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December 3, 2017December 3, 2017

THE GALLERY: Rews + The Hungry Ghosts + Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17

Words by Ed King / Pics by Rob Hadley

On Saturday 25th November, Birmingham Review presented its Winter Showcase at the Actress & Bishop – a sold out live gig with Rews, The Hungry Ghosts and Ed Geater. It’s taken me more than a week to recover.

I’ve sat down to write a review of the night several times too, but how do you write a report about your own gig..? You can’t, well I can’t. But luckily our friends at Counteract can, so for Charlotte Niblett’s two cents on the Birmingham Review Winter Showcase click here – with some cracking pics from Paul Reynolds thrown in for good measure. And I have been kicking myself that in all the copy I’ve written about Ed Geater I never came up with ‘triple threat’… good work Charlotte, love that one.

Also, I kinda/sorta don’t have to write anything as the solider of Birmingham Review (or Rob Hadley as he is know in the wider world) was front row and centre for the entire evening with a camera in his hands. And if a picture paints a thousand words then there’s around 84k without you fluttering an eyelash or me hitting a key. Any more would just be rude.

There are some cherry picked pics below, but I would CAPITAL LETTER SUGGEST you check out the full Flickr of Rob’s pics by clicking on this hyperlink or the suitably subtle prompts littering this report.

But now you’ve got me typing away… the Birmingham Review Winter Showcase wasn’t only a chance to book three acts that are all amongst the most exciting on the national gig circuit today, it was an opportunity to put our money where our mouth is. Birmingham Review covers many corners of the city’s cultural landscape, but music is where we began and will always be an intrinsic part of our content.

Rews, The Hungry Ghosts and Ed Geater all have a real “chance at whatever metaphor you use for success”, and we’ve said so with words and pics several times before. But on Saturday 25^th November Birmingham Review got to be part of that progression, even if only for one night. But what an incredible night it was.

Ed Geater opened up to an already busy room, playing the tried and tested from his portfolio such a ‘Symmetry’ and ‘Don’t Think’ alongside a quick toe dip into some newer waters. Layering beat boxing over acoustic six string melodies, with the occasional breakbeat to keep you quite literally on toes, Geater kicked off the Winter Showcase with poise and aplomb. The Hungry Ghosts swaggered on stage for the second set, oozing with gin and mischief, and served up a fine platter of slaughterhouse blues with ‘Amerika’, ‘Lazaro’ and a slightly tweaked ‘Super King King’. Raw, raucous, and now with a cemented new line up, there is just so much to love about this band.

Then it was Rews… half way through their UK tour to promote Pyro, the duo’s corker of a debut album, and straight into a gut punching rock explosion with ‘Let It Roll’. On fire throughout the entire set, featuring album tracks including ‘Your Tears’, ‘Miss You in the Dark’ and ‘Death Yawn’ alongside the ferocious ‘Can You Feel It?’ (one of my personal favourites live), Rews quite simply nailed it – Shauna Tohill’s fearless front stage lead as Colette Williams powers through with vocals and percussion, it’s awesome stuff. Birmingham will never be quite the same again.

The other significant win at the Birmingham Review Winter Showcase was the crowd. There’s a lot of talk about ‘supporting the local music scene’ but unless you drag yourself out of the house, stick a smile on your chops, and get involved when musicians and singers are bearing their souls on stage… then talk is all that it will ever be. At the Birmingham Review Winter Showcase 175 people did all of the things I’ve just listed. And it felt phenomenal. To everyone who was upstairs at the Actress & Bishop on Saturday 25^th November, I both salute and thank you.

The Birmingham Review Winter Showcase was also my swansong, as I now hand the reigns over to Helen Knott – who is taking over as Birmingham Review editor, and Damien Russell – who is coming in as Birmingham Preview editor.

I will be moving over to editor-in-chief (sounds more glamorous than it is) and focusing on the books and periodicals set for release under Review Publishing. Look out for our first titles which will be on shelf by the end of 2017: Snapshots of Mumbai – a coffee table book about the Indian megacity, and the Birmingham Music Review 2017 anthology.

