Birmingham Preview Archives

July 25, 2018July 25, 2018

BPREVIEW: Blame It On Bianca Del Rio @ Symphony Hall 30.07.18

Words by Ashleigh Goodwin

Following her sell out Not Today Satan tour in 2016/7 , Bianca Del Rio is back at Birmingham’s Symphony Hall with her Blame It On Bianca stand-up comedy show on Monday 30^th July.

The evening’s entertainment starts in the Symphony Hall Foyer & Café Bar from 6pm with a live performance from Soprano Alexandra Bork and pianist Nick Bonadies, followed by a ‘pre-show party’ with DJ Lady Miss Ikea at 7pm. The main Blame It On Bianca show is scheduled to start at 8.30pm.

The event is strictly 16+ and is currently sold out, with no further tickets planned for release at the time of writing. For direct show information, including venue details and online ticket sales, click here.

Bianca Del Rio is primarily known as the winner of RuPaul’s Drag Race Season 6, with her outspoken nature, caustic comedy, and razor-sharp wit quickly making her a firm fan favorite. Del Rio was further voted as the viewers’ favorite winner from Drag Race Seasons 1-6 in a poll conducted by Logo TV, the then broadcaster of the RuPaul show.

Bianca Del Rio solidified her competency and professionalism as a performer through iconic RuPaul challenges such as ‘The Snatch Game’ and the ‘Queens of Comedy’, with the show’s titular host saying of her stand up routine in the latter that not only did she “kill it,” she “murdered it”. This should give you a hint of the possible hilarity/havoc on its way to the Symphony Hall stage.

To open the night, FLUID Festival are presenting free pre-show entertainment ‘as part of Symphony Hall’s foyer events programme’ before the Blame It On Bianca Del Rio show. Soprano Alexandra Bork and pianist Nick Bonadies will be performing from 6pm, whose collaboration ‘focuses on opera’s heart-shatteringly high-diva moments to cabaret classics… and smashes down walls between classical concert halls and queer performance spaces. ’

Additionally, ‘international dance music DJ’ Lady Miss Ikea will be appearing from 7pm, playing a mixture of ‘the most glamorous deep, house, disco and wildest pop’ and getting the audience ready for the “clown in a gown” Del Rio.

And whilst self-proclaimed, “clown in a gown” only touches the surface of Bianca Del Rio, with costume designing, three stand-up comedy tours, numerous theatre performances, and film roles all under her belt. Del Rio was also the ‘first contestant in the shows’ history’ of the phenomenally popular RuPaul’s Drag Race ‘to make it through the entire competition without every placing in the bottom three for a challenge’ – with Del Rio’s ‘go hard or go home’ ethos also taking her recent Blame It On tour across Australia, Asia, South America, North America and mainland Europe before landing in the UK.

Not a bad list of accolades, let’s just hope she’s got some energy left. For as the queen of insult comedy has said of Monday’s event: “I hope you’re ready for some filthy, nasty, hateful humor because I’m coming to Birmingham with a brand-new comedy show”. Symphony Hall front row, you have been warned.

Bianca Del Rio brings her Blame It On stand up show to the Symphony Hall on Monday 30th July 2018. There will be pre-show entertainment from soprano Alexandra Bork and pianist Nick Bonadies, as well as a set from DJ Lady Miss Ikea in the Symphony Hall Foyer & Café Bar. For direct show information, including venue details and online ticket sales, visit www.thsh.co.uk/event/blame-it-on-bianca-del-rio

For more on Bianca Del Rio, visit www.thebiancadelrio.com

For more from the Town & Symphony Halls, including venue details and further event listings, visit www.thsh.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

July 25, 2018

BPREVIEW: DJ Format & DJ Pogo – The Brum Do Over BBQ @ The Hawker Yard 28.07.18

Words by Ed King

On Saturday 28^th July, DJ Format and DJ Pogo headline a day of hip hop, breaks, summer beats, break dancing, and sizzling snacks at The Brum Do Over BBQ – as presented by Scratch Club, Breakfest, and The Yardbird.

Hosted by The Hawker Yard, doors open to the The Brum Do Over BBQ from 2pm, with the event running until midnight.

Entry is free, gratis, zip, nada, zilch… leaving some room in the pocket for whatever’s looking good on the grill and the cocktails that should be floating around somewhere. It is officially summer, after all.

Coming up from Brighton, DJ Format is a stalwart of UK hip hop – cutting his teeth with Jurassic 5 and DJ Shadow back in the early noughties, then stamping his authority with his revered debut album, Music for the Mature B-Boy (2003), and ‘tougher sound’ sophomore, If You Can’t Join ‘Em… Beat ‘Em (2005). DJ Format’s latest LP, Still Hungry, was recorded alongside MC Abdominal and released on AFF Records in 2017.

