Tag: Birmingham Preview

Posted on

BPREVIEW: Beastly Belle @ Midlands Arts Centre 15-16.02.20

Words by Ed King / Pics by Andi Sapi

Running for four shows across two days, Beastly Belle comes to the Midlands Arts Centre (MAC) on Saturday 15th and Sunday 16th February – kicking off Birmingham’s half term holiday weekend.

Presented by the Norwich Puppet Theatre, tickets for Beastly Belle range from £8.50 to £12.50 – covering a variety of options for adults, children (4yrs+) and babies.

With an 11am performance and a 2pm performance across the weekend, held in the MAC’s Foyle Studio, you can find out more information (and online ticket links) for Beastly Belle by visiting www.macbirmingham.co.uk/event/beauty-the-beast-beastly-belle

For those of a certain generation, the Midlands Arts Centre is somewhat synonymous with puppets – beautifully crafted characters that used to adorn both the walls and the stages of the old Cannon Hill Park complex. Now, to start a programme of productions and workshops for the Birmingham half term holiday, MAC is welcoming another ensemble of wood and string – as the story of Beastly Belle takes to the Foyle Studio on Saturday 15th and Sunday 16th February.

With a narrative perfectly pitched for today’s Instagram and Love Island devotees, yet one ‘inspired by the iconic era of 1920s and 30s cinema’, Beastly Belle tells the story of the eponymous Belle – a wannabe starlet that is plucked from poverty and given all the ‘glitz and glamour’ of the silver screen.

But what coulda, would, shoulda been a wonderful tale of rags to riches soon turns sour, as our titular heroine become seduced by the adulation of aesthetics and becomes ‘ensnared by a world obsessed with good looks’. Sounds sadly all too familiar.

Told through puppet theatre, against a backdrop of film projections and an original score, Beastly Belle tackles an issue that is all too prevalent in the world of young people today – self-worth, and the misguided benchmarks of ‘beauty’ that can be so crudely used to define it.

The play’s promotional material also cites influences from the classic fairy tale, Beauty and the Beast – so chances are this story ends with a newfound sense of self and an insightful epiphany. Which is no bad thing, for anyone at any age.

But told through puppet theatre, Beastly Belle will at least to give you a good hour of distraction (and silence) even if the message gets missed – which again to those of a certain generation, namely the one’s paying the ticket price, might not be a terrible consolation prize this half term.

And if you remember the MAC’s puppets of yore there may be some warm nostalgia as you stretch back and recall your younger days at the Cannon Hill Park complex… just remember it’s the weekend, and a school holiday, so that ice cream truck is also probably still there too.

Beastly Belle – official trailer (as used for performances at the Norwich Puppetry Theatre)

Beastly Belle comes to the Midlands Arts Centre on Saturday 15th and Sunday 16th February – with shows at 11am and 2pm on both days. For more direct information and links to online ticket sales, visit www.macbirmingham.co.uk/event/beauty-the-beast-beastly-belle

For more from the Midlands Arts Centre, including further event listings** and online ticket sales, visit www.macbirmingham.co.uk

For more from the Norwich Puppet Theatre, visit www.puppettheatre.co.uk

_________________

**If you like the look of this, why not check out some more family friendly shows at MAC:

Roald Dahl & The Imagination Seekers (21st and 22nd Feb), visit www.macbirmingham.co.uk/event/roald-dahl-the-imagination-seekers

Sarah & Duck’s Big Top Birthday (4th to 6th Apr), visit www.macbirmingham.co.uk/event/sarah-ducks-big-top-birthday

Through Time (17th Apr), visit www.macbirmingham.co.uk/event/the-noise-next-door-through-time

________

NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual aggression in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

Posted on

BREVIEW: Asking for It @ Birmingham REP – running until 15.02.20

Words by Emma Curzon / Promotional image by Hugh O’Connor

This searing production is a play that demands to be seen: a bleak, rage-filled tragedy that shines an unflinching spotlight on 21st-century rape culture and refuses to let you look away.

Hosted by the Birmingham REP, after a highly-acclaimed run at Ireland’s National Theatre, Asking for It was adapted for the stage by Irish playwright Meadhbh McHugh and director Annabelle Comyn, from the novel of the same name by Louise O’Neill.

The premise is as simple as it is horrific: Emma, a teenage girl from a small town in County Cork, is gang-raped at a party; the rapists take photos of the attack and post them online. Cue a brutal, sickening spiral into slut-shaming and victim blaming by everyone from journalists and radio callers, to neighbours, classmates and her own parents, in a twisted form of collective punishment for “ruining those good boys’ lives” (I’m paraphrasing, but not by much – that’s the horrifying part).

