BPREVIEW: Hans Zimmer @ Barclaycard Arena 12.04.16

Words by Olly MacNamee

On Tuesday 12 April, Hans Zimmer performs at the Barclaycard Arena in Birmingham – as promoted by Harvey Goldsmith. At the time of writing tickets for this event have sold out, but for direct information from The Ticket Factory, click here.Main with web colour bcg - lr

There’s no doubting Hans Zimmer’s credentials as one of Hollywood’s major composers, with a career spanning over 150 films including The Lion King (for which he won an Oscar in 1994), Ridley Scott’s Gladiator and the recently released Batman Vs Superman: Dawn of Justice. To the modern movie-goer he’s arguably best known for his work scoring the films of Christopher Nolan, including Inception, The Dark Knight Trilogy and Interstellar.

Having spent his childhood fixated on music, Zimmer played keyboard with a number of bands in the ‘70s, including Trevor Horn’s The Buggles, even making a brief appearance in the video of The Buggles’ 1979 hit ‘Video Killed the Radio Star’. Zimmer worked his way across Europe as a jobbing musician, before eventually washing up in Hollywood. Hell, he’s even worked with The Damned.

Even in childhood, with his father an engineer, the Frankfurt born Zimmer would experiment with music and musical instruments, fixing odds and ends onto his piano to achieve a different, experimental sound. His noodling with electronic music still continues to this day and it will certainly be interesting to see how this translates on stage when Zimmer, along with his 70+ travelling minstrels, comes to Birmingham with over four decades of back catalogue to borrow from.

ttf LOGO WEBCOLOURSPerforming with the likes of Lebo M (from the aforementioned Lion King), Mike Einziger from Incubus, as well as a possible appearance Johnny Marr (whom Zimmer has previously worked with on Inception and The Amazing Spider-man 2) it would seem that those fortunate enough to be going will be witness to a rather eclectic, diverse set.

Given that this is one of few UK dates on Zimmer’s first ever tour, many have already grabbed the opportunity to catch one of Hollywood’s most renowned contemporary composers – with the concert selling out.

But to keep track of updates & info direct from The Ticket Factory, Barclaycard Arena’s official online outlet, click here.

For more on Hans Zimmer, visit http://www.hans-zimmer.com/

For more from the Barclaycard Arena, visit http://www.barclaycardarena.co.uk/

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OPINION: Full Moon in Libra 23.03.16 ‘Illuminate your true self’

Full Moon in Libra 23.03.16

Words by Joëlle O’Toole

The sign of Libra is ruled by Venus; the charm, charisma and beauty bestowed on those with prominent Libra chart placements are discernible, notable and characteristically Venusian. To me, Libra is Venus ruled – although some disagree with this. Aries is unquestionably ruled by Mars.

This is the only axis in the chart which embodies the polarity of Venus Vs Mars, female archetype Vs male archetype, giving Vs receiving, yin Vs yang. This is the axis of smoothing the waters Vs expressing the true self, and this is the message of this Full Moon. What is more important to you, how you appear to others (Libra) or how you actually wish to express yourself (Mars)?

The Sun is now traversing through Aries, announcing loudly that the spring has sprung and the Moon becomes full when perfectly opposite to the Sun, in this case at 4ºLibra. On this occasion, however, there is a partial lunar eclipse at the same time. The beautification which the Full Moon in Libra wishes to sing out to the world is obfuscated by the shadow of the earth. Expression is halted, beauty is obscured, light is shadowed.

So the question needs to be asked on this Full Moon, what is beauty? Is beauty the glow of expensive make-up on your skin, or the muscles bulging from your arms? Is beauty the perfectly coiffed hair and the waxed moustache? Or is it something deeper and more profound? Do all these things appear beautiful when cast into shadow, or does the visual translate into more meaningful depths?