We’re recruiting too, so if you know your way around a QWERTY keyboard or a DSLR please email charlotte@birminghamreview.net

Meanwhile, back at the Actress & Bishop…

Rews at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

For more on Rews, visit www.rewsmusic.com

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The Hungry Ghosts at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

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Ed Geater at the Birmingham Review Winter Showcase @ Actress & Bishop 25.11.17 / Rob Hadley – Birmingham Review

For more on Ed Geater, visit www.edgeater.co.uk

For more from the Actress & Bishop, including venue details and links to event, visit www.theactressandbishop.co.uk

WRITERS/PHOTOGRAPHERS WANTED – Birmingham Review is looking for new contributors. Anyone wanting to get involved, please email a short introduction to charlotte@birminghamreview.net

December 1, 2017

THE GALLERY: Enter Shikari @ Arena Birmingham 24.11.17

Words & pics by Eleanor Sutcliffe

The last time I saw Enter Shikari, I was young, drunk (sorry mum) and throwing myself around a circle pit in Manchester’s Victoria Warehouse. Since then I like to think I’ve grown up a bit, but their politically charged music is something I’ve never managed to get out of my head. So when I heard they’d be playing in Arena Birmingham, I knew there was no way I could afford to miss it.

First up was Newport born and bred Astroid Boys. I’m kicking myself for not seeing these guys earlier on the local circuit as they were absolutely brilliant. Their mashup of grime and punk music looks awful on paper and yet these guys manage to pull it off flawlessly in real life.

Tracks such as ‘Foreigners’ off their latest album, Broke, had the crowd bouncing and dancing along like it was no one’s business. Their sound is fresh and exciting – like nothing I’ve heard of late. These guys are sure to go far and securing a tour supporting Enter Shikari is just the beginning of it.

Next, was Lower than Atlantis. Ignore everything you read about these guys delivering lackluster shows, because they were on fire this evening.

Mike Duce’s responsibilities are taken up with rhythm guitar and vocals, so granted he may not be the most energetic front man but their set was polished to perfection. Varied enough to give the crowd a taste of their newer material from their most recent album, Safe In Sound, but still delivering on the older material that fans fell in love with such as ‘Here We Go’ and ‘English Kids in America’.

And finally, Enter Shikari. Although I knew how much they had invested in the visual aspect of the show nothing could have prepared me for the theatrical lengths they had gone to. A large screen flickered above the stage, displaying a flight radar that synced with a quadraphonic sound system which surrounded the room. The sound of low flying aircraft echoed around Arena Birmingham to a buzzing telegram explaining a mission to the crowd. The atmosphere was intoxicating, with the build up causing furor amongst the audience.

Bursting on to the title track of their latest album, The Spark, Enter Shikari proceeded to deliver what I consider to be the best show I’ve seen this year. Their energy was dazzling, with every band member cavorting across the stage to a mass of strobe lighting and smoke. Tracks such as ‘Undercover Agents’ were announced by Rou hitting them into a typewriter which was projected onto the large screen above.

Enter Shikari’s theatrical capabilities knew no bounds for the evening, with every single song being an individual show in itself. And my God, did the crowd love it… From the frenzy inducing tracks such as ‘The Last Garrison’ to Rou’s distilled and heartbreaking rendition of ‘Airfield’, the Arena Birmingham audience could be heard (and seen) screaming along to every verse and chorus.

It’s always an odd experience watching a band who mean so much to a group of people. Settling myself on the balcony, I took a moment to watch the crowd – it was unlike anything I’d seen before. They were not reaching out to grab the band members, they were holding their friends hands and singing and dancing in groups.

It’s refreshing to see a band with such politically charged music also mean so much to a group of people. I never wanted this show to end. Enter Shikari, I salute you. You’ve blown me away, yet again.