There are three main pillars to the play’s considerable strength: the expert writing of McHugh (and O’Neill), Comyn’s direction, and a truly stellar performance by Coe. In fact, I can honestly say that the Dublin-grown actress gives one of the most heart-rending portrayals of a trauma survivor that I’ve ever seen.

Coe moves seamlessly between numb depression, terrified panic attacks, and horrified despair. She is an unforgettable – no, powerful presence, even as her character becomes smaller, more vulnerable and more traumatised by the second. The rest of the cast, too, give strong performances, particularly Dawn Bradfield as Emma’s mother and Liam Heslin as her well-meaning but ineffective brother.

No review of this play, either, should overlook its non-human elements. Here, the metaphorical Oscar goes to Paul O’Mahony’s set, a monochrome structure of glass boxes and panels that are moved around to create various settings, and onto which flickering, blurry video footage is projected. Both are brilliantly deployed to highlight Emma’s downward spiral as she becomes more and more trapped, both physically and mentally. Eventually, the set has enclosed the entire stage to make the walls and roof of her kitchen, by which point she is too traumatised and stigmatised to leave the house.

The choices of soundtrack were commendable too, although I do question the realism of incorporating an admittedly excellent dance routine to David Guetta’s ‘Hey Mama’. I’m not saying teen parties are devoid of David Guetta, but I’m pretty sure they don’t include perfectly synchronised, choreographed dance sets.

The main downside of the play is that parts of the narrative are left underdeveloped. McHughs is admirably thorough with Emma’s development, but other characters are neglected. Despite lengthy periods in Act 1 being spent on Emma’s peers, including brief monologues, they – including a friend who has also been assaulted – rapidly vanish, never to be seen again. It spends too much time, by contrast, on Emma’s appearance (if she were less “beautiful”, she wonders, would that night have happened?) rather than acknowledging that a rapist can target anyone, no matter what they look like.

Still, any flaws are generally forgivable given as the play has a clear aim and, in my mind, more than achieves it. It’s a hard-hitting, bitter dissection of the hell of rape and its aftermath – a snarl of defiance against a world that still, too often, blames rape victims (especially women) for their assaults. It’s a refusal to be silenced and ignored when many would like nothing better than to look away, and a defiant claiming of a voice for the millions of real-life Emmas all over the world, even as their fictional counterpart’s own voice is slowly eroded away into nothing.

In the REP foyer, a few volunteers from Birmingham and Solihull Women’s Aid (BSWA) set up a stand with flyers advertising their helpline. In the women’s bathrooms, on the insides of the cubicle doors, a poster asks me: has this play affected me in any way? If so, it then gives the numbers for BSWA and the Rape & Sexual Violence Project.

Leaving the theatre, I have to wonder – did anyone in the audience call either number? Did the play bring up memories of their own, similar experiences? With around 85,000 women and 12,000 men experiencing rape or attempted rape in England and Wales every year, there’s a distinct possibility that the answer is ‘yes’. And that, more than anything else, is why this play is so desperately needed.

Asking for It – official trailer

Asking for It runs at the Birmingham REP until Saturday 15th February, with evening shows and matiness shows on Saturday 8th and Thursday 13th February. For more details, including the full show schedule and links to online ticket sales, visit www.birmingham-rep.co.uk/whats-on/asking-for-it

**Please note: Asking for It is recommended for 14+. The show contains scenes of a sexual nature, strong language and violence** 

For more on Asking for It, www.askingforit.ie 

For more from the Birmingham REP, including further event listings and online ticket sales, visit www.birmingham-rep.co.uk

________

NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual aggression in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

Posted on

BPREVIEW: REWS + Novacub, [SKETCH] @ O2 Institute 3 – 21.03.20

Words by Ed King / Pics courtesy of REWS – Marshall Records

On Saturday 21st March, REWS come back to Birmingham – bringing The Phoenix Tour to the O2 Institute 3.

REWS will be joined by their travelling companions and Bloc Party splinter group Novacub, performing alongside local support band [SKETCH] – hot off the heels of a sell out show supporting The Pagans S.O.H. and Kioko. But more on these little beauties a little later…

Minimum age of entry to the REWS 21st March show is 14 years old, with the O2 Institute opening the top floor venue doors from 7pm. Tickets are priced at £10 (+ booking fee) – as promoted by Metropolis Music and Birmingham Review. For more gig info and links to online ticket sales, click here to visit the Facebook event page.

