charity Archives -

January 22, 2020

BPREVIEW: Action 4 M.E. Fundraiser @ Actress & Bishop 27.01.20

Words by Ed King

Genevieve Miles will perform as part of a special line up at the Action 4 M.E. Fundraiser gig – to be held at the Actress & Bishop on Monday 27^th January. Also appearing will be Rhianna Keane, Echo Gecco, PJJ and Mr. K.

Entry to the gig is free, but with a suggested donation of £3 – or whatever you have left after the weekend (fiscally speaking). All proceeds go to the Action for M.E. national charity, which campaigns across the UK ‘to end the ignorance, injustice and neglect faced by people with M.E.’

Doors open for the Action 4 M.E. Fundraiser gig from 7pm, held upstairs at the Actress & Bishop. For more direct gig information, click here to visit the Action 4 M.E. Fundraiser Facebook event page.

In a healthy hodge podge of approach and style, this Action 4 M.E. Fundraiser gig brings an evening of live music and spoken word, embacing genres from neo-soul to indie pop. You might even find a little space disco in there… trust us, you’ll know it when you hear it.

But organised by Genevieve Miles, who’s sophomore Libra Rising EP was released in May 2019, the evening is being organised ‘to raise money and awareness’ to hep sufferers of M.E. – challenging the stigma of the debilitating disorder and helping to support the patient founded Action for M.E. charity.

Miles has suffered with M.E. since she was 14 years old, with the disorder altering the path of the formative years most of us take for granted. But through her music she was able to find both a platform of expression and the personal drive to challenge her M.E. head on, committing to performances even though ‘sometimes it was so refreshing and enjoyable, other times it was painful and really just horrible.’

In an article written for the Action for M.E. website, Miles explains: ‘I definitely feel like I missed out on a proper teenage experience. I remember in school thinking I would never get a relieved ‘Friday feeling’ again because Friday just meant a weekend of being wiped out stuck in the house before somehow dragging myself out for lessons again on the Monday.’

An often misunderstood disorder, M.E. can be hard to diagnose and as of yet has no cure – only the treatment of symptoms. But the Action 4 M.E. Fundraiser gig is hoping to help change and challenge this, as Miles continues: ‘I’ve recruited some of my favourite Birmingham artists for a gig to raise money and awareness for M.E. It feels so good to be organising this gig, it gave me a confidence to be more open about my experience of M.E. with my friends. I’ve always found it really hard to explain because there are so many different symptoms; I rarely explained to my friends how I felt, so this new confidence is freeing.’

But keen to keep music also at the core of this event, Genevieve Miles has programmed an eclectic line up from the local live music scene. Rhianna Keane will be bringing her neo-soul and R’nB vibes to the evening, whilst Echo Gecco will be wrapping their finely stitched blanket of prog, rock and jazz tinged genres around the crowd.

PJJ will be spicing things up/sleazing things down with a little bit of the aforementioned space disco, as Mr. K delivers a set of ‘genre-bending spoken word music that engages and impacts.’ And last but not least is Genevieve Miles, who will be performing her plucky-in-the-face-of-adversity indie pop.

But if our oh-so-clever descriptions aren’t grabbing you, never fear… there’s a handy Spotify playlist to help promote the show. Stop, look, and listen below:

Genevieve Miles will perform as part of the Action 4 M.E. Fundraiser at the Actress & Bishop on Monday 27^th January – alongside Rhianna Keane, Echo Gecco, PJJ, and Mr K. For direct gig info and links to online ticket sales, click here to visit the Facebook event page.

For more on Genevieve Miles, visit www.genevievemiles.com

For more from Action for M.E., visit www.actionforme.org.uk

For more on the Actress & Bishop, including venue details and further event listings, visit www.theactressandbishop.co.uk

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual aggression in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

August 30, 2018August 30, 2018

BREVIEW: Project Soundlounge @ Town Hall 18.08.18

Words by Cariss Auburn & Ed King / Pics by Callum Lees

On Saturday 18^th August, Project Soundlounge returned to Birmingham’s Town Hall for its 6^th annual event. With entry free all night, a line up including Jerry Williams, Lady Sanity, Population:7, Riscas, FABRIK, and Cariss Auburn took to the Town Hall stage from 5pm.

