegaze dream rock of releases gone by. Not that any of this matters until you see it on stage, and with Birmingham getting the first UK look at an amended set list it would be rude not to form a new opinion.

In the meantime, check out a couple of strands from the new Warpaint spectrum with the following tracks featured back to back on their Heads Up LP.

 ‘New Song’ (YouTube video) – Warpaint

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‘The Stall’ (recorded by NPR Music at the 9:30 Club, Washington D.C.) – Warpaint

Warpaint perform at the O2 Institute on Wednesday 22nd March, with support from Shame – as presented Crosstown Concerts. For direct gig info and online tickets sales, click here.

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For more on Warpaint, visit www.warpaintwarpaint.com

For more on Shame, visit www.facebook.com/shamebanduk

For more from the O2 Institute, including full event listing and online ticket sales, visit www.academymusicgroup.com/o2institutebirmingham

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For more from Rough Trade, visit www.roughtrade.com

For more from Crosstown Concerts, visit www.crosstownconcerts.com

BPREVIEW: Agnes Obel @ Town Hall 29.11.16

Agnes Obel @ Town Hall 29.11.16

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Words by Ed King

On Tuesday 29th November, Agnes Obel performs at the Birmingham Town Hall – coming to the city at the tail end of her European tour, with subsequent UK dates in Manchester (30.11) and Dublin (01.12).Birmingham Preview

Doors open at 7:30, with tickets priced at £22 – as presented by Crosstown Concerts. For direct gig info and online ticket sales, click here.

Born and raised in Copenghagen, but now in Berlin, Agnes Obel has been living and working with the piano from a young age – encouraged to explore a wide range of music, both classical and contemporary. Obel cites both Erik Satie and Jan Johansson as influences.

With music as a constant focus, the Danish musician and vocalist released her first solo album, Philarmonics, in October 2010. A stripped back and elegant LP, resting on simple piano melodies and Obel’s allegorical approach to lyrics, Philarmonics garnered much support from the record buying public and industry alike.

Agnes Obel’s sophomore album, Aventine, had a more robust, darker feel – evolving the playful melancholy of its predecessor with a richer vocal timbre and well rounded melodies. Production techniques were explored, for both vocals and keys, whilst repetition was softly citzen-of-glassembraced and accentuated. Strings were added on some songs – as with the lead single ‘The Curse’ – and a more diverse, layered album was released in September 2013.

Whist touring Aventine, Agnes Obel began work on her third album – Citizen of Glass, releasing it’s lead single, ‘Familiar’, in June 2016. The album was released in full on 21st October, with Obel’s latest LP an evolution once again – featuring an army of instruments and production techniques on the new record.

On the road a week later (and her birthday) Agnes Obel has been touring Citizen of Glass across Europe since late October – with support from Lisa Hannigan for many of the shows, appearing together for the final time at Le Colisée in Lille, France on 24th November. Agnes Obel begins a 17 date tour of North America and Canada on 28th Feb 2017.

‘Familiar’ – Agnes Obel

Agnes Obel performs at the Birmingham Town Hall on Tuesday 29th November, as presented by Crosstown Concerts. For direct gig info and online tickets sales, click here.

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For more on Agnes Obel, visit www.agnesobel.com

For more from the Town Hall and Symphony Hall, including full event listing and online ticket sales, visit www.thsh.co.uk

For more from Crosstown Concerts, visit www.crosstownconcerts.com

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