** Birmingham Review will donate £1 from all tickets sold through Review Publishing to the NOT NORMAL NOT OK campaign – challenging sexual violence in the music industry. From dance floor to dressing room, everyone deserves a safe place to play. Click here for tickets: www.reviewpublishing.net/product/rews-novacub-sketch-o2-institute-21-03-20**

REWS, or ‘the mighty REWS’ as we have begun calling this band, were last in Birmingham supporting The Darkness – playing to a packed out arena at the O2 Academy just before Christmas. Before that, the mighty REWS (…told you) were supporting Halestorm, again at the O2 Academy, as the North American rock giants stomped their sell out tour across the UK in September 2018.

Now REWS are back in Birmingham for one of the final few dates on The Phoenix Tour, which founder and frontwoman Shauna Tohill explains is: “celebrating rebirth and change, which seems quite apt, given that we are all going through dark times at the moment. I’m hoping it will inspire people to keep positive, be confident and change for the better. Expect new tunes, a new band and a safe space to immerse yourself. See you at the front!”

Led by N. Irish musician and songwriter Shauna Tohill, REWS somewhat exploded onto the UK’s live circuit a few years ago – releasing their first album, Pyro, in November 2017. Chocked with ‘wall to wall bangers’ (which is you’ve ever been to a REWS gig is a pretty appropriate metaphor) this ambitious debut featured previously released singles such as ‘Miss You in the Dark‘, ‘Shine’, ‘Your Tears’, and Birmingham Review favourite ‘Can You Feel It?’

A monster of an album, with an infectious onslaught of high energy alt-rock/pop, the onlything better than listening to a copy of Pyro is when REWS play it live. But don’t take our word for it, as this 10 track line in the sand won REWS a bevy of Radio 1 airtime and a spot on the John Peel Stage at Glastonbury 2018 – with plaudits across the BBC and Pilton festival alike, including Mark Radcliffe’s clarion call: “Stupendous – if you get a chance, go and see them. Go.” A sentiment we whole heartedly agree with.

REWS were also the inaugural UK signing to Marshall Records, when the ionic rock music brand formed it’s own record label in 2017 – opening up territories across the globe and seeing this ferocious high rising balloon travel even further.

And it’s been strength to strength for REWS ever since (albeit with some lineup changes at the tail end of 2018, turning the two piece into a three piece) as the act once nominated for Planet Rock’s ‘Best New Band 2017’ are now back on the road and releasing some of their best new music to date. Which considering their back catalogue is a hard bubble to burst, with only the inevitable ‘…album two’ question left hanging in the air.

But again, don’t take our word for it – to check out REWS’ latest single, ‘Birdsong’, click on the airtwork above or the video below. And if after listening to it you think all the hype is hyperbole, then you’re either a cynic by default or clinically dead on the inside. And that’s as objective as I can get.

Then again, you might just want a little more proof. Perhaps in a live setting, for example. Which is fair enough… I suppose. Did we mention REWS come to the O2 Institute 3 on Saturday 21st March?

‘Birdsong’ – REWS

REWS perform at the O2 Institute 3 on Saturday 21st March, with support from Novacub and [SKETCH] – as promoted by Metropolis Music and Birmingham Review, with support from the NOT NORMAL NOT OK campaign. For more gig info and links to online ticket sales, click here to visit the Facebook event page.

**Birmingham Review will donate £1 from all tickets sold through Review Publishing to the NOT NORMAL NOT OK campaign – click here for tickets: www.reviewpublishing.net/rews-novacub-sketch-o2-institute-21-03-20/**

________

For more on REWS, visit www.rewsmusic.com

For more on Novacub, visit www.wearenovacub.com
For more on [SKETCH], visit www.sketchband.com

For more on the O2 Institute, including venue details and further event listings, visit www.academymusicgroup.com/o2institutebirmingham

________

NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual aggression in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

Posted on

BPREVIEW: Action 4 M.E. Fundraiser @ Actress & Bishop 27.01.20

Words by Ed King

Genevieve Miles will perform as part of a special line up at the Action 4 M.E. Fundraiser gig – to be held at the Actress & Bishop on Monday 27th January. Also appearing will be Rhianna Keane, Echo Gecco, PJJ and Mr. K.

Entry to the gig is free, but with a suggested donation of £3 – or whatever you have left after the weekend (fiscally speaking). All proceeds go to the Action for M.E. national charity, which campaigns across the UK ‘to end the ignorance, injustice and neglect faced by people with M.E.’