Showcasing some of The Midlands’ brightest bands and musical stars in the making, Project Soundlounge is a one day festival organised by a collective of 16 to 25 year olds – giving young people a chance to promote a live music event in one of the most prestigious venues in the city. Seriously, this is quite an incredible opportunity for our region’s fledgling creatives. When I started out I had Slipmatt in The Dance Factory…

Although, giving young promoters such a large venue to play with – albeit a beautiful cavern – may not be the most confidence inspiring first foray into the world of selling tickets. Even if they’re for free.Promoting live music is hard, promoting it in Birmingham is even harder, and getting over 1,000 people to give up their Saturday is no mean feat. Ask Live Nation. Or whoever promoted the last Ani DiFranco gig within these walls.

But Project Soundlounge presents a good local line up. Not box ticking-public funding good either, but actually good. As in, I’d-pay-money-to-see-that kind of good. As in, i’d give up my Saturady. So here, with the programme, Project Soundlounge is not a hollow gesture – or even worse, a patronising pat on the back for people who need something to stick on a CV. It’s a confident first step – one that would have a decent crack at a lower end three digit capacity. And whilst other initiatives are out there purporting the same ‘opportunity for young people’, I’ve seldom see any that come this close to such a firm foot forward for both the people playing on stage and those that put them there.

But, as I can hear tired yawns from too much sycophantic copy floating in (a noise I’d probably be making if I wasn’t the one writing it) who better to tell you what’s what than someone at the centre of it all.

Carris Auburn is a Wolverhampton based ‘singer-songwriter and self-taught producer’, whose debut Unphased EP is worth some serious attention – gathering accolades from Glastonbury’s emerging talent hawks to longstanding soul legend Alexander O’Neal.

Auburn has also been compiling a series of cover songs in and around Wolverhampton, with the last one filmed Wightwick Manor to celebrate the ‘100 years after the first set of women gained the right to vote in the UK’ – a project that fell a little outside of our editorial postcode, but check out what the Express & Star had to say about it by clicking here.

Closer to (our) home, Carris Auburn recently played a headline set at The Kitchen Garden Café in Kings Heath – a gig we sadly missed due to too much diary juggling, but one we kicked ourselves repeatedly for not making. So to throw some well deserved column inches her way, and save us some thinly spread Saturday, we asked her to write a ‘diary entry about her experience playing’ at Project Soundlounge, giving us ‘an honest account of the night, on stage and off’.

And to her credit, she agreed:

08:59 / It’s the day of Project Soundlounge! A festival held at Birmingham’s Town Hall organised entirely by 16-25 year olds. This year it’s all in aid of national charity Crisis and their campaign to end homelessness and I’m starting the day in panic mode because I’ve woken up an hour late.

11:00 / We’re somehow arriving at the Town Hall way before our load in time of 11:40am and it’s a good thing because I’ve managed to drive straight past the entrance.

11:15 / Take two and we’re in, being greeted by Lydia, our go to person for the day.

12:00 / Soundcheck – the venue looks as impressive as ever with screens reminding everyone to donate. It’s a bit slow getting everything set up but we manage to get a song in. I tell the band about the cover of ‘I Say A Little Prayer’ I decided to learn last night as a tribute to Aretha Franklin. They agree to join in like the masters of improv they are.

12:25 / I spot Lady Sanity in the kitchenette area backstage waiting to soundcheck. There’s only time for a quick hello before I head back to Wolves for a couple hours.

17:15 / I’m back at the Town Hall and the comedy of errors continues as we realise the track for my final song ‘Oil on Water’ is missing. Someone pops up asking me for a bio but I never see her again. The debate of what to do continues down to the wire but a shift around in the order of the set solves the issue.

17:45 / Showtime! We’re up on stage to kick off the night after being introduced by a slightly nervous announcer. It’s not the easiest at first with a small audience in a vast hall but everyone warms up and and has fun on the stage, the performance whizzing by. The Aretha Franklin tribute goes smoothly and I don’t even notice the lack of backing for ‘Oil on Water.’

