Birmingham Archives - Page 3 of 25 -

December 30, 2019

BREVIEW: The Gilded Merkin Burlesque & Cabaret @ The Glee Club (B’ham) 20.10.19

Words & illustrations by Emily Doyle

The nights are drawing in and the mornings are getting darker. But that does mean The Gilded Merkin is back for its biannual slot at the Glee Club… so it’s not all bad.

Compering tonight is Virgin Xtravaganza, a London based drag performer and comedian who’s appeared everywhere from Torture Garden to Radio 4.

Cutting an imposing silhouette in skintight blue velvet, Xtravaganza’s character is that of a shrill, sexually frustrated mother of Christ. Between joyously blasphemous musical numbers she finds the time to be genuinely warm in introducing the acts, alongside great chemistry with stage manager Mimi Libertine.

Scarlett Daggers is first to perform. The curator of The Gilded Merkin always has some impressive performances up her sleeve, and tonight is no exception.

Daggers totters onstage to ‘Monster Mash’, her body covered in balloons resembling eyeballs, and, grinning, pops them one by one in an up-tempo strip. She’s treading the line between goofy and sexy with the expertise of a seasoned performer. Later in the evening the audience see her more sultry side with a performance of her tried and tested ‘Cobra Woman’ act.

Up and coming neo-burlesque artist Cleopantha struts through the audience in her first appearance as a lounge version of ‘Crazy in Love’ fades in over the PA. Her steamy fan dance and floor work to this number leaves a trail of crimson ostrich feathers behind for Xtravaganza to pick up. Cleopantha turns up the heat with her second performance, a vivacious striptease to Cardi B’s ‘Money’ in homage to animated sex symbol Jessica Rabbit.

It’s not all G-strings and nipple tassels tonight, though. ‘The Tom Show’, aka Tom Balmont is on hand to provide some comic relief in the form of traditional sideshow acts – although it wouldn’t be unfair to say that Balmont leans on his good looks just as much as anyone else on the bill tonight.

He dislocates his shoulder to squeeze through a tennis racket a la record breaking Norwegian contortionist Captain Frodo. The sight of his limp, flailing arm as he jiggles the frame down over his shoulders elicits squeals from the crowd, who’ve been uncharacteristically reserved this evening.

Balmont also invites one hesitant audience member up on stage to check the integrity of a sword which he proceeds to swallow, before inviting the squeamish participant to pull it back out of his esophagus by the handle.

Providing some of the evening’s more traditional burlesque is international performer and, “professional whirlwind” Havana Hurricane. A carefully paced routine to Doc Severinsen’s ‘Stardust’ feels timeless in its opulence, as Hurricane peels of layers of mint green chiffon and feathers.

Her second number is more animated, as she twirls her way out of yellow and pink boas like a seductive fruit salad sweet until she’s left statuesque in a thong and diamante pasties. Well, one pastie to be exact – both of Hurricane’s performances see her right nipple exposed in a wardrobe malfunction that could almost have been planned, leaving her to coquettishly cover herself with one hand as she takes a bow. Xtravangza delights in shouting “free the nipple!” as she leaves the stage.

The highlight of this edition of The Gilded Merkin comes from Deux Ailes. This wife-and-wife acrobalance duo treat the crowd to two routines of dance and hand balance feats, including a smouldering tango to José Feliciano’s version of ‘Roxanne’ from Moulin Rouge. Clad in matching red lace bodysuits and heels, the pair weave together lifts and balances in an electric performance.

Once again, Scarlett Daggers and co have put together a show that’s equal parts entertaining and alluring. From contortion to musical numbers to good old fashioned nudity, tonight delivered all the bang for your buck that we’ve come to expect from The Gilded Merkin.

For more on The Gilded Merkin, visit www.gildedmerkin.co.uk

For more from The Glee Club venues, including full event listings and online ticket sales, visit www.glee.co.uk

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any of the issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

December 23, 2019

BPREVIEW: Snow White and the Seven Dwarfs @ running until 02.02.20

Words by Ed King / Pics by Simon Hadley

Running until 2^nd February 2020, the classic fairy tale and beloved pantomime Snow White and the Seven Dwarfs will be on stage at the Birmingham Hippodrome.