Doors open for the Action 4 M.E. Fundraiser gig from 7pm, held upstairs at the Actress & Bishop. For more direct gig information, click here to visit the Action 4 M.E. Fundraiser Facebook event page.

In a healthy hodge podge of approach and style, this Action 4 M.E. Fundraiser gig brings an evening of live music and spoken word, embacing genres from neo-soul to indie pop. You might even find a little space disco in there… trust us, you’ll know it when you hear it.

But organised by Genevieve Miles, who’s sophomore Libra Rising EP was released in May 2019, the evening is being organised ‘to raise money and awareness’ to hep sufferers of M.E. – challenging the stigma of the debilitating disorder and helping to support the patient founded Action for M.E. charity.

Miles has suffered with M.E. since she was 14 years old, with the disorder altering the path of the formative years most of us take for granted. But through her music she was able to find both a platform of expression and the personal drive to challenge her M.E. head on, committing to performances even though ‘sometimes it was so refreshing and enjoyable, other times it was painful and really just horrible.’

In an article written for the Action for M.E. website, Miles explains: ‘I definitely feel like I missed out on a proper teenage experience. I remember in school thinking I would never get a relieved ‘Friday feeling’ again because Friday just meant a weekend of being wiped out stuck in the house before somehow dragging myself out for lessons again on the Monday.’

An often misunderstood disorder, M.E. can be hard to diagnose and as of yet has no cure – only the treatment of symptoms. But the Action 4 M.E. Fundraiser gig is hoping to help change and challenge this, as Miles continues: ‘I’ve recruited some of my favourite Birmingham artists for a gig to raise money and awareness for M.E. It feels so good to be organising this gig, it gave me a confidence to be more open about my experience of M.E. with my friends. I’ve always found it really hard to explain because there are so many different symptoms; I rarely explained to my friends how I felt, so this new confidence is freeing.’

But keen to keep music also at the core of this event, Genevieve Miles has programmed an eclectic line up from the local live music scene. Rhianna Keane will be bringing her neo-soul and R’nB vibes to the evening, whilst Echo Gecco will be wrapping their finely stitched blanket of prog, rock and jazz tinged genres around the crowd.

PJJ will be spicing things up/sleazing things down with a little bit of the aforementioned space disco, as Mr. K delivers a set of ‘genre-bending spoken word music that engages and impacts.’ And last but not least is Genevieve Miles, who will be performing her plucky-in-the-face-of-adversity indie pop.

But if our oh-so-clever descriptions aren’t grabbing you, never fear… there’s a handy Spotify playlist to help promote the show. Stop, look, and listen below:

Genevieve Miles will perform as part of the Action 4 M.E. Fundraiser at the Actress & Bishop on Monday 27th January – alongside Rhianna Keane, Echo Gecco, PJJ, and Mr K. For direct gig info and links to online ticket sales, click here to visit the Facebook event page. 

For more on Genevieve Miles, visit www.genevievemiles.com

For more from Action for M.E., visit www.actionforme.org.uk

For more on the Actress & Bishop, including venue details and further event listings, visit www.theactressandbishop.co.uk

________

NOT NORMAL NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual aggression in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play.

To learn more about the NOT NORMAL NOT OK campaign, click here. To sign up and join the NOT NORMAL NOT OK campaign, click here.

If you have been affected by any issues surrounding sexual violence – or if you want to report an act of sexual aggression, abuse or assault – click here for information via the ‘Help & Support’ page on the NOT NORMAL NOT OK website.

Posted on

OPINION: When someone says rape…

Words by Ed King / Lead image provided by Getty Images

I want you to remember your best sexual experience. I want you to relive it, in every detail, the most pleasurable and safe experience you’ve ever had with a lover.

I want you to remember where you were, what you wore, what you had to eat and to drink. I want you to remember what they wore, until they wore nothing. I want you to remember what they ate and they drank.

I want you to remember every step of the sex itself – every physical touch and every emotion that went with it. I want you to remember what they did first, what they did last. I want you to establish a timeline. I want you to remember the strength of their body, if their skin was hot, cold, rough, or smooth. I want you to remember if, at any point, you smiled. Or laughed, even if you didn’t mean to. I want you to remember them entangled with you. I want you to paint a vivid picture of the flesh and the thoughts and the sweat and the noise.

Now I want you to go into the street and tell the first person you meet, a stranger. Tell them everything.

Now I want you to do the same for your worst sexual experience.