Enter Shikari @ Arena Birmingham 24.11.17 / Eleanor Sutcliffe – Birmingham Review

For more on Enter Shikari, visit www.entershikari.com

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Lower the Atlantis – supporting Enter Shikari @ Arena Birmingham 24.11.17 / Eleanor Sutcliffe – Birmingham Review

For more on Lower the Atlantis, visit www.lowerthanatlantis.co

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Astroid Boys – supporting Enter Shikari @ Arena Birmingham 24.11.17 / Eleanor Sutcliffe – Birmingham Review

For more on Astroid Boys, visit www.astroid-boys.com

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For more from Arena Birmingham, including full event listings and online ticket sales, visit www.arenabham.co.uk

For more from DHP Family, including all national tours and venues, visit www.dhpfamily.com

November 29, 2017

THE GALLERY: PVRIS @ O2 Academy Birmingham 23.11.17

Words & pics by Eleanor Sutcliffe

I doubt I’ve ever seen O2 Academy this busy. As we are filed into the venue, I’m truly surprised and slightly overwhelmed at the number of people who’ve come to see PVRIS tonight. In hindsight, this shouldn’t have been surprising – with frequent airplay on Radio 1, they’ve become a staple in the alternative rock scene and are gaining more and more fans by the minute.

First up was Tyne, a 19-year-old chill pop artist hailing from Cambridge. She set the bar exceedingly high for the evening – if you’re a fan of the likes of Lorde, Halsey and Gabrielle Aplin, then you’ll love her stuff. Tracks like ‘Crawl’ and ‘Girly’ crept under my skin and had me yearning to hear more, while her cover of Bring Me Horizon’s ‘Avalanche’ was executed to soul splitting perfection.

Tyne has the ability to combine meaningful lyrics with electronic rhythms without beating the life out of it like so many other artists do. She’s clearly destined for great things; I’d highly recommend catching her at a show and giving her a listen.

The next act couldn’t have been further from the last. COIN owned the stage for the next thirty minutes or so, belting out track after track of indie pop perfection. Their energy was intoxicating as singer, Chase Lawrence, cavorted across the stage, jumping on and off the drum kit to thrash out melodies on the synthesizers. The crowd adored it, dancing along to the summery beats of tracks like ‘Talk Too Much’. If the Arctic Monkeys and Circa Waves were to have a lovechild, then Nashville based COIN would be the result.

Then, finally… PVRIS. I’d heard mixed views of their live performances from friends and through work, and was really hoping for a show I could rave about for hours on end.

And to an extent, I could. Visually, the setup was stunning – strobe lights lit the stage while large screens projected flickering flames and embers as Lynn went to town on hits such as ‘St Patrick’ and ‘My House’. PVRIS’s setlist was varied enough to have a taste of their newer material from their latest release, All We Know Of Heaven, All We Need Of Hell, while still recalling back to tracks from White Noise.

However, Lynn’s gospel-like voice seemed to struggle at times against the heavy crescendo of guitar and drums from bandmates Alex and Brian. And although many members of the crowd were happy dancing at the front, I’d have enjoyed the show much more if I was sat up in the balcony of O2 Academy.

PVRIS more than made up for these few flaws, as I truly am nitpicking here. Their interaction with the crowd was heartfelt and genuine too, with Lynn exclaiming how, apart from at festivals, this was the largest crowd they had ever played to.

PVRIS @ O2 Academy Birmingham 23.11.17 / Eleanor Sutcliffe – Birmingham Review

For more on PVRIS, visit www.pvris.com

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COIN – supporting PVRIS @ O2 Academy Birmingham 23.11.17 / Eleanor Sutcliffe – Birmingham Review

For more on COIN, visit www.thisiscoin.com

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Tyne – supporting PVRIS @ O2 Academy Birmingham 23.11.17 / Eleanor Sutcliffe – Birmingham Review

For more on Tyne, visit www.officialtyne.com

For more from the O2 Academy Birmingham, including full event listings and online ticket sales, visit www.academymusicgroup.com/o2academybirmingham

November 25, 2017November 25, 2017

BPREVIEW: Notorious – 20th Anniversary Finale @ Town Hall 25.11.17

Words by Damien Russell

2017 marks the 20^th year of Notorious, Birmingham’s own alternative non-audition choir. Notorious have been celebrating with an impressive tour that reaches its peak at the Town Hall on Saturday 25^th November.