Family friendly, for adults and children above the age of 3 years old, tickets to Snow White and the Seven Dwarfs are start from £17 – with prices dependent on the day/time of performance and seating position within the Hippodrome theatre. Click here for more direct information – including a full performance schedule, theatre seating plan, and ticket links for online bookings.

**Many performances have already sold out, so get in touch with the Hippodrome quick smart and see what you can snap up before February**

Some things are as perennial as the grass. Like love. Apparently. And the grass. But coming in a close third could be the wintertime obsession with old trope gags, star crossed lovers and garish cross dressing – I am referring, of course, to the Hippodrome’s annual pantomime. Although, whilst you’re on Hurst Street…

Back ‘at the helm’ of this year’s panto, which is the tried and tested Snow White and the Seven Dwarfs, is Michael Harrison – herr direktor of the Hippodrome’s Christmas show for the last decade and managing director of Qdos Entertainments, the ‘world’s biggest pantomime producer’ and operator of twelve theatres across the UK. So, you know, you’re in pretty good hands backstage.

Onstage, the cast are cherry picked familiar faces from stage and screen – with Lesley Joseph leading the charge, reprising her role as The Wicked Queen.

Eastenders super cop and ‘Hippodrome panto favourite’ Matt Slack is cast as Muddles – whilst the happy couple (eventually… spoiler alert) are played by Faye Brookes, Coronation Street’s Kate Connor when she’s not picking bad apples, and the ‘break-out star’ of Joseph and the Amazing Technicolor Dreamcoat, Jac Yarrow, playing The Prince.

Other cast members include X Factor winner Joe McElderry as The Spirit of The Mirror, Britain’s Got Talent finalists Flawless, self-unemployed Queen of the Black Country Doreen Tipton, and longstanding/suffering/celebrated panto dame Andrew Ryan.

The titular supporting cast, referred to in the show’s blurb as The Magnificent Seven, are played by Josh Bennett, George Coppen, Simeon Dyer, Craig Garner, Lee Hill, Jamie John and Blake Lisle.

Snow White and the Seven Dwarfs / Official trailer

Snow White and the Seven Dwarfs runs at the Birmingham Hippodrome until 2^nd February 2020. For more information, including a full production schedule and links to online tickets sales, visit www.birminghamhippodrome.com/calendar/snow-white-the-seven-dwarfs

For more on the Birmingham Hippodrome, including venue details and further event listings, visit www.birminghamhippodrome.com

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

December 20, 2019

BPREVIEW: Peter Pan @ Birmingham REP – running until 19.01.20

Words by Ed King / Pics by Johan Persson

Running throughout Christmas and up to 19^th January 2020, a new production of Peter Pan comes to the Birmingham Repertory Theatre – offering a “brand new re-imagined version” of the J.M Barrie classic, one that has been adapted “specifically for Birmingham audiences.”

A production that is accessible for both children (aged 7 plus) and adults, and those that sit resolute between the two, tickets for Peter Pan range from £15 – £39.50 – depending on date/time of the show and seating position within the theatre.

For more direct information, including the full production schedule and links to online ticket sales, visit www.birmingham-rep.co.uk/whats-on/peter-pan

**Peter Pan will be presenting a relaxed matinee performance on Sunday 5^th January 2020, at 2:15pm – with a special evening show interpreted by British sign language on Tuesday 7^th January 2020, at 7:15pm. Click here for more details.**

There is the old adage, ‘if it ain’t broke don’t fix it’. And Peter Pan is a classic. But Liam Steel and Georgia Christou are unperturbed, taking the J.M. Barrie fairy tale from the tight lipped turn of the century and dragging it into modernity – replacing London’s ‘seen and not heard’ cast of children with the yute and yoofs of millennial Birmingham. The characters have been shaken up, gender bent, and the coy copy on the show’s press release promises ‘surprise twists in the casting.’ That and a man eating crocodile, so I guess some things are still status quo in Neverland.