___________________

This is an exercise in empathy I saw the Birmingham based Rape & Sexual Violence (RSVP) organisation deliver, to a group of venue operators and licensees at a South Side Pub Watch meeting. It was a ‘tough crowd’, fidgeting through a hot afternoon and a meeting they were obligated to attend. But this stopped the room. This made us think. Can you imagine actually doing that…?

The idea is to put yourself in the position of a victim of sexual assault, to help you to respond to any cases of sexual violence that might happen around you. To better understand what a victim of sexual assault would have to go through just to report what had happened to them – just to start a criminal investigation, to hold a rapist to account, to get justice. To stop it happening again.

It gets worse for the victim too, this is only the first step – the next is a line of cross examination to see if they would be a viable voice in court, with all the clichés and rebuttals that circle cases of sexual violence like patriarchal vultures. Did you lead them on? Did you know them? Did you act like you wanted sex? Were you drinking? Were you high? Was your clothing too sexy? Did you laugh at their jokes? Did you actually say the word ‘no’…?

But the RSVP exercise has stuck with me as a powerful way to put yourself in this terrible situation, even by proxy, and to allow even only a thin line of understanding for the process a victim of sexual violence will have to go through when they report what happened to them. Just the process of reporting it. Not the violence. Just the admin around it.

This pub watch meeting was over a year ago, but it came back into my head the other day when a social media post about sexual violence in Birmingham’s music scene got challenged – in a rather immediate and short sighted response, ‘evidence’ was asked for. Now this is not an attack on anyone for being involved in this conversation, debate and open discussion is healthy. And there is a side of me that says fair enough, evidence is important. Crucial in a courtroom. As a journalist reporting on anything, not just cases of sexual violence, I would be screaming “facts, figures, and cross referencing,” into my laptop.

Also, to be falsely accused of sexual violence must be a terrible experience – it does happen, you can’t and shouldn’t say it doesn’t. People of all genders and identification, of all ages, of all strata in society, are capable of lies.

But the bigger problem – the much more serious, pressing, and pertinent issue – are all the cases of rape, sexual assault, violence, coercion, abuse, and manipulation that never get reported. With all the sexual aggressors that continue to normalise their heinous actions because the victim is too scared, too wounded, too vulnerable or unsupported to go through the reporting process. Because people of all genders and identification, of all ages, of all strata in society, are capable of causing pain.

So, what do we do? Being involved in the NOT NORMAL NOT OK campaign has been, and remains to be, a significant learning curve for me – there was a point when I may have been the one calling for something to back up someone’s claim. Although I would like to think I would have done this at a later stage, off social media, and only if it was relevant for me to do so (i.e. not challenging someone who I didn’t know about something I was not privy to). And we are all fallible.

Plus, working with RSVP and the sexual violence and modern slavery team at West Midlands Police has helped me shape my understanding – something not everyone gets the chance to experience. But the first step to take around cases of sexual violence is relatively simple.

You listen.

Start there. Listening helps. Listening empowers people to recall and recant the most hideous of experiences, and to find strength to do it clearly – explaining the facts, figures and ‘evidence’ that someone at the appropriate stage will be looking for.

But the point of right and wrong, of truth and lies, is a few steps down the line. And we’re only at the first – you rarely know the veracity of what anybody is telling you, about anything, from an opening statement. You certainly don’t know it from a post on social media. Walking into this conversation immediately asking for proof will not help someone to deliver information, to explain the situation – it will only help silence them and countless other victims who need support and who need to be heard.

So, listen. Again, start there. Don’t shut someone down because you don’t want to hear what they have to say, or because you hold crossed fingers that it will turn out to be untrue. We’re not there yet, there’s a challenging and difficult process to go through until we reach a point of cross examination – one that is designed, in essence, to begin addressing what is true and to hold people to account.

And if it helps, use the RSVP exercise – put yourself in the position of someone who has experienced sexual violence and has found the strength to talk about. To speak out. To challenge it. To seek help and to seek help for others.

There is an old and troubling adage that if you’re being raped then you should shout “fire”, because people would be more likely to come to your aid.

What would you want the first response to be?

Ed King is the campaign lead for NOT NORMAL NOT OK, challenging sexual violence in the music industry and beyond – from dance floor to dressing room, everyone deserves a safe place to play. For more on NOT NORMAL NOT OK, visit www.notnormalnotok.com

If you have been affected by any issues surrounding sexual violence and want to seek advice or support, visit www.notnormalnotok.com/category/support-advice or email info@notnormalnotok.com