18:40 / By the time everyone is packed up and we’ve thanked Lydia, I’ve missed most of Population:7’s performance. I catch the end after chatting to a couple members of the audience. The seven piece are a mix of rappers and singers with an incredible drummer, soulful harmonies and masses of charisma.

19:00 / Next up are synth grunge outfit FABRIK who the announcer hilariously introduces as Population:7 by accident. Such a powerful vocal from the lead singer. One avid fan is dancing alone and the resident videographer is straight in with the 360º shots.

20:40 – After a fun set of covers from Crisis worker Jeremiah it’s four piece indie band Riscas. Frontman, George Maycock, comments on the surreal nature of playing the Town Hall – relatable. They’re instantaneously sweating and it’s an energetic performance of catchy songs that wouldn’t be out of place at Glastonbury.

21:30 / The penultimate act is Birmingham rapper Lady Sanity and she comes out swinging, the relentless delivery of her lyrics a stark contrast to the chilled old school hip hop beat as she raps about striving for better days. Dubbed “energy crew,” a small group of people at the front of the hall shout her lyrics back at her.

22:15 / Jerry Williams and her band are on and not to be dramatic but she is wearing the greatest trousers I have ever seen. The high octane set is a journey of beachy rock songs and post-punk. We’re given some beautiful stripped back pieces – one solo song is an ode to an alcoholic’s promise to go sober if she wrote a song about him. A slick cover of Jamie T’s ‘If You Got the Money’ has a lot more people up on their feet and it’s a great end to the night.

22:35 / At this point the audience is largely made up of the organisers. I had thought it was a shame to see the event so sparsely attended and I encourage people that may read this now to donate what they can to Crisis. However, sat watching on my own, I felt the emptiness of the surrounding grandeur create this defiant pocket of live music energy and it was something I was truly proud to be a part of.

23:05 / I grab my things and walk out to my car, being reminded that it’s Saturday night by a passing hen do. I hope Project Soundlounge goes from strength to strength over the coming years, for the charities it helps and the young people it motivates.

Jerry Williams – Project Soundlounge @ Town Hall 18.08.17 / Callum Lees

For more on Jerry Williams, visit www.facebook.com/Jerrywilliamsmusic

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Lady Sanity – Project Soundlounge @ Town Hall 18.08.17 / Callum Lees

For more on Lady Sanity, visit www.ladysanity.com

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Riscas – Project Soundlounge @ Town Hall 18.08.17 / Callum Lees

For more on Riscas, visit www.riscasofficial.com

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Jeremiah (from Crisis) – Project Soundlounge @ Town Hall 18.08.17 / Callum Lees

For more on Crisis, visit www.riscasofficial.com

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FABRIK – Project Soundlounge @ Town Hall 18.08.17 / Callum Lees

For more on FABRIK, visit www.fabriktheband.co.uk

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Population:7 – Project Soundlounge @ Town Hall 18.08.18 / Callum Lees

For more on Population:7, visit www.population7.com

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Carris Auburn – Project Soundlounge @ Town Hall 18.08.17 / Callum Lees

For more on Carris Auburn, visit www.carissauburnmusic.com

To know more about Crisis, with links for online donations to the charity, visit www.crisis.org.uk

For more on Project Soundlounge, visit www.facebook.com/ProjectSoundLounge

For more on the Town Hall and Symphony Hall, including venue details and further event listings, visit www.thsh.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

March 23, 2018March 23, 2018

BREVIEW: Evita @ Birmingham Hippodrome until 24.03.18

Words by Eleanor Sutcliffe / Production shots by Pamela Raith

I adore Birmingham Hippodrome. Granted, I’m not the most well-versed theatre critic, however there is something rather decadent about settling yourselves into the plush red seats ready to absorb an hour or three of theatrical roguery.