Travelling from a little further afield, DJ Pogo is one of the founders of DMC Brazil – setting up the South American arm of the DJ competition after being crowned the UK Champion in 1997. An ambassador for the Brazilian turntable movement, DJ Pogo also has a strong name on the UK scene as the man behind remixes and productions for UK rap troupes such as London Posse, Demon, and Monie Love.

For direct event information about the The Brum Do Over BBQ at The Hawker Yard on Saturday 28^th July, check out the Facebook Event Page by clicking here.

So why a ‘do over?’ We get the BBQ bit, but as the event itself declares ‘the do over is a chance to do something over and over again to right a wrong or make something better.’ The key to this is the promoter collaboration; skip back to the first line of this BPREVIEW and say those words out loud. If you’re of a certain age, stage, or sensibility you’ll get this straight away. But if you’re not, allow me to furnish you with a little of Birmingham’s cultural back catalogue.

Before the centre of town was permanently ‘under construction’, and the revolving glass doors of Paradise Forum were still turning (and stalling, and stalling again) there’s was a feisty little independent music venue called The Yardbird. A proper meeting place for artists and performers, The Yardbird had jazz, funk, hip hop, and roots running through it’s small yet well endorsed veins – seeing the rise of DJs like five times World DMC Mixing Champion Mr Switch nestled alongside the great, good, and going to be huge from the jazz fraternity at Birmingham Conservatoire.

As eclectic as Birmingham can be, The Yardbird was quite simply a home away from home for many musicians and music lovers alike. Then one Tuesday evening a new hip hop, freestyle, and breaks night opened called Scratch Club… eight years later and the event packed around 200 people into The Yardbird every fortnight without fail. Until The Yardbird closed, and a sigh was heard echoing round the city.

It sounds romantic, sure, but just mention a few of these names to certain people in certain corners of this city and see their reaction. The Yardbird was one of those ‘special places’ for many people in Birmingham, with the regular success of Scratch Club born from an open mic/open door policy and supported by a venue whose firm drive was the music.

And now the partners that brought that touch of magic to our city’s soundscape are back – taking over The Hawker Yard on Saturday 28th July, with DJ Format and DJ Pogo headlining a crew of DJs and dancers including DJ Mushroom (Breakfest), Automoton (Scratch Club), Ill Boogs & Rob Life (Breakin Bread), DJ Silence/Tha Tarmac Nomad (Break Mission), DJ Junk (Second to None) and the man who opened, owned, and ran The Yardbird – Ollie Lloyd.

“A ‘do over’ is actually an American expression, it literally means to do something again,” explains Tom Dunstan – aka Automaton, and the promoter of Birmingham’s Scratch Club. “Sometimes it’s to right a wrong, sometimes to do something better than you have in the past, however, in this case, it’s to work in collaboration with Breakfest, Scratch Club and The Yardbird.

Historically, we’ve each helped one other out from time to time and collaborated at music and dance events. But this is the first time all three of our brands have stood up together to do something like this.

In a music scene that can be divided at the best of times, we’re genuinely bringing this show to Brum in the spirit of unity. It’s being held in an independently owned, off grid venue; it’s entirely a not-for profit music showcase and, therefore, completely free to attend. I hope it’s the first of many.”

And I’m sure many would agree. But the bricks and mortar that bound you all together shut around three years ago; despite being the hottest British summer on recent records, what’s the impetus for a ‘do over’ now?

“Well, some might say that there is a rare planetary alignment of the hip hop and funk planets over Birmingham on Saturday the 28th of July,” explains Ollie Lloyd, who opened The Yardbird back in 2007, “but I’d suggest it’s more the case that everyone on the bill has a long standing relationship with Darren (DJ Mushroom) and also many of the DJ’s have roots in the Midlands so I’m sure there will be a few family catch ups on Saturday.

What started off as Mushroom looking for a venue to put on DJ Pogo, whilst he is visiting the UK from Brazil, grew into something bigger and funkier than was ever planned. It’s not often you see a line up in Birmingham with the calibre of DJ’s that this session offers, but luckily everyone involved was available and happy to contribute their records and skills for what promises to be a legendary meeting of musical minds and sounds.