Of course visceral appearances aren’t only about beauty, but also about acceptance. I watch the world around me and people trying to please, wanting to be liked, wishing to impress – desperately trying to fit in. I sometimes ask them why, I sometimes find myself doing the same, but most of the time I know why. They’re scared. You’re scared, I’m scared. We are scared; afraid that we will be alone if people don’t like us, worried that we will lose our jobs if we don’t agree with everything, concerned that if we stand out we will be ostracised and treated like we still live in a century where uniqueness was treated with burning or drowning.

We’re controlled by fear, dictated to, set into regimes of nicely presented suits and shiny cars; politely queuing behind lines and lines of others doing just the same. Most bristling with anger, frustration, obscenities on the tip of the tongue and sometimes tripping off it.

These same people spend time reading about extending their lives whilst not actually living at all.

This Full Moon chart interestingly brings in all the elements which add up to us creating and maintaining façades. The 27º Cancer Ascendant brings the family dynamic to the mix and the Moon is ruled by Cancer. In the chart the Full Moon itself lands in its home, the 4th House also. Asking the question, who are you when you are at home with yourself?

If you spend some time considering the elements you most like and admire about yourself and then match up these qualities with the ones which are encouraged by others, how do they match up? Are you surrounded by people who love the you that you love, or do you feel that you have to adapt to be more like they imagine you to be? Do you ever apologise for sharing your feelings, or talking about yourself? Do you feel that cannot be outspoken without evoking conflict?Libra.svg

And if you do evoke conflict, is it your conflict anyway? When you choose to strip away the pretences and the niceties, there will people who resist this shift in you and wish you to revert to what they expect. There will conflict from them; there will be those whose egos are threatened by truth, and others who simply become angry when witnessing freedom as they wish to live a life where they no longer have to tie themselves in knots.

None of these are reasons to respond however, think mirrors and recognise projection. Fear speaks in tongues and can be invoked by the most surprising of folk at times, but once recognised as it is; fear is powerless and easily assuaged.

There is a transcendental element to all this; echoed beautifully by a Venus-Neptune conjunction, already propagating spiritual love and transcendence, enhanced further by occurring in the sign of Pisces. A sign ruled by Neptune, so elevated in its own wisdom at times, Pisces can command the upper echelons of true love and revere Venus into exaltation in this sign. Venus rules the Full Moon of this chart and cannot be iterated enough when considering the essence of this Full Moon being about beauty and the over-shadowing of such. When Venus links up with Neptune it tells us stories of love being an effervescent, uplifting and magical connection which has no need for the visual, or even the physical. Physical, masculine, energising Mars is almost thrown out of the picture by this over-emphasised Venus position, but just manages to bring itself back into the picture by forming a sextile to the Full Moon position, from Sagittarius.

Again we must bring expression of one’s truth back into the picture, and also remember that the axis of this Full Moon is Libra to Aries. A Full Moon cannot exist without it’s opposite, just as light cannot be discerned without the shadows cast. In just the same way beauty cannot be conceived without the absence of such, so the shadows cast by the eclipse of this Full Moon will be as revealing as they are diverting.

I invite you to ask yourself during this Full Moon what it is that you love about yourself the most and how true to this you are. For the closer we appreciating our own beauty, the more those around us will be allowed to see us shine and start to see us as we really are. Beauty isn’t in the eye of the beholder, beauty is behind the eyes of the subject and exists most vividly within the inner world of the subject.

Let the shadow cast by the earth over this full moon, reveal to you how to ‘illuminate you true self’.

Joëlle O’Toole is a freelance astrologer, offering bespoke readings, natal & solar return charts – beginning on your birthday, telling you about the coming year. Prices start at £50.

For more information contact Joëlle at http://waxlobster.blogspot.co.uk/

BPREVIEW: MCM Comic Con Birmingham @ NEC 19-21.03.16

MCM-logo_H_Birmingham (2)

Words by Olly MacNamee

MCM Comic Con Birmingham 2016 will be hosted at the NEC between 18-21st March. For direct event details, including online ticket sales, click here.