Tickets are priced at £18.00 (premium) or £12.00 (standard) with the standard booking fees. For direct event info, including venue details and online ticket sales, click here.

Notorious. A great name for a group that prides itself on doing things differently to the ‘norm’. They’re a group known for adventurous live performances including a ‘water-themed concert in a cave with the audience on barges’, a Halloween-themed concert in a coffin factory, and joining the Bishop of Birmingham at Lifford Lane tip ‘to promote not being wasteful at Christmas’. Notorious are also known for their unusual choral song choices, such as ‘Paranoid Android’ by Radiohead and ‘My Heart Will Go On’ by Celine Dion to name but two. Notorious also actively support new work and new composers and have even performed four works commissioned specifically for them – including ‘Mistletoe’ by Ēriks Ešenvalds.

Yet in a perhaps surprising move, the culmination of this year’s excitement is to be their most traditional-styled show to date. Town Hall is a natural choice for choral music with its marvelous acoustics and the pieces Notorious will perform are both Catholic in origin with one, ‘The Magnificat’ by John Rutter, being a musical setting of a biblical canticle and the other, ‘Gabriel Fauré’s Requiem’, the shortened Catholic Mass for the Dead in Latin.

Despite their cheery-sounding nature both pieces are recognised as being uplifting, with ‘The Magnificat’ described as ‘an outpouring of joy’ and, as Fauré himself said of Requiem, “it is thus that I see death: as a happy deliverance, an aspiration towards happiness above” so the (still early) lead-in to the holiday spirit seems sure not to be dampened here.

For those who have seen Notorious before and are now thinking ‘I know those pieces, I know the artists, I know what to expect’, there is one more twist for the event. The typically 35-strong choir will be bursting at the seams with its biggest ensemble of 75 members. I’m not sure where they’ll all fit on the Town Hall stage but where there’s Notorious, there’s a way. Something this creative choir have proven time and time again.

Founded by Clare Edwards back in 1997, the Birmingham-based choir set out to make ‘high-quality choral music that is accessible and can be enjoyed by anyone, regardless of background or previous experience’. Under Edwards’ musical direction, Notorious has grown from a tentative group of 15 singers to a 35-strong choir, performing more than 120 concerts in 65 different venues.

So, whether it’s because you love choral music and want to see it in a traditional setting, you love Notorious and want to celebrate their 20^th year in style, or you just want to find out what it might all be about, all are welcome to help this unique Birmingham choir blow out their 20 candles.

Do you think we should all sing them ‘Happy Birthday’ at the end? “And many more….”

‘Mistletoe’ – Notorious (performed at St John’s and St Peter’s Church 10.12.16)

‘Mistletoe’ was composed by Ēriks Ešenvalds with text from poem by Walter de la Mare – commissioned by Notorious to mark the choir’s 20th anniversary. Conducted by Clare Edwards.

Notorious end their 20^th year celebrations with a special performance at Birmingham’s Town Hall on Saturday 25^th November. For direct event info, including venue details and online ticket sales, click here.

For more on Notorious, visit www.notoriouschoir.org

For more from both the Town Hall and Symphony Hall, including full event listings and online ticket sales, visit www.thsh.co.uk

November 24, 2017

LAST FEW TICKETS: Rews + The Hungry Ghosts + Ed Geater @ Actress & Bishop 25.11.17

Words by Ed King

IT’S CHRISSSSSSSMAAASSSSSS…

Well, kind of, bit of an obligatory catcall in Birmingham right now. But love it or loathe it (and as inescapable as the people crushing death trap that is the German Market) it’s ‘that time of year’ again.

