BPREVIEW: The War of the Worlds @ Old Joint Stock Theatre 25-31.10.2017

Words by Lucy Mounfield

Running from Wednesday 25th to Tuesday 31st October, Tin Robot Theatre presents The War of the Worlds at the Old Joint Stock Theatre. For direct event information, including venue details and online ticket sales, click here.

Tin Robot Theatre is a Midlands-based company led by director Adam Carver, who is also an associate of the Old Joint Stock Theatre. Having only been established a few short years, Tin Robot Theatre have already built an impressive back catalogue of adaptations including Anthony Burgess’s infamous A Clockwork Orange, Oscar Wilde’s The Picture of Dorian Grey and Edgar Allan Poe’s short story The Tell-Tale Heart.

It seems only right, then, that they take on H. G. Wells’ science fiction masterpiece The War of the Worlds – the long revered story of an alien invasion from Mars. As a first-person narrative, The War of the Worlds is an intimate and brutal depiction of mental trauma wherein Wells documents the fragmented mind in an uncertain and threatening environment.

Wells wrote the novel in 1898, but The War of the Worlds has since spawned numerous film, television and theatre adaptations; clearly, this story of an alien invasion can be adapted for modern audiences. In 1938, Orson Welles directed and narrated an hour long adaptation of the novel – broadcast as a Halloween Special on CBS in America, as part of the station’s drama anthology The Mercury Theatre on the Air. The broadcast was so powerful that many listeners, reportedly, believed the news bulletin format to be real and that Earth was indeed under attack from Martians.

Then in 1978, Jeff Wayne released his concept album based on the book, Jeff Wayne’s Musical Version of The War of the Worlds, which proved to be a phenomenal success – selling millions of albums across the world and spawning a long running musical production.

In 2005, the Tom Cruise film adaptation utilised an enormous blockbuster budget to create the massive alien tripods and terrifying invasion scenes. However, the Hollywood penchant for dizzying CGI did not always push the story forward; we saw the conflict in minute detail, but the silver screen protagonist lacked the emotional range that Wells imbued his original central character with.

So, what can Tin Robot Theatre bring to this canon of invasion stories? Adam Carver, the director of the Midlands based company, offers a self-assured statement on his website:

‘Our work is about challenging expectations, and rethinking adaptation. We believe in story, and champion the stories of Others; our work has focused on identity (in its many guises), its construction, and relation to popular and dominant culture. We make “full-fat” theatre. We believe in theatre as an experience beginning the moment the audience arrives, transforming space and bringing our distinctive visual style to breathe new life into the familiar.’

Producing such an expansive and explosive piece in the Old Joint Stock’s relatively small theatre space may be a hard task. But great theatre often utilises the audience’s imagination, and this is something Tin Robot Theatre are seemingly adept at doing.

As well as a visual transformation of the space, the production will utilise an ‘interactive soundscape’ to create a sense of scale. From music to the sound of the Earth’s frequency, Tin Robot Theatre’s production of The War of the Worlds promises to attack many of our senses whilst immersing us into the terrifying world of an alien invasion.

Tin Robot Theatre presents The War of the Worlds, running at the Old Joint Stock Theatre from 25th to 31st October. For direct event information, including venue details and online ticket sales, click here.

For more on Tin Robot Theatre, visit www.adamgcarver.com/theatre/tin-robot-theatre/

For more from the Old Joint Stock, including full event listings and online ticket sales, visit www.oldjointstock.co.uk

BREVIEW: Simon Amstell – What Is This? @ Town Hall 15.10.17

Simon Amstell - What Is This? @ Town Hall 15.10.17Words by Helen Knott 

Simon Amstell is in a good place, “I’ve been in a relationship now for six years”.

It’s almost a confession, coming from the king of angst-ridden, comedy-as-therapy; anyone who has seen his stand-up before will know depression and loneliness have been a major theme over the years. What happens now he’s happy?

In What Is This? Amstell maps his path to contentment. It’s a touching and funny journey, and coming to terms with being gay is a major factor.

From losing his virginity on a naïve trip to Paris, to the family crisis when he gets a boyfriend, before finally finding some kind of acceptance through attending a recent family Bat Mitzvah with his boyfriend. As he summarises: “It took me a long time to become comfortable with the idea of being loved.”

This isn’t the Simon Amstell who used to strike fear into the hearts of Never Mind the Buzzcocks guests. Even his errant father, so often the target of his anger, is forgiven – his misdemeanors dismissed as the consequences of emotional incompetence rather than malice. In fact, it’s often Amstell himself who is set up as the object of ridicule. Offering pseudo-therapy to help friends, attempting a single-handed and ill-advised feminist intervention at a Native American retreat in Norfolk; he is full of “wise” words, all learnt from his therapist.