Hurling ourselves into the world of 1940s Argentinean politics, it is the opening night for Evita – the long running musical written by Tim Rice and Andrew Lloyd Webber, that focuses on the life and untimely death of Argentinean political and social icon Eva Perón.

Church pillars and weeping mourners set the scene as Eva Perón’s casket is brought onto the stage. It is during this opening sequence that we meet the three key performers for the evening. Che, played by Gian Marco Schiaretti, is our narrator; sporting a black flat cap, he ponders the true motives behind Evita’s charity and her rise from poverty to political aristocracy. Next is her husband, Juan Perón, who is brought to life with military precision by Jeremy Secomb.

And finally, silhouetted against a portrait donning the church walls, is Evita herself. Madalena Alberto has had plenty of practice in this role since her critically acclaimed performance in the West End revival of Evita back in 2014, and it hasn’t gone unnoticed. As the lead role, Alberto is simply captivating throughout the entire production – from the sprightly 15 year old who runs away with tango singer Agustín Magaldi to Buenos Aires, to the blonde, sophisticated flame of Juan Perón, her impeccable acting skills pay tribute to the late First Lady with class and demeanour I could only wish to have.

The first half shows Evita’s lust for power, as she slowly makes her way to the top of the social ladder in Buenos Aires. At a time where sexual promiscuity was considered sinful and wretched, watching Evita manipulate various lovers to obtain social power was truly entertaining, especially when coupled with the song ‘Goodnight and Thank You’.

This rise to stardom results in her colliding with Juan Perón at a charity concert, and after seducing him with the promise of becoming an asset to his career they soon become an item. The stage glides to and fro as balconies are pushed forwards and backwards for different scenes, from the staging of a military coup using musical chairs during ‘The Art of the Possible’ to the energetic choreography of ‘Eva, Beware of the City’, the cast make use of every inch of the Hippodrome stage with minimal props.

Following an interval (and a glass or two of wine) we returned to the reveal of Juan Perón’s successful election as Prime Minister, with Evita delivering a powerful speech as the First Lady bedecked in a glittering white ball gown. The second half passes in the blink of an eye, as we witness Evita embark on her renowned ‘Rainbow Tour’ of Europe without her husband, and her resulting ill health. Despite this, she seemingly perseveres with her saintly actions, setting up a charity and literally showering her supporters with money.

This is where Che truly comes into form – stripping back the glamour that Evita covers herself with, he reveals a woman spurned by political aristocracy who has carefully moulded the Argentinean people into supporters for her husband. Sombre and lonely, he narrates Evita’s life as she tirelessly works to prove herself as a saint not only to Juan Perón and her critics, but to the people of the world. The scenes surrounding her demise and following death are truly heart wrenching – the performances given by both Secomb and Alberto are harrowingly beautiful as Evita laments for the life she could have lived, had she not pursued fame and glory.

True, the production is somewhat lacking in what my mother would describe as ‘fancy stuff’. But that is the beauty of a theatrical piece such as Evita – it simply is not needed. Props and lights could never replace what this cast deliver, which is a highly emotionally performance guaranteed to resonate, to some extent at least, with anyone who is lucky enough to see it.

Evita runs at the Birmingham Hippodrome until Saturday 24^th March. For direct show information, including a full breakdown of dates, times and online ticket purchasing, visit www.birminghamhippodrome.com/calendar/evita

For more on the Birmingham Hippodrome, including venue details and further event listings, visit www.birminghamhippodrome.com

March 16, 2018March 16, 2018

BPREVIEW: Evita @ Birmingham Hippodrome 20-24.03.18

Words by Ed King / Production shots by Pamela Raith

Evita runs at the Hippodrome from Tuesday 20^th to Saturday 24^th March – as produced by Bill Kenwright, with special arrangement from The Really Useful Group.

Tim Rice and Andrew Lloyd Webber’s long established musical comes to Birmingham following ‘smash hit runs’ in London and beyond. Evening performances will be held at 7:30pm every night from Tues 20^th to Sat 24^th. Matinee performances will be held at 2pm on Weds 21^st and Thurs 22^nd, with a further matinee scheduled at 2:30pm on Sat 24^th.