As owner of now-closed The Yardbird Jazz Club, I had the pleasure of hosting Format, Pogo, and Rob Life over the years, all DJ’s that have instant power and musical charisma over a dance floor and created some of my favourite memories at the venue. Darren is a good friend of mine, someone that I met through his involvement as main organiser of the Breakfest B-Boy events that used to be held nationwide. Tom (Dunstan/Automaton) is an old friend who launched Scratch Club at the bird, which ran with us for many years. Not forgetting DJ Junk, legendary Bournemouth based producer and b-boy (Second 2 None Crew) and Ill Boogs, heavy weight funk/breaks producer (and b-boy too) on the Breakin’ Bread label .

It’s a nice feeling to work with a collection of Birmingham promoters (and friends) to pull together an event that is just for two things – the music and the people. Our gift to Brum is the perfect line up in the coolest outdoor space, absolutely free, and packing in 10 hours of the slickest funk, soul, hip hop and breaks known to man.”

DJ Format & DJ Pogo headline The Brum Do Over BBQ at The Hawker Yard on Saturday 28^th July, in a collaborative event from Scratch Club, Breakfest and The Yardbird. Entry is free, with a range of food and drinks available on site all day. For direct event information, visit the Facebook Event Page by clicking here.

For more from Scratch Club, including further event listings and online ticket sales, visit www.facebook.com/scratchclubbirmingham

For more on The Hawker Yard, including venue details and further event listings, visit www.hawkeryard.com

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

July 20, 2018

SINGLE: ‘Strangers’ – The Taboo Club 20.07.18

Words & live pics by Ed King

On Friday 20^th July, The Taboo Club release their debut single ‘Strangers’ – a taste of what’s to come, with their next track, ‘Bible John’, already earmarked for release in autumn this year. But first things first.

‘Strangers’ will be available for free download through the standard online steaming sites from Friday 20^th July, with some helpful signposts no doubt on the band’s social media. For more information direct from The Taboo Club just hop, skip and jump over to their Facebook page – click here.

The first track to come from this relatively new band (although each member has been playing in one guise or another for long enough for me to wince at the descriptive) ‘Strangers’ is as perfect an introduction to The Taboo Club as you could get. Having recently seen them pop their live cherry at The Dark Horse – supporting those glorious astral adventurers, The Mothers Earth Experiment – The Taboo Club are hard a little to surmise. But it’s my job to try, and by doing so I will be making a paint by numbers review of ‘Strangers’ itself. Right then, where to begin…

There’s a sax, which is awesome, and keys, which are both wonderfully used (not over) by Ben Oerton. Although this invites the lazy journalist jazz references to come spilling out when I’m not watching the keyboard.

But this is not jazz, even if it reminds me of ‘bourbon lit Harlem dive bars’; the overall ‘tapestry of genres’ from The Taboo Club is very much driven by guitar – a duel attack from Jack Ingaglia (rhythm) and Josh Rochelle-Bates (bass), reminding this writer of the Velvet Underground if they happened across Maceo Parker one night and took a shit load of mushrooms. Then, lurking behind some omnipresent red velvet curtains, is a steady kick drum, heartbeat, and teasing rim tap from Aiden Price – all led by Rob Lilley’s deep, brooding, and yet curiously comforting vocals.

‘Strangers’ works with these jigsaw pieces, creating a surprisingly short layer cake of crescendos; I say surprisingly short as you could quite easily, and happily, see this ensemble rise and freefall for a good 15minutes before pausing for breath. And no doubt, in the aforementioned New Your suburb, someone under some other name is doing just that.

Produced with aplomb by Ryan Pinson, ‘Strangers’ is a touch of red velvet class to come out of the Birmingham music scene – a true musical fusion without the hubris or hangover of years at the Conservatoire. But to be fair, any of The Taboo Club could well be classically trained – they just haven’t felt the need to tell us about it during the first round of drinks. And the second.

But they did have a few words to throw on the table, in a bold declaration from the ‘Strangers’ press statement, that explains: ‘The Taboo Club are entirely of their own, comprising of and expressing the values of its individual members to create something heart-breakingly cathartic’. And I couldn’t have put it better myself.

The Taboo Club release ‘Strangers’ on Friday 20^th July – available for free download through all the usual online steaming sites. For more on The Taboo Club, visit www.facebook.com/TheTabooClubUK

The Taboo Club Showcase Gig with Birmingham Review will be held at The Victoria on Saturday 29^th September. To find out more, and to be on the waiting list for when tickets are released, visit the Facebook Event Page by clicking here.

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

July 19, 2018

BREVIEW: The Mothers Earth Experiment @ The Dark Horse 13.07.18

Words & pics by Ed King

I never played at the Whisky a Go Go. I was never in the house band; I was never Morrison. As much I wanted to be, mine was another time, another room. Another stage. Mine was breakbeat, rave, and those pills that had nothing to do with weight loss.