But there are some pretty strong credentials at the helm of ‘Peter Pan in Birmingham’ (say it out loud), with Georgia Christou’s debut play, Yous Two, being shortlisted for a Verity Bargate Award in 2015 – paving the way for a solid portfolio on both stage and screen.

Her co-adapter and Peter Pan director, Liam Steel, also has a pretty gleaming CV across musical theatre and film – riding the success from his adaptation of The Wizard of Oz, which ran with aplomb at the Birmingham REP this time last year. Well, The Guardian called it a ‘thrilling Oz of racial diversity, gender reversal and voguing androgyny… more current – and vibrant – than the MGM musical.’ Sorry Judy.

“All the beloved characters will be there,” explains Liam Steel – talking about his and Christou’s adaptation, “but we have transposed it from London 1904 to Birmingham 2019 and made the characters much more relatable and relevant for a modern day audience. For children encountering the story for the first time, I want them to feel this was how the characters were originally written, and for those who know the story well, then I want them to experience it with the joy of re-discovery, as though they are hearing it for the very first time all over again.

With spectacular flying, incredible sets on a huge scale, ingenious puppetry, out of this world costumes and of course a giant man eating crocodile, audiences can expect to see one of the most visually spectacular Christmas shows ever to grace The REP’s stage.”

Danke schön, Herr Direktor. But there’s another old adage: ‘the first bite is with the eye’. So, here’s a sneaky peak of Steel and Christou’s Peter Pan (…in Birmingham) – courtesy of Costume Designer, Laura Jane Stanfield.

Peter Pan runs at the Birmingham REP until 19^th January 2020 – adapted by Liam Steel and Georgia Christou. For direct show information, including a full production schedule and links to online ticket sales, visit www.birmingham-rep.co.uk/whats-on/peter-pan

For more on the Birmingham REP, including venue details and further listings, visit www.birmingham-rep.co.uk

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

November 29, 2019

SINGLE: ‘How Much Do You Want It?’ – T8PES (feat Mike 110) 29.11.19

Words by Matthew Robinson / Photo by Matt Wilson Photography

It’s a wet, dreary morning in late November. I could have been on my way back from Amsterdam, however I had to turn the trip down to stay at home and let some builders start work on the house. DAMN YOU SPONTANEOUS GETAWAYS. I need something to ease my head, and in his latest single Birmingham artist T8PES asks the question ‘How Much Do You Want It?’ So, I’ll guess I’ll find out.

The first bar whisks me from my dark, rain-battered Stratford living room and plonks me straight into the lights and madness of an Ibiza rave pool party. It’s warming and contagious. I find that typically in most cases of ‘crossover hip hop’, lyrics are all too often forgotten. It seems the art of lyricism is getting harder to find in hip hop enthused genres – however this song simply takes that allegation and throws it with a ‘boom bap’ straight back into my face. The lyric, “as I channel the spirit of John Lennon at the Caver,” just warms me. These are clearly students of the game; T8PES and Mike 110 love music, and it’s easy to hear in this single.

The beat continues to fuel the song as I find myself skanking just listening to it. After the first hook I force myself to pause the track so I can go and get my speaker, to play this louder. I think perhaps more emphasis could be placed on the hook of the piece from a production point of view, as the volume is fairly one dimensional (taking into account that is typical of rave music), but it feels T8PES has more than enough ability to adapt this song into his own fusion genre of rave and hip hop. It’s clear that homage is being paid to old school rave culture and the breakdown of the piece shows T8PES donning his cap to perhaps my favourite element of classic hip hop… disk scratching. The scratching perfectly delivers the samples used into the track and it sounds effortless.

‘Howe Much Do You Want It?’ is a track with so much inspiration, it’s almost like looking through a photo album, picking out your favourites, and creating a collage of memories (or in this case a symphony of sounds). It’s a stamp on hip hop culture saying classic still exists, and that’s a beautiful thing.