Reflecting the Hippodrome’s wider programme, provisions have been made of those who are hearing or sight impaired at the following Evita performances: Weds 21^st at 7:30pm (captioned), Thurs 22^nd at 7:30pm (BSL interpreted), Sat 24^th at 2:30pm (audio described).

Tickets are priced at £15-49, depending o the date/time of performance and positioning within the theatre. For direct show information, including a full breakdown of dates, times and online ticket purchasing, click here.

One of the century’s most recognised female public and political figures, Eva María Duarte de Perón climbed her way from a socially and fiscally forgotten childhood to become the First Lady of Argentina.

On the way up the ladder, she was also a revered actress, model and radio star – eventually becoming co-owner Argentina’s most prominent broadcaster, Radio El Mundo. And if cancer hadn’t taken Eva Perón at the young age of 33, she may well have become Vice President of Argentina – sitting in office alongside her husband and el predidente, Juan Perón.

Wildly popular with the working classes of Argentina, Eva Perón became to stand as a beacon of hope for the proletariat – having risen up the ranks herself, yet still mistrusted by the country’s political elite and social bourgeoisie. Many argue that it was Eva Perón, standing beside her husband at many a rally and public appearance, that cemented the political progress of Juan Perón from Minister to President.

But many also argue to the contrary, claiming the often contradictory administration – that would spawn the continuously contradictory political movement known as Perónism – was a merely a disguised dictatorship that only played ‘the people card’ for political gain and even personal glory. It is this dichotomy that Rice and Webber brought to the stage with their musical Evita, when they turned their rock opera album into a West End production in 1978. Forty years later and Evita is still touring the world, with its name sake still considered a ‘Spiritual Leader of the Nation’ after being officially awarded the title in 1952.

This current production of Evita sees Madalena Alberto return to the title role, after playing Eva Perón in the 2004 West End revival. The role of Che, who acts as the story’s narrator and filters into many supporting and ancillary roles, will be played by Gian Marco Schiaretti.

Evita @ Birmingham Hippodrome 20-24.03.18 (featured cast members may vary)

Evita runs at the Birmingham Hippodrome from Tuesday 20^th to Saturday 24^th March. For direct show information, including a full breakdown of dates, times and online ticket purchasing, visit www.birminghamhippodrome.com/calendar/evita

For more on the Birmingham Hippodrome, including venue details and further event listings, visit www.birminghamhippodrome.com

November 22, 2017November 22, 2017

INTERVIEW: Lydia Brookes – Singing for Supper @ The Castle & Falcon 24.11.17

Words by Ed King / Pics courtesy of Lush Birmingham

On Friday 24^th November, The Castle and Falcon in Balsall Heath will be hosting Singing for Supper, a live gig with a somewhat stellar line up – You Dirty Blue, Sofa King, Alfresco Love Sounds, The Chalet Lines will all be performing for only a £5.50 door charge. For online ticket sales, click here.

With each act worth the ticket price to just see them on stage, you’ve got three. Not a bad way to spend your money on Black Friday.

But it gets better. Singing for Supper has been organised by the Lush Birmingham soap store to raise money for The Night Shelter – a Coventry based “safe place” that “provides aid to refugees, asylum seekers and refused asylum seekers – people with no recourse to public funds, which means they’re not entitled to any benefits or any help.”

Birmingham Review caught up with Lydia Brookes, one of the Singing for Supper promoters and a ‘Lush Ambassador’, to ask what made them foray into the world of music promotions on arguably the busiest retail day of the year.

“Homelessness is a huge problem,” explains Brookes, “we see ‘rooflessness’ every single day. It’s an issue close to our hearts at Lush and we wanted to work with this charity (The Night Shelter) because they’re part of such an important community resource”. The Night Shelter is one of the services of support available at the Coventry Peace House, a collection of renovated terrace houses that work on a portfolio of charitable endevours – including projects “to make the area more environmentally friendly, to give people safe spaces and places to learn,” tells Brookes. “We care a lot about this organisation because it’s so small but it’s doing so much. It’s quite unique and we really got behind their ethos”.