But The Mothers Earth Experiment, tonight, they get close. Close enough for me to start my review with wishes and references. Close enough to make me walk out the door and leave everything behind. Close enough, and what are we if nothing but shallow dreams. But fuck me they rock.

First up tonight though, at this particularly generous free entry Friday night gig at The Dark Horse, is The Taboo Club – the new face of Rob Lilley and Josh Rochelle-Bates, now joined by Jack Ingaglia (guitar), Ben Oerton (sax/keys) and Aiden Price (drums).

Their first live gig together, there are some rehearsal room cobwebs being dusted down tonight, and by the time ‘Bible John’ comes tumbling off stage, led by Lilley’s deep vocals, we are in a red room of sultry intent. Nestled somewhere between the low lit bourbon dive bars of Harlem and an opiate pit of six string destruction that would make the Velvet Underground blush, The Taboo Club are tapestry of genres and influences – driven by guitar, but with tinges of jazz, sax, and keys, giving the wall of sound a deep lustre.

Absurdly promising, even if I am a little biased. The Taboo Club play the next Birmingham Review showcase on Saturday September 29^th at The Victoria and we predict an interesting first time around the sun for this band – a tight ensemble with real depth. So stay alert, you listicles of music press future. More is sure to follow from The Taboo Club.

But back in the present, it’s time for Birmingham’s favourite space cadets to come in for landing. I’ve seen The Mothers Earth Experiment before, and they’re good. They’re tight. Polished psych rock. Musicians who know how to play, and who you get the feeling (I can only observe) really enjoy their time on stage together. At least I love watching their keyboard player.

But there’s something in their set tonight, and the front row, and the bass, and the shoulders that sway in that Nico kinda way. There’s something more. I’m engaged in a different way than before; perhaps it’s the blues rock, for whatever you or I make of that term. But it’s good, and a little ferocious. Two words I’m confident we all understand.

Frontman Mark Roberts pulls his face and eyes out over the crowd, as the band open with ‘Cool Down Mama’ and work backwards through their debut album. The combined exuberance of this six piece, who are probably classically trained (I have no idea but it feels like they could, or should, be) with high ideas and the balls to bring them to life, is unassailable.

I’m a little drunk and lazy as I write this (I recently adopted the stance of penning each review as soon as I get back. You know, whilst it’s ‘still fresh’. The photos on the other hand…) but I have an overwhelming urge to run across the bonnets of parked cars, or laugh. Or actually enjoy myself in public. There’s a deeper edge to The Mothers Earth Experiment tonight that I’m not erudite (sober) enough right now to adequately describe, but it keeps me in the crowd with a half jealous fix on stage. The man next to me agrees. We stop talking and watch. And dance, when the moments of tight self-control allow us.

Donald Trump would not agree. His name is mentioned more than a few times tonight, and not with compassion or without candour. But let’s face it, as we laugh at doom and the absurdity of such a close nuclear winter, the man is indeed “a cunt”. But with balloons and battle cries constantly thrown off stage we are unified at The Dark Horse tonight, on the very day that such monstrosity prepares themselves for dinner with the divine right of kings. And in a further act of general good will, The Mothers Earth Experiment have been passing out NOT NORMAL – NO OK stickers until in the room is adorned with specs of yellow and black. A wonderful sight to see; bless everyone one stage and off. Click here for more on the NOT NORMAL – NO OK campaign.

But we’re nearing the end, my only friend, and the The Mothers Earth Experiment say sayonara with a new track before heading back to the cosmos – ‘Bliss’, which builds, folds, unfolds, and explodes off stage like a grenade wrapped in a cloud. Bliss… For Spaceman 3 playing ‘Revolution’ on a particularly angry day perhaps; the shift from sweet jangles to sonic assault is almost rude… and so much fun. A startling denouement. No encore needed. Although The Mothers Earth Experiment had one planned, as the track listing I stole (it’s usually a journalist) told me was ‘Fortress’.

The rest of my night ends with random friends, strange new faces, stories of pet executions (lack of funds… ouch, you’ve got to love the fluctuating moral compass) and that unpleasant edge in Moseley I’m old enough to reference. Fuck you, I remember when this was all fields…

The Mother’s Earth Experiment at The Dark House, we give you four out of five stars, No one gets five. And I’m sure the letter you send home about this will be the talk of your family Christmas mailout. But I loved it; a great gig. And one that didn’t cost us a bean too.