This self-awareness of his capacity for self-aggrandising behavior stops a show that occasionally verges on being preachy, from turning into a full-blown lecture. Amstell explains that his new book, Help, features a transcript of the show (“I don’t even know who for. People who don’t like hearing stand-up out loud..?”) and at times tonight Amstell’s stand up routine feel like he’s reciting passages from a book, especially with his low-key style of delivery. But it makes for a tight, carefully scripted performance. Every word is precise. Crucially, it’s consistently very funny.

The final third of the show explores some of the challenges of being in a long-term relationship, raising questions around fidelity and morality. Stories of drug use and orgies could seem off-puttingly hedonistic, but, when told with Amstell’s ever-present, wide-eyed innocence, are actually rather charming. Like much of the audience, I’ve grown up with Simon Amstell and I’m rooting for him. And as he says to preemptively defend himself: “Where else will you hear something like that?”

What Is This? is a mature, confident show, with Simon Amstell seemingly more comfortable in his own skin than ever before. It’s still recognisably Amstell, just more mellow and more compassionate. Happiness suits him. 

For more on Simon Amstell, visit www.simonamstell.com 

For more form the Birmingham Comedy Festival 2017, including a full programme of events and online ticket sales, visit www.bhamcomfest.co.uk

For more from both the Town and Symphony Halls, including full event listings and online ticket sales, visit www.thsh.co.uk

BREVIEW: Maisie Adam – Living on the Edge @ The Glee Club 14.10.17

Maisie Adam - Living on the Edge @ The Glee Club 14.10.17

Words by Helen Knott

Maisie Adam has only been a stand-up comedian for a year, but she has made more progress in those twelve months than many comedians manage in a much longer career. Her stand-out achievement so far was winning the So You Think You’re Funny competition at this year’s Edinburgh Fringe; SYTYF is the UK’s most prestigious competition for new comedians, with past winners including David O’Doherty, Dylan Moran and Peter Kay.

Living on the Edge, then, is Adam’s first ever show. She explains that she only graduated from drama school last year and decided that she’s not ready to “adult” yet (I try to ignore my dislike of the modern use of the word ‘adult’ as a verb). The resulting show is a series of anecdotes from Adam’s fairly fledgling life experience so far – she’s only 23.

Some of these anecdotes are funnier than others. Her story about falling out of a second story window in an attempt to impress a one-night-stand is excellent, but her segment about the British abroad felt a little obvious and clichéd. Still, she keeps the energy up well, she’s likeable, and her patter with the audience is natural and funny.

And it was a tough crowd. Adam described it at the end as, “one of the weirdest gigs I’ve done”. It turns out that fifteen very sober people in The Glee Club at 5.30pm on a Saturday doesn’t make for the most energetic comedy audience. No doubt Adam will have much weirder gigs during her career, but tonight was quite a tricky situation. She largely managed it with confidence, though some punchlines felt a little thrown away in her speedy delivery.

Ultimately, the show would have benefited from a stronger overarching narrative and structure. Adam’s big theme was her claim to be dysfunctional, but that didn’t ring quite true. She just won one of the biggest comedy awards in the country and it seems like things are going pretty well to be honest. Plus most people are a bit awkward as children and have embarrassing romantic encounters; it’s normal stuff.

Living on the Edge is a solid first show, but to be in the same league as those past SYTYF winners Adam needs to work out her USP as a comedian. She can’t spend her whole career telling anecdotes about school teachers, her gap year, or the weird classes she took at drama school.

But Maisie Adam will continue to learn her trade, and her quick wit and charm will always make her great company – she could just do with some stronger material. Maybe some time “adulting” is in order after all.

For more on Maisie Adam, visit www.maisieadam.wixsite.com/comedy

For more from The Glee Club, including full event listings and online ticket sales, visit www.glee.co.uk

For more on the Birmingham Comedy Festival 2017, visit www.bhamcomfest.co.uk

BPREVIEW: Black Rebel Motorcycle Club @ O2 Academy 28.10.17

Black Rebel Motorcycle Club @ O2 Academy 28.10.17 / Tessa Angus

Words by Ed King / Pic by Tessa Angus

On Saturday 28th October, Black Rebel Motorcycle Club ride through Birmingham – coming to the O2 Academy as part of their nine date UK tour (plus one in Dublin). 

Doors open at 7pm, with tickets priced at £28.65 (including booking fee) – as presented by SJM Concerts/Gigs and Tours. For direct gig info, including venue details and online tickets sales, click here.

Responsible for one of the best debut albums ever… yep, I went there… Black Rebel Motorcycle Club have been tearing up the asphalt on both sides of the pond (and beyond) since 1998. Some call them ‘shoegaze’, some all them ‘grunge’, some call them ‘garage rock’, but Black Rebel Motorcycle Club have a distinctive twisted metal sound that they can comfortable call their own. ‘Fucking awesome’ is where I personally land, but with well over 200,000 words in the English language I’m sure you can come up with a more erudite description. Or you could just listen.