And to kick Winterval in the proverbial sack (of presents… shame on you) on Saturday 25th November, Birmingham Review presents its Winter Showcase at the Actress & Bishop – a live gig with Rews, The Hungry Ghosts and Ed Geater.

Doors open at 8pm, music starts at 8:30pm, with tickets priced at £8 (advance) and £10 (on the door) plus booking fee. Tickets can still be bought via See Tickets until 12noon on Sat 25^th November – for online sales, visit www.seetickets.com/event/rews-the-hungry-ghosts-ed-geater/actress-and-bishop

**LAST FEW ADVANCE TICKETS REMAINING** You might well get in on the door (it might well cost you an extra two quid) and we might well jettison a table or two, but there are less advance tickets than can be counted on two hands. So hop, skip and jump people.

And in case you need a little nudge, here’s a speed dating introduction to each act we’ve got performing at the Birmingham Review Winter Showcase – with some useful links to boot. See you, and them, at the Actress & Bishop on Saturday 25th Nov.

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Rews

Rews and their infection ‘earworms’ crawled into our subconscious back in Feb, after a stellar gig at the Flapper. To read Damien Russell’s BREVIEW of the gig, click here – to read Ed King’s INTERVIEW with Rews just before they got on stage, click here. And it seems we weren’t the only ones to go a little batshit over Rews, as everyone from a Glastonbury baked Mark Radcliffe to a Huw Stephens have been championing the duo.

Rews have recently released their debut album too – the somewhat awesome Pyro. To read Ed King’s ALBUM review of Pyro, click here. And if you’re more audio than visual (or a little from Column A and a little from Column B), the check out Rews’ official video to ‘Your Tears’ – the lead single from Pyro.

‘Your Tears’ – Rews (taken from their forthcoming debut album, Pyro)

For more on Rews, visit www.rewsmusic.com

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The Hungry Ghosts

The Ghosts, The Ghosts, The Ghosts… Where to begin? If this band aren’t destroying the main stage at some greenfield site in the next few years then there is something SERIOUSLY WRONG with the universe. The kings and queen of slaughterhouse blues, ferocious and phenomenal on stage (and often off, for part of the set at least) The Hungry Ghosts are one of the most exciting bands playing in the Midlands today. I’ve said it before and I’ll say it again.

But seeing (and hearing) is believing, so get yourself to the Actress & Bishop on Saturday 25th Nov and bear witness to this first hand. Meanwhile, amongst the coyotes and shadows of an unforgiving prairie…

‘Amerika’ – The Hungry Ghosts

For more on The Hungry Ghosts, visit www.thehungryghosts.co.uk

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Ed Geater

I felt more than a little sheepish asking Ed Geater to play the ‘support’ slot at our Winter Showcase, but he graciously didn’t flinch and said yes. So we poker faced it and casually sent him a Booking Confirmation. Playing it cool…

Beatboxer, singer songwriter, possibly Birmingham’s best collaborator, and a proper, PROPER performer – Ed Geater is a unique gem that this city should be proud to call one of their own. The Birmingham Review Winter Showcase will be Ed Geater‘s last gig for ‘a while’, as he’s hibernating to concentrate on some new material (… fe, fi, fo, fum, I smell the blood of an album) and we are uber excite to get this man on a stage we’re promoting. Playing first, make sure you get there for doors open at 8pm – you do not want to miss a minute of Ed Geater.

‘Don’t Think’ – Ed Geater

For more on Ed Geater, visit www.edgeater.co.uk

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Birmingham Review presents its Winter Showcase at the Actress & Bishop on Saturday 25^th November with Rews, The Hungry Ghosts and Ed Geater.

Advance tickets are priced at £8 (+bf) and can still be bought via See Tickets until 12noon on Sat 25^th – for online sales, click here.

For more from the Actress & Bishop, including venue details and links to event, visit www.facebook.com/Actressandbishop