‘How Much Do You Want It?’ – T8PES (feat Mike 110)

‘How Much Do You Want It?’ by T8PES is out on general release from Friday 29^th November. For more on T8PES, visit www.t8pes.com

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

November 6, 2019November 5, 2019

BREVIEW: Reginald D. Hunter – Just the Tonic Comedy Club @ Rosies Nightclub 01.11.19

Words by Charlotte Heap / Pic courtesy of Just the Tonic Comedy Club

Reginald D. Hunter headlined Just the Tonic Comedy Club special on Friday 1st November at Rosies Nightclub on Broad Street, with support acts Simon Wozniak and Darius Davies – ably compared by regular host, Thomas Green.

Just the Tonic Comedy Club was founded in 1994 and has been running at venues across the UK ever since. Firstly, I must grumble. Doors closed for the show at 7.15pm, for an 8 o’clock start: arriving after work, this reviewer was hungry. I was surprised that only Chicago Town pizzas were on offer which were pretty pricey considering they are essentially frozen pizzas (and no crisps! – criminal). It’s a generous line-up too, meaning the show lasted nearly three hours: I soon decided to splash out on a pizza and was a little cranky to discover they’d sold out. The place was busy but not packed: this peckish punter would have appreciated better preparedness from the Friday night organisers. The scarcity of sustenance, however, did mean the lubricated audience lent a lively spirit to the show.

Rosies Nightclub is an intimate venue, a real old school comedy club with long tables (imagine the darts but much more ‘date night’) and large leather booths. Every seat has a good view and they even set out a free front row for the fearless or foolish, a foot from the stage: a chance we leapt at (I’d had four gins in quick succession on an empty stomach). Thomas Green (an acerbic, bearded Aussie who, like most Australians, makes liberal use of the C-bomb) worked the crowd well and deftly dealt with drunken hecklers. His quick banter built an audience bond which the acts bounced off. Spooky Halloween spiderwebs (and skulls which initially blocked the stage lights) stuck to each act and it was great to see how they each improvised to capitalise on the physical comedy.

As to the acts: Darius Davies (an Anglo-Iranian from London) was a decent warm up, funny if a little predictable (to be fair, I was ‘hangry’ at this point and he made the typical ‘Birmingham is shit’ joke, which nearly pushed me over the edge). Simon Wozniak’s set was better, slick self-deprecation delivered dripping in snark, which had the audience roaring. By the time Reginald D. Hunter arrived, his familiar large frame dominating the small stage as his grey dreads caught up in the cobwebs, the crowd was pleasantly pissed and well warmed up.

An American who has made the UK his home for the last two decades, Hunter is by far one of the most familiar faces on the comedy circuit in the UK today. Known for his acerbic wit delivered in honey tones: I’m most familiar with his tackling of subjects like race and sexuality on TV in his smooth South Georgia drawl.

Having enjoyed that comedy rarity of both critical and commercial success, his stand-up has become almost secondary to his television career, although he does tour regularly. His shortish set (around half an hour) seemed somewhat patched together from a longer show; he touched on race (the N-word), politics (the B-word) but then swung to love/sex/relationships jokes. Hunter is a seasoned pro: being given a glimpse into his personal life humanised him, but with richness in the political landscape right now it would have been great to see him riff more on the ridiculousness of both his adopted and home nation’s hubris. This is a niggle, however, Hunter was entertaining, showing a different string to his bow and we spilled out onto Broad Street happy, if very hungry.

Just the Tonic Comedy Club gives Brummies the chance to see comedy in a cosy setting: three quality acts and a compere for fifteen quid is a bargain night of entertainment in the centre of Broad Street. Be prepared, however: pack some snacks.

For more on Reginal D. Hunter, visit www.reginalddhunter.co.uk

For more from Just the Tonic Comedy Club (Birmingham), including further event listings and online ticket sales, visit www.justthetonic.com/birmingham-comedy

For more on Rosies Nightclub (Birmingham), including venue details and further event listings, visit www.rosiesclubs.co.uk/birmingham

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NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.