But this event is looking at a broader problem than just homelessness, which in itself is a growing killer on the bitter cold streets of the UK. Lush Rocks, a name born from the retailers move into charitable music promotions, hopes their Singing for Supper gig on Friday 24^th November will help raise both “money and public awareness” for the plight of those lost in the UK’s immigration cracks, whilst encouraging “people to think about the choices they’re make in and help in any way they can”.

“People sometimes don’t realise that asylum seekers aren’t allowed to work, or claim benefits, until their case has been heard,” explains Brookes, “so refused asylum seekers essentially have no options. Only if they’re in an absolute destitution can they apply for funds and even then it’s not guaranteed. The Night Shelter gives the people a warm place to sleep, it gives them beds, its gives people access to showers and hot meals.”

And what about the school of thought that is more anti-immigration to begin with? This is a prevalent issue in the UK, but one that can receive more divided and divisive attention than just straightforward compassion. “We respect everyone’s views,” tells Brookes, “but it’s worth remembering that a good deal of asylum seeker cases that are initially refused then get granted on appeal – and these are cases that should have been granted in the first place, with the administrations going back to them saying ‘you do have a viable claim and this should have been previously granted.’ Whatever your views are on asylum seekers and destitute refugees, we need to treat them as human beings. We have to view people as people, first and foremost.”

But charitable endevours aside, Singing for Supper is a gig simply well worth the door charge – especially with You Dirty Blue on the bill, a Tamworth alt-rock two piece who recently supported Wolf Alice on the first day of their UK tour and are pegged for big and bright things in 2018.

“We’re really excited,” explains Brookes, “especially about The Chalet Lines as it’s the solo act from one of the Lush Birmingham staff (Joseph Parker). Sofa King have a really funky vibe to them and we also got Alfresco Love Sounds. Then there’s You Dirty Blue who won’t be playing in small venues for long… this will be a good chance to see them in an ‘intimate’ setting.”

With all the acts “doing it voluntarily”, Singing for Supper at The Castle and Falcon on Friday 24^th November should be able to raise a decent chunk of change for The Night Shelter – a support service that is especially pertinent at this time of year.

And if you are fighting your way to bargain blissteria this Friday, Lush Birmingham are also asking for donations of “non-perishable food items with a high energy content, things like jam and sugar. Also simple toiletries, so toothpaste, tooth brushes, toilet roll. And blankets. Just think ‘if I had to get buy on very few things, what would I need’”.

It’s almost as if this time of year isn’t just about shopping for yourself…

Singing for Supper comes to The Castle & Falcon on Friday 24^th November, with You Dirty Blue, Sofa Kings, Alfresco Love Sounds and The Chalet Lines performing – as presented by Lush Rocks (from the Ambassadors Team at Lush Birmingham).

All money raised from the gig will go to support The Night Shelter at the Coventry Peace House – a shelter for refugees, asylum seekers and people who have ‘no recourse to public funds’. For online gig ticket sales, click here.

For more on The Night Shelter, visit www.naccom.org.uk/members/peace-house-night-shelter/

For more on Coventry Peace House, visit www.coventrypeacehouse.wixsite.com/coventry-peace-house

For more from The Castle & Falcon, including venue details and online ticket sales, visit www.castleandfalcon.com

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Lush Birmingham are also looking for donations of non-perishable food items, toiletries and FMCGs such as sugar, breakfast cereal, rice, jam, toothbrushes, toothpaste, cooking oil, instant coffee, toilet roll, or washing powder.

If you can’t attend the Lush Rock Singing for Supper event at The Castle & Falcon on Friday 24^th Nov, donations can be sent to the Lush Ambassadors Team at: Lush Birmingham, 23 New St, Birmingham B2 4RQ

To find out more about Lush Birmingham, visit www.uk.lush.com/shop/birmingham

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To learn more about the problems faced by asylum seekers coming to the UK and people who are ‘No Recourse to Public Funds’, please visit the following website for the Birmingham based Asylum Support and Immigration Resource Team (ASIRT) www.asirt.org.uk