And while I am unconvinced that a two day jamboree calling itself the MCM Comic Con Birmingham, at which comics and comic book creators have a minimal presence, is truly a comics focused convention – it is nonetheless a great celebration of all things geek inspired.Main with web colour bcg - lr

And it draws a crowd. If Anime’s your thing, they’ve got it covered. American candy? Ditto. Cool collectibles (or are they really toys for grownups, I wonder?) yep, covered. Comics..? I’ll refer you to my previous statement on that matter.

But there are a lot of indie creators at MCM Comic Con Birmingham this March that will thank you for taking the time to read their self published comics. So look out for local talents such as Sammy Borras – creator of Giant Rhinos In Space and Coventry’s own GeeBees comic series, and support your local artistic talent in the same way we’re often asked to support our local independent stores.

MCM Comic Con Birmingham takes up its two-day NEC spring residency with a high level of TV, film and gaming celebrities (both past and present) in attendance. MCM favourites, Red Dwarf’s Robert Llewellyn and Danny John-Jules, will be there – along with anyone who may have played a Stormtrooper, Jawa, or even farted in Star Wars offering to autograph your photos, collectibles and whatever else you may have with you. For a price, of course.

MCM Comic Con Birmingham @ NEC 19-21st MarchBut the big guest attraction this time round, and trying to top Lee (The Bionic Man) Majors’ appearance back in November, is Lindsay Wagner – TV’s The Bionic Woman. And for the younger audience at MCM Comic Con Birmingham, who might be scratching their head at this point and asking themselves ‘…who?’, there’s also the pull of Assassin’s Creed: Syndicate voice star Paul Amos, who lends his voice to Jacob Frye in the game.

The main pull however, for me and for other guests I’ve witnessed, are the cosplayers and their amazing costumes. And watching from afar it is clear they tend to know each other; I have certainly seen the same masked men and maidens doing the rounds up and down the country when covering different comic conventions in the past.

But there is no doubt that the cosplayers add an essential element to the MCM Comic Con Birmingham, one that elevates the event to something more than just a cash cow for the bigger exhibitors. Although, it is debatable how much they spend when there. I mean to say, where would Spider-man or Harley Quinn keep their money? Those costumes are tighter than Scrooge.MCM2015_Birmingham_webportal

So bring your camera (do people still have these, or just phones?) but always ask politely for a snap. And be careful, many of these costumes can be very fragile and could well represent many months of hard work (and financial expense) from the cosplayer for it to look so good.

But overall, my advice would be to go to MCM Comic Con Birmingham on Sunday 21st March if you want to avoid the throngs. It’s also the best time to grab a bargain too.

MCM Comic Con Birmingham comes to the NEC between 19-21st March. For direct event details, including online ticket sales, visit http://www.mcmcomiccon.com/birmingham/

For more from the NEC Group, including links to full event listings across all venues, visit https://www.necgroup.co.uk/

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BPREVIEW: Ringo Deathstarr @ The Sunflower Lounge 09.03.16

Ringo Deathstarr @ The Sunflower Lounge 09.03.16

Words by Helen Knott

On Wednesday 9th March, Ringo Deathstarr performs at The Sunflower Lounge in Birmingham. Main with web colour bcg - lrDoors open at 8pm, with tickets priced at £12 (advance). For direct gig info and online ticket sales, click here.

This Sunflower Lounge gig is the first of a five-date UK tour in support of the band’s third studio album Pure Mood, which was released on 20th November through Club AC30.

The brilliantly/badly named Ringo Deathstarr, from Texas, was originally formed by singer and guitarist Elliott Frazier in 2007. After a string of singles and international tours (apparently the band is big in Japan) Ringo Deathstarr released their first album Colour Trip in 2011, followed by Mauve in 2012.Ringo Deathstarr / Pure Mood

Their latest album, Pure Mood is a continuation of Ringo Deathstarr’s shoegaze sound – heavily influenced by bands like Ride, The Jesus & Mary Chain and My Bloody Valentine. Crucially, Ringo Deathstarr incorporates enough stylistic surprises, including hints of grunge and heavy metal, to keep things interesting.