So to the people of planet Earth, go out and purchase everything on The Mothers Earth Experiment merch stand and keep the world replete with good music. Also, keep Saturday September 29th free for The Taboo Club Showcase Gig with Birmingham Review at The Victoria. That is the judgement of music journalism. It has spoken. Pay no attention to the man behind the curtain. And considering tonight was a free entry gig, with copies of The Mothers Earth Experiment’s eponymous album being given away, I’d say it’s the very least we can do.

For more on The Mothers Earth Experiment, visit www.themothersearthexperiment.wordpress.com

For more on The Taboo Club, visit www.facebook.com/TheTabooClubUK

For more from Sonic Gun, including further event listings and online ticket sales, visit www.facebook.com/sonicgunconcerts

For more on The Dark Horse, including venue details and further event listings, visit www.darkhorsemoseley.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.

July 18, 2018

BPREVIEW: Opulence Presents: Mother’s Meeting – featuring Virgin Xtravaganzah, Mickey Taylor, Twiggy @ The Nightingale Club 20.07.18

Words by Eleanor Sutcliffe

On Friday 20^th July, Opulence Presents: Mother’s Meeting – featuring Virgin Xtravaganzah, Mickey Taylor, and Twiggy at The Nightingale Club in Birmingham. Doors are open from 9pm, and whilst all Early Bird tickets have sold out you can still get advance tickets for £6 – click here for online ticket sales.

N.B. A limited number of tickets will be also available on the door for £7, but these cannot be reserved and are expected to go early. For direct event information visit the Opulence Presents: Mother’s Meeting Facebook Event Page by clicking here.

Opulence are one of Birmingham’s leading drag collectives, who strive to host fun and safe events for Birmingham’s ever growing drag scene. Their debut Mother’s Meeting at Jesters Bar back in April was a rousing success, and this month’s event looks to be even bigger –with Opulence moving the event to the larger Nightingale Club, and three artists schedules to perform as well as Opulence’s resident drag queens.

First up is Virgin Xtravaganzah, a London based queen who has been coined the ‘Mother of Gawd’. Mixing high fashion imagery, comedy and witty song parodies, Xtravaganzah is no stranger to the stage having performed at The Underbelly Festival and can be found hosting London’s infamous Torture Garden fetish parties.

Not exactly where you’d expect to find the Holy Mother, however Xtravaganzah’s interpretation of the Virgin Mary couldn’t be further from what we’re used to – think latex, leather corsets and towering heels as opposed to linen robes and rosary beads.

Next is Mickey Taylor, a singer songwriter who to date has two solo albums and an international tour under his belt. His music is ethereal, dance type tracks – for fans of artists such as Halsey, Lana Del Ray and Troye Sivan.

Taylor has an impressive fan base, having built his reputation through the adult entertainment industry and scooping numerous awards at the British Prowler Porn Awards. His latest album, Midnight Palace, shows a much more refined style in comparison to his gay-pop debut, Puppets Lament, back in 2016.

Finally, Birmingham’s very own lip-sync darling, Twiggy, will also be featured at Mother’s Meeting; Twiggy is one of the Midlands’ best-known drag artists, having honed their craft as a performer back in the 1980s.

Describing their life as “one long fancy dress party”, Twiggy’s signature outrageous club kid style (and headdress) has made them a cult figure of the UK’s drag scene, whilst also becoming the glamorous face of many Birmingham clubs from Miss Moneypenny’s to S.L.A.G. and Sundissential. Having performed at Birmingham’s very first Pride back in 1982, Twiggy is seen as one of the founding mothers of Brum’s gay village and drag scene.

With three headliners plus Opulence’s very own drag entourage, expect to see the likes of Yshee Black, Nora Virus, Elliot Barnicle, and drag duo Cocktail Sausage (Petite and Pork Pie) also grace the stage throughout the night.

Opulence Presents: Mother’s Meeting at The Nightingale Club on Friday 20^th July – featuring Virgin Xtravaganzah, Mickey Taylor, and Twiggy. For direct information, including links to online ticket sales, click here.

For more on Virgin Xtravaganzah, visit www.virginxtravaganzah.com

For more on Mickey Taylor, visit www.misfitarmy.com

For more on Twiggy, visit www.instagram.com/twiggybirmingham

For more on Opulence, visit www.facebook.com/opulencebirmingham

For more from The Nightingale Club, including full event listings and online ticket sales, visit www.nightingaleclub.co.uk

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NOT NORMAL – NOT OK is a campaign to encourage safety and respect within live music venues, and to combat the culture of sexual assault and aggression – from dance floor to dressing room.

To sign up to NOT NORMAL – NOT OK, click here. To know more about the NOT NORMAL – NOT OK sticker campaign, click here.