Globetrotting with a new album in the wings, Black Rebel Motorcycle Club are coming to Birmingham to push their impending new album – Wrong Creatures, which will, apparently, possibly, be with us just after Christmas.

But having waited half a decade since their last LP, the 12 track monster that is Specter at the Feast, a few months here or there won’t bite down too hard. At least I’ll have something to spend those iTunes vouchers on, that will no doubt appear in some relative’s Hallmark hug this December (…other online music downloads are available).

Having recorded and released on their own imprint since 2008 (starting with the download only The Effects of 333) Black Rebel Motorcycle Club have been able to reinvent and reiterate all the cogs in their machine, drifting from the Native American rhythms of ‘Beat the Devil’s Tattoo’, passing through the dark rock heart of ‘War Machine’ and ‘Teenage Disease’, to stand still at the morbid curiosity of ‘Fire Walker’. Awesome. Relentless. Lots of other words; 24rs spent ploughing through this band’s back catalogue would not be a day wasted. Even if you’re wasted.

Now there’s another album in the offing too, and whilst we don’t know much about Wrong Creatures here’s a little taste of what’s to come… and yeah, that’ll do. The rest we’ll get to see/hear coming off stage at the O2 Academy on Say 28th October.

‘Little Thing Gone Wild’ – Black Rebel Motorcycle Club

For more on Black Rebel Motorcycle Club, visit www.blackrebelmotorcycleclub.com

For more from the O2 Academy Birmingham, including full event listings and online ticket sales, visit www.academymusicgroup.com/o2academybirmingham

For more from SJM Concerts/Gigs and Tours, visit www.gigsandtours.com

BPREVIEW: Simon Amstell – What is This? @ Town Hall 15.10.17

Simon Amstell – What is This? @ Town Hall 14.10.17Words by Helen Knott

Simon Amstell performs his show What is This? at the Town Hall on Sunday 15 October, as part of the Birmingham Comedy Festival 2017. For direct info, including venue details and online ticket sales, click here.

Despite starting stand up aged thirteen, Simon Amstell is perhaps best known for his presenting roles – interviewing musicians and pop stars on Nickleoden, Popworld and Never Mind the Buzzcocks, where his challenging curiosity and acerbic wit would lead to both a growing fanbase and twitching in the control room.

Indeed, eight years after Amstell left his presenting role on Never Mind the Buzzcocks, his tenure on the BBC 2 quiz show still makes for solid You Tube fodder – from questioning why Jermaine Jackson “looks nothing like Michael” to exasperating Preston from the Ordinary Boys to such an extent that he walked off set and got replaced by a member of the audience.

Buzzcocks had been a natural next step for a presenter who first came to public consciousness on the Channel 4 show Popworld, a show Simon Amstell co-presented with Miquita Oliver. Likewise, watching Popworld clips on YouTube today you can’t believe the ridiculous things Amstell and the equally wonderful Oliver would ask bland pop stars to try and get them to say something entertaining. To Britney Spears, thrown in the middle of a fairly innocuous interview, Amstell asked “Whose chin would you like?” to which Spears replied, without hesitation, “Halle Berry’s. I think she’s beautiful.”

Simon Amstell doesn’t interview pop stars any more. In fact, the last time he was on our TV screens for any length of time was in his beguiling BBC sitcom Grandma’s House back in 2012, which he co-wrote with Dan Swimmer. Since then, Amstell has been concentrating on more personally focused projects – including a mockumentary about veganism called Carnage, and a ‘hilarious and heartbreaking’ book about Amstell’s ‘ongoing compulsion to reveal his entire self on stage’ titled Help.

Simon Amstell has also performed on stage repeatedly as a comedian, with What is This? being his fifth UK comedy tour. And whilst his output across art forms is dependably solid, stand-up arguably distills the Amstell experience into its purest form.

What is This? reportedly explores Amstell’s romantic stability, his new found contentment, his relationship with his father, and possibly ayahuasca – in a show that ‘promises to be a deeply personal, funny exploration of beauty, intimacy, freedom, sex and love.’

It’s comedy as therapy – confessional, neurotic, with no subject too personal to be off limits. And crucially, it’s all bitingly funny. Unless you’re Preston from the Ordinary Boys.

Simon Amstell performs What is This? at the Town Hall in Birmingham on Sunday 15th October. For direct info, including venue details and online ticket sales, visit www.thsh.co.uk/event/simon-amstell-what-is-this 

For more on Simon Amstell, visit www.simonamstell.com

For more form the Birmingham Comedy Festival 2017, including a full programme of events and online ticket sales, visit www.bhamcomfest.co.uk

For more from both the Town and Symphony Halls, including full event listings and online ticket sales, visit www.thsh.co.uk