And as for the band’s live show, expect Ringo Deathstarr to be loud. Maybe not My Bloody Valentine or Sunn O))) loud, but loud enough to make you worry the ceiling is about to cave in.

Until now Ringo Deathstarr’s most high profile was probably a support slot for The Smashing Pumpkins, back in 2012. But a resurgence in popularity of the shoegaze sound over recent years, through bands such as Cheatahs, Echo Lake and DIIV (along with the release of Ringo Deathstarr’s arguably best album to date) may mean it’s time for this hard working band to finally emerge as a force to be reckoned with.

…I think that’s enough bad Star Wars puns for one BPREVIEW.

Released in November 2015, ‘Guilt’ was the first taster of Pure Mood. Check it out below:

‘Guilt’ by Ringo Deathstarr

Ringo Deathstarr perform at The Sunflower Lounge on Wednesday 9th March. For direct gig info & online tickets, visit http://thesunflowerlounge.com/event/ringo-deathstarr/The Sunflower Lounge - BR web colours, cropped

For more on Ringo Deathstarr, visit http://ringodeathstarr.org

For more from The Sunflower Lounge, visit http://thesunflowerlounge.comFollow-Birmingham-Review-on-300x26Facebook - f square, rounded - with colour - 5cm highTwitter - t, square, rounded, with colour, 5cm high

BPREVIEW: Fat White Family @ O2 Institute 20.02.16

Fat White Family @ O2 Institute 20.02.16

Words by Helen Knott

On Saturday 20 February, Fat White Family perform at the O2 Institute in Digbeth – as presented by SJM Concerts.

Doors open at 6pm, with tickets priced at £12 (advance). For direct gig info & online ticket sales, click here.Main with web colour bcg - lr

Fat White Family’s gig at the O2 Institute in Birmingham is the first of an eleven date UK tour – in support of their second album, Songs for Our Mothers, which was released on 22 January through Fat Possum/Without Consent.

Formed in a South London squat back in 2012, Fat White Family have gained notoriety as one of the most raw and wild bands on the live scene. Onstage arguments and nudity, riding a donkey into a venue, pig’s heads in the crowd… it’s all the stuff of legend.

Fat White Family @ O2 Institute 20.02.16But while they haven’t quite managed to capture the energy of their live shows in either their latest album, or their 2013 debut Champagne Holocaust, there is more going on with Fat White Family than just wanton debauchery. Incorporating lo-fi, psych and post-punk styles, Songs for Our Mothers doesn’t shy away from the difficult subjects. In fact, it covers themes of fascism, serial killers and racism in a manner that revels in crossing the boundaries of good taste.

So are Fat White Family “members of an emergent underclass of literate but degenerate squatters” (Paul Lester – The Guardian) with something important to say about modern Britain? Or are they merely “raw-assed rabble rock as dark, deviant and disgusting as the ’70s” (Mark Beaumont – NME).

Either way, if Elton John is referencing them to show he’s still relevant (and he is) it’s probably not long before they cross over into the wider public’s consciousness. So catch Fat White Family before they go supernova. Or, just as likely, before they self-combust.

Released in December 2015, ‘Whitest Boy on the Beach’ was the first taster from Songs for Our Mothers. Check it out – click on the image/link below:

‘Whitest Boy on the Beach’ by Fat White Family

Fat White Family perform at the O2 Institute on Saturday 20 February, as presented by SJM Concerts. For direct gig info & online tickets, visit http://o2institutebirmingham.co.uk/listings/upcoming-events/29011/fat-white-family/

For more on Fat White Family, visit https://fatwhitefamily.bandcamp.com

___________


For more from the O2 Institute, visit http://o2institutebirmingham.co.uk/

For more events from SJM Concerts, visit http://www.gigsandtours.com/

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